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WOMAN'S... 
EXHIBITION 


T 


1900. 


Earl's  Court. 

London, 


s.w. 


OFFICIAL 


fine  Art,  Historical 


AND 


- 

General  Catalogue. 


IMEE  KIRALFY, 


Director  Gefiefdt 


PRICE  SIXPENCE. 


Spottiswoode  &  Co.,  Printers,  54  Gracechurch  Street,  E.C. 


Support  Home  Industries, 
Employ  British  Labour. 

BRYANT  &  MAY'S 

SPECIAL  PATENT 

SAFETY  MATCHES 

Afford  Protection  from  Fire,  do  not  con- 
tain Phosphorus,  and  are  quite  harmless 
to  all  Employed  in  their  Manufacture. 


Manufactured  only  at 

FAIRFIELD  WORKS,  BOW,  LONDON,  E. 

20  Prize  Medals  for  Excellence  of  Quality. 


***  All  communications  respecting  Advertisements  in  the  Publications  of  the  Exhibition 


A  Wonderful  Stimulant  and  Tonic. 

SPARKLING  AND  NON-INTOXICATING. 

TRY  THE  EFFECT  OF  A  GLASS  OF 


AFTER  A  HARD  DAY'S  WORK. 


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6s.  per  doz.  Champagne  Quarts. 


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cocoa  and  tea,  containing  the  nutritive  ingredients  of  the  former 
with  the  caffeine  of  the  latter.' 


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1  a 


NEW  SERIES 


OF 


PERMANENT  PHOTOGRAPHS 


OF  THE 


WORLD'S  GREATEST  PICTURES 


FROM  THE 


NATIONAL  COLLECTION 


Comprising  Masterpieces  of  the  British  and  Foreign  Schools  exhibited 

the  following  Galleries : 


at 


National  Gallery.   South  Kensington  Museum. 

Bethnal  Green  Museum.  Dulwich  Gallery 
Greenwich  Hospital,  and  Tate  Gallery. 

Paris  Louvre,  and  other  Foreign  Galleries 


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THE  SOCIETY  OF  OIL   PAINTERS.  WINCHESTER  ART  SOCIETY. 

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WOMAN'S  .  .  . 


EXHIBITION 


1900  .  . 


EARL'S  COURT,  S.W 


DIRECTOR-GENERAL : 

IMRE  KIRALFY 


. .  .  OFFICIAL  . . 


Fine  Art,  Historical,  and  General 

Catalogue 


SPOTTISWOODE  &  CO.,  54  Gracechurch  Street,  E.G. 


1900 


LONDON  : 

PRINTED   BY  S PO TT1SWOODE  AND  CO. 
54  OR  AG  EC  H  U  RC  H  STREET,  E.C. 


DUCHESS  of  BUCCLEUCH. 


?  DUCHESS  of  BEAUFORT. 
1116  nnPHESS  of  DEVONSHIRE. 

The 
The 
The  j 

C0UNTEESSDFEODORE  GLEIOJIEN. 


,  DUCHESS  of  MARLBOROUGH. 
?  DUCHESS  of  PORTLAND, 
gj  DUCHESS^  of^  SUTHERLAND. 


TT1TIA  MARCHIONESS  ofTWEEDDALE. 
JFL MARCHIONESS  of  GRANBY. 


OMAN'S  INTERNATIONAL  EXHIBITION,  1900, 

W  EARL'S     COURT,  LONDON. 

I M RE  KIRALFY. 
THE  LONDON  EXHIBITIONS  LIMITED,  Exhibition  Buildings,  EaH's  Court,  S.W 

The  LADY  MAYORESS  of  LONDON,  President. 

MARY  LADY  TREVOR 
The  LADY  WENLOCK 
The  LADY  LECONFIELD 
The  LADY  BURTON 
The  LADY  BLYTHSWOOD. 
The  LADY  BATTERSEA 
BARONESS  ECKHARDSTEIN 
The  Hon.  ELEANOR  LADY  LETGHTON 
The  Hon.  Mrs.  LYULPII  STANLEY 
The  Hon.  Mrs.  PERCY  MITFORD 
The  Hon.  Mrs.  PERCY  WYNDHAM 
LADY  DICKSON  POYNDER. 
LADY  HAYTER. 
LADY  JEUNE. 
LADY  HAMILTON. 
LADY  BANCROFT. 
Mrs.  HENRY  ALLHUSEN. 
Mrs.  ASQUITH. 
Mrs.  ROBERT  BENSON. 
Mrs.  W.  K.  CLIFFORD. 
Mrs.  CRAIGIE  (John  Oliver  Hobbes). 
Mrs.  LAWRENCE  CURRIE. 
Miss  HALL& 
Mrs.  HARMSWORTH. 
Mrs.  HARRY  HIGGINS. 
Mrs.  KENDAL. 
Mrs.  MASSINGHAM. 
Mrs.  MOBERLEY  BELL. 
Mrs.  ALFRED  MORRISON. 
Mrs.  ERNEST  NORMAN. 
Mrs.  ARTHUR  PAGET. 
Mrs.  RONALDS. 
Madame  HENRIETTE  RONNER. 
Mrs.  LEOPOLD  de  ROTHSCHILD. 
Mrs.  SPENDER. 
Mrs.  ARTHUR  STRONG. 
Miss  ELLEN  TERRY. 
Mrs.  BEERBOHM  TREE. 
Mrs.  E.  M.  WARD. 


The  MARCH  ION 
The  MARCH IONL^  ^ 
Z  MARCHIONESS  of  HEADFORT. 
Z  MARCHIONESS  of  ZETLAND. 
Z  COUNTESS  of  DERBY. 
Z  COUNTESS  of  PEMBROKE. 
Th  COUNTESS  of  DUNDONALD. 
Th  COUNTESS  COWPER. 
Th«  COUNTESS  of  RADNOR. 
The  COUNTESS  of  BECTIVE. 
The  COUNTESS  of  MAYO. 
The  COUNTESS  of  LUCAN. 
The  COUNTESS  of  CADOGAN. 
The  COUNTESS  of  St.  GERMANS. 
The  COUNTESS  of  YARBOROUGH. 
The  COUNTESS  of  DUDLEY. 
The  LADY  AUDREY  BULLER. 
The  LADY    ALGERNON  GORDON 

LENNOX. 
The  LADY  HENRY  SOMERSET. 
The  LADY  ADA  OSBORNE. 
The  LADY  GEORGE  HAMILTON. 
The  VISCOUNTESS  HARBERTON. 
The  VISCOUNTESS  DUNCANNON. 
The  VISCOUNTESS  CASTLEROSSE. 
The  LADY  ALICE  LESLIE. 
The  LADY  MARY  LESLIE. 
The  LADY  EMMA  CRICHTON. 
The  LADY  WINDSOR. 
The  LADY  REAY. 
The  LADY  BELHAVEN  &  STENTON. 


g*m.  £W. :  Miss  TESSA  MACKENZIE. 

BRITISH  &  IRISH  SILK  INDUSTRY  SECTION, 

UNDER  THE  AUSPICES   OF  THE   LADIES'  NATIONAL  SILK  ASSOCIATION. 
iMSfoittt:    H.R.H.  THE  DUCHESS  OF  YORK. 


&%ttxitibt  Ctfmmittte: 

Her  Grace  the  DUCHESS  of  SUTHER- 
LAND. 

The  Most  Noble  The  MARCHIONESS 

of  BRISTOL. 
The  Most  Noble  The  MARCHIONESS 

of  LONDONDERRY. 
Ihe  Most  Noble  The  MARCHIONESS 

of  TWEEDDALE. 

Hon*    The  COUNTESS 
SPENCER. 

iSftl  Hon-  1116   COUNTESS  of 


The   Right  Hon.  The   COUNTESS  of 

ANCASTER. 
The   Right  Hon.   The   COUNTESS  of 

DARTMOUTH. 
The     Right    Hon.     The  DOWAGER 

COUNTESS  of  WHARNCLIFFE. 
The     Right     Hon.     The  BARONESS 

BURDETT-COUTTS. 
The  Right  Hon.  LADY  REAY. 
The  Right  Hon.  LADY  BLYTHSWOOD 
The  Right  Hon.  LADY  ROTIiSO  HILD. 
The  Hon.  Mrs.  PERCY  MITFORD. 


I 


■ 

'mi 


WOMAN'S  EXHIBITION, 


. . 1900  .  . 

Earl's  Court,  S.W. 


THE  LONDON  EXHIBITIONS,  Ltd. 

Exhibition  Buildings,  Earl's  Court,  S.W. 

PAUL  CREMIEU-JAVAL,  J.P.,  Chairman. 
IMRE  KIRALFY,  Managing  Director. 
HAROLD  T.  HARTLEY. 
JAMES  MARSHALL  FRESHWATER. 
HERMAN  HART. 

Secretary :  R,  CLAUDE  GARNETT. 

§fXnk2V&X  THE  LONDON  &  COUNTY  BANKING  CO.,  Limited. 

glttMtcrV*:  Messrs.  WOODTHORPE,  BE  VAN  &  CO., 

Leadenhall  Buildings,  E.C. 

&Ulkttw# :  Messrs.  LINKLATER,  ADDISON,  BROWN  &  JONES, 

2  Bond  Court,  Walbrook,  E.C. 


I  a 


CONTENTS. 


FINE  AET  SECTION,  QUEEN'S  PALACE. 


Regulations  for  Exhibitors  .. 
Introductory  Notice  by  Francis  Howard 
Women  Artists  and  their  Work      . . 

List  of  Exhibits   

Appendix   


PAGE 

9 

10  to  11 
12  to  18 
19  to  64 
65 


APPLIED  ART  SECTION,  QUEEN'S  PALACE. 


Introduction  by  Miss  Tessa  Mackenzie 
List  of  Exhibits   


69  to  70 
71  to  88 


HISTORICAL  and  LOAN  SECTION,  ROYAL  GALLERIES. 

Historical  and  Loan  Section . .        ..        ..       ..       ..       ..       ..     91  to  118 

List  of  Exhibits         .  •       •  •        •  •        •  •       •  •       •  •       •  •       •  •    H9  to  187 

The  Japanese  Section . .        . .        • .        *•       •  •       •  •       •  •       •  •    145  to  147 


COMMERCIAL  and  INDUSTRIAL  SECTIONS. 


Children's  Section 
British  and  Irish  Silk  Section 
Dress  and  Fashion  Section   . . 
Furniture  Decoration,  etc.,  Section 
Handicrafts  Section 
Model  Hospital  Section 
General  Exhibits,  Picturesque  City 

Western  Arcade 


)  5 


188  to  191 
192  to  195 
196  to  199 
200  to  202 
203 

204  to  209 
209  to  212 
213  to  215 


Welcome  Club 

Refreshment  Arrangements 
Traffic  Arrangements  . . 


216 

217  to  218 
219  to  222 


Index  Applied  Art  Section 
Fine  Art  Section 
Historical  and  Loan  Section 


223  to  228 
229  to  243 
244  to  245 


Ill 


\ 


t  c 


ROMAN'S  EXHIBITION, 

1900. 


INTRODUCTION. 

Purine  no  period  in  the  world's  history  has  the  progress  of  woman's 
work  been  so  remarkable  as  in  that  of  the  present  century.  Although 
this  advance  is  fully  realised,  and  several  attempts  have  been  made  to 
illustrate  the  progress  of  woman's  work,  there  has  never  been  an 
Exhibition  dealing  adequately  with  this  great  subject.    The  advance 
of  woman  in  the  fine  arts,  in  education,  in  refined  and  beautiful  work- 
manship, in  inventions,  her  studies  and  devotion  in  nursing,  and  her 
softening  influence,  which  has  penetrated  into  almost  every  profession, 
elevates  the  nineteenth  century  in  the  memorable  record  of  the  world's 
history.    It  is  an  apparent  fact,  particularly  when  we  turn  to  literature, 
that  the  work  by  woman  during  the  last  hundred  years  greatly  exceeds 
anything  accomplished  by  her  in  all  previous  times.    It  is,  therefore, 
but  fitting  and  just  that  woman's  work  should  be  represented  in  a 
worthy  manner,  at  the  close  of  this  century,  by  a  commemorative 
Exhibition,  the  first  of  its  kind  ever  held. 

For  some  time  past  we  have  given  considerable  time  and  attention 
to  the  subject,  and,  thanks  to  the  combined  efforts  and  invaluable 
assistance  rendered  by  the  Honorary  Committee  of  the  Woman's 
Exhibition— with  the  worthy  assistance  of  the  other  ladies  of  the  Com- 
mittee—we are  enabled  to  bring  before  the  world  an  Exhibition  devoted 
entirely  to  Woman,  which  we  trust  will  prove  worthy  of  the  subject. 

The  true  progress  of  every  race  is  marked  in  the  condition  of 
woman :  whatever  she  is  the  race  will  be,  for  she  is  the  civiliser,  the 
purifier  of  life. 

We  think  this  a  fitting  opportunity  to  give  a  brief  survey  of  woman's 
position  in  past  times,  and  mention  those  women  who,  by  their 
talents  and  superiority,  have  created  an  everlasting  influence  upon  the 
destiny  of  woman. 

Nothing  is  more  interesting  than  to  trace,  through  all  its  vicissitudes, 
the  lengthy  course  of  laws  and  customs  which  have  slowly  raised 


2 


woman  from  a  condition  of  abject  slavery  to  a  position  of  social  and 
civil  equality.    We  shall  not,  however,  dwell  upon  this  lower  phase  of 
woman's  life,  but  confine  ourselves  to  that  period  when  she  had  alread 
reached  a  station  worthy  to  be  recorded  in  the  pages  of  history. 

Babylon  was  founded  by  a  woman,  who  attained  to  a  superior 
power  by  her  genius  alone  ;  who  influenced  her  age  by  her  wisdom  and 
talents  ;  built  cities,  raised  aqueducts,  constructed  roads,  commanded 
great  armies  in  person,  and,  both  as  conqueror  and  legislator  was 
amongst  the  earliest  agents  of  Asiatic  civilisation. 

Egypt— the  land  where  man  was  wisest  and  most  indulgent  to 
woman ;  Egypt — from  whose  intellectual  fires  Greece  and  Borne 
borrowed  the  torch  by  which  worlds  then  unknown  and  races  never 
dreamed  of  have  since  learned  the  laws  of  nature  and  the  philosophy  of 
morals — never  was  so  rich  in  wealth,  power  and  civilisation  as  under 
the  reign  of  the  last  of  its  queens,  who  made  knowledge  the  basis 
of  national  supremacy,  and  who  reconstructed  that  precious  library 
which  man  in  his  madness  had  destroyed. 

In  that  land  the  women  of  the  populace  managed  the  greater  part 
of  such  business  as  was  transacted  out  of  doors.  They  left  the 
management  of  the  loom  to  men,  while  they  themselves  were  abroad 
engaged  in  commerce.  At  a  later  period,  Hypatia,  by  her  learning, 
became  a  most  influential  teacher  in  Alexandria,  and  the  fame  of  her 
lectures  drew  students  from  all  parts  of  the  East.  Personally  she  was 
held  yin  such  great  esteem,  and.  such  reliance  was  placed  on  her 
judgment  and  sagacity,  that  the  magistrates  frequently  consulted  her 
in  important  cases. 

In  Greece,  while  the  young  men  of  Athens  were  given  perfect 
education,  precisely  the  contrary  was  the  case  with  the  Athenian 
maiden.  In  her  childhood  she  was  strictly  enjoined  "  to  speak,  to 
listen,  and  to  see  as  little  as  possible,"  'and  so  when  she  grew  to 
womanhood  the  care  of  the  management  of  the  household  and  obedience 
to  parents  or  husband  was  for  her  the  acme  of  accomplishments, 
ambition,  and  virtue.  The  only  arts  taught  her  in  youth  were  those 
of  dancing  and  singing. 

Her  position  in  the  early  days  of  Greece  was  not  a  high  one ;  her 
occupation  was  the  common  employment  of  spinning,  weaving, 
embroidering,  making  garments  and  attending  to  household  duties. 
In  general  there  seems  to  have  been  no  difference  whatever  between 


3 

the  occupation  of  princesses  and  women  of  ordinary  rank.  It  is 
howeVer,  recorded  that  the  arts  were  not  neglected  by  women  In 
poetry  Sappho  enjoyed  a  unique  renown.  She  was  called  the  poetess 
as"  Homer  was  called  the  poet.  Of  all  the  poets  of  the  world,  of  all 
the  illustrious  artists  of  all  the  literatures,  Sappho  is  the  one' whose 
every  word  has  a  peculiar  and  unmistakable  perfume,  a  seal  of  absolute 
perfection  and  inimitable  grace.  She  was  exalted  to  the  distinction  of 
being  called  the  Tenth  Muse. 

It  was  not  until  the  Periclean  age  that  women  gained  sufficient 
freedom  to  enable  them  to  exert  a  direct  influence  of  thought,  and 
further  the  principles  underlying  human  conduct.  Aspasia  proved  to 
the  world  that  woman  could  be  the  intellectual  compeer  of  the  ablest 
statesmen  and  philosophers.  She  attained  unrivalled  influence  and 
distinction  over  the  most  celebrated  philosophers,  orators,  and  poets, 
who  delighted  in  her  society,  and  statesmen  consulted  her  in  political 
emergencies ;  in  fact,  Pericles  surrendered  to  her  the  government  of 
Athens,  then  at  the  height  of  its  glory  and  renown.  Women  began 
to  follow  literature  and  art.  They  taught  rhetoric  and  elocution 
lectured  publicly,  established  schools  of  philosophy,  and  contributed 
generally  a  powerful  influence  on  their  times. 

Eoman  women  were  as  industrious  as  the  men,  and  worked  at  home 
while  the  husbands  and  fathers  were  at  war.  After  household  cares, 
their  chief  occupations  consisted  of  spinning  and  working  wool.  It 
was  considered  the  duty  of  women  who  held  in  honour  the  name  of 
wife  or  mother,  to  make  the  clothing  of  their  husband,  children,  and 
servants,  after  having  prepared  the  wool  and  flax  to  weave  them  into 
stuffs  upon  the  loom,  for  their  family  and  household. 

In  Eome,  Cornelia  stands,  amid  the  evil  and  corruption  of  her  time, 
as  a  true  specimen  of  womanhood.  This  accomplished  and  virtuous 
woman  gave  to  Eome  two  of  its  noblest  sons,  who,  as  the  result  of  her 
education,  became  the  popular  reformers  of  their  time. 

The  advent  of  Christianity  exercised  the  most  salutary  influence 
of  all  in  the  amelioration  of  the  social  condition  of  woman.  She 
was  lifted  out  of  her  state  of  debasement  and  inferiority  and  placed  on 
a  level  with  man.  '  '  S^iJV"'  •    '  1 

Another  cause  which  contributed  to  place  woman  upon  the  high  pedes- 
tal she  occupies  in  society  to-day  was  the  invasion  of  the  barbarians. 

Turning  to  the  Northern  nations,  which  resembled  each  other,  we 


4 


find  in  the  early  days  of  these  rude  but  generous  people  that  they 
held  the  mission  of  women  to  be  higher,  and  entitled  her  to  share  in 
politics  and  government,  for  whilst  war  and  hunting  were  the  only 
favourable  occupations  for  man,  all  other  employment  was  left  for 
women.  Among  the  Germans  they  were  the  chief  counsellors,  and 
mostly  the  chief  prophets,  priests,  and  physicians.  "  Honour  to  God  and 
to  Woman  "—such  is  the  traditional  motto,  the  words  of  which  resounded 
at  all  festivals  and  combats  held  by  the  Germanic  people  during  the 
Middle  Ages. 

Between  the  intellectual  light  of  modern  times  and  the  civilisation 
of  ancient  Eome,  the  dark  ages,  as  they  are  emphatically  called,  stand 
like  a  blank.  Not  only  were  the  arts  and  sciences  dormant,  or  wholly 
lost,  but  all  the  incidents  of  the  era  partook  of  its  profound  gloom  and 
were  like  deeds  done  in  the  night.  If  the  horizon  was  for  a  moment 
illumined,  it  was  by  lightning  breaking  from  the  thunder- cloud,  by  the 
flash  of  a  meteor,  which  expired  as  it  appeared,  serving,  indeed,  only 
to  render  darkness  visible,  for  learning  was  dead. 

After  this  long  period  of  obscurity  we  find  a  brilliant  Star  appear, 
"  Joan  of  Arc,  Maid  of  Orleans,"  one  of  the  most  striking  figures 
of  that  turn  on  the  stage  of  history.  Her  character  is  certainly 
unique  ;  the  contrast  between  her  and  her  time  is  indeed  as  between 
light  and  darkness.  She  is  the  only  human  being  who  ever  held 
supreme  command  of  a  military  force  of  a  nation  at  the  age  of  17 
years. 

She  was  indeed  the  personification  of  the  genius  of  patriotism. 

The  reign  of  Ferdinand  and  Isabella  was  productive  of  the  most  im- 
portant consequences  to  Spain,  to  Europe,  and  to  the  world ;  and  it  was 
to  the  presiding  influence  of  Isabella  of  Castille,  to  her  genius,  piety,  and 
beneficence,  that  these  effects  were  in  a  great  measure,  if  not  wholly,  due. 

Her  patronage  of  Columbus  and  her  womanly  kindness  and  queenly 
generosity  thus  enabled  the  greatest  discoverer  of  any  age  to  carry  out 
his  great  idea — the  discovery  of  A  merica — and  so  gave  to  mankind  the 
rich  heritage  of  the  New  World.  She  was  ever  a  steady  protector  of 
religion,  learning,  philosophy,  science,  and  the  arts.  Her  court  was  a 
school  of  virtue  in  which  the  example  of  her  own  life  was  the  most 
beautiful  as  well  as  the  most  sublime  study. 

Brilliant  in  the  pages  of  civilisation  stands  the  reign  of  Elizabeth  of 
England.    She  was  endeared  to  her  subjects  by  the  glory  of  her  reign, 


5 


by  the  wisdom  of  her  measures,  and  by  the  frugality  of  her  administra- 
tion. To  the  greatness  of  her  time  she  herself  contributed  largely. 
What  added  most  of  all  to  the  glory  of  the  Elizabethan  age  was 
undoubtedly  its  literary  splendour.  In  that  regard  her  reign  was 
unsurpassed,  perhaps  unequalled,  in  the  history  of  the  world. 

About  a  century  and  a  half  later  Germany  produced  an  Empress  of 
great  national  capacity,  of  personal  beauty,  and  who  was  happy  in 
preserving  an  irreproachable  and  spotless  name. 

Maria  Theresa,  the  celebrated  Empress-Queen  of  Germany  and 
Hungary,  successful  in  renown  and  war,  though  opposed  to  nearly  all 
the  Powers  of  Europe,  possessing  but  one  solitary  ally,  England,  was 
no  less  eminent  in  peace. 

Whilst  preserving  the  integrity  of  the  throne,  she  continually  sought 
to  advance  the  interests  and  promote  the  permanent  prosperity  of  her 
dominions.  She  was  a  munificent  benefactress  of  the  Arts  and 
Sciences  and  encouraged  and  rewarded  every  useful  invention. 
Literature,  so  long  neglected,  obtained  her  special  protection,  and  she 
sought  to  develop  the  same  tastes  in  her  subjects  by  the  establishment 
and  liberal  endowment  of  numerous  schools  and  colleges.  She  was 
equally  attentive  to  the  interests  of  commerce,  and  under  her  auspices 
new  sources  of  trade  were  opened,  roads  and  canals  constructed,  spacious 
harbours  formed,  and  manufactures  of  every  kind  fostered  and  ex- 
tended. Few  Sovereigns  were  ever  more  beloved,  and  from  the  outset 
of  her  long  and  troubled  reign  she  obtainpd  and  merited  the  title  of 
"  Mother  of  her  People." 

In  regard  to  learning  there  was  scarcely  a  period  when  there  were 
not  highly  educated  women,  according  to  the  standard  of  their  age, 
Isis  and  Minerva  show  the  value  set  upon  feminine  intellect  by  the 
ancients,  and  Plato  pays  a  noble  tribute  to  the  genius  of  woman. 

Turning  to  those  wonderful  people  the  Spanish  Arabs,  among  whom 
women  were  public  lecturers  and  secretaries  to  kings,  while  Christian 
Europe  was  sunk  in  darkness,  .there  was  Ayesha,  daughter  of  Aimed 
ben  Mohammed  ben  Kadim,  of  Cordova,  who  was  considered  the 
most  learned  woman  of  her  age  (tenth  century)  in  poetry,  mathematics, 
medicine,  and  the  other  sciences  which  then  and  there  flourished.  In 
the  words  of  the  Moorish  historian,  "  she  was  a  well  of  science,  a 
mountain  of  discretion,  an  ocean  of  learning." 

Following  the  Arab  practice,  there  were  female  professors  of  the 


6 

classics  and  of  rhetoric  at  Salamanca  and  Alcala,  under  Ferdinand 
and  Isabella.  At  the  revival  of  letters  in  Italy,  the  intellectual 
nfluence  of  Lucrezia  Borgia  is  classed  by  Roscoe  with  that  of  his  hero, 
Leo  X.  Vittoria  Colonna  and  Veronica  Gambara  rank  as  the  equals 
and  friends  of  Bembo  and  Michael  Angelo.  Tiraboschi  declared  the 
Rimatrici,  or  female  poets  of  the  fifteenth  century,  to  be  little  inferior, 
either  in  number  or  merit,  to  the  Rimatori,  or  male  poets. 

A  pope  of  some  eminence,  Benedict  XIV,  bestowed  on  Maria  Agnesi, 
a  celebrated  mathematician,  the  place  of  Apostolical  Professor  in  the 
University  of  Bologna  in  1758;  and  Pope  Clement  XIV  (Gangangelli) 
wrote,  in  1763,  to  a  lady  who  sent  him  the  translation  of  Locke 
expressing  his  satisfaction  that  the  succession  of  learned  women  was 
still  maintained  in  Italy. 

One  has  but  to  peruse  the  once  renowned  work  of  Peter  Paul  de 
Ribera,  entitled,  "  The  Immortal  Triumphs  and  Heroic  Enterprises  of 
845  Women,"  to  see  what  women  were  capable  of  in  those  days,  and 
to  glance  through  the  catalogue  of  the  library  of  Count  Leopold  Ferri, 
sold  at  Padua,  in  1847,  consisting  solely  of  the  works  of  female  authors, 
and  amounting  to  30,000  volumes. 

The  dawn  of  the  nineteenth  century,  however,  brought  the  world 
a  galaxy  of  the  noblest,  wisest,  and  the  most  learned  women  of  all 
ages,  whose  influence  will  be  felt  through  all  future  generations. 
Mary  Somerville  distinctly  raised  the  world's  estimate  of  woman's 
capacity  and  loftiest  scientific  pursuits.  Her  works  are  worthy  to  be 
classed  among  the  greatest  efforts  of  the  human  mind.  She  is  an 
honour  to  England  and  the  pride  of  her  sex  throughout  the  w^rld. 
In  her  astronomic  studies,  her  own  discoveries  of  comets,  and  her 
participations  in  the  memorable  writings  of  her  brother,  Caroline 
Herschel's  name  will  live  in  all  future  ages.  Harriet  Martineau's 
work  was  influenced  by  the  highest  and  purest  of  inspirations,  the 
yearning  to  redress  the  wrong,  to  defend  the  weak,  to  denounce  the 
false,  and  advocate  the  true.  Her  writings  and  her  life  are  illuminated 
with  the  remembrance  of  modern  heroism. 

Among  the  female  poets  of  the  present  era,  Elizabeth  Barrett 
Browning  stands  alone.  For  purity  of  sentiment,  beauty  of  style, 
fervid  imagination,  and  intellectual  power,  she  has  no  rival ;  while  the 
works  of  George  Eliot  will  rank  high  among  those  masterpieces  of 


English  literature  which  will  remain  to  all  time  an  eloquent  vindication 
and  irresistible  support  of  the  claims  of  woman. 
In  the  realm  of  Art  woman  may  claim  credit  of  having  materially 
ided  its  progress.    Ever  since  the  dawn  of  civilisation  women  have 
been  artists,  and  among  the  nations  of  antiquity  many  of  them  held  a 
high  position  ;  the  works  of  some  being  celebrated  by  the  poets,  and 
others  were  thought  worthy  of  a  place  in  the  Temple  of  the  Gods.  In 
our  own  time  we  have  but  to  turn  to  Eosa  Bonheur  to  find  man's 
equal  on  canvas.    Of  all  the  marvels  of  creation  Woman  is  that  which 
is  the  most  frequently  reproduced  in  Art.    She  has  inspired  the  artist 
and  furnished  him  with  an  object  for  his  genius.    Her  natural  uncon- 
scious grace  and  beauty  present  a  model  which  it  is  his  highest  effort  to 
copy  faithfully,  and  modern  artists  have  personified  in  female  form  all 
the  arts,  sciences,  virtues,  and  passions. 

The  patronesses  of  the  great  artists  deserve  due  homage  in  considering 
the  masterpieces  which  their  influence  has  brought  to  light,  the 
collections  they  have  formed,  and  the  artistic  movements  of  which  they 
have  been  the  life  and  soul. 

If  Woman  has  given  to  the  world  but  few  musical  creations  during 
the  last  two  centuries,  it  has  been  that  all-enduring  music  which  has 
been  the  child  of  poverty,  the  outcome  of  sorrow,  the  apotheosis  of 
suffering.  In  this  sphere,  where  music  seems  to  have  had  its  origin, 
the  lot  of  Woman  is  bounded  by  unremitting  cares.  The  world  in 
which  she  moves,  the  training  which  she  receives,  and  the  duties  which 
she  has  to  fulfil,  account  for  the  deficiency. 

The  field  in  which  she  has  accomplished  great  results,  however,  has 
been  her  influence  upon  the  production  of  music.  Without  her 
influence  many  of  the  great  masterpieces  would  not  have  been 
accomplished.  She  has  been  the  impulse,  support,  and  consolation 
and  inspiration  of  Music,  which  can  be  proved  by  studying  the  lives 
and  labours  of  the  great  composers. 

By  the  side  of  the  great  masters  in  equal  glory  and  fame  should  be 
placed  such  women  as  Constance  Weber,  Fanny  Mendelssohn,  Bettina 
von  Arnim,  Madame. Voight,  Cosima  Wagner,  Delphine  Potocka,  Clara 
Schumann,  Malibran,  Grisi,  and  those  others  who  have  elevated  music 
to  greater  heights  by  inspiring  those  creations  and  giving  them  to  the 
world  through  the  medium  of  the  voice. 
But  it  is  as  an  interpreter  of  music  mainly  through  the  voice  that 


8 


Woman's  sway  will  remain  undisputed.  What  she  has  done  with 
music  matters  little  compared  with  the  glory  and  beauty  she  has  given 
to  music,  for  without  interpreters  there  would  be  no  music,  and  it  is  she 
who  has  both  inspired  the  creations  and  interpreted  them  to  the  world. 

History  has  yet  to  honour  the  woman  of  our  own  times,  and,  indeed, 
it  may  safely  be  asserted  that  in  no  age  has  Woman  appeared  in  a  more 
favourable  light  in  all  branches  of  knowledge  than  the  present. 

The  day  is  passed  when  Woman,  inspired  by  the  necessities  of  a 
barbaric  or  warlike  age,  could  repudiate  the  weakness  of  her  sex,  and 
contend  with  man  on  the  field  of  battle.  Christianity  and  civilisation 
have  taught  her  to  renounce  such  ideas,  and  to  assume  another  and  a 
more  glorious  duty. 

This  new  mission  is  symbolised  by  the  name  of  Florence  Nightin- 
gale, its  originator,  its  apostle,  and  its  example.  Words  can  scarcely 
express  the  great  debt  of  gratitude  we  owe  to  this  lady,  who,  by  her 
generous  and  heroic  labours,  has  given  up  her  whole  life  to  the 
promotion  of  humane  work,  to  the  amelioration  of  the  condition  of 
our  soldiers,  to  the  improvement  of  hospital  organisation.  She  it 
was,  the  wise  and  beloved  heroine  of  the  Crimean  War,  who  first 
opened  for  women  so  many  paths  of  duty,  raised  nursing  from  menial 
employment  to  the  dignity  of  "  an  act  of  charity,"  and  who  diffused 
the  knowledge  of  the  laws  of  health.  At  Balaclava  she  accomplished 
a  work  which  was  the  outburst  of  a  new  spirit  of  a  new  age,  which 
has  since  resulted  in  a  thousand  other  efforts  for  the  relief  of  suffering 
humanity,  amongst  which  the  noble  women  who,  in  the  present  war, 
have  sacrificed  themselves  at  the  sacred  altar  of  patriotism  stand  out 
prominently. 

Eoyalty  has  had  many  bright  representatives  in  history,  but  it 
remained  for  this  century  to  give  birth  to  the  noblest  of  all — Victoria, 
the  greatest  and  most  honoured  of  all  Sovereigns.  Her  Majesty  has 
endeared  herself  to  the  hearts  of  millions  of  men  and  women  through- 
out the  universe.  Her  monumental  work  and  mighty  influence  have 
not  only  benefited  the  one -fourth  of  the  women  on  earth  over  whom 
she  rules,  but  all  other  nations  over  which  it  is  spread.  No  sooner 
had  she  ascended  the  throne  than  a  complete  revolution  for  the 
advance  in  education,  science,  and  culture  took  place  which  resulted  in 
the  great  progress  of  literature,  arts,  industries,  and  legislation  which 
have  glorified  her  reign  and  made  her  era  unparalleled  in  history. 

IMRE  KIRALFY. 


FINE   ART  SECTION. 


Honorary  Sub- Committee  : 


Countess  Feodora  Gleichen. 
The  Marchioness  of  Granby. 
Miss  Cecilia  Beaux. 
Mrs.  Anna  Lea  Merritt. 


Madame  Henriette  Konner. 
Mrs.  Marianne  Stokes. 

Mrs.  SWYNNERTON. 

Mrs.  E.  M.  Ward. 


Mrs.  G.  F.  Watts. 
Secretary :  Mr.  Francis  Howard. 


Curator :  S.  Laing  Moffat. 


M 
ffl 


9 


REGULATIONS  FOR  EXHIBITORS. 

1#  The  Receiving  Days  in  this  Section  will  be  from  the  4th  to  the 
14th  April  inclusive. 

2.  Only  those  approved  Exhibits  NOT  FOR  SALE  will  be  con- 
sidered as  Loans,  and  will  be  collected  before  and  delivered  after 
the  Exhibition  by  the  London  Exhibitions  Limited,  free  of  charge. 

3.  All  accepted  Loans  will  be  insured  to  the  value  placed  on  them 
by  the  owner  on  the  accompanying  Form— B-l,  and  no  liability  will 
be  recognised  by  the  Company  unless  this  condition  is  complied  with. 

4.  Intending  Contributors  are  requested  to  send  in  a  full  description 
of  the  Works  they  propose  to  exhibit  on  the  accompanying  Application 
Form,  for  submission  to  the  Committee  for  their  approval,  when,  if 
accepted,  the  Contributor  will  be  notified,  and  is  particularly  requested 
to  comply  with  the  instructions  in  Clause  5. 

5.  The  number  and  title  of  the  accepted  Work  or  Object,  and  a 
description  of  the  same,  with  the  name  and  address  of  the  Contributor, 
and,  if  a  Loan,  the  value  for  insurance,  must  be  placed  On  labels,  one 
to  be  fixed  to  the  back,  the  other  to  hang  over  the  front  of  the  picture 
or  to  be  attached  to  the  Object,  and  the  same  information,  with 
Corresponding  numbers,  must  be  placed  upon  the  Contributor's  Form, 
WHICH  FORM  MUST  BE  DELIVERED  WITH  THE  WORK 
OR  OBJECTS.    These  labels  will  be  forwarded  on  application. 

6.  No  unframed  Picture  or  Drawing  will  be  received. 

7.  No  exhibited  Work  or  Object  can  be  removed  before  the  close  of 
the  Exhibition* 

8.  Works  intended  for  Sale  will  not  be  considered  Loans,  but  free 
space  will  be  granted  them,  Sales  can  only  be  effected  through  the 
Secretary  of  the  Section ;  no  private  sale  will  be  recognised* 

9»  A  commission  of  15  per  cent,  will  be  charged  on  all  Sales,  and  a 
deposit  of  25  per  cent,  will  be  demanded  of  the  purchaser,  but  the 
Company  does  not  undertake  any  responsibility  in  the  event  of  the  non- 
completion  of  the  purchase.  Every  possible  care  will  be  taken  of 
Works  on  Sale  sent  for  exhibition,  but  the  Company  will  not  hold 
itself  responsible  for  any  injury  or  loss. 

2 


10 


INTRODUCTORY  NOTICE. 

By  Francis  Howard. 

A  certain  learned  critic  (whose  fame  I  will  not  jeopardise  by 
naming  him,  especially  to  those  more  interested  than  even  the 
general  public  in  this  collection  of  pictures),  proclaimed  that  "  the 
apparition  of  Women  Artists  is  a  phenomenon  proving  Art  had  a 
tendency  to  become  more  artificial ;  as  from  that  period  it  showed  more 
need  of  luxury  and  of  individual  phantasy."  Sending  women  back 
to  their  embroideries,  he  concludes,  "  Even  at  the  risk  of  being 
accused  as  wanting  in  gallantry,  I  shall  maintain  that  certain  branches 
of  genius  and  endeavour  form  the  monopoly  of  the  stronger  sex,  and 
that  such  enqnenoille  (in  female  hands)  become  inevitably  dangerous," 

As  it  would  be  presumption  on  my  part  to  break  lance  with  so 
fearless  a  detractor,  I  will  drag  one  with  no  such  temerity  into  the 
controversy—Monsieur  Fournier-Sarloveze— who,  accepting  the  scarf 
of  beauty's  champion,  throws  back  the  gauntlet  gallantly!  "We 
cannot,"  retorts  he,  "  share  such  sentiments.  With  some  difficulty, 
and  more  rarely  perhaps,  does  woman  exhibit  vigour,  power,  and 
envoUe  in  conception  and  execution  ;  but  has  she  not,  in  compensation, 
most  precious  gifts  in  her  nature,  which  prove  undoubtedly  beneficial 
in  the  work  of  Art— those  of  delicacy*  grace,  and  even  that  charming 
lightness,  which  is  not  always  a  fault  and  which  certain  subjects 
imperiously  demand?  In  virtu©  of  what  right,"  he  continues 
"  should  man  monopolise  painting  and  sculpture,  and  when  will  our 
critics  cease  to  notice  women's  work  otherwise  than  with  a  pre- 
conceived idea  of  their  inferiority  ?  It  was  not  thus  that  the  Italians 
of  the  sixteenth  century  judged*  In  their  superb  love  of  Art,  they  tried 
to  recognise  talent  from  whatever  place  it  came,  by  whatever  hand 
made  evident."  Certainly  Monsieur  Fournier-Sarloveze  has  Vasari  to 
support  him  in  this  contention.  "  The  aptitude  women  possess  of 
interesting  with  the  material  of  the  craftsman  or  artist  is  a  recognised 
thing,' '  the  latter  tells  us.  Undoubtedly  in  the  time  of  the  Anguisciolas 
— a  portrait  of  the  most  famous  of  whom  (Sofonisba,  painted  by 
herself)  Lord  ^Sponcer  has  kindly  lent  to  this  collection-— there  were 


11 

many  remarkable  women  in  the  history  of  Art.  There  were  among 
painters-Vittoria  del  Varfco,  Veronica  Gambasa,  Teodora  Danti  (a 
pupil  of  the  Perugin),  and  Irena  de  Spilemberg.  There  was  Diani 
Ghisi,  of  Mantua,  among  engravers ;  and  the  celebrated  Bolognese, 
Properzia  de  Bossi,  among  sculptors.  But  it  is  unnecessary  to  con- 
tinue the  list ;  unfortunately,  with  the  exception  of  the  portrait  I  have 
just  mentioned,  it  has  been  impossible  to  obtain  any  of  the  works  of 
these.  Most  remain  carefully  guarded  in  the  galleries  of  divers 
states  and  municipalities,  whose  rule  is  never  to  lend  to  private 
bodies.  The  same  difficulty  attends  the  procuring  of  works  of  a  few 
of  the  celebrated  Modern  Artists,  and  in  presenting  the-  present 
Exhibition  to  the  public  it  is  not  pretended  that  there  are  no  im- 
portant elements  absent,  or  connecting  links  missing.  What,  however, 
it  has  been  possible  to  do  in  the  way  of  obtaining  a  representative 
Exhibition  of  Women's  Work,  without  the  benefit  of  Government 
Commission  or  official  organisation,  has  been  done,  and  it  may  at  least 
be  claimed  that  no  more  catholic  and  comprehensive  or  important 
Exhibition  of  the  kind  has  ever  been  instituted. 

It  would  be  rather  invidious  for  me  to  refer  to  any  particular  features 
in  the  modern  work  ;  sufficient  to  say  that  almost  every  development  is 
well  represented.  The  genius  of  Mrs.  Swynnerton,  Olga  von  Boznanska, 
Cecilia  Beaux,  and  Thirese  Schwartze,  needs  no  introduction  nor  fresh 
proclamation,  but  I  mention  their  names  in  justification  of  giving  no 
comprehensive  list,  for  it  can  be  well  understood  their  participation  in 
an  exclusively  Woman's  Exhibition  is  a  guarantee  of  many  capable 
associates* 

In  concluding  this,  I  wish  particularly  to  thank  the  private 
possessors  who  have  been  kind  enough  to  lend  works  to  an 
Exhibition  which  endures  for  such  an  unusual  length  of  time* 


2  a 


12 


WOMEN  ARTISTS   AND   THEIR  WORK. 

There  are  few  subjects  that  have  been  more  widely  discussed  than 
the  nature  of  the  claim  which  women  are  entitled  to  make  to  serious 
consideration  as  workers  in  the  field  of  art.  Some  people  of  extreme 
views  have  gone  so  far  as  to  deny  to  feminine  artists  the  possession  of 
any  capacity  for  dealing  with  those  problems  of  observation  and 
execution  that  must  be  faced  by  everyone  who  would  aspire  to  an 
honourable  place  in  the  ranks  of  painters  and  sculptors.  Others  with 
less  vehement  prejudice  allow  to  women  a  very  large  measure  6f 
executive  power  but  hesitate  to  credit  them  with  originality  or  creative 
instinct ;  while  others  again  commit  themselves  to  excessive  approval 
and  profess  to  be  unable  to  discover  any  perceptible  difference  between 
the  average  accomplishment  of  the  two  sexes.  This  last  type  of 
enthusiast  is  by  no  means  uncommon ;  indeed,  it  is  sufficiently  plentiful 
to  impart  a  certain  acrimony  to  the  discussion  concerning  the  value  of 
the  work  that  women  are  doing  in  art,  and  to  force  thinkers,  who  do 
not  want  to  depart  from  an  absolutely  impartial  position,  into  taking 
sides  in  a  controversy  that  is  eminently  futile  and  unnecessary. 

The  question,  really,  is  not  a  relative  one.  It  is  waste  of  time  to 
make  comparisons  between  the  men  and  women  who  follow  the 
artistic  profession ;  it  is  absurd  to  assert  that  it  is  only  by  masculine 
jealousy  that  feminine  effort  is  denied  the  opportunity  to  prove  its 
superiority  to  everything  else  in  the  world ;  and  it  is  merely  a 
confession  of  weakness  to  plead  that  women  cannot  paint  now  because 
they  have  been  down- trodden  and  kept  in  subjection  through  many 
centuries  of  misunderstanding.  Such  ways  of  evading  the  real  issue 
are  quite  useless,  and  only  serve  to  obscure  the  points  that  should  be 
kept  most  plainly  in  view.  The  sex  question  ought  not  to  be  brought 
into  the  matter  at  all,  for  it  excuses  neither  eulogy  nor  apology. 
In  all  judgment  upon  works  of  art  the  only  permissible  attitude  is  to 
ignore  any  accidents  of  production,  and  to  give  praise  or  blame  solely 
on  the  score  of  individual  merit.  There  is  in  all  practical  sestheticism 
a  recognised  standard  of  performance,  a  standard  that  is  not  less 
definite  because  it  is  in  a  sense  indefinable,  and  against  this  standard 
each  piece  of  work  has  to  be  measured.    Those  things  that  bear  this 


13 


test  gain  no  additional  glory,  and  do  not  enhance  their  claim  to  a  place 
jn  history  by  advertisement  of  the  circumstances  of  their  origin  ;  their 
neatness  is  sufficient  to  secure  immortality.  The  failures,  on  the 
pther  hand,  do  not  improve  their  position  by  self-accusing  excuses  or 
by  appeals  to  the  pity  of  the  critical  public  on  the  ground  that  they  did 
not  have  a  fair  chance.  The  followers  of  art  can  expect  no  mercy 
from  their  leader,  and  if  they  make  mistakes,  or  try  what  is  beyond 
their  strength,  they  have  no  choice  but  to  accept  effacement  as  the 
penalty  of  their  want  of  judgment. 

Therefore,  it  is  useless,  if  women  are  really  earnest  in  their  ambition 
to  excel  in  the  artistic  profession,  to  try  and  set  up  special  standards 
for  them,  and  to  attempt  to  disarm  criticism  by  apologetic  intro- 
ductions to  the  exhibitions  for  which  they  are  responsible.  If  they 
elect  to  come  into  the  arena,  and  to  fight  their  own  battles  fairly  and 
openly,  they  must  not  complain  if  the  critic  does  not  treat  them  with 
the  same  artificial  deference  that  they  are  accustomed  to  in  their  own 
drawing  rooms.  He  has  a  judicial  function  to  fulfil,  and  cannot  stop 
to  consider  whether  his  outspoken  remarks  about  this  or  that  work  of 
art  are  wounding  feminine  vanities  or  only  pricking  the  thicker  skin 
of  a  mere  man.  What  he  has  to  say  may  seem  painfully  rude,  or 
even  shockingly  brutal,  to  an  artist  who  has  put  a  higher  estimate  on 
her  achievements  than  they  are  rightly  entitled  to  ;  but  if  he  is,  as 
he  should  be,  without  bias  or  wish  to  show  favour,  he  is  only  doing 
his  duty  to  art,  He  cannot  consistently  approve  of  work  that  cries 
out  for  compassion  because,  with  the  best  intentions,  it  is  still  a  poor 
weak  thing ;  and  he  cannot  refuse  to  praise  more  highly  something 
else  that  has  obvious  power  and  shows  true  mastery  over  the  many 
difficulties  of  the  artist's  craft.  It  is  the  work,  and  not  the  worker, 
upon  which  he  sits  in  judgment,  and  the  unwritten  laws  of  which  he 
is  the  administrator  do  not  take  extenuating  circumstances  into 
account. 

As  things  are,  credit  must  certainly  be  given  to  the  better  type  of 
women  artists  for  their  courage  in  accepting  the  conditions  under 
which  their  professional  practice  must  be  carried  out.  These  more 
judicious  individuals,  at  least,  do  not  waste  time  in  clamouring  against 
the  injustice  of  a  discipline  that  must  be  endured  by  everyone  who 
aspires  seriously  to  success  in  art,  and  they  do  not  recklessly  accuse  of 


14 


petty  jealousy  all  the  members  of  every  hanging  committee  that  ha* 
not  gone  out  of  its  way  to  exalt  feminine  performances.  On  the 
contrary,  they  honestly  strive  to  profit  by  their  failures,  and  to  use  the 
lessons  that  competition  teaches  them  to  help  on  their  advancement  hi 
the  right  way.  They  do  not  ask  for  toleration,  nor  seek  to  excuse  their 
inefficiency,  because  they  belong  to  what  is  called  the  weaker  sex  ;  they 
have  a  better  spirit  than  that— a  truer  conviction  as  to  the  necessity  foc 
facing  their  responsibilities  without  any  thought  of  shirking  or  evasion. 

It  is  as  an  assertion  of  this  spirit  that  this  particular  exhibition  can 
be  best  regarded.  Like  any  other  large  show  of  mixed  and  varied  art 
work  it  includes  many  shades  of  belief  and  illustrates  all  sorts  of 
methods ;  but  there  runs  through  it  a  vein  of  sincerity  that  is  very 
significant  of  the  attitude  that  women  are  taking  up  with  regard  to 
esthetic  questions.  Its  comprehensiveness  as  a  collection  of  modern 
examples  is  also  of  no  little  value,  for  by  the  very  absence  of  any  set 
and  formal  preference  for  one  school  of  practice  over  another,  and  by 
the  display,  on  equal  terms,  of  the  productions  of  British  and  Foreign 
artists,  it  throws  a  light  upon  the  progress  that  women  are  making 
throughout  the  world.  These  two  qualities  of  sincerity  and  com- 
prehensiveness give  to  the  show  its  most  apparent  attractiveness ;  but 
it  has  as  well,  the  merit  of  presenting  an  excellent  proportion  of 
soundly  successful  work  in  which  executive  skill  is  combined  with  well- 
judged  observation  and  properly  balanced  study. 

To  many  people  the  most  interesting  things  in  the  picture  section 
will  be  the  contributions  from  abroad.  These  canvases  have  a  novelty 
of  aspect,  manner  and  style,  that  set  them  apart  from  the  British 
works,  and  the  aim  they  express  is  sufficiently  unlike  what  is  in  vogue 
in  this  country  to  give  them  special  claims  upon  the  attention  of 
everyone  who  has  a  liking  for  new  readings  of  accepted  traditions. 
Moreover,  women,  with  their  instinctive  love  of  what  is  obvious,  are 
more  plainly  influenced  than  men  by  national  individualities  of  art 
practice,  so  that  their  pictures  take  on  curiously  an  extreme  measure 
of  the  mannerism  of  the  country  in  which  each  artist  has  worked.  As 
examples  of  this  tendency,  it  is  worth  while  quoting  such  definitely 
characteristic  performances  as  Fraulein  C.  von  Bappard's  "  Licht  und 
Schatten,"  Mdlle.  Beaury-Saurel's  "  Echec  et  Mat,"  Mdlle.  Madeleine 
LemaireV' Phoebe,"  or  Miss  Bessie  McNicol's  "  Goose  Girl,"  in  each 


15 


f  which  the  creed  of  a  whole  school  is  summarised  with  a  quite 
°n0mpomimg  decisiveness*  These  are  taken  more  or  less  at  random 
{torn  a  mass  of  equally  illustrative  pictures,  simply  because  they  are 
effective  specimens  of  workmanship.  To  make  a  long  list  of  telling 
instances  of  this  localising  of  executive  methods  would  be  easy  enough 
jn  such  a  collection. 

Although  it  can  hardly  be  said  that  the  work  of  foreign  artists  takes, 
g  a*  mass,  a  higher  rank  in  the  gallery  than  the  things  for  which 
British  contributors  are  responsible,  it  is  certainly  instructive  as  an 
expression  of  the  intentions  by  which  other  schools  than  our  own  are 
dominated,    rj^e  "Licht  und  Schatten  "  is  in  its  reserve  of  colour  and 
economy  of  labour  typical  of  a  very  large  class  of  German  art.  Akin 
to  it  in  feeling  is  the  "Youth  and  Death,"  by  Sofle,  Baronesse  von 
Scheve  *  but  in  this  instance  the  colour  is  more  subtle  and  more  varied 
and  the  handling  more  expressive.  A  deeper  in  sight  into  characteris  to 
be  appreciated  in  the  portraits  and  studies  of  children  by  Mdlle.  Olga  von 
Boznanska,  whose  method  of  working  is  conspicuously  easy  and  direct, 
simple  and  yet  free  from  emptiness.    In  one  of  her  portraits  especially 
—that  of  an  elderly  man— she  shows  an  excellent  grasp  of  personal 
attributes  and  arrives  at  what  is  obviously  a  telling  likeness  without 
lapsing  into  caricature.    Mdlle.  Therese  Schwartze  too,  in  her  "  Portrait 
o!  the  Artist's  Mother  and  her  Grandchildren, "  asserts  a  capacity  that 
lacks  neither  vigour  nor  intelligence,  neither  the  mental  receptiveness 
needed  for  the  formation  of  a  sound  impression  nor  the  power  of  hand 
by  which  this  impression  can  be  properly  translated  into  a  convincing 
picture. 

To  compare  with  the  solid  thoughtfulness  of  the  German  art,  the 
dainty  and  fanciful  artificiality  of  Mdlle.  Lemaire's  "Phcebe"  is  to 
contrast  two  opposite  poles  of  pictorial  expression.  Where  the  Teuton 
is  grim,  ponderous,  almost  repellently  realistic,  the  Frenchwoman  is 
delicate,  elegant  and  decorative.  The  inspiration  of  the  two  pictures 
has  all  the  marked  difference  that  distinguishes  the  opposition 
between  the  characters  of  the  two  nations.  Yet  all  the  French  art 
here  in  evidence  has  not  the  same  lightness  of  idea  and  manner. 
There  are  plenty  of  pictures  on  view  in  which  more  serious  problems 
are  dealt  with  in  sober  earnest ;  such  studies  of  character  as  "  Un  Vieux  " 
by  Mdlle.  Mane- Antoinette  Marcotte ;  such  attempts  to  overcome  recog- 


16 

nised  difficulties  of  painting  as  «  Colede  ardente  et  triste  "  by  Mdlle.  C.  H 
Dufau,  or  the  <«  Dorothy  and  Francesca  "  by  Mdlle.  Cecilia  Beaux ;  and 
such  records  of  close  observation  of  nature  as  are  provided  by  a  w^ole 
series  of  excellent  notes  of  open  air  effects,  landscapes  that  in  their 
gaiety  and  lightness  of  manner  seem  oddly  different  from  the  admirably 
designed  and  understood  "  Spring  in  Barbizon,"  by  Fraulein  Marie 
von  Parmentier,  which  deserves  to  be  noted  as  quite  the  most  earnest 
attempt  by  a  German  artist  to  record  the  subtleties  of  atmosphere 
and  the  charms  of  aerial  colour. 

Somehow  the  British  pictures  do  not  lend  themselves  so  well  to 
strict  classification.  Whether  it  is  the  absence  of  a  long  established 
tradition  of  practice  in  this  country,  or  the  existence  of  a  particularly 
enquiring  and  receptive  spirit  among  our  artists,  that  accounts  for  the 
almost  excessive  readiness  of  our  school  to  take  hints  from  other 
people,  it  would  be  a  little  difficult  to  say,  but  certainly  there  is  in  these 
rooms  an  extraordinary  variety  of  intention  running  through  the  whole 
range  of  the  work  that  Englishwomen  have  contributed.  In  some  cases 
foreign  influences  are  very  perceptible,  influences  that  have  no  doubt 
resulted  from  direct  contact  with  the  systems  of  education  followed  on 
the  Continent;  in  other  cases  there  is  evident  a  response  to  the 
promptings  of  artistic  thinkers  who  have  not  gone  outside  this  country 
for  their  inspiration,  and  in  yet  further  instances  there  is  proof  that 
independent  thought  and  individual  tastes  have  contributed  to  the 
building  up  of  a  style  that  has  many  claims  to  be  described  as  original. 
Consequently  the  show  is  stamped  with  a  kind  of  sincere  tentativeness 
that  is  far  more  promising,  and  far  more  interesting  to  the  majority  of 
observers,  than  any  set  and  ordered  agreement  could  ever  be. 

On  the  score  of  originality  and  knowledge  of  the  painter's  craft  the 
first  place  must  be  given  to  the  works  of  Mrs.  Stanhope  Forbes  and 
Mrs.  Swynnerton.  The  triptych,  "  Will  o'  the  Wisp,"  that  is  the  most 
important  of  the  contributions  of  Mrs.  Stanhope  Forbes,  has  delightful 
charm  of  quaint  fancy  and  conspicuous  excellence  of  design  and 
accomplishment.  It  is  strong  and  decided  in  handling,  but  it  is  neither 
exaggerated  in  manner  nor  carried  beyond  correct  limits  of  technical 
display,  and  its  colour  is  altogether  acceptable  in  its  quiet  harmony. 
Mrs.  Swynnerton  takes  a  more  decided  view  of  the  painter's  functions. 
The  many  pictures  and  sketches  by  which  she  is  represented  are  dis- 


17 


tinguished  by  a  masculine  largeness  that  is  rarely  to  be  noted  in  a 
woman's  work.  She  has  almost  a  sculptor's  sense  of  mass  and  love  of 
^mple  form,  and  she  uses  colour  with  a  decorator's  idea  of  balance  and 
distribution.  At  the  same  time  she  paints  with  feeling  and  with  true 
oetry,  so  that  everything  she  produces  has  an  interest  to  the  thinker 

well  as  to  the  seeker  for  technical  quality.  She  has  sent  here  things 
done  at  various  periods  of  her  career,  and  the  growth  of  her  professional 
understanding  can,  therefore,  be  followed  with  some  closeness.  Between 
her  rustic  study,  "  Thro'  the  Orchard,"  and  her  finely  conceived  and 
painted  "  Panae"  there  is  a  marked  difference,  a  change  of  view  and 
style  that  argues  a  vast  amount  of  concentration  and  devotion  to  the 
pursuit  of  a  worthy  ideal 

Then  there  are  pictures  of  scarcely  less  importance  by  Miss  Bessie 
JlcNicol,  whose  "  Goose  Girl"  especially  is  notable  for  its  distinction 
of  manner  and  beauty  of  lighting;  Mrs.  Delissa  Joseph,  whose 
"Convalescent  "  is  a  well-managed  and  delicate-  arrangement  in  tones 
of  silvery  grey ;  Miss  Ethel  Wright,  Miss  W.  Hope  Thomson,  Miss 
Blanche  Jenkins,  and  Mrs.  Jopling.  There  is  a  pretty  phantasy, 
"1/ Allegro,"  by  Miss  Amy  Sawyer,  a  piece  of  decoration  that  is  to  be 
commended  for  its  unconventionally  and  ingenuity ;  and  quite  a  long 
series  of  landscapes  is  to  be  found  which  illustrates  admirably  the 
breadth  of  view  that  is  to  be  perceived  in  the  nature  study  of  our 
modern  school.  Miss  Elias  and  Miss  Stewart  Wood  deal  pleasantly 
and  faithfully  with  subjects  chosen  for  their  beauty  of  everyday 
character ;  Miss  Alice  Fanner  and  Miss  Bland  depend  less  upon  the 
actual  attractiveness  of  the  motives  they  have  selected  than  upon 
certain  technical  qualities  in  their  method  of  interpretation ;  and 
other  clever  executants  like  Miss  Iso  Kae,  Miss  C.  L.  Christian,  and 
Mrs.  L.  Hansen,  to  quote  a  few  of  the  most  prominent  in  a  consider- 
able group,  show  that  they  can  combine  effectively  discretion  in  their 
adaptation  of  nature's  facts  with  a  good  deal  of  individuality  in 
craftsmanship. 

In  other  branches,  too,  of  pictorial  effort  there  is  much  to  be  found 
that  visitors  to  the  Exhibition  can  dwell  upon,  with  pleasure  and 
profit.  Mrs.  Hartrick's  flower  paintings;  the  black  and  white 
drawings  by  Miss  C.  L.  Allport,  Miss  Alice  Barber  Stephens,  Miss 
Violet  Oakley,  Mrs.  Stanhope  Forbes,  Miss  Helen  Stratton,  Miss  A, 


18 


B.  Woodward,  Miss  Phyllis  Coughtrie,  and  the  MarchionesB  0f 
Granby;  and  some  water-colour  designs  in  flat  tints  by  Miss  A,  B, 
Giles,  are  all  deserving  of  unqualified  praise.  There  is,  as  well,  ^ 
water-colour  sketch  by  H.R.H.  Princess  Christian,  that  is  remarkably 
quite  as  much  on  its  merits  as  on  the  ground  of  its  Royal  authorship, 
Indeed,  the  number  of  things  that  stand  out  well  above  the  average 
of  the  collection  is  more  than  usually  considerable,  and  the  show  hm 
consequently  a  distinctive  quality  that  hardly  any  other  display  0f 
the  same  sort  has  ever  possessed. 

There  is  nothing  to  be  gained  by  any  attempt  to  forecast  the  effect 
that  this  demonstration  of  the  artistic  ability  of  womankind  is  likely  to 
have  upon  public  opinion,  Out  of  it  may  come  results  of  great 
importance  both  to  producers  and  consumers  of  art  work,  but  what 
these  results  may  be,  and  when  they  are  likely  to  make  themselves 
perceptible,  can  at  present  be  only  a  matter  of  surmise.  At  all  events, 
the  Exhibition  has  this  one  supreme  merit— that  it  asserts,  in  a  spirit 
that  is  neither  timid  nor  defiant,  the  claim  of  women  to  be  admitted 
within  the  innermost  circles  of  the  profession,  and  proclaims  their 
readiness  to  submit  to  those  tests  that  they,  and  all  other  artiste,  must 
undergo  if  they  aspire  to  serious  consideration.  Here,  at  least,  they 
have  a  free  field  ;  and  whether  they  have  ultimately  to  rejoice  in 
success  or  to  lament  a  failure,  they  cannot  say  that  an  ample  oppor- 
tunity to  do  their  best  has  not  been  given  them* 


Fine  Art  Section. 


LIST    OF  EXHIBITS. 


NOTE— The  absence  of  any  prices  in  the  Register  does  not 
imply  that  the  work  is  not  for  sale.  In  such  instances  the  Curator 
WU1  communicate  with  the  artist  on  request. 


EOOM  No.  1. 


No. 

s« 

d. 

1001 

Roses  et  Violettes                 Mnie,  Madeleine  Bitot 

6 

0 

0 

1002 

At  the  Well                                   J anet  Fisher 

50 

0 

0 

1003 

Ghrysanthemes  en  Serre 

24 

0 

0 

Mcllle.  Marie- Antoinette  Marcotte 

1004 

Sunday  School  in  a  Koman  Church  (Water-colour) 

Charlotte  Popeft 

100 

0 

0 

1005 

Eingeschlafen  (Gone  Asleep)             Maria  Lubbes 

50 

0 

0 

1006 

The  Shower                             E*  Beatrice  Bland 

80 

0 

0 

1007 

Hymn  to  Apollo                       Frances  S.  Drayton 

10 

10 

0 

1008 

L'Idiote                Mdlle.  Marie- Antoinette  Marcotte 

100 

0 

0 

1009 

Eosamunde  : 

100 

0 

0 

"  The  Queen  this  thread  did  gette, 

And  went  where  Ladye  Eosamunde  was  like  an  angell  sette." 

J,  L.  Gloag 

1010 

Un  Vieux              Mdlle,  Marie- Antoinette  Marcotte  160 

0 

0 

1011 

Red  Poppies                                 Gertrude  Frank 

15 

0 

0 

1012 

A  Venise                                  Eleonore  de  Alberti 

20 

0 

0 

1013 

gpring                                   Sophie  T.  Pemberton 

20 

0 

0 

1014 

Gathering  Apples                  M.  A.  Bell,  AM.C.A. 

26 

5 

0 

1015 

L'Allegro                                          Amy  Sawyer 

40 

0 

0 

1016 

"Winter                                         Emily  Duncan 

35 

0 

0 

1017 

XJne  Folle  en  Priere 

Mademoiselle  Marie- Antoinette  Marcotte 

80 

0 

0 

20 

No.  ;  £  s.  <j 

1018  The  Cottage  Beatrice  Bland    26   5  q 

1019  Portrait  du  Comte  de  Valon  en  Maitre  d'Equipage 

d'Halatte  Madame  la  Bnne,  Lambert 

1020  Fairy  Tale  Helene  Bilchmann 

1021  Sommerlust,  Eingelreihn  Tanz  und  Kinder  60  0  n 

( )mlde  Schilling 

1022  Cupid's  Garden  Mrs,  Lily  Delissa  Joseph 

1023  Matfcina  e  Sera  Lucilla  Marzolo  Occioni    40   0  0 

1024  Fanciulla  do. 

1025  Mrs.  Cecil  Paget  A.  M.  Holland  (Mrs.  Sachs) 

1026  Sisters  Mrs.  Lily  Delissa  J oseph 

1027  Convalescent  do. 

1028  Flowers  Anna  Abrahams    35    0  Q 

1029  Pastel  Portrait  of  the  Artist 

Mrs,  Lily  Delissa  Joseph 

1030  The  Blue  Cloak    '  do. 

1081  Moonlight  Margarethe  Hoenerbach    75    0  0 

1032  The  Mermaid  Mrs.  Lily  Delissa  Joseph 

1033  Portrait  of  Miss  S.  do, 

1034  Hebee  rustique  Catherine  F.  Ivanitsky 

1035  Sartina  Bita  Tramontini     8   0  0 

1036  Unterbrochene  Sonntags  toilette     Helene  Gammins    30   0  0 

1037  Dame  mit  Orchidee  Frieda  Meushansen  200   0  0 

1038  Portrait  of  Miss  C.  Mrs.  Lily  Delissa  Joseph 

1039  Spring  in  Barbizon  Marie  von  Parmentier 

Lent  by  Caroline  Low enbruck- Parmentier 

1040  Mada  Sara  Page    10  10  0 

1041  Solitudine  Camilla  Bellorini    12    0  0 

1042  Clouds  E.  Beatrice  Bland    15    0  0 

1043  Madonna  Flores  non  Spina,  heu  !    Nate  tuo  capiti 

opto  Romea  Bavazzi  120   0  0 

1044  Ave  Maria — Rosa  Mystica      Alice  M.  L.  Eckermans  120   0  0 

1045  Mutter  gluck  Mary  Mason    36  10  0 

1046  "  Beneath  the  lamp  the  lady  bowed,  20   0  0 

And  slowly  rolled  her  eyes  around"  (Coleridge's 
"  Christabel")  Dorothy  Woolner 

1047  A  Procession  in  Venice      Mrs.  Margaret  Moschelles    18  18  0 

1048  Evening  near  Barbizon  Marie  von  Parmentier 

Lent  by  Caroline  Ldivenbrnck- Parmentier 


21 


No, 

Constance  de  Breunhuj 

£ 

s. 

a, 

1049 
1050 

Young  Lady 

60 

0 

0 

Phoebe 

Madeleine  Lemaire 

1051 
1052 

Vecchio 

Lucilla  Marzolo  Occioni 

20 

0 

0 

Christmas  Night  C. 

Freibach  (Bnne.  de  Fabric  e) 

1053 

Bords  de  l'Escaut  (Bornheim)         Ewph.  Beernaert  104 

0 

0 

1054 

The  Thirsty  Flock 

Esther  S.  Sutro 

1055 

lOOD 

Ellora  Cave  Temple 

Mrs.  James  Jar  dine 

The  Portal  of  the  Town  Hall,  Rothenburg 

40 

0 

0 

Elise  Mahler  Rothenburg 

1057 

The  Evening  Meal 

Esther  S.  Sutro 

1058 

A  Coming  Tragedienne 

Maud  Poi'ter 

26 

5 

0 

1059 

Two's  Company,  Three 

is  None 

80 

0 

0 

Elizabeth  F.  Bonsall 

1060 

An  Idle  Idyll 

Amy  Sawyer 

7 

7 

0 

1061 

The  Dragon  dies  in  the  Queen's  Garden 

10 

10 

0 

Amy  Sawyer 

1062 

Sunset 

E.  BicJiardson 

50 

0 

0 

lUUu 

Two  at  a  Stile 

Dora  Noyes 

52 

10 

0 

1064 

How  the  Soul  came  out  of  the  Birch  Tree 

20 

0 

0 

Amy  Sawyer 

1065 

Lilies 

do. 

15 

15 

0 

1066 

Edabli  Bodia  de  Ceylan 

en  Costume 

16 

0 

0 

Madame  la  Bnne.  Lambert 

1067 

The  Lost  Princess 

Amy  Sawyer 

20 

0 

0 

1068 

Portrait  de  Mme.  X. 

Mine.  MatJ tilde  PhiHppson 

1069 

The  Po  from  Valentino 

Sofia  Di  B  richer  asio 

1070 

Panneaux  de  Fleurs 

Mdlle.  Fuel  is 

12 

0 

0 

1071 

Night -Spawn 

Amy  Sawyer 

10 

10 

0 

1072 

Marechal  Niel  Rose 

Lncia  Gritti 

16 

0 

0 

1073 

"Dear  Lady  Disdain  " 

Mrs.  Loidse  Jopliny 

1074 

"  Where  the  noise  of  the  world  comes  not  " 

15 

15 

0 

Esther  M.  Bahewell 

1075 

Geese 

M.  A.  Bell,  A. B.C. A. 

21 

0 

0 

1076 

Blue  and  White 

Mrs.  Louise  Jopliny 

(by  kind* permission  of  Messrs.  Lever  Bros.,  Ltd.) 

26 

1077 

Mere  Bonbon 

Florence  Neumegen 

5 

0 

1078 

Gros  temps  sur  la  jetee 

de  Port  Ivy 

40 

0 

0 

Madame  Elodie  la  Villette 

1079 

H  Grandmother,  dear  " 

Harriette  Edith  Grace 

52 

10 

0 

22 

No.  ^  £  s.  a. 

1080  Le  Pont  de.  Marengo  cent  ans  apres 

Sofia  I)i  Bricherasip 

1081  Helle  Eosen  Emanuela  Seifert    20  0 


0 

1082  A  Fifeshire  Field- Worker    Susan F.  Crawford,  A. ILK.  25    0  o 

1083  Eglantine  Mdlle.  Louise  Be  Hem    48    0  0 

1084  Mother  and  Child  A.  S.  Holland  (Mrs.  Sachs)    21    0  0 

1085  Mother  and  Child  Florence  Small  (Mrs.  I) eric  Hardy)    63    0  0 

1086  Birken  am  Kanal  Doris  Am  Ende    20    0  0 

1087  Miss  Edith  Cockell  Mrs.  Louise  Jopling 

1088  Harvest  E.  B*  Beatrice  Bland    10    0  0 

1089  Under  the  Cherry  Tree  50   0  0 

Baker  (Mrs.  Harry  Thompson  Ellen  Kendall) 

1090  Portrait  of  Mary  Withrow  Eva  With  row 

1091  A  Dutch  Woman  Anna  Norclgren  .35    0  0 

1092  Eue  Bonaparte,  Paris  Esther  S,  Suiro 

1093  The  Countess  of  Westmorland 

A.  B.  Holland  (Mrs,  Sachs) 

1094  Fra  una  pagina  e  l'altro  Bdta  Tramontini    20    0  0 

1095  The  Valley  of  the  Danube         Metric  Albert  Koenig    40    0  0 

1096  In  the  Skittle  Alley  Annie  E.  Spong    73  10  0 

1097  Venezianerin  Madchen  vor  der  Lagune  25    0  0 

Clotilde  Schilling 

1098  Cleopatra  brought  before  Julius  Caesar     Hilda  Koe    50   0  0 

1099  A  Portrait  Miss  Constance  Halford 

1100  Ease  with  Dignity     Madame  Henriette  Bonner,  BJ,  100    0  0 

1101  The  Embroiderers  Edith  A.  Hope    15  15  0 

1102  The  Elm  of  St.  Julius  Sofia  Di  Bricherasio    40    0  0 

1103  Roses  Blanches  Mnte.  Madeleine  Huot     6    0  0 

1104  Springtime  Anna  Norclgren  105    0  0 

1105  Per  la  Passeggiata  Rita  Tramontini    12    0  0 

1106  Lazarus  and  Dives  Alice  B>  Woodward 

1107  Birken  Marie  Than    20    0  0 

1108  A  Portrait  Alice  K  Goyder 

1109  Meditation  Gertrude  Leese     8    8  0 

1110  Girl  Knitting  Lily  Defries    15  15  0 

1111  Salome  Winifred  Hope  Thomson 

1112  The  Valley  of  the  Severn 


23 


No. 

1118  St.  Cecilia  Miss  Edith  Starkie  84 
H14  Portrait.    G.  P.  Jacomb  Hood,  Esq.     Maud  Porter 
H15  Traiimerei  Helene  Gammius  30 

1116  Wood  Interior  S.  Mesdag  van  Houten  50 

1117  A  Dirge  Florence  Small  (Mrs.  Derie  Hardy)  105 
2118  "Music  Hath  Charms  "  .  Mrs.,  E.  M.  Ward  100 

1119  Citronen  Molly  Cramer  40 

1120  Ave  Maria  Emanucla  Seifert  45 

1121  Our  Father  !        Florence  Small  (Mrs.  Deric  Hardy)  85 

1122  Pens^es  Mdlle.  Marguerite  Leglike 

1123  Citrons ' 

1124  Gloire  de  Dijon 

1125  Coin  de  Jardin 

1126  The  Song  of  Ages 

1127  Still  Life 

1128  The  Springs  of  Lethe 

1129  Marine 


£    s.  d. 


8 


0  0 

0  0 

0  0 

0  0 

0  0 

0  0 

0  0 

0  0 

0  0 


Marie  De  Bievre  24  0  0 

Bertha  Hacker  10  0  0 

G.  Mesdag.  van  Calcar  70  0  0 

Ethel  Wright  183  15  0 
L.  F.  Wright 

Ella  M.  Bedford  80  0  0 
Marie  con  Varmentier 


Lent  by  Caroline  Litwenbruck-Parmentiei* 

1130  Summer             Florence  Small  {Mrs.  Deric  Hardy)  8 

1131  Study  for  head  of  Bon  jour  Pierrott  26 

Ethel  Wright  (Mrs.  A.  Barclay) 

1132  Study  for  "  The  Prodigal  "                 do.  26 

1133  Fleurs  des  temps  passes      Aurora  Cresjri  Gilardelli  40 

1134  Homeward  Bound,                      Blanche  Mathewes  52 

1135  Mrs.  Beerbohm  Tree  as  Ophelia              ^  157 

Mrs.  Louise  Jopling 

1136  Heloise                                          Vera  Christie  84 

1137  Bejected.                  Ethel  Wright  (Mrs,  A.  Barclay)  94 

1138  Un  cesto  d'uva                                   Lucia  Gritti  30 

1139  The  Park  of  Maubourg             Sofia  Di  Bricherasio  30 

1140  Salome                                    Mrs.  Louise >■  Jopling  157 

1141  Tete  k  Tete                  Madame  Bourgonnier^  Claude  24 

1142  Leukogen                              L.  Begas  Varmentier  20 

1143  La  Bretonne                                      $ara  1:>acJe  12 

1144  A  Devonshire  Cottage  Scene         Mrs.  Luke  Fildes 

Lent  by  V.  Cremiey-Jaral,  Esq. 

1145  The  Orchard                                      Elsie  Atkins  15 

1146  Eothkappchen                            Helene  Gammius  30 


0 

10  0 

10  0 

0  0 

10  0 

10  0 


10  0 

0  0 

0  0 

10  0 

0  0 

0  0 

16  0 


15  0 
0  0 


24  ' 

1147  A  Flicker  of  Sunlight  E.  Spence  Bates  12  12  0 

1148  Dibbing  for  Chub  Ellen  G.  Cohen  48   0  0 

1149  Night  Steals  On  Mary  Downing  12  12  q 

1150  Just  Awake  Mary  Bmjlis  Barnard  50   0  0 

1151  "  I'm  the  Sweetest  Little  Geisha  in  Japan  "  52  iq  q 

Florence  Ada  Xeumeugen 

1152  My  Tailor  Maddaine  Irwin  100  0  0 

1153  A  Puritan  Maid        Ethel  Wright  (Mrs.  A.  Barclay)    80  0  0 

1154  Portrait  des  Friiulein  Boznanska         Maria  Liibbes    15  0  0 

1155  In  Sweden  Anna  Nordgien    25  0  0 

1156  The  Cook  Madame  Ecithi  Gilsoul 

1157  "  Blushed  at  each  blood-red  ear,  for  that  betokened    15  15  q 

a  lover  "  liuth  Garnett 

1158  Portrait  of  a  Lady  Artist,  by  Herself  (English 

school)  Artist 
Lent  by  Messrs.  P.  dc  D.  Qolnaghi  d  Go. 

1159  Portrait  of  T.  Le  Marchant  Douse,  B.A. 

E.  Hean  Alexander 

1160  Portrait  of  Mrs.  Mattox  Amy  Draper 

1161  Dans  la  Bruyere  Euph.  Beernaert  104    0  0 

1162  The  Haunted  Lake  Alice  Havers 

Lent  by  Messrs,  Raphael  Tuck  &  Sons,  Ltd. 

1163  Ini&rieur.    Le  dejeuner.  Marie  Be  Bievre  32  0  0 

1164  Orchidees  Georgette  Meimier  20  0  0 

1165  Apres  la  pluie  Euph.  Beernaert  104  0  0 

1166  Paysage  do.  10  0  0 

1167  "  Who  will  buy  my  Cupids  ?  "  60   0  0 

Baker  (Mrs.  Harry  Thompson  Ellen  Kendall) 

1168  Baby  Bernard  Annie  Withers    15  15  0 

1169  Marjory      Sarah  Birch.   Emt  by  Mrs.  Annan  Bryce 

1170  Justin  McCarthy,  Esq.,  M.P. 

Winifred  Hope  Thomson 

1171  Autumn  Mrs.  Gertrud  Trefftz    40    0  0 

1172  Chums  Lsabel  White    15  15  0 

1173  Portrait  of  the  late  Warren  de  la  Eue,  F.R.S.,  D.C.L. 

Tainted  by  Anna' Lea  Merritt 
Loaned  by  Edward  Bollock,  Esq. 

1174  A  Letter  from  Home  Edith  Scannell  105  0 

H75    Countess  of  Dundonald        'Mrsl  Anna  $ea  Merritt 

Lent  by  Countess  Dundonald 


25 

No.  M   s,  <J, 

1176  Mary,  daughter  of  Wm,  Burton,  Esq, 

\  ■       S.  Isabel  Dacre 

1177  Portrait,    Henry  James,  Esq.  * >  Anna  Lea  Merritt 

H78  Flora  do.  80    0  0 

j!79  Portrait  of  Edw.  S.  Jenkyns,  Esq,  Amy  Draper 
1180  Her  Morning  Kide  Blanche  Jenkins 

H81   Portrait  of  a  Lady  of  the  15th  Century  15    0  0 

Mary  Y.  Hunter 

1182  Nach  Brahms'  "Kegenlied"  45    0  0 

Caroline  Lowenbruck-Parmentier 
H83   «  Gray  of  shore  where  waves  sob  low,  Gray  of  sea^    15  15  o 
gulls  swooping  "  E.  M.  Wilde 

1184  "Wherefore  those  dim  looks  of  thine,   Shadowy     3    3  0 

dreaming  Adeline  "  (Tennyson) 

Lillie  A.  E.  Griffith 

1185  Apres  la  Pluie  (Chevaux  a  l'Abreuvoir) 

Madame  Marie  Collart  100    0  0 

1186  Mezza  Figura  (Studio)  Rita  Tramontini     8    0  0 

1187  La  Campagne  en  Mars  (Brabant) 

Madame  Marie  Collart  100    0  0 

1188  Les  Sources  de  Scharaes  le  Soir 

Madame  Marie  Collart.    Lent  by  Messrs.  Henrotin 

1189  The  Blacksmith  Elsie  Atkins  5  5  0 

1190  Evening  do. 

1191  Corbeille  de  noces  Aurora  Crespi  Gilardelli  80  0  0 

1192  Eeflections  Edyth  E.  Bavenshaw  20  0  0 

1193  Le  Bief  d'un  Moulin  avant  FOrage  100   0  0 

Madame  Marie  Collart 

1194  The  Boy  Actor        Florence  Pash  (Mrs.  Humphrey)    30    0  0 

1195  Portrait  of  Thomas  Hardy,  Esq. 

Winifred  Hope  Thompson,  Lent  by  Thomas  Hardy, 
Esq. 

1196  Hortensien  L.  Beg  as  Parmentier    60    0  0 

1197  Portrait.    Mrs.  Craigie  Maud  Porter 

1198  Treasures  of  the  Sun  25    0  0 

Constance  G.  Copeman,  A.B.E. 

1199  Le  Bedeau  Mdlle,  Louise  De  Hem  160    0  0 

1200  Portrait  of  Colonel  Henry  Lee  Higgison  (United 

States  Volunteers)  Sarah  Wyman  Whitman 

Lent  by  Mrs.  Higgison 

1201  Wimbledon  Common  Mrs.  L.  Hansen    12  12  0 

3 


26 


No. 


1202  Portrait  of  Mrs.  T.  Hodgson  Liddell,  with  "  Fluffy  " 

Eosie  M.  M.  Pitman 

1203  A  Hot  Morning  in  Venice        Nina  Qttolenghi  Levi 

1204  The  Thoughts  of  Youth  are  Long  Thoughts 

Mrs*  M.  H.  Eamshaw 

1205  "  Whither''  W,  J*  M*  Mackenzie 

1206  Study  of  a  Shire  Horse  and  Colt 

Countess  Helena  Gleichen 

1207  Sunset 

1208  Sur  la  Digue  h  Volendam  ;  or,  On  the  Dike  at 

Volendam,  Holland  Miss  Elizabeth  Nourse 

1209  Portrait  of  a  Lady  Artist      Madame  VigSe  Le  Brim 

Lent  by  Messrs.  P*  &  D.  Colnaghi  $  Co. 

1210  The  Intruder  Elizabeth  F.  Bonsall 


25  0  0 

20  0  o 

20  0  0 

15  0  0 

80  0  0 


40   0  0 


1211  La  Mare 

1212  Portrait  of  Mrs.  Ulric  Thynne 


Euph.  Beemaert    44    0  0 


Florence  Fash 
(Mrs.  Humphrey) 

1213  Menaggio,  Lake  Como  Phyllis  Woolner 

1214  A  Hillside,  Malvern  Wells  do. 

1215  "I  found  in  dreams  a  place  of  wind  and  flowers, 

Full  of  sweet  trees  and  colour  of  glad  grass  " 

Florence  Pash  (Mrs,  Humphrey) 

1216  Abendstimmung  Margarethe  Hoenerbach 

1217  Portrait  of  Mrs.  A.  A.  Delmege 

Florence  Pash  (Mrs.  Humphrey) 

1218  Portrait  of  Monsieur  Gevaert,  Directeur  du  Con- 

servatoire de  Bruxelles,  Maitre  de  Chapelle  de 
S,M,  le  Roi  des  Beiges  Madame  laBnne.  Lambert 


0  0 


5  5  0 
21    0  0 

40   0  0 


1219 
1220 
1221 
1222 
1223 
1224 


SCREENS. 

WATER  COLOUR,  BLACK  AND  WHITE  DRAWINGS,  &C. 


Flowers 
Fowls 

In  the  Zone  of  Calms 
Luxor  Temple 
In  the  Trades  and  Tropics 
Old  Cottages,  Selham 


Hedivig  Weiss 
Florence  K.  Noble     7    7  0 
Mrs.  Ernest  Hart 
Susan  H.  Bradley  . 
Mrs.  Ernest  Hart 
4.  Madeline  Lewis     5    5  0 


27 

1225  A  Geisha  IF .  Brooke  Alder      5    5  0 

1226  Bolton  Abbey  Mrs*  Alexander  Ross     5    5  0 

1227  Desi£n  for  Mural  Decoration»  "  sPring  Driving  out     7    7  0 

Winter"  Mabel  C.  Robinson 

1228  Gloire  de  Bosamund  Koses      Margarette  Lippincott 

1229  Urirothstock,  Lake  of  Lucerne  Fanny  Livesey  10  10  0 
1280  The  Beach  at  Scarborough.              Alice  Latchford    10  10  0 

1231  Greorgina,  daughter  of  Sir  Francis  Denys 

Mary  B,  Barnard 

1232  Springtime  in  the  Isle  of  Wight 

Edith  Martineau,  A.R.W.S.    The  property  of  H, 
Spencer  Daniell,  Esq. 

1233  Buskin's  Study,  Brantwood,  Coniston  21    0  0 

Mrs,  Mariquita  J.  Moberly 

1234  Montreal  at  Sunset  Mrs,  Ernest  Hart 

1235  Kathleen  Mary  A.  Sloane 

1236  Portrait  do. 

1237  Miss  Harwood  as  the  ".  City  of  Oxford  "  in  the  Art     2    2  0 

Workers'  Guild  Masque  M,  A.  Sloane 

1238  On  the  Shore,  Worthing  Mrs.  Allingham 

1239  Cannes,  and  the  Esterels  Mrs,  Alexander  Ross  4    4  0 

1240  The  Burg,  Leiden  Mary  A.  Sloane  1  10  6 

1241  Tired  Mary  McNicpU  Wroe  20    0  0 

1242  Annunciation  Lilies  do.  10  10  0 

1243  Anne  Parker  Ethel  N.  Parker  5    5  0 

1244  Heartsease  The  late  Mrs.  G.  R.  Ward 

Lent  by  Mrs.  E.  M.  Ward 

1245  Eussian  Peasants  Catherine  Ivanitsky     4    4  0 

1246  Baby  A.  Douglas  Hamilton 

1247  Chelsea  Eeach  Mrs.  Douglas  Watson     4    4  0 

1248  Evening  (Autumn  at  Poigny)  Ada  Gait  on     8    8  0 

1249  Market  Place,  Etaples  Edith  A.  Hope     5    5  0 

1250  Homards  Bice  Castelnuovo     8    6  8 

1251  Lady  Ulrica  Duncombe    The  Marchioness,  of  Granby 

1252  Lord  Cromer  do,  do. 

1253  Portrait  Sketch  do,  do. 

1254  Roses  Ethel  N.  Parker     5    5  0 

1255  Evening  Glow  (Poigny,  France)    Catherine  Howard     4    4  0 

3  a 


28 


No. 

0 

s. 

cl 

125G 

JTl^g  lefllSOTl 

3 

3 

0 

1257 

Blowing'  tilG  J:  116            ^»l/s.s  LTtir  vt  umv  nutyebj  Ji.li.J^. 

a 
Z 

5 

0 

1258 

The  ( Croix  Vert,    -ttouen          au.  ao, 

2 

12 

6 

1259 

Mijnke                                  ao:  ao< 

2 

12 

6 

1260 

I  have  fought  my  ngnt,  1  nave  uvea  my  me 

2 

12 

6 

Miss  Gertrude  Hayes,  AJl.E. 

1261 

7  7 

A  Geisha              -             ffe<  <h)- 

2 

5 

0 

1262 

«  Christmas  Steps    (Bristol)  m*  do. 

2 

2 

0 

1263 

A  Portrait                                    Lda  &wkpatrick 

5 

5 

0 

1264 

The  Rosegg  Glaciers  Group  m  tne  i^ngaame 

.  r     T-)    7'T   rill    .  T)^^nr>£in^^o^1^l^'^Qt^^^^lfS^^'])Jp^)^l1^-l^f)7^t^')''l1 

tj  ±~l,±±,J_  flB  JrT%7lC€SS  L/Lf  Lbbitirv  i>j  kjvuuvnivuj  LJLUibvtivFc, 

Painted  in  1880.  Exhibited  hy  H.B.H.'s  permission 

1  Oft  K 

TTi  von  7 p                                       Jfcfarv  Lanch  ester 

5 

5 

0 

1  Oftft 

lZbu 

Vivo-in  and  Mother                        2&ta  Tramontini 

V  llcilll    ClllJ-vl    i-'J- V7  UJ-ivJ- 

20 

0 

o 

1  0ft7 

t  J iosi«  3f  .  iVI.  Pitman 

15 

15 

o 

V 

1  OftQ 

15 

15 

o 

lzby 

M-r»a  TT  Tiinrlqfl.v            T/^  Marchioness  of  (Jfranbu 

Tno  Mnrnnis  of  Granbv  do. 

JLIiy  lVJ.dlUU.iD  wx  Miitjj.i.i/j 

1271 

TVin  Pi  TTnn  TT  TT  Asauith.  M.P.  do, 

1272 

Cherry  15lossoms                        fji/k  v  m..  xivrb/aii 

1273 

11  Improvisatore                               Nell  Tenison 

5 

5 

0 

1274 

The  Old  Boat                          zu/i//  juua  in  uettm 

0 

0 

A 
U 

1275 

An  Illustration  irom  s  oaiammoo         xvct^  lvmburi 

0 

u 

1276 

Olives  and  rines  ovei  .uoraignera 

1  9 

1  9 

n 
u 

Mrs  Marrable,  P.S.W.A. 

1277 

otreet  m  xoiu  xbciaiuj  v^uiiivvajn 

Mrs.  Courtenay  Edmonds 

6 

6 

0 

M^rlcpt  Plafift  Lanion.  Brittanv    Maraaret  Bernard 

6 

6 

0 

1  07Q 

On  thp  Moors  Derbvshire                  Mary  Prinale 

At  Orta,  Ttalv                             •     Fanny  Eivesau 

10 

10 

0 

ftir  T^prlivprp                           Meiru  Edmonds  Swan 

1 OftO 

"RnQQifln  Ppfl,sa,nts                        Catherine  Iranitsku 

4 

0 

0 

1  9ft3 

Pponipci  a,nd  Snowballs                   Bice  Castlenuovo 

6 

0 

0 

1283a 

Scene  in  Venice              -  -               Maria  Ippoliti 

5 

5 

0 

1284 

Scene  in  Venice  do. 

5 

5 

0 

1284a 

Scene  in  Venice  do* 

5 

5 

0 

1285 

A  Memory  of  Orta                           Blanche  Baker, 

6 

6 

0 

1286 

Le  Souper                                         A.  Desailles 

1 

5 

0 

£ 

s. 

a. 

A.  Desailles 

1 

5 

0 

do. 

1 

5 

0 

do. 

1 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

do. 

i 

5 

0 

]e  A.  Ashton 

3 

3 

0 

2 

2 

0 

29 

0\  La  Cigarette 

1288  LaCouturiere 

1289  Femme  au  Cnale 

1290  Femme  k  sa  Toilette 

1291  Femme  dans  l'E scalier 

1292  Le  Grand  Chapeau 

1293  Pensive 

1294  Le  Matin 

1295  AuBal 

1296  La  Violette 

1297  Pierrot 

1298  La  Lettre 

1299  L'Eventail 

1300  Jeune  Femme  k  sa  Toilette 

1301  The  Palatine  Gertr 

1302  In  the  Cathedral,  Glasgow 

Georgia  A.  E.  MacKinlay 

1303  Cyclamens  Ethel  Mary  Cook  5  5  0 

1304  A  Lamplight  Effect  A.  Douglas  Hamilton 

1305  Roses  •  G.M.Annen  14  0  0 

1306  Spring  Flora  Lion  10  10  0 

1307  Madonna  and  Child  Constant  Coughtrie  5  5  0 

1308  Autumn  Florence  Kingsford  6  6  0 

1309  Portrait  of  Artist,  painted  with  the  lips,  the  artist 

having  had  rio  hands  or  feet 

Mrs.  Wright  {formerly  Miss  Biffin).  Contributed  by 
K;;         Miss  A.  Allen  - 

1310  The  Turn  of  the  Tide  Sophie  Beale     5    5  0 

1311  Inner  Quad.,  All  Souls'  College,  Oxford  5    5  0 

Mrs.  B.  F.  Hartshorn 

1312  The  Wood  Amelia  Banerle  110 

1313  "  Rare  pale  Margaret  "  Edith  M.  Finlay son     5    5  0 

1314  Staircase,  Whittington  Court,  near  Cheltenham 

Mrs,  Allingham 

1315  Sunset,  Biarritz  Bay  Mrs.  E.  C.  Law     5    5  0 

1316  Vegetables  Ethel  Mary  Cook     5    5  0 

1317  Still  Waters,  Water  End,  Hemel  Hempstead  5    5  0 

Mildred  M.  Heame 

1318  A  Space  of  Flowers  Mary  Edmonds  Swan    16  16  0 


MP* 


No. 
1819 
1320 

1321 

1322 

1323 

1324 
1325 
1326 
1327 
1328 
1329 
1330 
1331 
1332 
1333 

1334 

1335 
1336 

1337 

1338 
1339 
1340 

1341 

1342 

1343 

1343a 

1344 

1345 

1346 


30 


Above  Whitby  (Moorland)  Mrs.  AlUngham 

The  Waller  Oak,  Coleshill,  Amersham 

Mrs.  Ailihgham 

Flowers  Gismdnda  Laudiani 

Lent  by  Imre  Kiralfy,  Esq. 

«  Where  the  salt- weed  sways  in  the  stream  " 

Amelia  Banerle 

Illustrations  for  Hans  Andersen's  "  Fairy  Tales" 

Helen  Stratum 
Agnes  Jones 
Amelia  Banerle 
do, 

Edith  J.  Hipkins 
Helena  M.  Evans 
Mrs.  William  Chance 


Old  Chelsea  Church 

The  Depths  of  the  Sea 

The  Maids  of  Elfin-mere 

A  Koto  Player 

Design  for  Fan 

Study  of  a  Tiger 

Tenby  Bay  in  Morning  Mist    Mrs.  E.  S.  Fulleylore 

Cabins,  Ballyshannon,  co.  Donegal     Mrs.  AlUngham 

Carnations  Hose  Wallis 

Castle  of  the   Marquess   of  Malaspina,   in  the 
Lunigiana,  Italy    Caroline Ldwenbruck-Barmentier 

Moat  Mountain,  one  of  the  White  Mountains,  New 
England  Susan  H.  Bradley 

The  Hour  of  B*rayer  Helena  Evans 

Castle  of  the   Marquess   of  Malaspina,   in  the 
Lunigiana,  Italy    Caroline  Ldwenbruck-Parmentier 

Eeproduction    of  Design   for   Cartoon,  Cherry 
Festival  of  Nuremberg         Gertrude  M.  Bradley 

Head  of  a  Woman  Kate  Buskin  Coughtrie 

A  Dutch  Farmstead  Ida  S.  Sterry 

Eye,  Sussex,  from  Combe  Marsh 

Mrs.  E.  C.  Law  Adam 

Five  Original  Drawings  for  "  Songs  for  Somebody  " 

Gertrude  M.  Bradley 

Fruits  S.  Mesdag  van  Houten 

Garden  Chrysanthemums       Margarette  Lippineott 

Cortile  di  Campagna  Maria  Ippoliti 

A  Grey  Day  on  the  Suffolk  Coast        Lady  Jephson 

Illustrations  for  Lithography.    "  The  Little  House- 
wife "  Margaret  F.  Boivat 
"  Bosom  Friends  "  do* 


s.  a. 


i  i  o 


5    5  0 

2    2  0 

2   2  0 

10  10  0 

5    5  0 

5    5  0 

10  10  0 

5    5  0 

30   0  0 


6  6  0 
30   0  0 


1    1  0 

3  8  0 
8    8  0 


35   0  0 


5  0  0 
12  12  0 


8   3  0 


31 

iUI   Illustrations  for  Lithography.  Midday  in  the  Fields     3    3  0 

im  Margaret  F.  Rowat 

l$fla  S.  Giorgio  Maggiori,  Venice  Maria  Ippoliti     5    0  0 

1348   West  "Wycombe,  Bucks  Bessie  J.  Spiers    10  10  0 

1348^  Daiprati  del  Lido  Maria  Ippoliti     5    0  0 

iQiq   Illustrations  for  Lithography.  A  Rainy  Day              3    3  0 

l6*J  Margaret  F.  Rowat 

1350   Study  for  Wise  Virgin  Alice  B.  Woodward     5    5  0 

iQKi    The  Cliffs,  St.  Edmonds,  Norfolk  2    2  0 

ld*  Miss  Latitia  M.  Cole 

ior2   Othello      The  late  Louisa,  Marchioness  of  Water ford 

Lent  by  Countess  Brownlow 

1358   A  Portrait  Miss  A.  Edwards     1  10  0 

1354  Mill  at  Hemingf ord  Grey,  Hunts.  Charlotte  H.  Spiers     5    5  0 

1355  Church  Lane,  West  Wycombe,  Bucks.  8    8  0 

Charlotte  H.  Spiers 

1355d  Rio  a  Venezia  Maria  Ippoliti     5    0  0 

1356  Old  Knight  of  the  Garter,  and  Child  playing  with 

the  Order  The  late  Louisa,  Marchioness  of 

Waterford.    Lent  by  Countess  Brownlow 

1357  A  Fete      The  late  Louisa,  Marchioness  of  Waterford 

Lent  by  Lady  Drogheda 

1358  A  Black  Page  in  Waiting        The  late  Louisa,  Mar- 

chioness of  Waterford    Lent  by  Lady  Marjoribanks 

1359  Dame  Marjory  do.  do. 

1360  St.  Agnes  Woohner     5    5  0 

1361  Hagar  and  Ishmael       The  late  Louisa,  Marchioness 

of  Waterford    Lent  by  Countess  Brownlow 

1362  Girls  in  Church  do.  do. 

1363  Cornfield— Evening,  Winterton.  8  "  Now  fades  the    20    0  0 

glimmering  landscape  on  the  sight." 

Helen  George 

1361    The  Prodigal  Son         The  late  Louisa,  Marchioness 

of  Waterford.    Lent  by  Countess  Brownlow 

1365  Ogier  the  Dane  do,  do. 

1366  Beachy  Head  from  Hastings      Mrs.  Emma  Cooper     6    6  0 

1367  Christ  passing  Blind  Bartimeus 

The  late  Louisa,  Marchioness  of  Waterford 

Lent  by  Countess  Brownlow 

1368  Boys  in  Church  do.  do. 

1369  Grey  Day,  Sandwich  Isabel  Roget     5    5  0 


32 

No.  ^  £    s.  I 

1370  Study  I?.  Shaw  880 

1371  The  Angel  Choir   -    The  late  Louisa,  Marchioness  of 

Water  ford.    Lent  by  Countess  Brownlow 

1372  The  Cavalier's  Children  The  late  Louisa,  Mar- 

chioness of  Waterford,  Lent  by  Lady  Marjoribanks 

1373  Scheveningen  Mary  Gemrndl     5    5  q 

1374  In  a  Surrey  Lane  Agnes  Jones     5    5  0 

1375  Children  Gleaning.  Painted  by  the  late  Louisa, 

Marchioness  ofW aterford.   Lent  byT.  C.  Smith,  Esq . 
1375a  Laguna  a  Venezia  Maria  Lppoliti     5    0  0 

1376  The  Forge  The  late  Jjouisa,  Marchioness  of 

W aterford.     Lent  by  Countess  Brownlow 

1377  Dawn.  Design  for  Decorative  Panel  F.va  Baniell  5  5  Q 
1377«  Eio  a  Venezia  Maria  Lppoliti     5    0  0 

1378  Lady  with  Peacock  Fan 

The  late  Louisa,  Marchioness  of  Waterford 

LeM  by  Countess  Brownlow 

1378  La  Gindeeca 

1379  Cottages  at  Sandsend,  Yorks.  Bessie  J.  Spiers     5    5  0 

1380  Tower  of  Magdalen  College,  Oxford  Juliet  Turner  10  10  0 
1380a  In  the  Foundry  Mrs.  E.  Cadwalleder  Guild 

1381  "  Airy  fairy  Lilian  "  Edith  M.  Finlayson     5    5  0 

1382  Windmill,  Eye  Agnes  Jameson     4    4  0 

1383  Homewards  TP.  J.  M.  Mackenzie     5    5  0 

1384  Turkey  Cock 

The  late  Louisa,  Marchioness  of  Waterford 
Lent  by  Countess  Brownlow 

1385  Eye,  Sussex  ,  Agnes  Jameson     7    7  0 

1386  A  Passing  Storm  E.  A.  Langdon     3    3  0 

1387  A  Geological  Menu  (Black  and  White)  6    6  0 

Alice  B.  Woodward 

1388  Miss  Ad  rienne  Deynolles  as  Marton,  in  "A  Marriage 

of  Convenience"  Miss  Le  Quesne  * 

1389  "  The  Harrow,"  Gloucestershire   Alice  B.  Woodward     5    5  0 

1390  Illustration  to  a  Spanish  Fairy  Tale  do*  6    6  0 

1391  Eight  Illustrations  to  "  The  Princess  of  Hearts  " 

Alice  B.  Woodward 

1392  A  Geological  Menu  do..  6    6  0 

Lent  by  Messrs  Blackie  $  Son 


1394 


1395 


83 

No.  £    s.  d. 

1393  Cover  Design  for  Messrs.  Blaokie  &  Son's  Book  List 

Alice  B.  Woodward 
Cover  Design  (in  water-colour)  for  «  The  Princess  of 
Hearts  ' '  Alice  B.  Woodward 

Lent  by  Messrs.  Blackic  &  Son 

Sunshine  and  Bain  Alice  Nannette  Rogers  10  10  0 

1396  The  Alps  at  Miirren  Dorothy  Woohier 

1397  The  Promenade  Violet  Linton  13  13  0 

1398  The  Maid  of  Toro  Edyth  L.  Ravenshaw  20  0  0 
1899   The  Haven,  Mudeford  Ida  S.  Sterry  8  8  0 

1400  Paesaggio  Maria  Ippoliti    10    0  0 

1401  Pastel  Portrait  of  Mrs.  E.  M.  Ward 

Beatrice  M.  Ft  Ward 

1402  Sir  Thomas  More's  Chapel  in  the  Old  Church,  Chelsea     4    4  0 

Adeline  Illingworth 

1403  Still  Life.  Anna  Abrahams 

1404  A  Harvest  Mary  Y.  Hunter    30    0  0 

1405  "Yea!   Though  I  walk  through  the  shadows  of     6    6  0 

death  I  will  fear  no  evil."       Gertrude  G.  Cowper 

1406  Cottages  on  the  Banks  of  the  Teign,  Devonshire         4    4  0 

Louisa  W is! i 

1407  Two  Invitation  Cards  (in  Black  and  White)  6    6  0 

Alice  B.  Woodward 

1408  Absent  yet  present  Edyth  Lt  Ravenshaw    15    0  0 


No.  2  BOOM. 

1409  Famille  Madame  Roth 

1410  Eesignation                                Helene  Buchnann  100  0  0 

1411  La  Kaccolta  del  Fieno                   Ida  Celeri  Viena  24  0  0 

1412  Le  Kavin  de  l'Alhambra                   Mdlle.  Bufau  25  0  0 

1413  Le  Soir  %  Grenade                                  do.  16  13  4 

1414  Le  Laurier  Kose  (Capri  d'ltali)       Emilie  Ed.  Sain  12  0  0 

1415  Little  Blue  Riding  Hood  Blanche  Jenkins 

1416  A  Storm                                      Ida  Kirkpatrich  18  18  0 

1417  Colede  ardente  et  triste            Mdlle,  C.  H.  Bufau  41  13  4 

1418  Early  Morning  in  Spring,  Seine-et-Oise  21  0  0 

Mary  Baylis  Barnard 


34 

1419  "  Fair  Daffodils  we  weep  to  see        Miss  Staekpoole    12  12  q 

You  haste  away  so  soon  " 

1420  Voilde  au  Soleil  Mdlle,  C,  H.  Dufau    24   0  0 

1421  Youth  and  Death  So  fie  Baronesse  eon  Scheve    50   0  0 

1422  Etude  de  quatre  garcons  Madame  Both 

1423  Molly,  daughter  of  Charles  Thynne,  Esq. 

Agnes  C,  Walker 


1424 

Le  vieil  Escalier  d'Anacapi 

d 

Km 'die  Ed.  Sain 

16 

0 

0 

1425 

Early  Morning 

Alice  Fanner 

20 

0 

0 

142G 

Swaledale,  Yorkshire 

dot 

21 

0 

0 

1427 

Morning  in  the  Valley 

do. 

20 

0 

0 

1428 

The  Chestnut  Tree 

do. 

15 

15 

0 

1429 

Zennor,  a  Lonely  Parish 

do. 

20 

0 

0 

1430 

Cloudy  Weather 

do. 

50 

0 

0 

1431 

Portrait 

M.  F.  Monkhouse 

1432 

A  ma  Mere 

Camilla  Bellorini 

1433 

Evening 

Isd  Bae 

15 

15 

0 

1434 

Potato  Gatherers 

do. 

15 

15 

0 

1435 

A  Summer  Morning,  Norway 

15 

0 

0 

Annora  Bromley  Martin 

1436 

Motherless 

Isd  Bae 

12  12 

0 

1437 

"  In  Solitude  thro'  whispering  Woods  "  dp. 

20 

0 

0 

1438 

Apple  Blossoms 

Mrs.  Swynnerton 

50 

0 

0 

1439 

Hebe 

do. 

157  10 

0 

1440 

Maisie 

Marjorie  Evans 

1441 

Sketch 

Mrs.  Swynnerton 

36  15 

0 

1442 

Study  of  an  Old  Man 

Annora  Bromley  Martin 

20 

0 

0 

1443 

April  Lady 

Mrs .  Swynnerton 

36  15 

0 

1444 

Portrait  of  Miss  Atkinson 

do, 

1445 

Lake  Albano 

do, 

20 

0 

0 

1446 

Sunset,  Castlegandolfo 

do. 

35 

0 

0 

1447 

Moonlight 

do. 

30 

0 

0 

1448 

Portrait  of  Lady  Hunter 

Annora  Bromley  Martin 

1449 

A  Summer  Evening— Norway 

do. 

15 

0 

0 

1450 

Mater  Triumphalis 

Mrs,  Swynnerton 

840 

0 

0 

1451 

Rome  from  the  Palatine 

do. 

20 

0 

0 

1452 

Olive  Gatherers— Siena 

do, 

25 

0 

0 

35 


No. 

1452a 

1453 
1454 

1455 

1456 

1457 

1457^ 

1458 

1459 

1460 

1461 

1462 

1463 

1464 

1465 

1466 

1467 

1468 

1468a 

1469 

1470 

1471 

1472 

1473 
1474 
1475 
1476 
1477 
1478 
1479 
1480 
1481 
1482 


£  s.  a. 


Thro'  the  Forest  Molly  Cramer 

Thro'  the  Orchard  Mrs.  Swynnerton  157  10  0 

With  Downcast  Eye  and  Modest  Mien  " 

Marjorie  Evans 


Resignation 
Earth's  Awakening 
Danae 
Fir  Forest 
A  Dream  of  Italy 
The  Augustusbriickein  Dre'sden 
Siena 
Bacchante 

St.  Martin's  Summer 
Sweet  Seventeen  , 
"  In  the  leafy  month  of  June  '} 
Meadow  Sweet 


Margarethe  Hoenerbach  50 

Mrs,  Swynnerton  36 

do.  136 
Helen  Cramer 

Mrs.  Swynnerton  840 


0  0 
0 

10  0 


15 


Berta  Schrader 
Mrs.  Swynnerton 
do, 
do. 

Anne  Marks 
Phyllis  Woolner 
E.  Stewart  Wood 
Annette  Elias 


Sussex  Uplands 
Playmates.  Judith  Leyster,  pupil  ofFrans  Hals  ;  born 
about  1600;  died  1660.    Lent  by  A.  Douglas,  Esq. 


25 
40 
36 
367 
10 
8 

12 
40 


0  0 

0  0 

0  0 

15  0 

10  0 

10  0 

8  0 

0  0 

0  0 


Annette  Elias 
Mrs.  Mary  F.  Field 

Annette  Elias  100 
E.  Stewart  Wood  25 
Annette  Elias  20 


By  the  Brook 
In  Pensive  Mood 
The  Kidge  of  the  Down 
Wild  Roses 

A  Cottage  Garden,  Sussex 

Portrait  of  the  Artist  playing  the  Harpsichord 

Sofonisba  Anguisciola.    Lent  by  Earl  Spencer 

A  Warm  Evening 
The  Sheepfold 

The  First  Breath  of  Autumn 
Portrait 
Echoes 

Roses  Adrienne  van  Hogendorp-  's  Jacob 

Portrait  of  a  Lady    Madame  Louisa  Starr  Canziani 

Idalia  do% 

The  Voice  of  the  Woods  do. 

"  Love  in  her  eyes  sits  dreaming  " 

Madame  Louisa  Starr  Canziani 


40    0  0 


0  0 
0  0 
0  0 


Mrs.  H,  Creamer 
E.  Stewart  Wood 
do. 

Annie  C.  Colthurst 
Maud  Beddingion 


10 

35 
75 
25 
150 
20 


10  0 

0  0 

0  0 

0  0 

0  0 

0  0 


1483   Portrait :  D.  Bernhard  Weiss 


Hedwig  Weiss 


36 

No.  £  s.  a. 

1484  Doves  Madame  Louisa  Starr  Canziani 

1485  William  Knight,  LL.D,  Professor  of  Philosophy  in 

the  University  of  St.  Andrews  Ella  Hean  Alexander 

1486  David  with  the  Head  of  Goliath  before  Saul 

Madame  Louim  Starr  Oanziani 

1487  Colonel  Mellor  S.  Isabel  Baere 

1488  Portrait  Madame  Louisa  Starr  Canziani 

1489  Nancy.    Portrait  Sketch  in  Pastel 

Frances  B.  Burlinson 

1490  Eoses  Louise  E.Perman    27    0  0 

1491  Irene  Madame  Louisa  Starr  Canziani 

1492  Portrait  of  Mrs.  Stewart  Wood  Ann  Grant 

Lent  by  Mrs.  Stewart  Wood 

1493  A  Peasant  Maid        Madame  Louisa  Starr  Canziani 

1494  Bird's  Nest  Stella  Canziani  {aged  12) 

1495  Am  Schwarzen  Wasser  Emmy  Lischke  200    0  0 

1496  "  Betty."    A  Study  in  Holland  Beatrice  How    15  15  0 

1497  Pastel  Portrait  (Miss  W.) 

Linda  Kdgel.    Lent  by  Mrs,  Blackadder 

1498  A  Maiden  Fayre  Florence  Elizabeth  Castle    15  15  0 

1499  Les  Giroflees  Margaret  Macdonald,  R.S.W, 

1500  II  etait  trois  petits  enfants     Madame  Marie  Duhem,    60    0  0 

Membre  Associe  a  la  Societe  Nationale  cles  Beaux- Arts 

1501  "  Oh  !  for  the  touch  of  a  vanished  hand 

And  the  sound  of  a  voice  that  is  still " 

Blanche  Dunkley 

1502  Portrait  Frau  Lepsius 

1503  Portrait.    Ernst  Kardt  do, 

1504  La  Jeunesse  Edith  Bottomley    15    0  0 

1505  Pastel  Portrait.    Roland  Sarah  Birch 

Lent  by  Mrs.  Annan  Bryce 

1506  Florence  from  San  Miniato  Gertrude  Toynbee 

1507  Mutter  mit  Kind  Margarete  von  Kurasoski    30    0  0 

1508  Einsamkait  Emmy  Lischke  150    0  0 

1509  Kinder  mit  Blumen  Margarete  rhn  Kurasoski    40    0  0 

1510  Head  of  a  Girl  Mrs,  Helen  Walton 

1511  Etude  a  l'ombre  Florence  Ada  Numegen    35    0  0 

1512  Pictures  in  the  Fire  Mrs.  H.  Creamer    35    0  0 

1513  Children  of  J.  Hoyle,  Esq.  S.  Isabel  Dacre 


37 


No. 

£ 

s. 

d. 

1514 

•    1                     TT                                 TV  /I 

Portrait  of  Young  Man                   s.  Isabel  Vacre 

1515 

lie  Champ  de  Ble                 Madame  Marie  Duhem 

50 

0 

0 

Mefnpre  Assqcie  de  La  bociete  Rationale  des  Beaux- Arts 

1516 

Le  Bandit  bicinen                  Catherine  Petrocokino 

40 

0 

0 

1517 

Mrs.  Whitelegge                             S.  Isabel  Dacre 

1518 

Thomas  Parker,  Esq.  do. 

1519 

A  Madonna 

60 

0 

0 

Baker  (Mrs.  Harry  Thompson  Ellen  Kendall) 

1520 

Sunday                           Madame  Le  Boy  d'Etiolles 

80 

0 

0 

Chrysanthemums     Mrs.  Stanhope  Forbes,  A.B.W  S 

1522 

In  manus  tuas,  Domine  do. 

1523 

rOiuiaii  ui  mio.  u.  -L>.                    dyiai  y  o.  Jz>aj  navel 

1524 

a  Will  n'  f.hp  Wkr>  " 

YV  111          Lille    >V  lojJ 

"  Wee  folk — good  folk,  drooping  all  together, 
Green  jacket — reel  cap  and  white  owl  feathers." 

Mrs.  Stanhope  Forbes,  A.Ii.W.S. 

1525 

Pastel  (Tete  de  jeune  nlle  enyeloppee  de  mousseline) 

Juliette  Dubusse 

20 

0 

0 

1526 

Un  xiumDie  ivienage              ikzzs.s  fjiizaoetli  Jyourse 

50 

0 

0 

1527 

An  Old  Salt                      Emeline  S.  A.  Macmillan 

12 

12 

0 

1528 

Twilight                                            J<?ss?<?  P?/???, 

5 

5 

0 

1529 

Yieille  Bretonne  (Finistere)  Madame  Fanny  Fleury 

1530 

Jessica                  Ifrs.  Stanhope  Forbes,  A.B.W.S. 

1531 

The  Dancer  do 

1532 

Geoffrey,  son  of  William  Adams,  Esq. 

Mary  B.  Barnard, 

1533 

Mary  Sellwood's  Cottage              Miss  Julia  Meyer 

6 

6 

0 

1534 

A  Farm  in  Gelderland,  Holland 

/j.  iviesaag  van  nouten 

70 

0 

0 

1535 

A  Country  bnop                          .£>.  Looper- names 

/i 

A 
4b 

u 

1536 

Twilignt  btudy,  belnam              ^4.  Maaettne  newts 

0 

0 

U 

1537 

Portrait  memes  Vaters                        Linda  Aoget 

.Lent  by  xlerv  ixeyiei  ungsi  am  jxogec 

1538 

Portrait                                       Mari/  ^4.  >S/o^g 

1539 

Church  Street,  Staithes                     May  Furniss 

5 

0 

0 

1540 

Tete  de  Meroyingienne     Madame  Le  Boy  d'Etiolles 

25 

0 

0 

1541 

On  the  Hill  Top                               May  Furniss 

5 

5 

0 

1542 

A  Study                                                C.  Bay 

10 

10 

0 

1543 

The  Lion  in  Love                       'Mice  K.  Goyder 

15 

15 

0 

1554 
1555 
1556 

1557 
1558 

1559 

1560 
1561 
1562 
1563 
1564 
1565 
1566 
1567 
1568 

1569 
1570 
1571 
1572 
1573 
1574 
1575 
1576 


38 


The  Storm  Kumiss 
The  Beck,  Staithes  do, 
Portrait  meiner  Mutter  Molly  Cramer 

Portrait  of  the  Painter,  Lamplight  Study 

May  Fufwm 

Late  Light  Nancy  Knaggs 

The  Mother  Ethel  Kate  Burgm 

Old  Bridge,  Staithes  do. 
La  Maison  Blanche.  Sum  BisseJwp  Robertson 

On  the  Quay.    Yorkshire  Village.  - 

Ethel  Kate  Burgess 

Early  Morning 

Ada  Galton 

E.  M.  Wilde 

Sum  Bisschop  Robertson 

Katharine  Turner 

Ethel  Kate  Burgess 

do. 


No. 
1544 
1545 
1546 
1547 

1548 
1549 
1550 
1551 
1552 


1553    A  Poppy  Field  at  Poigny. 


Herring  Boats 
Tete  de  Fille 
Portrait  Study 
The  Child  on  the  Hill 
Watching 

Portrait  of  P.  H.  Pitman,  Esq.,  nephew  of  the  late 


Sir  Isaac  Pitman 
Waiting 
Evening 

Day's  Closing  Eyelids 
The  Beck,  Staithes 
Albert  and  Bernard  Weiss 
Sheep  Frieze 
Peldon,  Essex 
Marina. 
A  Spring  Idyll 


10 
6 


s.  a. 
io  o 

6  0 


15  15  0 


5 
25 

5 
85 

50 
10 

10 
30 
21 
6 

15 


5  0 

0  0 

5  0 
0  0 

0  0 

10  0 

10  0 

0  0 

0  0 

6  0 
15  0 


4 
7 

5 


31 
5 
8 


Frieda 

Strand  b.  Prerow. 
Pierre's  Cottage 
A  Man  Winnowing  Corn 
Chrysanthemums 
Die  Mutter 
Notre  Dame  de  Paris 
Au  Printemps  a  Capri 


Rosie  M.  M.  Pitman 

Isabella  Barnes 

Ethel  Kate  Burgess 

Nancy  Knaggs 

Amy  Julia  Drucker 

Professor  Johanne  Weiss 

Katharine  Turner 

Rose  Dallmeyer 

Emilia  Marzolo  Occioni 

Miss  Florence  Kings  ford 
Lent  by  Miss  Dorothy  Woollier 

Emmy  Lischke  150 

Molly  Cramer  15 

S.  Pemberton  21 

M.  G.  Postlethicaite  3 

Olga  v.  Boznanska 

do. 

Lyclia  Pr ingle  10 
Mdlle.  Julia  Bonnarcl 


4  0 
7  0 

5  0 


10  0 
5  0 
0  0 


0  0 

0  0 

0  0 

3  0 


10  0 


No. 

1577 
1578 
1579 
1580 
1581 


89 


St.  Mark's,  Venice  Sylvia  Drew 

Meditation  (1859)  Florence  Pash  (Mrs.  Humphrey) 
A  Sketch  Bertha  Clarke 

Pie  Kinderwarterin  Olga  v.  Boznansha 

Through  Knockfarril  Woods,  Strathpeffer 

8.  Louisa  Morgan 


1582  Meditation 

1583  Portrait 

1584  Morgensonne 

1585  "K". 

1586  Verkauflich 

1587  The  end  of  the  day 

1588  Melete 

1589  Madchen  mit  Tulpen 

1590  Tree  Study 

1591  Angelina 

1592  Evening  Clouds 

1593  Cornish  Study 

1594  After  a  Summer  Storm 

1595  The  Churchyard  Steps 

1596  Thranenkruglein 

1597  Dorothy  and  Francesca 


Olga  v.  Boznansha 
do. 

Hedwig  Weiss 
Mary  Baylis  Barnard 
Olga  v.  Boznansha 
Amy  Draper 
Edith  Bottomley 
Olga  v.  Boznansha 
Mrs.  Mary  Davis 
Olga  v.  Boznansha 
Mrs.  Mary  Dads 
do. 
do. 
do. 

Hedwig  Weiss 
Cecilia  Beaux 


The  property  of  R.  W.  Gilder ,  Esq. 

1598  After  a  Summer  Storm  Mrs,  Mary  Davis 

1599  Spring  Song  do. 

1600  Poole  Harbour  Amy  Draper 

1601  The  Horse  and  Groom  Clare  Atwood 

1602  Charles  Meredith  Du  Puy  Cecilia  Beaux 

Lent  by  Mrs.  George  Darwin 

1603  "  The  thoughts  of  youth  are  long,  long  thoughts  " 

Edith  M.  FinlaysoR 


£  s.  d. 

3  3  0 

12  12  0 

3  0  0 


50    0  0 


18  18  0 

15  15  0 

40    0  0 

8    8  0 

40    0  0 

15  15  0 

8    8  0 

35    0  0 


35    0  0 


31  10  0 


7    7  0 


1604' 

Baby  Asleep 

Harriet  Halhed 

5 

.  5 

1605 

"  A  wee  bit  Lassie  '*  < 

Annie  Withers 

15 

15 

1606 

Portrait 

Bessie  McNicol 

1607 

Apple  Blossoms 

do. 

25 

0 

1608 

Interieur 

Doris  am  Ende 

10 

0 

1609 

Asolo 

M.  V.  Wheelhouse 

10 

10 

1610 

A  Galloway  Landscape 

Bessie  MacNicol 

25 

0 

0 
0 
0 
0 


40 

No.  ,                  £   s.  a. 

1611  The  Goose  Girl  Bessie  MacNicol    50   0  o 

1612  Endormie  Clememe  MdlUet    18   o  o 

1613  Study  of  a  Breton  Girl  Blanche  MaMwe's    12  12  o 

1614  The  Window  Seat  Bessie  MacNicol    15    o  o 

1615  The  Sun  Bonnet  do.           30   0  o 

1616  Au  Piquet  Mdlle.  Louise  Mercier    20    0  0 

1617  "  Tout  passe  tout  lasse  "  Mrs.  James  Jar  dine 

1618  Portrait  Bessie  McNicol 

1619  The  Forge  Clare  Atwood 

1620  Murano    (A  Sketch  from  Venice)  12   0  0 

Nina  Ottolenghi  Levi 

1621  "  To  the  Cottage  in  the  Wood  "     Blanche  Matheives    42    0  0 

1622  Heiliger  Hans  Emmy  Lischke  300   0  0 

1623  A  Huelgoat  (Bretagne)  Madame  Fanny  Fleurij    40   0  0 

1624  Head  of  an  Old  Man  Lda  Pinto 

1625  Portrait  of  Miss  Gabrielle  Frank     Therese  ScJmartze 

Lent  by  Mrs.  Ellen  Frank 

1626  Portrait  of  Lilian  Law  Mrs.  Helen  Walton 

1627  Pastel  Therese  Schwartze  100    0  0 

1628  Mrs.  John  Tweed    .  .  Mrs.  Helen  Walton 

1629  Antique  Bavarian  Costume  Charlotte  Popert    20   0  0 

1630  Wood  Nymph    (Pastel)  #               12  12  0 

Florence  Small  (Mrs.  Deric  Hardy) 

1631  Eventide  Flora  Bell    10  10  0 

1632  The  Green  Parasol  Bessie  MacNicol    10   0  0 

1633  A  Wintry  Day       .  Countess  Helena  Gleichen     3    0  0 

1634  Cloudy  Weather  do.                10  10  0 

1635  A  Chalk  Pit  do. 

1636  Ducks    '  do.                  5    0  0 

1637  Spring  Elsie  Atkins    15  15  0 

1638  A  Nubian  Charlotte  Popert    16    0  0 

1639  Portrait  of  Artist's  Mother  and  her  Grandchildren 

ThSrese  Schwartze 

1640  Pierette  Mrs.  G.  E.  Walton 

1641  Lessons  Anna  Marie  Wirth  200   0  0 

1642  St.  Agnes  (Pastel)  '          Therese  Schwartze  100    0  0 

1643  A  Portrait  Sybil  M.  Bowie 

1644  The  Curtsey  Bessie  MacNicol    10   0  0 


41 

No.  £   s.  d. 

1645  Portrait  (Pastel)  of  Mr,  A.  G.  C.  van  Duyl 

Therese  Schwartze 

1646  Piet,  a  Study  in  Holland  Beatrice  How    20    0  0 

1647  An  old  Peasant  Miss  Ethel  Martin 

1648  Portrait  of  Mrs.  Merrylees  Gwenny  Griffiths 
jg49  Portrait  of  a  Little  Boy       Miss  Constance  Ealfora] 


ON  SCREENS* 

J650   Akt  saal  Hedwig  Weiss 

1651  Four  Etchings :  1.  Flora  Mystica.    2.  The  Choir     4  10  0 

Boy,    t3  and  4,  St.  Francis  of  Assisi 

Charlotte  Pojjert 

1652  Flowers  Lucilla  Marzolo  Occioni 

1653  Original  Lithograph  Jane  AtcJw 

1654  Stnclio  di  Figura  Lucilla  Marzolo  Occioni 

1655  Venus  attired  by  the  Graces 

After  A,  Kaiiffman,  by  Bartolozzi,    Lent  by  B.  and 
J),  Colnaghi  $  Co, 

1656  Old  Byres,  Berkshire  Mrs.  Allingham 

1657  La  Vergine  Lucilla  Marzolo  Occioni    12    0  0 

1658  Cupid  and  Eagle  Angelica  Kauffman 

Lent  by  Edward  Boyes,  Esq, 

1659  Studio  di  Rose  Lucilla  Marzolo  Occioni    14    0  0 

1660  Study  of  a  Figure  do,  4   0  0 

1661  Studio  di  Figura  do, 

1662  Rue  Ingartenne3  Marseilles  2  10  0 

Susan  F,  Crawford,  A.R.E. 

1663  Young  Girl  Madame  Le  Boy  d' 'Etiolles     8    0  0 

1664  Gun  and  Shot  Wharf,  Southwark  ■      2  10  0 

Constance  M.  Pott,  B.E\ 

1665  The  Tryst  Letitia  E.  H.  Tiddeman     12  12  0 

1666  Rose  Lucilla  Marzolo  Occioni 

1667  Studio  di  Figura  do.  4    0  0 

1668  Brisbane  House,  Largs  Susan 

1669  Photografien  der  Fresken  im  Paul  Gerhardstift 

Hedwig  Weiss 

4 


42 

No, .  -  v^';  '■    (  - ■Vpj-" "'■ '  £  s,  a. 

1670  Paesaggio  dal  vero  La  cilia  Marzolo  Ocvioni     i   q  q 

1671  Studio  di  Figura  do. 

1672  Study  of  a  Brahmapootra  Gwendolen  Douglas 

1673  Edinburgh  Castle  (Etching)  2   2  o 

Susan  F,  Crawford,  A.R.E. 

1674  Study  of  a  Head  Maud  Henderson     2  12  6 

1675  Portrait  Studies  :  Miss  Jean  Montgomerie 

Maud  Henderson 

1676  Etching  Linda  Kogel     8    0  0 

1677  Study  of  a  Head  Maud  Henderson     2  12  (j 

1678  Portrait  Study  :  V.  C.  Henderson,  Esq.  do. 

1679  Girl  playing  with  Cats :  Studies  do.  6   6  0 

1680  A  Charles  II  Harpsichord        Mrs%E.  S.  FuUeylove    25    0  0 

1681  Interieur  Doris  am  Ende     3   0  0 

1682  Portrait  Sketches ;  1,  Miss  E,  F,  Boyd ;  2,  Mr.  B.  E. 

Shore  Maud  Henderson 

1683  Portrait  Studies  do, 

1684  Moonlight  Ida  Kirkpatriok  5    5  0 

1685  Study  of  a  Head  Maud  Henderson  %  \%  g 

1686  Mitte  am  Walde  Doris  am  Ende  2  10  0 

1687  Portrait  Study  :  Mrs.  M,  Maud  Henderson 

1688  Two  Children :  Sketch  do.  3   3  0 

1689  Garden  Study  Mrs.  Mart/  Davis  5    5  0 

1690  Study  for  Landscape  do.  5    5  0 

1691  Einsame  Mitte  Doris  am  Ende  2  10  0 

1692  Sketch  Elinor  M.  Monsell 

1693  Etching  Linda  Kogel  5    0  0 

1694  The  Song  of  the  Rock  Lily  de  Montmorency  1  10  0 

1695  Aline  Elinor  M.  Monsell  5    5  0 

1696  Etching  Linda  Kogel 

1697  "  And  they  caught  him,  and  cast  him  out  of  the 

vineyard,  and  slew  him  "        Ethel  King  Martyn     2  12  0 

1698  "  Winter,"  Blick  am  meinen  Fenster  4  10  0 

Doris  am  Ende 

1699  1.  Old  Man  in  a  Picture  Gallery.    2.  A  Jew  5    5  Q 

Elinor  M.  Monsell 

1700  Girl  at  the  Well  do. 

1701  Drawing  in  Red  Chalk  of  a  Lady  playing  a  Guitar 

C.  L.  Allport 


43 


No. 
1702 

[703 
,704 
,705 
f06 
,707 
.708 
[709 
,710 

.711 
.712 
.713 
1714 
[715 
1716 

1717 
1718 

.719 
,720 
,721 
.722 
.723 
,724 
1725 
1726 
1727 
.728 
.729 
1730 
l731 
.732 
1733 
1734 
1735 
736 


0 

s, 

a. 

from  Tjifp 

C.  L.  AUport 

Doris  am  Ende 

4 

10 

0 

do. 

20 

o 

o 

C.  L,  AUport 

10 

10 

0 

do. 

2 

2 

0 

do. 

do.  . 

2 

2 

0 

Ada  Gallon 

1 

7 

6 

"Birken 
Interieur 

Panel,  containing  five  drawings 
Kittens 

Drawing  of  Geese  in  three  chalks 

Drawing  of  a  Child 

A  Yorkshire  Sawmill 

Etching  Doris  am  Ende 

The  Mountain  Lily  de  Montmorency 

The  Hobnail  Boots  do. 

Chalk  Drawing  of  an  Old  Man  C.  L.  AUport 

Aged  3 |  years  do. 

A  Quick  Sketch  do, 

Reproductions  of  Drawings  for  Illustrations 

C.  L.  AUport 

«  Oranges  and  Lemons  "         Mary  Edmonds  Swan 

La  Ruelle  Suse  Bisschop  Robertson 

Lent  by  Mons.  H.  W.  Mesdag 

The  Pied  Piper  of  Hamelin  Alice  B.  Giles 

Drawing  Mrs.  Stanhope  Forbes,  A.B.W.S. 

Old  Town,  San  Kemo       Mrs,  Margaret  E.  Danrers 

A  Calm  Day,  Cannes  M.  T.  Cleminshaw 

Study  of  a  Head  Mrs.  Hugh  Egerton 

Homeward  Bound  Amy  Julia  Drucker 

Evening  Shadows  Mrs.  Hugh  Egerton 

At  the  Carnival  Ethel  Kate  Burgess 

The  Seat  in  the  Wood  do. 

In  the  Park  do. 

The  Babes  in  the  Wood        Margt.  V.  E.  Thompson 

Cathedral  de  Sevilla       Susan  F.  Cr  cur  ford,  A.B.E. 

Drawing  Mrs,  Stanhope  Forbes,  A.B.W.S. 

Drawing  do. 


Siena — E  vening 

Eel  Boats  in  the  Thames 

Drawing 

Winter 


Mary  Lanchester 
Adelaide  Boss 
Mrs.  Stanhope  Forbes 
Ethel  Kate  Burgess 


4  a 


2  10 
2  10 
2  2 

2  2 

3  3 


5  5 
5  5 
5  5 
5  0 
2  10 


0 
0 
0 
0 
0 


16  16  0 


8  8  0 
7  7  0 
1  10  0 


0 
0 
0 
0 
0 


5  5  0 
5    5  0 

5    5  0 


I 

I 
■ 


i 


44 


No. 


1737  The  Moon  Ethel  Kate  Burgess     5  5 

1738  Workers  do. 


£  s.  a, 
0 

«  5  0 

1739  Evening                                 ^///  Julia  Brueker  3  3  q 

1740  In  Port — Cannes                       M,  T.  Cleminshaw  10  1Q  q 

1741  Washing  Day                           Kilu  l  Kate  Biirfiess  5  5  0 

1742  "  Fairy  Tales  "                 '                 da,  5  5  0 

1743  The  Flower  Girl                                do,  5  5  0 

1744  Sommertag  Hedivig  Weiss 

1745  Eesignation  (Pastel)                Beatrice  M,  J.  Ward  5  5  0 

1746  The  End  of  November                     Blanche  Baker  12  12  0 

1747  Jeune  Fille.  Sus'e  B,  Robertson 

Lent  by  Mons,  H.  W,  Mesdag 

1748  The  Gadarene  Swine  Alice  B.  Giles 

1749  Eastern  Brood                           Mrs1.  Arthur  Mom  6  0  0 

1750  Market  Day  Alice  B,  Giles 

1751  "  Sous  Bois  en  Automne."  Madame  Bilders  van  Basse  20  0  0 

1752  Three  Sketches  in  one  frame      Constance  L,  Fripp  6  6  0 

1753  Entrance  Staircase,  National  Gallery  6  6  3 

Emily  M.  B.  Warren 

1754  Fantaisie  Japonaise                       Winifred  Cooper  5  0  0 

1755  Drifting  Fog  on  the  Thames        Mrs,  Arthur  Mora  6  0  0 

1756  Making  the  Pot  Boil                         Violet  Linton  10  10  0 

1757  Mont  Blanc  from  Chamoux                Adelaide  Ross  5  5  0 

1758  Study  of  a  Head  Louisa  Starr  Canziani 

1759  Study  of  a  Head  do, 

1760  Down  by  the  Mill  Stream  10  10  0 

Lily  Blather  wick,  R,S,W,  (Mrs,  Hartrick) 

1761  Wild  Boses              4                     Agnes  Raeburn  3  8  0 

1762  Study  of  a  Head  Louisa  Starr  Camiani 

1763-  Mont  San  Michael  from  the  Town  Wall 

Susan  H.  Bradley 

1764  L'Eglise  de  Calvaire,  Marseilles   (Etching)  2  10  0 

Susan  F.  Crawford,  A.R.F. 

1765  On  the  East  Coast                     Mrs.  Arthur  Mora  6  0  0 

1766  St.  Pierre                                Mrs,  Hugh  Egerton  2  2  0 

1767  St.  Fransiscus  of  Assise                  Gertrude  Frank  10  0  0 

1768  Latest  War  Special     Stella  Canziani  (aged  12  J  years)  2  2  0 

1769  Valley  in  Normandy                 Mrs.  Hugh  Egerton  3  3  0 


45 

No.  £    s.  d. 

1770  Moritz             '  Mrs.  James  Jardine 

1771  Washerwomen  on  the  Beach  Mrs.  Hugh  Egerton  110 

1772  Washerwomen  on  the  Beach  .  do.  10  0 

1773  Violettes  et  Mimosas  Mdlle.  Noemi  Fucks  8    0  0 

1774  Poppies  in  Clover  Mrs.  Hugh  Egerton  3  3  0 
2775  «  Who  killed  Cock  Kobin  ?  "  Mrs.  Ellen  Frank  14  14  0 
1776  Drawings  for  "  Jugend  "         1  Hedwig  Weiss 

to    'Etchings  Clara  von  Rappard    1  10  0 

1792  J 

1793  Three  Drawings  :  Sunset ;  Fareham  ;  A  Yorkshire     5    0  0 

Moorland  Mrs.  Arthur  Moro 

1794  Frontispiece  for  "  The  Maid  He  Married  " 

.  Violet  Oakley , 

1795  Normandy  Cliffs  Mrs.  Hugh  Egerton 

1796  Lenten  Cover  Design  Violet  Oakley 

1797  "Kingen"  H.  Lankota     2    0  0 

1798  Frontispiece  for  "  Olnri  Iverson  "        Violet  Oakley 

Lent  by  Messrs.  Herbert  S.  Stone  $  Co. 

1799  Etching.    "  Am  Weihen "  Doris  am  Ende      10  0 

1800  Illustration   for   "  The    Solution    of    a  Simple 

Equation  "  Violet  Oakley 

Lent  by  Messrs.  Herbert  S.  Stone  $  Co. 

1801  Iridescent  Glass  and  Koses      Margarette  Lippincott 


1802 

Studie. 

Kdthe  Kolhcitz 

1 

10 

0 

1803 

do. 

10 

0 

0 

1804 

Piccolo  Paesaggio 

Lueilla  Mar  gold  Occioni 

4 

0 

0 

1805 

Aufruhr 

Kdthe  Kollwitz 

2 

10 

0 

1806 

The  Weaver 

Mary  A.  Sloane 

3 

13 

6 

1807 

Book  Plates 

Ida  Varley 

1808 

D.  Bernhard  Weiss 

Hedwig  W eiss 

1809  Illustration    for   "  The   Solution    of    a  Simple 

Equation  "  '  Violet  Oakley 

Lent  by  Messrs.  Herbert  S.  Stone  d  Co. 

1810  Piccolo  Paesaggio  Lueilla  Marzolo  Occioni     4    0  0 

1811  Illustration  for  "A  June  Romance  "     Violet  Oakley 

Lent  by  Messrs.  Herbert  S.  Stone  &  Co. 

1812  Illustration  for  the  "  Jugend  "  Hedwig  Weiss 

1813  "  Dorothea  sat  by  in  her  widow's  dress  "  ("Middle- 

march.")  Alice  Barber  Stephens 


s.  a. 


46 

No.  i 

1814  The  First  Day  at  School  Charlotte  Harding 

1815  Beading  of  the  Will  ("  Middlemarch  ") 

Alice  Barber  Stephens 

1816  Lydgate  and  Eosamond.      "Tears  rolled  silently 

down  Rosamond's  cheeks"    ("  Middlemarch  ") 

Alice  Barber  Stephens 

1817  Adagio  Margarethe  Hoenerbach     1    5  0 

1818  "  Heyday,  Miss,  you  have  a  fine  colour  "    ("  Middle- 

march  ")  Alice  Barber  Stephens 

1819  Set  of  Sketch  Designs  for  Cherry  Festival  at  Nurem- 

berg Gertrude  M.  Bradley 

1820  "  The  Song  of  the  Shirt  "  Charlotte  Harding 

1821  "I  suspect  you  and  he  are  brewing  some  bad 

politics  "  ("  Middlemarch ' ')   Alice  Barber  Stephens 

1822  The  Bridge  Inn,  Winchelsea    Katherine  L.  Kemball     5    5  0 

1823  Portrait  of  Madame  Jeanne  Raunay 

Madame  Marie  Desgenetais 

1824  The  Love  Feast :  Celebration  of  the  Dunkards  in 

Pennsylvania  Alice  Barber  Stephens 

1820    Dorothea    waiting    in    Mr.    Casaubon's  library, 
"  She  began  to  work  at  work  at  once,  her  hand 
did  not  tremble  "  ("  Middlemarch  ") 

Alice  Barber  Stephens 

1826  A  Bit  of  Old  Dordrecht  Katherine  L.  Kemball 

1827  Portrait  de  vieille  dame    Madame  Marie  Desgenetais 

1828  Mr.  and  Mrs.  Bulstrode  ("  Middlemarch  ") 

Alice  Barber  Stephens 

1829  London  Bridge  Florence  McClatchie     4    4  0 

1830  "You  are  thinking  what  is  not  true"  ("Middle- 

march  ")  Alice  Barber  Stephens 

1831  "  She  put  her  hand  into  her  husband's  and  they  went 

along  the  broad  corridor  together  "  ("  Middle- 
march ")  Alice  Barber  Stephens 

1832  Right  !    Away!    "  Somebody  goes  like  the  wind "       3  IS  6 

Gertrude  M.  Bradley 

1833  "  New  Pictures  in  Old  Frames  "  do. 

1834  Two  Christmas  Pictures  Dorothea  Drew     3    8  0 

1835  A  Quiet  Worker        Constance  G.  Copeman,  A.R.E.  110 

1836  Fred  Vincy  and  Mary  Garth.    "  It  is  not  generous  * 

to  believe  the  worst  of  a  man"  (''Middle- 
march  ")  Alice  Barber  Stephens 


47 

-,007   "It  had  seemed  to  him  as  if  they  were  like  two 
creatures  slowly  turning  to  marble  in  each  other's 
presence "     ("  Middlemarch ")      Alice  Barber 
Stephens 

•iQQg   "But  you  do  forgive  me,"  said  Dorothea,  with  a 
quick  sob  ("  Middlemarch  ")  Alice  Barber  Stephens 

-iqqq   «  I  will  not  let  the  close  of  your  life  soil  the  begin - 
ning  of  mine  "  ("  Middlemarch  ") 

Alice  Barber  Stephens 

1840  The  Drawing-room  into  which  Lydgate  was  shown 

("  Middlemarch  ")  Alice  Barber  Stephens 

1841  tl  ^s  nG  sa^  ^nere  an(^  Den°ld  the  evenings  of  his 

peace  going  irrevocably  into  silence  "  ("Middle- 
march ")  Alice  Barber  Stephens 

1842  Reproductions  from  "  Little  Folks  " 

Gertrude  M.  Br  adieu 

1843  Eeproduction  from  Drawing,  "  Three  Geese  " 

Gertrude  M,  Bradley 

1844  Reproductions  from  heading,  Motherhood,  "  Quiver 

Gertrude  M.  Bradley 

1845  The  Four  Winds  P%^s  Coughtrie 


&  &  d. 


No.  3  BOOM, 

1846  ChrySahthemunis  in  a  Red  Vase      Emily  Lengnick  3(3    0  0 

1847  Quitten  40    0  0 

1848  Trapaolum                                     Hdene  Cramer  35    0  0 

1849  Decoration  with  black  swans  40    0  0 

Sofie  Bcttontsse  von  Schere 

1850  The  beautiful  Melusia      Mdme.  de  Segesser-Brunegg 

1851  Clematites  et  Glaieuls                           Berth  Art  18    0  0 

1852  Helle    Rosen    mit    dunklen   (Malmaison)   Stief-  15    0  0 

miitterchen  Bertha  Hacker 

1853  Roses         Lily  Blatherwick,R.S,W.  {Mrs.  Hartrick)  10  10  0 

1854  Lemon  Squash                                     J<  White  10  10  0 

1855  Spring                      "                      Aim  Fanner  10  10  0 

1856  Pivoines                     MdlU*  Marie  Albane  Clement  16    0  0 

1857  Le  Nude  Zanardelli  Italia.  Lent  by  Imre  Kiralfy,Esq. 

1858  Pastel.    Ananas  et  Fleui$                     Berthe  Art  38    0  0 


48 

1859    Gelbe  Narzissen  mi  rothem  Hintergrund  10   o  o 

Bertha  Hacker 

^1860  E tains  et  Pommes      •  Lisbeth  Carrier e    10   0  o 

1861  Trauben  a.  Fenster  Molly  Cramer    35    o  0 

1862  Vase  et  Fleurs  refletees  Lisbeth  CarrUre    10   0  o 

1863  Oeillets  do,  10   0  o 

1864  Cristal  et  Eoses  do.  10   0  o 

1865  Eoses  jaunes  do*  10    0  0 

1866  Verre  d'  eau  et  Eoses  do.  \q   q  q 

1867  Guinea  Pigs  France*  C,  Fairwan      15    0  0 

1868  balule  lo  die  Sea,  Garland  of  Peonies  30    0  0 

Entity  Lengnick 

1869  Studio  di  Fiori  dal  Vero   Baronessa  Maria  Camerini 

1870  Poesie  Kate  Buskin  Coughtrie 

1871  LaPassante  Marie  Desgenetais    15    0  0 

1872  Spring  Flowers 

Mdlle.  Marie  Hoclieur.     Lent  by  Imre  Kiralfy,  Esq. 

1873  Shefford  Meadows  Julia  Meyer     5  5  0 

1874  Paesaggio  della  Toscana       Lucilla  MarMo  Occionv   12  0  0 

1875  Chrysanthemums  Ethel  Kirkpatrick     8  8  6 

1876  Blessed  Hours  Madame  Henriette  Bonner,  B.I.  200  0  0 

1877  Una  Eosa  Lucilla  Marzolo  Occioni     6  0  0 

1878  Young  Girl  in  1830  Madame  Le  Boy  d'Etiolles    25  0  0 

1879  Eoses  and  Vases  Madame  E.  Vouga  100  0  0 

1880  Waiting  for  Father's  Bus  Buth  Garnett    21  0  0 

1881  Portrait.    "  Georgie "  Winifred  Beaumont 

1882  Coin  de  Jardin  Marie  Be  Bievre    28  0  0 

1883  Himbeeren  Molly  Cramer  30  0  0 
1884.  L'Onele  Charles                            Alice  Mumford 

1885  The  Pink  Parasol  do. 

1886  Concert  d'Enfants         Mdme.  Mat/nlde  Philipjmn, 

1887  The  Grey  Scarf.    Portrait  of  a  Young  Lady 

Alice  Mnniford 

1888  La  Gare-Montparnasse  d0. 

1889  Boy  in  the  Luxembourg  do. 

1890  Jeannie 

1891  Studio  diEose  Lucia  Gritti    42    0  0 

1892  Bildnisi  iiner  alten  Dame  A.  Loewenstein 


19 

No.  £  s  d 

1893  Narzissen  Belene  Cramer  15  0  0 

1894  It's  only  Playthings  come  alive  Ethel  Martin  21  o  0 

1895  Begonias  Georgette  Meymer  12  0  0 

1896  Old-Fashioned  Girl  Anna  Lea  Merritt  50  0  0 

1897  Lilac      Anna  Su char da.  Lent  by  Lure  Kiralfy,  Fsq. 

1898  The  North  Country  Maid.    "A  North  Country    63    0  0 

Maid  up  to  London  had  strayed."     Old  English 
Song.  Jessie  MacGregor 

1899  "Nach  demFest."  (Extinguishing  light !) 

Linda  Kogel.    Lent  by  Fran  Kdyel 

1900  "  Among  a  bed  of  lilies  I  47    0  0 

Have  sought  it  oft  where  it  should  lie 
Yet  could  not  tell  itself  should  rise,  ' 
Find  it  although  before  mine  eyes." 

(Andrew  Marvell) 

Rose  E.  Clark 

1901  MereManon  Ruth  Gamett    18  18  0 

1902  Absorbed  Florence  Elizabeth  Castle    16  16  0 

1903  Cattle  of  the  Prairie — Before  a  Storm  120    0  0 

Rosa  Vennemann 

1904  Studio  Mina  Liuzzi    10    0  0 

1905  "  Mrs.  Siddons  stepped  from  her  carriage  "  (Frontis-    20    0  0 

piece  from  "  John  Halifax,  Gentleman  ") 

Alice  Barber  Stephens 

1906  Oranges  and  Tulips  Constance  Walton 

(Mrs.  W.  H.  Ellis) 

1907  A  Portrait  Mary  Archer 

1908  Passing  Clouds  d&t  10  10  0 

1909  On  the  Cornish  Coast  do.  10  10  0 

1910  « Dorothea  in  the  Vatican  Gallery"  (Frontispiece 

for  <<  Middlemarch  ")  Alice  Barber  Stephens 

1911  Pleurs  Q\  Mesdag  van  Calcar    30    0  0 

1912  "Motherless"  Nellie  Sampson    36  15  0 

1913  The  Old  12th  and  14th  Century  Bridge,  Eothenberg-    14  14  0 

an-Tauber?  Bavaria        Mrs,  Marrable,  P.S.W.A. 

1914  Marguerites                                M.  V.  Wheelhouse  6  10  0 

1915  Autumn  Landscape                  L.  Begas  Pw  mentier  45    0  0 

1916  Isabella  and  the  Pot  of  Basil         Ella  M.  Bedford  40    0  0 

1917  The  Orchard  '  (7.  L.  Christian  25  0  0 
W18  The  Walnut  Tree                               do.  30   0  0 


50 

No.  £>  s,  a. 

1919  The  Orange  Girl  M.  Christine  Cornell  15   0  o 

1920  The  Cornfield  &      Christian  18  18  o 

1921  September  Morning  do.  25   0  0 

1922  The  Hillside  do*  25  0  0 
1928  Pavots  Katki  Gihoul 

1924  Portrait  of  Olivia,  daughter  of  F.  J.  "Walker,  Esq. 

Ethel  Walker 

1925  The  Avenue                                  0*  L-  Christian  20   0  0 

1926  A  Sketch  in  a  Garden                       Ethel  Walker  10  10  0 

1927  Good-bye,  Sweetheart                    M.  E.  Greenhill  26   0  0 

1928  In  the  Orchard                                 Ethel  Walker  8110  0 

1929  Portrait  of  Mrs.  Nye  Chart  do. 

1980  Eoses                                   Mdlle*  Alice  Bonner  20   0  0 

1981  Portrait  of  the  Hon.  and  Rev.  George  Bourke, 

Chaplain  to  the  Queen  Ethel  W alker 

1982  The  Jewel  Box  do.  36  15  0 
3988    Pavots                                   Mettle*  Alice  Bonner  20   0  0 

1934  The  Morning  Room                          Ethel  Walker  15  15  0 

1935  A  Summer  Morning                                do*  26    5  0 

1936  Woman  Sleeping                                   do.  21    0  0 

1937  Young  Peasant  Girls  of  Evoline        Julia  Bonnard 

1938  Lassitude    (Portrait)         Mdlle.  Marguerite  Leglize 

1939  A  Note  in  Autumn                      Blanche  Matheives  21    0  0 

1940  A  Misty  Morning  Fortunee  de  Lisle  10  10  0 
.  1941    Bleuets     (Pastel)                      Madeleine  Duroziez  16    0  0 

1942  Peches                   .                      Marie  De  Bievre  28    0  0 

1943  Kittens                                           Lilian  Cheviot  18  18  0 

1944  The  Peacock  Hat.    A  Study  of  Reflected  Light. 

Frances  Bamsay 

1945  Portrait  Bice  Piccioli 

1946  Peone                 Adrienne  van  Hog endorp  -  s1  Jacob  35    0  0 

1947  Coin  de  Jardin  (Pastel)  Madame  B our gonnier  Claude  32    0  0 

1948  Primroses                                        Jessie  Kepjrie  9    9  0 

1949  Anemones                                Agnes  M.  Baeburn  8   8  0 

1950  Pale  Jessamine  and  Blue  Violets          Jessie  Keppie  10  10  0 

1951  Melancholy  C.  Freibach  (Baronne  de  Fabrice) 

1952  Studio  diNudo                           Rita  Tramontmi  24   0  0 


51 


No. 

Hi°h  Tide 

s. 

d. 

195o 

Madame  PrMl>vimin  t/  n  ± 

Morgensonne  im  Wald 

Lent  bn  Tmvn  7tVi'^7A,  tn 

1954 

neiene  Lramer 

30 

0 

0 

1955 

Tip  Eouet 

Aid  lip    TmioQn  7  ix,  1 1 

100 

0 

0 

l9ob 

Am  Miihlgraben 

jjLtia  iociirader 

35 

0 

0 

1Q£7 

November 

Helen  Gevers 

24 

0 

0 

St.  Cecilia 

Sofie  Baronesse  von  Scheve 

75 

0 

0 

Portrait  of  Artist 

Clara  von  Rapparcl 

j.you 

"In  Maiden  Meditation  " 

% 

Marie  Albert  Koenig 

35 

0 

0 

1961 

TTi'nrlpY'ni  In 

Sophie  Koner 

400 

0 

0 

1904 

Licht  und  Schatten 

Clara  von  Bappard  320 

0 

0 

j.yoo 

Ultimi  Eaggi 

Maria  Ippoliti 

50 

0 

0 

lyb4 

Genius 

Clara  von  Bappard  400 

0 

0 

1  (\R.K 

lybo 

Evening 

Mrs.  Gertrud  Trefftz 

35 

0 

0 

j.yoo 

Circie 

Sofie  Baronesse  von  Scheve 

200 

0 

0 

1Qfi7 

j.yo< 

Panneau  decoratif  per  ein  Kinderzimmer 

100 

0 

0 

Hedwig  Weiss 

±yuo 

Souvenirs  d'un  musicien 

Catherine  Petrocokino 

48 

A 

A 

0 

1  QfiQ 
xu\jV 

Gloxinien  und  Fuchsien 

Helene  Cramer 

Accessoires  et  Samovar 

Mdlle.  Louise  De  Hem 

72 

A 

0 

A 

0 

it/ 1 1 

Suna,  Lago  Maggiore 

Ida  Celeri  Viend 

48 

A 

Le  Soir  en  Campinne     Mdlle,  Gabrielle  Vander  Yin 

24 

A 

u 

A 

107Q 

It/  /  0 

Anima  e  Fiori 

Bita  Traniontini 

40 

A 

(J 

A 

1974 

Darby  and  Joan 

Charlotte  Popert 

16 

A 

u 

A 

Sonnenblumen 

Bertha  Hacker 

Brenda 

M.  Christine  Connell 

25 

A 

A 

(J 

1977 

Euth 

Edith  M.  Finlayson 

10 

1  n 

A 

IQ7Q 

JLt/  1  O 

Sous  la  Pergola 

Emilie  Ed.  Sain 

12 

A 

u 

A 

u 

White  Chrysanthemums 

Emily  Lengnick 

25 

A 

u 

A 

u 

1980 

Boules  de  Neige 

Madeleine  Huot 

Sonnenblumen  auf  dem  Felde          Doris  am  Ende 

20 

u 

A 

u 

1982 

Dans  le  Bleu 

Consuelo  Fould 

20 

A 

u 

A 

u 

1983 

La  Jeunesse  et  le  Temps 

Beaury-Saurel 

40 

0 

0 

1984 

Un  fier  coup  de  main    Madame  Bourgonnier  Claude 

48 

0 

0 

1985 

Mendigas 

Bafaela  Sanchez  Aroca 

1986 

My  Legal  Adviser 

Mabel  Irving  Slowcock 

15 

15 

0 

1987 

Clara 

A.  A.  Macrory 

10 

10 

0 

52 


No. 

s. 

d. 

1988 

Brouillard  de  Novembre 

Madame  M.  L.  Grix 

(0 

0 

0 

1989 

Vocation 

Mina  Liuzzi 

1990 

Sympathy 

Mrs.  Kate  Verugini 

200 

0 

0 

1991 

Conffreffationists  ;  or,  Girls  in  White 

100 

0 

0 

Madame  de  oegesser  Brunegg 

1992 

A  Study  (Pastel) 

Naomi  Simon 

81 

10 

0 

1993 

At  Peep  of  Day 

Mrs*  Ellen  Frank 

10 

10 

0 

1994 

A  Siesta  A 

Irs.  Mary*Lascelles  liar  court 

18 

18 

0 

1995 

Interieur  Pauvre  en  Flandre 

Marie- Antoinette  Ma rcotte 

Lent  by  Gouvemement  Beige 

Andacht  (Pastel) 

Helene  Gammius 

25 

o 

\J 

A 

u 

1997 

Miss  H.  M. 

Madame  Darmestita 

1998 

Eira 

Mary  Drew 

20 

0 

0 

1999 

"  Ilka  Lassie  Has  Her  Laddie  "     Mrs.  Ellen  Frank 

7 

7 

0 

2000 

La  Neige 

Louise  Abbema 

10 

0 

0 

2001 

Nun  danket  alle  Gott 

IJa  ula  Ko Jdschi  titer 

45 

0 

0 

2002 

The  Young  Pretender  at  St.  Germains 

800 

0 

0 

Mrs.  E.  M.  Ward 

OAAQ 

zuuo 

Le  Bourricou 

Louise  Mercier 

26 

o 

0 

ZiUUtt 

Lily  in  Dreamland 

Harriet  Halhed 

100 

0 

o 

900^ 

Mother 

Blanche  J enkins 

The  City  of  Palma 

Mary  Edmonds  Swan 

2007 

The  Tussore  Hat 

Harriet  Halhed 

15 

15 

0 

2008 

m  v/  \y  v^/ 

Eeflection 

Lota  Bowen 

10 

10 

o 

2009 

Listen 

Jessie  MacGhregor 

12 

12 

0 

2010 

Flowers  of  the  Riviera 

Ada  Holland  [Mrs.  Sachs) 

15 

15 

o 

2011 

Silverhair 

Harriet  Halhed 

15 

15 

0 

2012 

Souvenirs  de  Mariee 

Georgette  Meunier 

48 

0 

0 

2018 

Printemps 

Madeleine  Lemaire 

2014 

Study 

Lady  Sassoon 

2015 

Daisies 

Edith  Scannell 

901  ft 

Portrait 

Sopl de  Koner 

2017 

Portrait 

do. 

100 

0 

0 

2018 

La  Masloya 

Lady  Sassoon 

2019 

Ronde  de's  Enfants 

Madame  Mathilde  Philippsm 

2020 

"  Yes  or  No?" 

Bice  Piccioli 

100 

0 

0 

2021 

Florentine  Matchseller 

Mollie  Sikes 

12 

0 

0 

No. 
2022 
2028 
2024 

2025 
2026 
2027 

2028 
2029 
2030 


2031 


2033 


2034 
2035 
2036 
2037 
2038 
2039 
2040 
2041 


2048 

2044 

2045 

2046 

2047 

2048' 

2049 

2050 


53 


s.  d. 

0  0 

0  0 

0  0 


Une  Lecture  Interessante  Comudo  Fould  160 

Doves  Mrs.  Margaret  Murray -Cookesley  80 

Les  Moulins  de  Kinder  Dyck,  Hollande  24 

Mdlle.  Gabrielle  Vander  Yin 
Brouillard  sur  la  Plaine  Mdme.  M.  8.  Grix 

Still  Life  Anna  Abrahams    70    0  0 

"News    from    Trafalgar."      Officers   killed  and  126    0  0 
wounded  on  board  His  Majesty's  ship  Ajax  "  None," 
vide  Times,  Nov.  7, 1805  "  Jessie  MacGregor 

Mattino  Maria  fypoliti    40    0  0 

Echec  et  Mat  •  Beaury-Sawrel  160    0  <  0 

The  Mistletoe  Bough 

"  I'm  weary  of  dancing,"  at  length  she  cried, 
"  Here  tarry  a  moment,  I'll  hide,  I'll  hide." 

Jessie  MacGregor.    luent  by  Mrs.  Miers 

The  Passing  Cloud  M .  F.  Monk-home 

Still  Life  S,  Mesdag  van  Houten  100    0  0 

Under  the  Spell.     "  But  when  she  saw  her  weel 
fa'red  face,  She  cast  the  glamour  o'er  her  " 

J essie  MacGregor 


Chrysanthemums 

The  Christmas  Tree 

A  Path  thro'  the  Wood 

Roses 

Roses 

Roses 

A  Posy 

Cluster  Eoses 

Un  Bouquet  de  Fiancee 


K.  A.  van  Someren 
rrs.  Mary  MaeMonnieH 
Portia  Geaeh 
Annie  Edwards 
Clara  Prosser 
Marie  Than 
Mrs.  G.  8,  Fulleylove 
Mary  Edmonds  Swan 


200 

0 

0 

21 

0 

0 

8 

8 

0 

6 

6 

0 

80 

0 

0 

16 

16 

0 

160   0  0 


70 
6 
20 

25 


Mademoiselle  Marie- Antoinette  Marcotte 
Disillusion  Bice  Piccioli 

Iris  Emma  Biscarra 

Chrysanthemes.  Mdlle.  Marie  Albane  Clement 

Springtime  Lily  Blather  trick,  R.S.W.  (Mrs.  Hartrick) 
Chrysanthemums  Mdme.  E.  Vouga  800 

Memories  Chrissie  Ash  81 

A  Bethlehem  Woman  in  deep  prayer  (water-colour)  50 

Charlotte  Popert 

Pastel  Portrait  of  Miss  M.  Bradley        Sarah  Birch 


0  0 

0  0 

0  0 

0  0 

0  0 

10  0 

0  0 


I 


54 


No. 

8 

a. 

Portrait  of  Miss  Arabella  B.  Buckley  (Mrs.  Fisher) 

Amy  Draper 

2052 

Carnations 

Emma  Biscarra 

6 

0 

0 

2053 

Flowers 

Nina  Ottolenghi  Levi 

25 

o 

o 

u 

2054 

Shirley  Poppies 

vick,  RS.W.  (Mrs.  Hdrtrick) 

40 

0 

0 

Lily  Blatheri 

2055 

Iris 

Georgette  Meunier 

40 

0 

0 

2056 

Rimembranze 

Camilla  Bellorini 

32 

0 

o 

>* 

r 

ON  SCREEN. 

2057 

The  Seasons 

M.  E.  Thompson 

5 

5 

o 

2058 

A  Study  in  Sanguine 

Gladys  linger 

20 

0 

0 

2059 

Photograph  of  Frieze. 

Works  of  Charity 

]  fed  wig  Weiss 

2060 

Photograph  of  Frieze, 

Works  of  Charity  do. 

2061 

One  of  His  little  ones 

Madeline  M.  McDonald 

7 

7 

0 

2062 

Comtesse  de  Leusse 

Lady  Sassoon 

2068 

A  Sketch 

Alice  Sladen 

2064 

The  Artist's  Mother 

Madeline  M.  McDonald 

7 

7 

o 

2065 

Doily 

Henrietta  M.  Tarv$r 

3 

3 

o 

2066 

Peacocks 

Janet  D*  Cowan 

5 

5 

0 

2067 

Beccles    (Drypoint  etching) 

9 

fi 
\j 

o 

Catherine  Maud  Nichols 

2068 

Faith,  Hope,  Charity 

Madeline  M.  McDonald 

60 

0 

0 

2069 

"  Make,  oh  God,  all  wars  to  cease  "  do. 

50 

0 

o 

2070 

The  Dell,  Mundesley  (Drypoint  etching) 

o 

9 

n 
u 

Catherine  Maud  Nichols 

2071 

Fruit  Blooms  and  Forget-Me-Nots 

Elizabeth  S.  Fulleylove 

2072 

Monica,  daughter  of  Rev.  H.  G.  Rosedale,  B.D. 

Madeline  M.  McDonald 

2073 

Study  of  a  Head 

L.  F.  Wright 

2074 

Hammersmith 

Catherine  Smith 

1 

1 

0 

2075 

Portrait  of  the  Artist 

Madeline  M,  McDonald 

15 

15 

0 

2076 

Four  Original  Drawings 

Constance  Coughtrie 

2077 

Engraved  Book  Plates 

Constance  M.  Pott 

3 

3 

0 

55 


No. 
2078 
2079 
2080 
2081 

2082 
2083 
2084 
2085 

2086 
2087 


2089 
2090 
2091 
2092 
2093 
2094 
2095 
2096 
2097 
2098 
2099 
2100 
2101 
2102 

2108 
2104 
2105 

2106 
2107 
2108 

2109 


Illustrating  "  The  Tempest  M  Margt.  E.  Thompson 
Going  for  Water  Constance  G.  Copeman,  A.R.E. 
On  the  Thames  Catherine  Smith 

Orchide  Solralia  Macrontha  Amerigui 

Mdlle.  G.  M.  Annen 
Fashion  Drawings  Miss  Le  Q  uesne 

A  Portrait  Mary  Mason 

Fashion  Drawings  Miss  Le  Quesne 

Trinity  Almshouses,  Mile  End  Koad 

Constance  M.  Pott,  B.E. 
Canal  Grande  con  Pabn.  Branning  Maria  Ippoliti 
Fashion  Drawings  Miss  Le  Quesne 

Fashion  Drawings  do. 
Do.  do.  do. 

Do.  do.       .  do. 

Do.  do.  do. 

Designs  for  Covers  of  Magazines  doi 
Autumn         •  M.  Christine  Connell 

Worthing  Pier  from  Shoreham  do. 
In  the  Mouth  of  the  Eiver  at  Shoreham  do. 
A  Corner  of  the  Pine  Wood  do. 
Binfield  Heath  do. 
The  Red  Sunshade  do. 
Shoreham  do.  • 

A  Cottage  Garden  do. 
The  Thatched  Roof  .  do. 

Canal  at  the  Giudecca  (a  sketch  from  Venice) 

Nina  Ottolenghi  Levi 

Canal  Grande  a  Chiesa  della  Salute  Maria  Ippoliti 
In  the  Cumberland  Hills  Mrs.  Ernest  Hart 

Earlham,  Norfolk  (Drypoint  etching) 

Catherine  Maud  Nichols 
Catton,  Norwich  (Drypoint  etching)  do. 
What  shall  I  say  next  ?  Florence  McClatchie 

Doorway  in  Great  St.  Helen's,  Bishopsgate 

Mrs,  B.  F.  Hartshome 
Work  and  Play  E.  J.  Hipkins 


£    s.  d. 

15  0  0 
1  5  0 
110 

16  0  0 


2    2  0 


15    0  0 


7 

5 
5 
6 
5 
6 
5 
5 
5 
12 


7 

5 
5 


5 
5 


0 
0 
0 


6  0 

5  0 

6  0 
5  0 


0 
0 


0  0 


15  0  0 

8  8  0 

2  2  0 

3  3  0 

2  2  0 

3  3  0 


56 

No. 

2110  a  Design  for  Decorative  Panel  Ida  Varley 
I)    clo.             do         Illustration  do. 

2111  My  Lady's  Garden  MeMcent  Stone 

2112  Fratres  Lucis  Ida  Varley 

2113  A  Lowering  Evening  on  the  Thames 

Elizabeth  Piper,  A. HE, 


£ 

c< 
o« 

w. 

2 

0 

0 

2 

0 

0 

2 

2 

0 

4 

4 

0 

OBNTEE  ROOM, 

STATUABY. 

2114  Bust  in  Marble,  H.B.H.  the  Princess  of  Wales 

Countess  Feodora  Gleichen 

2115  Le  Haleur,  statue  platre  (ce  figure  au  Salon  des  120   0  0 

Artistes  Francais  en  1899)  En  bronze 

Madame  Gabrielle  Dumontet  810    0  0 

2116  Joachim  Mrs.  Cad  trailed  er  Guild 

2117  Bust  of  a  Child  C,  H,  Moncrieff  Wright     10  10  0 

2118  Alberto  Durero  Una,  Pochini 

2119  Le  Brun  do, 

2120  "  The  Swamp-Girl."    (Belief  in  Stone)  31  10  0 

Margaret  M.  Giles  (Mrs,  Bernard  M.  Jenkin) 

2121  Naughty  JZmmdine  Halse    26    5  0 

2122  Tired  Out  do. 

2128    Masaccio  Ena.  Pochini 

2124  Plaster  Medallion  of  Thomas  Carlyle  5   5  0 

II.  Mabel  White 

2125  Madonna  and  Child  (Plaster  Model) 

Countess  Feodora  Gleichen 


2126    Le  Vaincu  Madame  Gabrielle  Dumontet 


120  Plaster 
720  Marble 

2127  Madonna  in  trono  con  Gesu  Bambino  71    0  0 

Baronessa  Maria  Camerini  Seola 

2128  Miniature  Indian  Cattle,  belonging  to  H.M.  the 

Queen  (Portraits)  Alice  21.  Chaplin 

2129  Pomona's  Child  Kathleen  Shaw    53    0  0 

2130  Earl  Egerton  of  Tatton  do. 

2181    Studies  of  Babies  Emm  dine  Halse     5    5  0 

2132    Studies  of  Babies  do.  5    5  0 


57 

No*  £   s.  a 

2138   The  Poppied  Sleep  Smith     6    6  0 

2134  Sculpture.    Set  of  Medallions  and  Medals. 

Margaret  M.  Giles  (Mrs  Bernard  M.  Jenkin) 

2135  Plaster  Belief  Helen  Langley 

2136  A  Spanish  Dancer  Mm  Le  Quewa 


5    5  0 


12  12  0 


2137  Girl  and  Peacocks    (Relief)  Helen  Langley    12  12  0 

2138  (Bas-Relief)  d0t 

2139  Music  sent  up  to  God  Edith  Downing 

2140  Moses  with  the  Decalogue  Signd  de  Forselles     6    0  0 

2141  Lalotte  Mime  Antoinette  tallgren    20    0  0 

2142  The  Wood  Nymph  Amy  Sawyer 

2148  A  Peri    (R.A.,  1899)  L.  Gwendolen  Williams    Bl  10  0 

2144  Design  for  Fountain         Countess  Feodora  Ghichen 

2145  Child's  Head  Helen  Langley  20  0  0 
2145a  Sleep                                    Mrs.  Clarissa  Barker    16  16  0 

2146  Study  of  a  Child's  Head  Helen  Langley    15    0  0 

2147  Petite  Bretonne  M Am e.  Antoinette  YaUgr en    10    0  0 

2148  Testa  di  Vecchio     Baronessa  Maria  Camerimi  Seola    40    0  0 

2149  Portraitbiiste.     Hofrath  Professor  Heinrich  Siegel 

Melanie  von  Horsetzky 

2150  Pussy's  Toilet  Alice  M,  Chaplvn    10  10  0 

2151  "  Venite,  Adoremus  "       Countess  Feodora  Gleichen 

2152  Summer.  Panel  in  Coloured  Plaster   Helen  Langley    210  0 

2153  a  Cat's  Cradle "  Florence  Parkinson    30.  0  0 

2154  Enfants  (bas-relief  platre) 

Mdme,  Ma th  ihle  Philippson 

2155  Aspiration  Gertrude  Smith    10  10  0 

2156  Une  Pythie  prophetisant  Signd  cP  Forselles    40    0  0 

2157  Winter*    Panel  in  Coloured  Plaster  21    0  0 

Miss  Helen  Langleu 

2158  Portrait  de  Madame  L.  D. 

Madame  Gabrielle  Dumontet 

2159  Terracotta  Bustd*   -Admiral  Eberau  von  Eberhorst 

Melanie  ran  Horsetzky 

S1G0  Golfrey,  son  of  H,  W.  Massiiiglnm,  Esq,  .  - 

Miss  Le  Quesne 

£161    Abaiid  DamnisrUllQf         Mrs,  Ft  Gadwctllerder  Guild  - 

2162  The  Birth  of  the  Pearl  Fmmeline  J  lithe    10.10  0 

2163  Archdeacon  Thornton  do. 

5 


58 

No.  £    s,  d. 

2164  A  Poem  Helen  Langletj    12  12  q 

2165  Portrait  of  Artist's  Father  Ester  Mary  Moore 

2166  An  Old  Salt  Emmeline  Halse 

2167  La  Marquise  de  Preigne  do. 

2168  Satan  Countess  Feodora  Gleiehen 

2169  Sommeil  (Bas-relief  platre) 

Mdme.  Matlvilde  Philippson 

2170  A  Boy  (Plaster  Cast)  Miss  Ruby  Levick  18  18  0 

2171  A  Victim  to  Art  Emmeline  Halse 

2172  Vestale  regardant  sa  lampe  Sir/rid  de  For sell.es  40  0  0 

2173  Cupid  and  Psyche  Mary  Swainson  15  15  0 

2174  L'Enfant  a  la  Tirelire    (Statue  marbre)  800    0  0 

Madame  Gabrielle  Dumontet 

2175  Portrait  of  my  Granny,  aged  89       Emmeline  Halse 

2176  Portrait  Lydia  Coffey 

2177  La  petite  Fadotte  Mdme.  Gabrielle  Dumontet 

2178  Bust  of  Frederika  Bremer,  the  Swedish  Novelist 

Madame  Anna  Retzius.    Lent  by  Mrs.  Adelaide  Ross 

2178a  The  Nativity  Frances  Burlinson     8    3  0 

2179  L'Enfance  de  Triboulet    (Buste  marbre)  60   0  0 

Madame  Gabrielle  Dumontet 

2180  Rt  Pochini 

2181  Mowgli  and  Greybrother         Frances  B.  Burlinson 

2182  L'Enfant  k  la  Tirelire.  (Bronze) 

Mdme,  Gabrielle  Dumontet 

2183  Eose    (Bronze  Statuette)        ;  7  10  0 

Fran  Sophie  Burger- Hartvlann 

2184  Psyche    (Bronze  Statuette)  do.  6  15  0 

2185  The  Annunciation    (Relief  in  coloured  plaster)         20   0  0 

Hermione  Vnuin 

2186  Dolly,  daughter  of  C.  Johnson  Esq.     Florence  Leon 


MISCELLANEOUS  WQKKS, 

2187  Birken  an  einem  Bach  8   0  0 

Geriy  von  SeydUiz-Gerstenbenj 

2188  Bauernhaus  mit  Crucifix.    Ritimathal  in  Bohmen      8  0  0 

Gerty  von  Seydlitz-Gerstenbery 

2189  Mures  Sauva^es  et  Quinorodon    Mdlle*  G.  M,  Annen   32   0  0 


59 

No.  '       ' '  i  s.  d. 

2190  Orchides.    1.  Solralia  Macrantha.   2.  Cypripedium    24    0  0 

Oaudatum  Mdlle.  G.  M.  Annen 

2191  Orchides.    Dindrolium  Macrophyllum        do.  14  q 
219k  Cartoon.    The  Story  of  the  Lennories  from  Vasari 

Winifred  H.  Thomson 

2192  Copy  after    Eosalba   Camera,    from  the  Royal 

Gallery,  Venice  E,  Montvesov 

2193  Copy  after  Rosalba  Camera,    Venetian  Costume  of 

the  XVIII  Century  E.  Montresov 

2194  Reproduction  of  a  work  by  Angelica  Kauffman 

Lent  by  Franz  Hanfstaengl 

2195  Holy  Family  (after  Filippino  Lippi)  26    5  0 

Miss  Isabel  Berkeley 

2196  Ulysses  deriding  Polyphemus  (after  J.    M.  W. 

Turner,  R.A.)  J.  Isabella  L.  Jay 

2197  The  Madonna  of  the  Meadow,  after  Marco  Hasaiti 

(facsimile)  J.  Isabella  L.  Jay 

2198  Le  Port  Blanc  Mdme.  Elodie  la  Villette  160    0  0 

2199  Venetian  Costume  of  the  XVIII  Century  (after 

Rosalba  Camera)  E.  Montresov 

2200  The  Fighting  Temeraire  (after  J4  M.  W.  Turner, 

R.A.)  J.  Isabella  L.  Jay 

2201  Approach  to  Venice  (after  J.  M.  W.  Turner,  R,A.)    25    0  6 

Adelaide  Ross 

2202  The  Hon.  Mrs.  Mark  Currie  (engraved  after  George     6    6  0 

Romney)  E.  E.  Milnev 

2203  Francesco  Crispi.    Etching  Charlotte  Eopert     3    0  0 

2204  Nine  Portrait  Etchings  do,.  8    0  0 

2205  Reredos  (8  feet  by  6  feet,  terracotta)  at  St,  John's 

Church,  Notting  Hill  Emmeline  Hatse 

2206  Las  Hilanderas  (copia  de  Velazquez)     Pastel  80    0  0 

Eafaela  S.  Avoca 

2207  Earthward  Bound    (Terracotta  Panel,  7  -ft.  by  5  ft.) 

Emmeline  Halse 

5208   Two  Portrait  Etchings  Charlotte  VoVcrt 

2209  Three  Portraits  in  Etching  and  Drypoint  4  10  0 

Charlotte  Eopert 

2210  Four  Portrait  Etchings  do.        /  1  10  0 

2211  Two  Portrait  Etchings  do.  1  10  0 

2212  lhude  de  roses  France  Mdlle.  Noemi  Euchs  6    0  0 

2213  Birken  im  Hertet       Gertij  von  Seydlitz-Gerstenberrj  8    0  0 

5 


60 

No.  £    s.  d. 

2214  Portrait  decoratif.    Mrs.  H.  Bruce  Jane  Atche 

2215  Madame  Eejane  dans  "  Le  Lys  Rouge  "  do. 

2216  Portrait  decoratif  de  Madame  la  Comtesse  de  Plant 

Jane  Atche 

2217  Flox  Bertha  Hacker 

2218  Jeune  Pille  ecrivant    (Pastel)    Marguerite  Membree    20    0  0 

2219  Works  of  Charity.    Die  Obdachlosen  beherbergen 

(Fresco)  Hedwig  Weiss.   Lent  bg  Paul  Gerhardstift 

2220  Works  of  Charity.     Die  Traurigen  trosten  (Fresco) 

Hedwig  Weiss.     Lent  bg  Paul  Gerhardstift 

2221  Works  of  Charity.    Die  Kranken  pflegen  (Fresco) 

Hedwig  Weiss.    Lent  bg  IJaul  Gerhardstift 

2222  Works  of  Charity.    Die  Kinder  lehren  (Fresco) 

Hedwig  Weiss.    Lent  bg  Paul  Gerhardstift 

2223  Works  of  Charity.  Die  Hungrigen  speisen  (Fresco) 

Hedwig  Weiss.    T^ent  bg  Paul  Gerhardstift 

2224  Olivia    (Mezzotint  after  P.  H.  Calderon,  R.A.) 

Gertrude  Dale 

2224a  Lever  de  Lune  a  Port  Ivy    Madame  Elodie  la  Yillette  120    0  0 

2225  Lord  Lytton  (Mezzotint  after  G.  F.  Watts,  R.A,) 

Gertrude  Dale 

2225a  Les  Gnomes  Madame  Elodie  la  Yillette  120    0  0 

2226  May  Day    (Etching  after  Fr.  A.  van  Kaulbach ;     5    0  0 

the  original  in  the  Galerie  Royale  at  Dresden) 

Doris  Baab 

2227  Jeune  femme  a  l'eventail  rose    (Pastel)  24    0  0 

J uliette  Dubusse 

2228  Portrait  of  Prince  Bismarck    (Etching)  8    5  0 

Charlotte  Popert 

2229  Portrait  Etching  after  Rembrandt.   The  original  in    15    0  0 

the  Galerie  Prince  Lichtenstein,  Vienna.  Re- 
marque proof  on  parchment  Doris  Baab 

2230  Reve    (Dessin)  Mdme.  Mathilde  PMUppson 

2231  Three  Studies  of  Niagara       Sarah  Wgman  Whitman 

2232  Arme  Frau.  Lithographie  nach  der  Natur  auf  Stein    12  10  0 

gezeichnet  A.  Loeivenstein 

2233  Madonna  (engraving  after  Holbein).    The  original    18    0  0 

in  the  possession  of  the  Grand  Duke  of  Hesse- 
Darmstadt    Remarque  proof  Doris  Baab 


61 

2234  Reproduction  of  a  work  by  Madame  Le  Brun 

Lent  by  Franz  Han/staengl 

2235  The  Horse  Fair  After  Rosa  Bonluur 

Lent  by  H.  T.  Hartley,  Esq. 

2236  Reproduction  of  a  work  by  Madame  Le  Brun 

Lent  by  Franz  Hanfstaenyl 


MINIATURES.   BOOM  3, 

2237  Portrait  of  Rev.  Dr.  Lowy  Mabel  Levy 

2238  The  late  General  Sir  John  Hodson  (Commander-     8    8  0 

in-Chief,  Bombay)  Geraldine  Allan 

2239  Portrait  of  Mrs.  G.  N.  Harris  (painted  by  Miss 

Biffin  with  her  lips)  Miss  Biffin 

Lent  by  Miss  Allen 

2240  Alice  Maude  and  Jessie  Hunt  (Exhibited  at  the 

Royal  Academy,  1886)  Mrs.  Jane  A.  North 

2241  Tuscan  Peasant  Woman      Lucilla  Marzolo  Occioni     4    0  0 

2242  Three  views  of  one  head         Beatrice  C.  Smallfield    31  10  0 

2243  The  late  Hon.  and  Revd.  Gerald  Wellesley,  Dean  of     7    7  0 

Windsor  Mrs.  Jane  A.  North 

2244  Case  of  Miniatures  :  (1)  Le  Baiser  (2)  Le  Printemps 

(3)  Jeune  Fille  au  manchon  (d'apres  Reynolds) 

Madeleine  Duroziez 

2245  The  late  Revd.  Adolf  Saphir,  D.D. 

Mrs.  Jane  A.  North 

2246  H.  M.  the  Queen  (painted  1886)  do. 

2247  The  Singer  Ethel  Porter  15  15  0 

2248  Contadina  Lucilla  Marzolo  Occioni  4    0  0 

2249  Open  to  Offers  '  Ida  Sauber  3    3  0 

2250  "Snow"  Louisa  A.  Warren  110 

2251  "Smut"            '  do.  110 

2252  Dorothy  Janet  Connell 

2253  Simplicity.    (A  Portrait)  Helene  Horivitz 

2254  "You  don't  say  so  !  "  Ida  Sauber  3    3  0 

2255  Dorothy  '  Edith  L.  Clink 

2256  Muriel  Mrs.  Lilian  Roivney  5    5  0 

2257  Franc  Ada  C.  &.  Dimma  5    5  0 


62 

No,  *  s,  a, 

2258  Eighteen  Miniatures  on  ivory 

Nob.  Signorina  Corinna  Caimi 

2259  Daddy  Georgia  A.  E  Mackinlay 

2260  My  Lady  Betty  Mabel  Budgett  Jones 

2261  Portrait  Miss  Weiss 

2262  Portrait  of  a  Child  H.  M.  Kempthorne     7    7  0 

2263  Jane,  daughter  of  Dr.  McDowall  Ethel  Porter 

2264  Case  of  Miniatures*:  Her  Majesty  the  Queen,  His 

Royal  Highness  the  Prince  of  Wales,  H.R.H.  the 
Princess  of  Wales,  H.R.H.  the  Duke  of  York, 
Prince  Edward  of  York,  John  Pethick,  Esq, 
(Mayor  of  Plymouth),  Charles  H.  Radford,  Esq, 
(Ex-Mayor  of  Plymouth),  Child  (private) 

Marie  G.  Pearce 

2265  Portrait  of  a  Child  Louise  Backhand 

Bent  by  Martin  H.  Colnaghi,  Esq. 

2266  Miss  Castellain        Cissie  Chalker  (Mrs.  Jack  Fison) 

2267  Daughter  of  Frank  Rushby,  Esq. 

Mrs.  F.  Parkinson 

2268  Study  Hannah  Myers 

2269  Edith  Helene  Horivitz    10  10  0 

2270  Portrait  Miss  Weiss 

2271  A  Reverie  Amy  Julia  Drucker    12  12  0 

2272  *Mr.  Martin  Harvey  as  Sydney  Carton 

Florence  Parkinson 

2273  Rosalind  Janet  Connell    10  10  0 

2274  Margarita  Mabel  Budgett  Jones    10  10  0 

2275  Portrait  of  a  Lady  Mabel  Levy    15  15  0 

2276  Case  of  Miniatures  Josephine  M.  White 

2277  Portrait  Phyllis  Coughtrie 

2278  Darent  Mrs.  Lilian  Rowney 

2279  Sanctissima  Janet  Connell    12  12  6 

2280  Gladys,  daughter  of  Fred  Kell,  Esq. 

Cissie  Chalker  (Mrs.  Jack  Fison) 

2281  Portrait  of  a  Lady  in  her  Wedding  Gown 

May  Posener 

2282  Arthur  H.  Thacker,  Esq. 

Fanny  Way  (Mrs.  Arthur  Thacker) 

2283  A  Coloured  Girl  Emily  Drayton  Taylor 

2284  The  late  R,  J,  Lane,  Esq.,  A.R.A. 

Mrs,  Jane  A.  North 


63 


No. 

2285 

2286 

2287 
2288 


2289 
2890 
2291 

2292 
2293 

2294 
2295 
2296 
2297 
2298 
2299 
2300 

2301 
2302 
2308 
2304 

2305 
2306 

2307 
2308 

2309 
2310 


Mrs.  Henry  Chalker  Qissie  Chalker 

(Mrs.  Jack  Fison) 
The  late  Rt.  Hon.  Lord  Chief  Justice  Whiteside 

«  '  Geraldine  Allan 

Miss  Crofts  Cissie  Chalker  (Mrs.  Jack  Fison) 

Case  of  Miniatures :  1.  Miss  Olive  Temple  as  Mrs, 
Siddons 

2.  Priscilla  Florence  White 

Mrs.  8.  Hall  Miss  Sheppard 

Mrs.  Goldbard  Louise  B.  Honvitz 

Portrait  of  a  Lady  in  Fancy  Dress  Costume 

Mrs.  Hannah  E.  Smith,  M.S.M.P. 

May  Helene  Honvitz 

(1)  Eva  M.  Daniell     (2)   C.  Bampfylde  Daniell 
(3)  A  Portrait      (4)  The  Hon.  Mrs.  FitzGerald 

Mrs.  C.  Bampfylde  Daniell 


£   s.  d. 


Innocence 
Carina 
A  Portrait 

Portrait  of  Miss  Clare  Greet 
Miniature  B 
Portrait  of  a  Lady 
Miss  Florence  B.  Cramp 


Louise  B.  Honvitz 
Marie  Johnson 
Helene  Horwitz 
Lucie  M.  Hill 
Sara  Page 
Emma  Findge 
Emily  Drayton  Taylor 


Ijent  by  Mr.  Edwin  S.  Cramp 
The  Sisters        Evelyn  Mason  (Mrs,  Ernold  Mason) 

A  Miniature  Sara  Page 

Tess  Mrs.  Hattie  Tucker 

Case  of  Miniatures:  1.  Mrs.  McKinley.    2.  Presi- 
dent McKinley  Emily  Drayton  Taylor 

Lent  by  President  McKinley 

Mary  Sidney,  Countess  of  Pembroke 

Mrs.  Emma  Cooper 

Duke  of  St.  Albans,  son  of  Nell  Gwynn 

Mrs.  Emma  Cooper 

Love's  Whisper  Phyllis  Coughtrie 

Evelyn  de  Rothschild,  second  son  of  Leopold  de 
Rothschild,  Esq.    Painted  by  Miss  Minna  Amholz 

Lent  by  Mrs.  Leopold  de  Rothschild 
Miss  Madge  Dolman  Ethel  Porter 

Sir  George  White,  K.C.B.,  V.C. 

Viscountess  Maitlancl 


15  0  0 
18   0  0 


15  15  0 


12  12 
10  10 

5  5 
5  5 
15  15 


0 
0 

0 
0 
0 


5    5  0 


15  15  0 
15  15  0 


■ 


64 

No.  £    s.  cl 

2311  J.  W.  Kenyon,  Esq.  Edith  L,  Clink 

2312  Case  of  Miniatures :    (1)  Sketch  of  Miss  Maud 

Jeffries  as  Elma  in  "  Daughters  of  Babylon," 
(2)  Mrs.  Edward  Paul,  sen.,  of  Liverpool,  (3)  Mrs, 
Edward  Paul,  jun.,  of  Liverpool 

Nellie  M.  Hepburn  Edmunds 

2313  Case  of  Four  Miniatures:  Mrs,  May,  Miss  Edith* 

Hunt,  Mr.  S,  W.  North,  The  Right  Hon.  W.  H, 
Smith  Mrs.  Jane  A.  North 

2314  Mrs.  Myles  Kennedy  Christine  Hovelt 

2315  Portrait  of  a  Boy 

Evelyn  Mason  [Mrs,  Ernold  Mason) 

2316  Portrait  of  late  Mrs.  Forbes,  daughter  of  Sir  Everard 

Home  Mrs.  Rt  F.  H.  W oodyat 

2317  Freddy,  son  of  C.  B'eddington,  Esq.     Mary  Pringle 

2318  Case  of  Miniatures  :  1.  Lady  Ada  Maitland. 

2.  Miss  Burton,    3.  Hon.  Ian  Maitland 

Viscountess  Maitland 

2319  Case  of  Miniatures  :  Hon.  Mrs.  E.  Stonor,  Mdlle.  G., 

Master  Chichele  Plowden,  Mrs.  George  Armstrong, 
Miss  Pamela  Plowden        Winifred  Hope  Thomson 

2320  Case  of  Miniatures  :  1.  July  8   8  0 

2.  Madame  la  Marquise  8    8  0 

3.  Portrait  of  a  Lady  8    8  0 

Alice  Latchford 

2321  Mrs.  Charles  Startup  Ethel  Porter 

2322  Margery,  daughter  of  the  Hon,  Mrs.  H.  Sugden 

Clara  Pauncefort 

2323  Portrait  of  a  Boy  F.  Emily  Brown  110 

2324  Dinah  Hannah  Myers    12  12  0 

2325  Phyllis  :  8    8  0 
With  the  Fairies 

Wanderchild  Maud  B.  Worsfold    12  12  0 

2326  1.  Doris,  daughter  of  L.  Lee,  Esq. 

2.  Joyce,daughter  of  the  Rev.  J.  C.  Sparrow. 

3.  Gwendolin,  daughter  of  J.  D.  Charrington,  Esq. 

Charlotte  Nouian 

2327  Portrait  of  a  Child  Emma  Find  ye    10  10  0 

2328  Spring  Ella  L.  Stansfeld 

2329  Lord  Kitchener  do* 


APPENDIX  TO  FINE  AET  SECTION. 


■ 

I 

■ 

I 

■ 


§1 


No. 

1695a  Volubilis  Eventail 

2188a  Portrait  of  a  Young  Lady 

2192a  Les  Sirenes 

21925  1  la  Tavern 

2193a  An  Arab  Scout 

2204a  Pescatore  in  Laguna 
2207a  Venezia 


£  s.  d. 

Louise  Abbema    20  0  0 

Ernestine  Schultze 

Julia  Tedesco  Ho f man  120  0  0 

do.             80  0  0 

F.  Bramley  Warren 
(Mrs.  Middleton) 

Antoinette  Fragiacomo    28  0  0 

-   do*            32  0  0 


I 


APPLIED  ART 


AND 


•  0 


HANDICRAFT  SECTION. 

Honorary  Sub- Committee : 
The  Countess  Feodora  Gl£ichen    The  Hon.  Mrs,  Percy  Wyndham 


The  Countess  of  Bective, 
The  Countess  of  Mayo 


Mrs.  Kobert  Benson 
Miss  Elinor  Halle 


Secretary:  Tessa  Mackenzie. 
Curator:  Mr,  S.  Laing  Moffat, 


I 


APPLIED  ART. 


Although  the  magnificent  collection  of  paintings  in  the  Fine  Art 
Gallery  are  a  testimony  to  the  capability  of  women  in  the  realms  of  the 
highest  Art,  attention  must  still  earnestly  be  directed  to  the  larger  and 
more  varied  field  for  expression  which  exists  in  the  world  of  Applied 
Art,  Whilst  this  open  field  offers  scope  for  a  wider  range  of  workers, 
it  also  affords  a  more  hopeful  prospect  of  success,  for,  since  the  very 
few  alone  are  able  to  rise  to  the  summit  of  ambition  and  lay  claim  to 
be  among  the  elect,  many  indeed  would  be  able  to  realise  a  renown  no 
less  praiseworthy  if  they  would  direct  their  energies  towards  the  useful 
application  of  their  artistic  instincts.  After  all,  the  true  aim  of  Art  is 
to  beautify  our  surroundings  and  to  satisfy  the  innate  desire  for  what  is 
pleasing  to  the  eye,  and  this  is  to  be  attained  no  less  in  the  ornamen- 
tation of  a  tea-cup  than  in  the  filling  of  a  triptych. 

The  beautiful  collection  of  "Objets  d'Art "  and  the  excellent 
results  of  the  artistic  application  of  the  needle  to  be  seen  in  the 
Applied  Art  Section,  are  a  most  remarkable  revelation  of  what  lies  at 
the  right  hand  of  the  woman  with  a  feeling  for  art  and  with  an  artistic 
training, 

In  the  many  and  various  branches  of  Applied  Art  it  is  well  to  give  a 
place  of  honour  to  the  Enamelled  Work,  which  shows  the  capacity  of 
Women  in  an  Art  which  for  so  many  centuries  has  been  solely  explored 
by  men.  Such  works  as  those  of  the  Misses  Casella  (enamel  on  glass), 
Miss  Halle  and  her  pupil  Miss  Nouffiard,  and  Miss  Ernestine  Mills, 
are  worthy  of  places  in  our  Museums. 

Beautiful  also  are  the  Works  in  Silver,  such  as  the  plates  and  cups 
of  Mrs.  Law  Adam,  and  the  work  by  the  students  of  the  Chiswick 
and  Glasgow  Art  Schools,  and  particularly  fine  are  the  works  of  the 
late  Miss  Simpson. 

In  Bronze  and  Plaster  there  is  much  decorative  work  of  a  very  high 
Order ;  and  attention  may  be  directed  to  the  beautiful  door  knocker,  the 
work  of  the  Hon.  Mrs.  Chas.  Stanhope. 


70 


In  Bookbinding  women  also  reveal  themselves  as  experts,  for  there 
are  not  more  wonderful  examples  than  those  by  Miss  Birkenrufch,  Miss 
Underhill,  etc.  These  show  a  novelty  and  individuality  of  treatment 
which  proves  that  the  nineteenth  century  will  leave  a  mark  on  the 
history  of  Art.  This  appreciation  may  be  justly  applied  to  most  of  the 
branches  represented. 

Women  have  at  all  times  woven  Tapestries,  and  here  we  have  an 
example  of  a  remarkable  Tapestry  designed  as  well  as  executed  by 
a  woman,  i.e.,  Mrs.  Frida  Hansen,  and  an  example  of  the  work  beino- 

o 

done  in  Bushey  by  Miss  Clive  Bayley. 

In  Stained  Glass,  Lithography,  and  Photography  we  also  find  women 
thoroughly  understanding  their  craft. 

It  is  therefore  satisfactory  to  realise  that  there  is  a  greater  field  for 
woman's  capacity  than  she  has,  till  of  late  years,  had,  and  the  present 
Exhibition  may  justly  be  looked  upon  as  having  opened  the  eyes  of 
the  world  to  her  ability  to  succeed  wherever  she  competes  with  men. 


Tessa  Mackenzie, 


71 


Applied  Art  Section. 


LIST     OF  EXHIBITS. 


GLASS  CASE—A. 


1/1/  fW*  7*  c>    r\  1  /    "fit  o 

yy  ut  no  u(j  iiit 

i.\u. 

No. 

1 

Glass  Preserve  Pot 

17 

Wine  Glass 

2 

Two  Liqueur  Glasses 

18 

Long  Glass  Pot 

3 

Glass  Goblet 

19 

Ice  Stand  and  Fittings 

4 

Wax  Bas-Relief— "  Dutch 

19a 

Fan- shaped  Glass 

Boy" 

20 

Glass  Pot 

5 

Leather  Drop  Case 

21 

Wax  Pictures 

6 

Two  Medals — Dr.  Charcot 

22 

Five  Parchment  Articles 

and  Cardinal  Manning 

23 

Wax  Miniature  in  Box 

7 

Wax  Picture— "  Star  " 

24 

Embroidery  in  Case 

8 

Dragee  Glass 

25 

Persian  Bottle 

9 

Leather  Box 

26 

Glass  Tumbler 

10 

Glass    Dinner    Service,  9 

27 

Glass  Tumbler 

Pieces 

28 

Six  Salt  Cellars 

11 

Bound  Book,  with  Metal 

29 

Arabian  Lamp 

Corners 

30 

Long-necked  Bottle 

12 

Leather  Mirror  Case 

31 

Glass  Goblet 

18 

Bronze  Panel 

32 

Glass  Tumbler 

14 

Leather  Casket 

83 

Glass  Tumbler 

15 

Wax  Picture 

34 

Enamelled  Glass  Decanter. 

16 

Claret  Jug 

GLASS  CASE— B. 

85  Modern  Irish  Point  Lace  Apron     Lent  by  Mrs.  Alfred  Morrison 

36  Modern  Replica  of  Black  Brussels,  made 

in  the  18th  Century  for  Court  Dresses,&c.  do. 


n 

No. 

37  Modern  Lace,  made  m  Devonshire  Lent  by  Mrs.  Alfred  Morru  .. 
88    Modern  Lace,  Section  of  Limerick,  made 

in  Ireland  do, 

39  Modern  Lace  Parasol  Cover,  made  by 

Women  in  Normandy  d0. 

40  Modern  Lace,  Finest  Irish  Point  do  - 

41  Modern  Lace,  Finest  Irish  Point  do. 

42  Modern  Lace,  Venetian  Point,  made  in 

Devonshire  do. 


/■  GLASS  CASE — C. 

43  Casket  set  with  Jewels  Miss  Birhenruth 

44  Turned  Oak  Collar  Box,  designed  in  Gilded  Gesso 

Cecilia  Adams 

45  Repousse  Copper  Salver  Mary  de  Beanpre 

46  Cameo  Clasp  Miss  F.  E.  Browne 

47  Case  of  Enamelled  Jewels     Miss  Elinor  Halle  and  Miss  Noufflard 

48  Repousse  Copper  Plaque  or  Salver  Mary  de  Beanpre 

49  Casket  in  Wood  and  Gesso  Mis*  H.  Erans  Gordon 

50  Embroidered  Box  in  Fils  Floss,  Spangles,  and  Cord 

Mrs.  Howard  Morris 

51  A  Fan  Illuminated  on  Vellum  and  Mounted  on  Ivory 

Aynes  Lyrick 

52  Water  Glass,  Painted  in  Matt   White,  Raised  Gold,  and 

Jewelled  Miss  Jennie  Brown 

58    Sampler,  worked  in  1700  by  Martha  Wheeler,  aged  12,  obtained 
by  Sir  Henry  Cole,  K.C.B.,  from  the  Wheeler  family  in  Kent 

Miss  Lwtitia  M.  Cole 

54  Embroidered  Picture  in  Frame,  adapted  from  Old  Needlework 

Lisette  Jones 

55  Case  of  Enamels  M.  OUvenon 

56  Design  for  a  Cup  Miss  Helen  LangleiJ 

57  Sampler,  worked  about   the  time  of  Charles  II,   from  the 

Wheeler  family  in  Kent  Miss  Lcetitia  M.  Cole 

58  Hand-sewed  Moss  Rose,  with  Leaves  and  Flowers,  on  Ivory 

Satin  _  Mrs.  A.  B.  Jamieson 

59  Case  of  Enamelled  Jewellery,  designed  and  executed  by  Ernestine 

E>  Mills  Mm  Ernestine  E.  Milk 


7° 


No. 


GLASS  CASE. — D. 


60  Greek  Embroidered  Border  Lad}J  Egeytm 

61  Greek  Silk  Embroidery  ^ 
02  Greek  Embroideries  from  the  Athens  School  d(h 
OB  Greek  Embroidery  ^ 
54  Turkish  Embroidery  (copy)  ^ 

GLASS  CASE— E. 

(55  Peacock  Clasp  in  Silver  and  Champleve  Enamel 

Ethel  Kirkpatrick 

66  Embossed  Leather  Belt  and  Silver  Buckle      Florence  C.  Moore 

07  Silver  Fruit  Stand,  executed  by  Miss  J.  Cole        W.  J.  Connell 

68  Silver  Repousse  Salver,  executed  by  Miss  C.  Pothouse  do. 

69  Silver  Plate,  executed  by  Miss  J.  Cole  '  do. 

70  "  Saint  Cecilia  "—Plaster  Relief  Miss  Lilian  Edmonds 

71  Mirror  in  Copper  Repousse  Frame  Miss  Mary  Williams 

72  "  Night  "—Plaster  Relief  Miss  Lilian  Edmonds 

73  Jewel  Casket,  carved  in  Wood  and  Gilded  by  Mary  E.  Bott ; 

Painting  by  Byam  Shaw  Miss  Mary  Emmeline  Bott 

74  Silver  Bonbonniere,  by  Miss  F.  Hilliam  W.  J.  Connell 

75  Jar  of  Cranham  Ware,  decorated  in  Water  Colours  by  Edith 

Mendham  Gertrude  A.  Mendham 

76  Silver  Plate,  Pomegranate  Design,  by  Miss  F.  Hillman 

W.  J.  Connell 

77  Plaster  Relief — Portrait  of  a  Little  Boy  E.  M.  Rope 

78  Repousse  Brass  Candlestick  Mary  de  Beaupre 

79  Electro- Silver  Album  Cover,  by  late  Miss*M.  Simpson 

Lent  by  The  Art  Union  of  London 

80  Bronze  Door  Plates  E.  M.  Rope 


GLASS  CASE— F. 

81  Church  Service-Paper  Frame,  Illuminated  on  Vellum,  designed 

by  F.  Clement  Mrs.  Edith  M.  Underwood 

82  Vellum-bound  Volume,  "  Imitation  of  Christ,"  Cover  Illumianted 

in  Gold  and  Colours  ApHes  Lynch 

6 


74 

^83    "  Holy  Communion,"  Frontispiece  on  Vellum 

Mrs.  Edith  M.  Underwood 

84  Two  Sonnets  and  a  Verse  of  a  Poem,  Illuminated  on  Vellum 

Celtic,  Gothic,  and  Italian  styles  Agnes  LyM 

85  Three  Pages  of  Illumination  on  Vellum 

Mrs.  Edith  M.  Underwood 

86  Kudyard  Kipling's  "  Eecessional,"  Illuminated  on  Vellum 

Mrs.  Edith  M.  Underwood 

87.  Volume  of  Tennyson's  Poems,  Presentation  page,  Illuminated 
on  Vellum  in  Gold  and  Colours  Agnes  Lynch 

88  Special  War  Hymn,  Illuminated  on  Vellum 

Mrs.  Edith  M.  Underwood 

89  "Brownie:  A  Children's  Masque."     Words  by  Alice  Sargant, 

Music  by  Lilian  Mackenzie  ;  Illustrated  by  A.  Woodward 

Miss  Alice  Sargant 


GLASS  CASE — G. 

90  Copper  Casket  Jeanne  de  Brouekere 

91  Silver  Waist  Buckle  Mrs.  Law  Adam 

92  Silver  Bowl               ,  do. 

93  '  Silver  Cloak  Clasp        ;  do. 

94  Copper  Soup  Ladle  Nancie  Water* 

95  Pandora  Silver  and  Enamel  Box  Beatrice  Martin 

96  Modelled  Bowl                                -  Emily  Arthur 

97  Jewel  Casket  L.  De  Courcy  Bewar 

98  "  Skirt  Dancing  ' '  Model  Miss  S.  11  Canton 

99  Casket  in  Copper  and  Enamel  Ejfie  I).  Ward 

100  Silver  Fruit  Dish  Mrs.  Law  Adam 

101  Silver  Plate,  Olive  Dish  and  Spoon,  and  Buckle,  designed  by 

Miss  Christine  Connell,  executed  by  her  Pupils 

Miss  Christine  Connell 

102  Silver  Sugar  Bowl  Mrs.  Law  Adam 

103  Silver  Butter  Dish  do. 

104  Silver  Bowl  ^ 

105  Design  for  Casket  Bertha  L,  Goff 

106  Silver  Pair  of  Spoons  Mrs.  Law  Adam 

107  Silver  Pair  of  Bon-Bon  Dishes  dp: 

108  Casket  in  Copper,  Steel,  and  Enamel        Miss  Evelyn  Hickman 

109  Silver  Bowl  and  Stand  Mrs.  Law  Adam 


75 


GLASS  CASE  H. 

HO   Doll's  Cap,  Danish  Pillow  Lace.   District,  Tenth/ 

Zoiider,  Slesvig.  (Middle  of  19th  Century)     Miss  Christiansen 

111  Embroidered  Square,  designed  and  exe- 

cuted by  Miss  Christiansen 

112  Embroidered  Circular  Piece,  designed  and 

executed  by  Miss  Christiansen 

113  Danish  Linen  Embroidery,  Peasant  work. 

District,   Hedebo,    Sjcelland.  (Early 
part  of  19th  Century) 

114  Danish  Linen  Embroidery,  Peasant  work. 

District,  Hedebo,    Sjcelland.  (Early 

part  of  19th  Century)  do. 

115  Lace  Cuff,  Danish  Pillow  (pattern  imita- 

tion of  Brussels  Lace).  District, 
Zoiider,  Slesvig.  (Middle  of  19  th 
Century)  ;  do. 

116  Danish   Lace   (Pillow-made).  District, 

Zoiider,  Slesvig.    (Later  half  of  19th 

Century)  do. 

117  Danish   Lace    (Pillow-made).  District, 

Zoiider,    Slesvig.     (Middle    of  19th 

Century)  do. 

118  Danish  Linen  Embroidery,  Peasant  work. 

District,   Hedebo,    Sjcelland.  (Early 

part  of  19th  Century)  do. 

119  Cuff,    made     in    Button-hole  Stitch. 

Peasant  work.    District,  Hedebo,  Sjcel- 
land.   (Middle  of  19th  Century)  do. 

120  Danish    Lace   (Pillow-made).  District, 

Zoiider,  Slesvig.    (Modern)  do* 

121  Danish  Lace  (Pillow-made).    Old  pattern. 

District,  Zoiider,  Slesvig  do. 


GLASS  CASE — I. 

122  Specimen  of  Buckingham  Lace     North  Bucks  Lace  Association 

123  Tatted  Lace  D'Oy ley  Lalla  Spencelcujh 

124  Irish  Tatted  Lace  Shoulder  Collar  Miss  Emma  Cordner 

125  Hand-made  Lace,  6  yds.  long,  1 J  in.  wide        Mrs.  E,  (iardner 

126  Hand-made  Lace,  1  yd.  22  in.  long,  3  in. 

wide  do. 

6  a 


70 

127  Reproduction  of  Italian  Lace,  made  in  Beer,  Devon 

..    Miss  Audrey  Trevehjan 

128  Hand-made  Lace  Collar  Mrs.  Hither  Godwin 

129  Hand-made  Lace,  3  yds.  long  do. 

130  Point  Lace  "  Sandringham  "  Collar  Lalla  Spmcelagh 

131  Maltese  Lace,  3  yds.  Miss  Goodman 

132  Hand-made  Lace  Handkerchief  Mrs.  E.  Gardner 

133  Reproduced  from  Piece  of  Old  Italian  Lace,  made  on  Pillow  by 

Exhibitor  s  Mrs.  St.  Hill 

134  Scarf  of  Limerick  Needlepoint  Lace,  made  by  Miss  M.  Mackinlay, 

Miss  M.  Mackinlai) 

135  Crochet  Square,  Greek  Cross  Design         Miss  Bernadette  Egan 

136  Hand-made  Lace,  3f  yds.  long,  6|  in.  wide         Mrs.  E.  Gardner 

137  Point  Lace,  made  with  a  Needle  out  of  Braid  Isabel  Wood 

138  "  Khaki  "  Hand-made  Lace  Handkerchief  Miss  Reeve 

139  Lace  Handkerchief  (Needlework)  Mrs.  Vaughan 

140  Point  Ground  Lace,  5}  yds.  Miss  Goodman 


GLASS  CASE — J. 

141  Brass  Finger  Plates,  designed  and  executed  by  Miss  Khoda 

Wager  The  Glasgo  w  School  of  Art 

142  Bronze  Sconce  Miss  Florence  H.  Steele 

143  Silver  Clasp,  set  with  Garnets        Mademoiselle  J.  de  Brouckere 

144  Silver  Clasp,  set  with  Garnet  do. 

145  Picture  in  Enamel  (Genre  Limousin),  after  "  The  Interment  of 

Christ,"  by  Albrecht  Diirer  Auguste  Wahrmitnd 

146  Vase  in  Enamel  do. 

147  Bronze  Ink  Stand  Frau  Sophie  Burger- Hartmann 

148  Bronze  Flower  Stand,  "  Autumn  "  do. 

149  Bronze  Group,  "  Fate,"  designed  by  the  late  Miss  Margaret 

Simpson  The  Art  Union  of  London 

150  Bronze  Pen  Tray  Frau  Sophie  Burger-Hartmann 

151  Enamelled  Belt-buckle  H.  Gertrude  Hildesheim 

152  Enamel,  "  There  was  no  sound  at  all  upon  the  air  " 

Miss  Gertrude  Smith 

153  Enamel  Plaque  Beatrice  Martin 

154  Peacock  Panel,  Enamel  on  Copper  Ethel  KirkjMtrick 


77 


f5°5   «  The  Constellations  Perseus,  Andromeda  and  Orion,"  Copper 
Panels  in  Belief  Margaret  M.  Giles 

256   Painted  Box  Ethel  Kirlq>atrick 

J57   Electro-bronze  Statuette,  "  Hebe,"  designed  by  Miss  Euth 
Canton  The  Art  Union  of  London 

158  Bronze  Tray,  "  The  Nymph  and  Leaf  " 

Frau  Sophie  Burger-Hartmann 

159  Bronze  Stand,  "  The  Orchid''  do. 

160  Bronze  Seal  do. 

161  Six  Silver  Buttons,  set  with  Opals  Mdlle.  J.  tie  Brouckere 

162  Bronze  Door  Knocker,  "  St.  George  " 

The  Hon.  Mrs.  Charles  Stanhope 

163  Brass  Finger  Plates,  designed  and  executed  by  Miss  Ehoda  Wager 

Hie  Glasgbiv  School  of  Art 

GLASS    CASE — K. 

164  Black  Gauze  Fan,  "  Lily  of  the  Valley  "  Mabel  Jorgemen 

165  Cream  Gauze  Fan,  "  Daffodil  "  do: 

166  Design  for  Embroidered  Book  Cover      Rosamond  Fanny  Pulley 

167  Gesso  Lace  Box,  designed  and  executed  by  Edith  A.  J.  Wright 

Edith  A.  J.  Wright 

168  Point  Lace  Fan,  made  in  Beer,  Devon      Miss  Audrey  Trevelyan 

169  Blue  Gauze  Fan,  "  Peacock  Feather  "  Mabel  Jorgemen 

170  Three  Applique  Work  and  Gold  Lace  Lappets,  made  in  Vienna 

from  old  Hungarian  Portrait  Mrs.  Alfred  Morrison 

171  Embroidered  Quilt,  "  Magnolia  "  Ladies  Work  Society 

172  Silver,  Gold  and  Silk  Lace  "  Eeticella,"  made  in  Italy 

Mrs.  Alfred  Morrison 

173  Five  Needleworked  Pictures  Mrs.  Ihirnham  Horner 

174  Hand  Embroidery  in  Coloured  Silks,  Tapestry  Design  for  Fire 

Screen,  Cushion  Cover,  or  Table  Centre        Mrs.  A.  F.  Bale 

175  Irish  Guipure^  copied  from  and  adapted  from  Old  Genoa  Point 

Mfs,  Alfred  Morrison 


GLASS  CASE— L. 


176  Embossed  Leather  and  Tooled  Book,  »  Pansies  from  French 
Gardens"  M'ks  Albina  Collins 


78 

No. 

177  Embossed  Leather  Book,  "  Morris's  Kelmscott  Chaucer  " 

Mary  &  Houston 

178  Brown  Bough  Calf,  inlaid  in  smooth  calf,  hand-decorated  end 

papers  and  bookplate,  "  The  Bab  Ballads  " 

Miss  Evelyn  Underlvill 

179  "  Guest  Book,"  Dragon  and  Conventional  Foliage 

Miss  W.  Peregrine  Birch 

180  "  Autograph  Book,"  Dolphins  and  Conventional  Foliage 

Miss  W.  Peregrine  Birch 

181  "  Stevenson's  Vailima  Letters,"  calf,  gold  tooled  and  embossed 

Mm  Birkenruth 

182  "  Benvenuto  Cellini's  Treatise  on  Goldsmithing,"  Morocco  gold 

tooled  and  j  ewelled  Miss  Birkenruth 

188    "  Where  is  it  ?  "  leather,  embossed  Minnie  Itaggard 

184  Book  Cover,  embroidered  in  old  design  Emma  R.  Smithen 

185  "  Proverbs  in  Porcelain,"  smooth  calf,  embossed 

Miss  Francis  M.  Bartholomew 

186  "  Litany 'Service  Book,"  Embossed  and  Cut  Leather 

Miss  B.  Vigeh 

187  Book  Cover,  Embroidered  in  Old  Design  Emma  Smithen 

188  "Launfal  and  Lybeaus  Disconus,"  printed  on  Whatman's  paper, 

bound  in  brown  rough  calf,  and  inlaid  in  three  tints  on 
obverse  and  reverse  Miss  Evelyn  Underhill 

189  "  Shakespere's  Sonnets,"  bound  in  rough  brown  calf,  with  inlay 

in  smooth  calf,  and  decorated  end  papers 

Miss  Evelyn  Underhill 


GLASS  CASE — M. 


190  Cushion  Cover,  designed  and  executed  by  Jessie  B..  Newbery 

The  Glasgow  School  of  Art 

191  Old  Fashioned  Bead  Work,  2  Bag  Purses,  4  Bracelets 

Mrs.  E.  Gardner 

192  Cushion   Cover,   designed  by  Alice  E.   Gairdner,  worked  by 

Mary  A.  Gairdner  The  Glasgow  School  of  Art 

193  Table  Cover,  designed  by  Jessie  B.  Newbery,  executed  by 

Edith  Bowat  The  Glasgow  School  of  Art 

194  Sideboard  Cloth,  by  Miss  Macbeth  dp. 


79 

No. 


195  Bed  Spread  in  Chintz  Applique"  Mrs.  Q.  H.  Martin 

196  Table  Cover,  designed  and  executed  by  Jane  Younger 

The  Glasgow  School  of  Art 

197  Silk  Stitched  Cushion  Frak  Helens  Ileutsch 

198  Cushion  Cover,  Antique  Spanish  Design  Miss  Dodds 

199  Muslin  Embroidered  in  Crewels  Mrs.  E.  Gardner 
199a  Embroidered  Table  Cover,  "  Water  Lilies  "        Leonie  Eeinherz 

200  Frieze  for  Portiere,  "  Blind  Man's  Buff"      Miss  Jessie  H.  Cook 


GLASS   CASE — N. 

201  Baby's  Jacket,  Bead  Embroidered.    Bare  Mrs]  Morgan 

202  Toilet  Cover,  Embroidered  in  White  Silk   Mrs.  William  Rocltfort 

208    Small  White  Linen  Tray  Cloth,  worked  in  Coloured  Silk  with 
button-holed  edge  Miss  Mary  Botterill 

204  Quilt  or  Table  Cloth,  Embroidered  after  Old  Spanish  design 

Emma  R.  Smithers 

205  Glove   Box,    Embroidery   on    Florentine    Parchment ;  and 

Writing  Portfolio,  Embroidery  on  Florentine  Parchment 

Ada  Giannini 

206  Toilet  Cover,  Embroidered  in  Blue  Silk    Mrs.  William  Rochfort 

207  Small  Linen  Table  Cloth,  Embroidered  in  Bose-coloured  Silk 

Mrs.  William  Rochfort 

208  Small  Linen  Table  Cloth,  Embroidered  in  Green  Silk  do. 

209  Linen  Table  Cloth,  Embroidered  in  Yellow  Silk  do. 

210  Embroidered  Picture  Mrs.  Paget 


GLASS  CASE — P. 


211  Embroidered  Cover   for  Chaucer,    "The)  Montague 

Floure,"  by  Miss  Gwendolin  Chafey       I  Fordham,  Esq. 

212  Miniature  Frame,  Green  Burnished,  by 

Miss  Bott  do- 


80 


No. 
213 

Binding   of  Herrick's  Poems,  by  Miss 
\    Adams                                          Montague  Fordha 

214 

TT,,   ,.  ,1                              \7  n  at\      Kit    +  1~>  O    TVTl  QQPQ    Till  PA, C! 

iiancL-painteci  vase,  oy  iiie  mibbeb 

a  o. 

215 

xianci-painieu  jl  oinugu  jduwi,  u.y> 

CIO, 

21b 

Jlipiscopai  Hjasiei  vjrioveb,  uy  ivusb  ivxoij 
Morris 

do. 

217 

Hand-painted    Porridge   Bowl,    by  the 
Misses  Lucas 

do. 

218 

Gilded  Frame,  by  Miss  Agnes  Talbot 

do. 

219 

TT-ittv  XTn/^L-l  n  oao*    lw  TVTlQQ  IVTfl  V  lYTm*T*l  S 
Jj  l\e  IN  eCKlclLcb,  uy  lVxlbb  Iv-Lay  muiiio 

It  U  » 

220 

XianCl-paillljtiU.  XJLdjlc,  Uj   ivxlbo  U  utao 

(AO  . 

991 

XiailU.- Udilll  lt3tl    Y  cibc,  U.U. 

(( (7. 

999 

Hand-painted  Junket  r>owi,  cio. 

do. 

99  Q 

Miniature  Frame,  by  Miss  Bott 

do. 

224 

Binding   of    Tennyson,   "  The  Brook," 
Polished    Morocco,    inlaid    and  gold 
tooled,  by  Miss  Adams 

do. 

225 

Box,  Gilded  over  gesso,  by  Miss  Bott 

do. 

226 

Hand-painted  Vase,  by  the  Misses  Lucas 

do. 

227 

Embroidered  Stole,  by  Miss  Newill 

do. 

GLASS  CASE— Q. 

228  Tasso  Box  Mrs]  A.  P.  Trotter 

229  Medal  The  Countess  Feodora  Gleichm 

230  Medal  do. 

231  Needlework  Book  Cover  R.  W.  Jendwine 

232  Buckle  in  Chased  Silver,  "  Cupid  and  Psyche  " 

Mary  G.  Houston 

233  Picture  Frame,  designed  by  John  D.  Batten,  carved  and  gilded 

by  Mary  B.  Bott  Miss  Mary  Fmmeline  Bott 

234  Silver  Bowl  Fret  it  Sophie  Burger- Hartmann 

235  Bead  Necklace  Mrs.  E.  Gardner 

236  Bead  Necklace  do. 

237  Medal,  obverse  and  reverse  designed  by  Sir  William  Eichmond, 

K.C.B.,  E.A.,  for  the  Coal  Smoke  Abatement  Society, 
executed  by  M.  Christine  Connell        .1/.  Christine  Gonnell 


81 


GLASS  CASE — R. 

22   Binding,  <<  King  Arthur,"  in  Morocco,  gold         Chiswick  Art 
tooled,  by  Miss  B.  Lucking  Workers'  Guild 

2£9  Do.,  "  Ballad  of  Beau  Brocade,"  in  Eussia, 
gold  and  blind  tooled,  by  Miss  Jockel 
and  Miss  Martin  ^ 

240  Do.,  /'Poems  by    Two    Brothers,"  in 

Morocco,  inlaid,  gold  tooled,  by  Miss 

B.  Lucking  d(K 

241  Do.,  "  The  Binding  of  Books,"  in  Bussia, 

gold  and  blind  tooled,  by  Miss  Jockel 

and  Miss  Martin  ^r). 

242  Do.,  "  Beauty  and  The  Beast,"  in  polished 

Morocco,  inlaid  and  gold  tooled,  by 

Miss  B.  Lucking  (j<K 

243  Do.,  "  French   Bookbinding,"   in  Calf, 

inlaid  and  gold  tooled,  by  Miss  B. 

244  Do.,  "  Italian    Book    Illustrations,"  in 

Russia,  gold  and  blind  tooled,  by  Miss 

Jockel  and  Miss  Daisy  Jockel  do. 

245  Do.,  "  Farm  and  Fairyland,"  in  Russia, 

gold  and  blind  tooled,  by  Miss  Jockel 

and  Miss  D.  Jockel  do. 

246  Do.,  "  Early  Printed  Books,"  in  Russia, 

gold  tooled,  by  Miss  Jockel  and  Miss 

D.  Jockel  do. 

247  Do.,  "  Raphael,"  in    polished  Morocco, 

inlaid  and  gold  tooled,  by  Miss  B. 

Lucking  ■  dol 

248  Do.,  "  The  Great  Book  Collectors,"  in 

Russia,  gold  and   blind  tooled,  by 

Miss  Jockel  and  Miss  D.  Jockel  do. 

249  Do.,  "  Claude  Lorraine,"  in  Morocco,  gold 

tooled,  by  Miss  Lucking  do. 

250  Do.,  "Treatise  on  Painting,"  in  polished 

Morocco,  gold  tooled,  by  Miss  B. 

Lucking  do. 

251  Do.,    "  German     Woodcuts,"  polished 

Morocco,  gold   tooled,  by  Miss  B. 

Lucking  do. 

252  Poster  for  Chemist's  Window 

"  iMurenceMancleville"  Alice  H.  Murray  and  Ethel  H.  Barrall 

253  Design  for  Swiss  Guipure  Lace  Curtain  Grace  Jackson 


82 


254  Design  for  Swiss  Guipure  Lace  Curtain  Mary  Fazan 

255  Modern  English  Lace                     t  Mrs.  Bruce  Clarke 

256  Do.             do.,  as  sent  to  H.M.  the  Queen  do. 

257  Do.             do.  do. 

258  Do.             do.  do. 

259  Do.              do.  do. 


260  Do.  do.,  Honiton     Miss  Radford,  c/o  Mrs.  Brace  Clarke 

261  Six  Samples  of  Lace  The  Grosvenor  Ladies'  Lace  Classes 

262  Poster  for  "  The  Geisha  " 

"  Laurence  Mandccille"  Alice  H.  Murray  and  Ethel  M.  Barrall 


263 

Original  Designs  for  Lace,  1900  j 

Mrs.  Bruce  Clarke 

264 

Modern  English  Lace 

do. 

265 

Do. 

do. 

do. 

266 

Do. 

do. 

do. 

267 

Do. 

do. 

do. 

268 

Do. 

do.  x 

do. 

269 

Do. 

do. 

do. 

270 

Do. 

do.,  as  sent  to  H.M.  the  Queen 

do. 

271 

Do. 

do. 

do. 

272 

Do. 

do. 

do. 

273 

Do. 

do.,  Honiton,  Devonshire 

Miss  Bad  ford,  c/o  , 

Mrs.  Bruce  Clarke 

274 

Do. 

do.                                             Mrs.  Bruce  Clarke 

275 

Do. 

do. 

do. 

276 

Do. 

do.,  as  sent  to  H.M.  the  Queen 

do. 

277 

Do. 

do.,          do.  do. 

do. 

278 

Do. 

do. 

do. 

279 

Poster  for 

"  Aladdin  " 

"  Laurence  Mandeville,1'' 'Alice  H.  Murray  and  Ethel  M.  Barrall 

280  Design  for  White  Linen  Damask  Table  Cloth  (showing  one- 

quarter  size)  Bertha  Smith 

281  Original  Pen  and  Ink  Drawing  for  Book-plate  of  Miss  Isabel 

Jane  Harpur- Crewe  Mrs.  Sivinnerton  Hughes 

282  Original  Pen  and  Ink  Drawing  for  Book-plate  of  the  Hon. 

Charles  Russell  Mrs.  Sivinnerton  Hwjhes 

283  Original  Pen  and  Ink  Drawings  for  Book-plates,  various 

Mrs.  Sivinnerton  Hughes 

284  Original  Pen  and  Ink  Drawings  for  Book-plates  of  Dr.  Michael 

Verdon  la  Sivinnerton  Hughes 


83 

285  Nine  Designs  for  Book-plates.     Two  original  drawing  and 

seven  prints  Mary  ChaUeris  Fisher 

286  Wood  Cut,  «  The  Coal  Wharf  "  Rdm 

287  Enamel  on  Steel,  "  Maternity  "       Mdlle.  EugShie  Noury-Fwger 

288  Sepia  Carbon  Portrait,  "  An  Indian  Exile  "    Miss  Enid  Wigram 

289  Three  Plaster  Designs,  Adaptations  of  the  Geranium 

Miss  Burgess 

290  Painting  on  China,  "  Clematis  "  Mrs,  Nds(m  Lee 

291  Painting,  "  A  Dangerous  Game,"  after  Max  Volkhart 

Miss  Elsie  M.  Mullins 

292  Lacquered  Four-fold  Leather  Screen 

Miss  A.  Gordon  and  Miss  A.  Hewitt 

293  Congo  Leather  Four-fold  Screen,  background  gold  tooled 

Miss  I).  Jockel  and  Miss  C.  Martin 

294  Punched  and  Lacquered  Leather  Chair  Seat    Miss  Eleanor  Roioe 

295  Four -fold  Screen,   White   Silk   Panels,   Embroidered  with 

Flowers  of  Seasons  Miss  H.  Roicley 

296  Three-fold  Screen,  "  Larkspur  "  Fran  Helen  Reutsch 

Needleworked  Picture,  "I  will  roar  you   as  gently  as  any 
sucking  dove  "  ("  Midsummer  Night's  Dream  ")    Mrs.  Spong 

Spanish  Curtain,  restored  by  the  Society,  )    Decorative  Needle- 
lent  by  the  Dowager  Lady  Hillingdon  j       work  Society 

299  Cheval  Screen  do. 

300  Altar  Frontal,  designed  by  Miss  Mary  Gemmell  do. 

301  Stole,  green  Brocade  do. 

302  Embroidered  Box  do. 

303  Embroidered  Stole  do. 

304  Pulpit  Hanging,  designed  by  Miss  Mary  Gemmell  do. 

305  Tapestry  Picture,  designed  by  Miss  Mary  Gemmell  do. 

306  Embroidered  Picture  do. 

307  Embroidered  Picture  of  Her  Majesty  the  Queen 

at  the  age  of  18  do. 

308  Embroidered  Picture  do. 

309  Do.        do.  'do. 

310  Do.         do.  do. 


297 


311  Three-fold  Embroidered  Screen  do. 
311a  Embroidered  Vallance  in  Tapestry  Stitch  do. 

312  Cream  Crepe  Fan,  "  La  France  "  Rose  design  Mabel  Jorgensen 
312a  D'Oyleys                  '       '  Miss  M.  Boothby 

313  Carved  Emu's  Egg  Mary  Baldock 


84 

No. 

314  Wood  Carving,  "  A  Winged  Cupid  "  Miss  Grace  Mead 

315  Cream  Crepe  Fan,  Design  :  "  Geranium  "         Mabel  Jorgensen 

316  Design  for  Back  of  Hand  Mirror  in  Repousse  Silver 

Christine  Gregory 

317  Copy  of  Oriental  Embroidery  'Mrs:  Paget 

318  Three-fold  Queen's  Screen  in  Applique  and  Embroidery,  framed 

Leather  and  Nails  Miss  Louisa  F.  Pm\ 

319  Studies,  "  Saxon  Bronze  Ornaments  "  Miss  Emma  Lilley 

320  Book  Illustration  Chromo -Lithographic  Studio 

321  Do.      ;     do.  i^^i^^|i^i^^^f|^  d°m  PiliK 

322  Do.  do.  do. 
*323    Do.  do.  -  do. 

324  Water  Colour  Drawing,  "  Almanac  "  design 

Royal  Female  School  of  Art 

325  Water  Colour  Drawing  of  a  Bone  Box  made  by  the  French 

Prisoners  at  Norman  Cross  Miss  Emily  Lilley 

326  Seven  Book  Cover  Designs  in  two,  three  and  four  colours 

Mar [J  Baylis  Barnard 

327  Studies,  "  Norman  Bronze  Ornaments  "         Miss  Emma  Lilley 

328  Photograph,  "  Portrait  of  Miss  Amicia  Footner  " 

Catherine  Edmonds 

329  Photograph,  "  Study  of  a  Head  "  Marie  Leon 

330  Do.       "  Fairy  Tales "  do. 

331  Do.       "  A  Violinist  "  Catherine  Edmonds 

332  Photograph,  u  Portrait  of  a  Lady  "  do. 

333  Plantinotype  Portrait,  "  A  Living  Picture  "    Miss  Enid  Wigram 

334  Stencil  Design  for  Frieze  Edith  C.  Paidl 

335  A  Tapestry  Painting  for  a  Wall  Hanging       Katherine  PiCiyment 

336  Coloured  Etching,  "  Twilight  "  Janet  Connell 

337  Coloured  Etching,  "  Coastguardsman  "  do. 

338  Coloured  Etching,  "  Sunset  "  do. 

339  Needlework   in  imitation  of  Line  Engraving  by  exhibitor's 

-mother,  Mrs.  Nancy  Ward,  1850       Mrs.  Charles  Williams 

340  Design  for  Memorial  Miss  E.  M.  Hope 

341  Panel,  painted  in  tempera,  "  Air  "  Miss  Ethel  Slade  King 

342  Panel,  painted  in  tempera,  "  Earth  "  dp. 

-343  Painted  Screen,  "  Via  Mundi  "  Amy  Sawyer 

344  Panel,  painted  in  tempera,  "  Fire  "  Miss  Ethel  Slade  King 

345  Panel,  painted  in  tempera,  "  Water  "  do. 


85 

oi°6   Cartoon  for  Wall  Painting  for  St.  Saviour's  Schools,  Poplar 
«  The  Three  Wise  Men  from  the  East  "    Miss  Emily  S.  Ford 

347  Embroidered  Scarf,  Chinese,  bought  from  the  Great  Exhibition 

of  1851  by  Sir  Henry  Cole,  K.C.B.         Miss  Lcetitia  M.  Cole 

348  Embroidery  Worked  by  Women  of  Turkestan 

Lady  Emma  Crichton 

349  Hand  Woven  and  Embroidered  Portiere  Agnes  Campbell  Simons 

350  Embroidered  Quilt  Mrs.  AclaM  Hood 

351  Panel,  "  Pheasant  and  Lilies  "  Frau  Helene  Reutsch 

352  Three- fold  Screen,  Painted  Flowers  Clemence  Molliet 

353  Old  16th  Century  Crewel  Work,  restored  by  the  Society 

Decorative  Needlework  Society 

354  Decorative  Medallion ,  <  <  Puck ' '  Miss  Lilian  Edmonds 

355  Embroidered  Canvas  Portiere,  "  Peacocks  " 

Miss  A.  E.  W.  Walker 

356  "  Vernis  Martin  "  Casket  Mrs.  Douglas  Watson 

357  Decorative  Medallion,  "  A  Saint'*  Miss  Lilian  Edmonds 

358  Egyptian  Portiere  Mrs.  Thurburn 

359  Coloured  Etching,  "  Addleston  Bridge"  Janet  Connell 

360  Coloured  Etching,  "  II  Penseroso  "  do. 

361  Do.  do.      "BydePier"  do. 

362  Plaster  Cast,  "  Adoration  by  Children  "  E.  M.  Rope 

363  Plaster  Belief,  executed  for  Boyal  Infirmary  Window,  "  Christ 

Blessing  Little  Children  "  E.  M.  Rope 

364  Design  for  a  Fan  Mdlle.  Fuchs 

365  Design  for  Painted  Velveteen,  four  colours     Rosamund  Watson 

366  Black  Gauze  Fan  Leaf,  embroidered  in  white,  shaded  to  grey 

Charlotte  Thurston  Thompson 

367  Design  for  Block-printed  Frieze  Naomi  S.  Gray 

368  Design  for  Block-printed  Wall  Paper  do. 

369  Design  for  Poster  for  Natural  Wool  Mary  B.  Barnard 

370  Do.  do.  do.  do. 

371  Design  for  Wall  Paper  Miss  Jackson 

372  Design  for  Fan  Miss  Eleanor  Manly 

373  Bell  Pull  in  Peasant  Tapestry  Mrs.  Godfrey  Blount 

374  Panel  in  Peasant  Tapestry  do. 

375  Portiere  in  Applique  and  Embroidery,  "  St.  George  and  the 

Dragon  "  Mary  G.  Houston 

376  Quilt,  Portuguese  Work       Miss  F.  Carter  and  Miss  H.  Rowley 


86 

No. 

877  Portiere  in  Peasant  Tapestry                     Mrs.  Godfrey  Blount 

378  Quilt,  Vine  Design  on  Tassau  Silk  Miss  H.  Rowley 

379  Quilt,  Flame-coloured  Hand -woven  Silk  Miss  F.  Carter 

380  Dinner  Centre,  embroidered  in  Silk  on  White  Linen 

Mis*  Marian  Pollard 

381  Embossed  Leather  Tie  Case  Miss  Hilda  Gaskell 

382  Curtain,  "  Night  "  Jennie  Robinson 

383  A  Linen  Night-Dress  Case  Miss  E.  Norman 

384  A  Linen  Tray  Cloth  do. 

385  Crochet  Antimacassar  Mrs.  E.  Gardner 

386  A  Night-Dress  Case  Miss  E.  Norman 

387  Child's  Dress,  worked  by  hand  in  Crochet  and  Tatting,  design 

Eose  and  Shamrock  Mrs.  J.  A.  Coulden 

388  Linen  Hemstitched  Bed  Spread,  worked  in  three  different  kinds 

of  White  Silk  Miss  Mary  Botterill 

389  Hand-made  Child's  Frock  Miss  E.  Bedingfeld 

390  White  Satin  Table,  centre  worked  with  Ribbon  Louise 'M.Lear 

391  Hand-made  Drawn-thread  Afternoon  Tea  Cloth  Miss  Reem 

392  Embroidered  Bed  Spread  Mrs.  H.  C.  Collier 

393  Bed  Spread,  worked  by  Roumanian  Woman  Mrs.  Buck 

394  Embroidered  Quilt,  "  Carnation  "  Ladies'  Work  Society 

395  Portiere,  by  Miss  A.  Macbeth  Glasyow  School  of  Art 

396  Lamp,  design  in  plaster  Miss  Esther  Mary  Moore 

397  Embroidered  Fire  Screen  Miss  Eva  Steel 

398  Poker  Work  Frieze  for  Chimney  Piece  Miss  Eta  L.  Lowry 

399  Bronze,  Silvered,  "  A  Sea  Chase  "  Mm  E-  M.  Rope 

400  Part  of  Cartoon  for  Stained  Glass  Window  Miss  Lomides 

401  Chip  Carved  Blotter  Mrs.  Harry  A.  Armitcuje 

402  *  .  i  D6.  ' '    I  do.  .■ :  W  W$MM^^§B^. ' 

403  Plaster  Panel,  "  Saint  Cecilia  "  Lilian  Edmonds 

404  Panel  in  Gesso,  "  Peace  "  Ada  Cleyy 

405  Design  for  Lectern  Jessie  R.  Newbery 

406  Embroidery  Border  for  Curtain,  designed  by  Helen  Hewitt, 

worked  by  Maud  Hewitt        Helen  Hewitt  and  Maud  Hewitt 

407  Silk  Embroidery  in  Oriental  Style,  mounted  as  Fireboard 

Miss  Sophie  R,  Hyani 

408  Cushion  Cover,  Emlroid:red  Miss  Maud  Hewitt 

409  Gesso  Pan 2l  1) or othy  Smyth 


87 

410  Portiere,  Embroidered  on  Blue  Linen  in  Flax  Thread  and  Silk 
heightened  with  Gold  and  Silver  Mri  Walter  Crane 

0    Cushion,  » Mermaids  "  .         Jesde  Robmson 

412  Gesso  Panel.  D&rothy  Smyth 

413  Panel  in  Goloured  Plaster,  "  Girls  and  Peacocks  " 

Helen  Langley 

414  Framed  Panel,  Inlay  and  Applique  Louisa  F.  Pesel 

415  Embroidered  Panel  Mm  Clayton  East 

416  Brass  Finger  Plate  Agnes  B.  Harvey 

417  Copper  Panel,  Seathistle  design  M.  Christine  ConneU 

418  Copper  Sconce  Agnes  B.  Harvey 

419  Gentleman's  Letter  Case,  Celtic  design,  embossed  Leather 

Miss  Albina  Collins 

420  Embossed  Tiles  do. 

421  Frieze  in  Coloured  Plaster  Miss  Helen  Lanyley 

422  Part  of  Cartoon  for  Glass  Window  Miss  Lowndes 

423  Plaster  Panel,  "  The  Annunciation  "  Frances  Burlinson 

424  Plaster  Panel  for  a  Nursery  Mantelpiece  Mary  G.  Houston 
425.  Panel  in  Relief  Laura  Nutter 

426  Bronze  Plaque  '  Miss  E.  M.  Rope 

427  Dinner  Centre,  "  Roses  "  May  Symonds 

428  Jacobite  Chair,  embossed  and  cut  leather  work     Miss  R.  Tigers 

429  Chair,  Style  of  Francis  I,  designed,  carved,  and  worked  by 

exhibitor  Marguerite  Buscarlet- Calame 

430  Hall  Stand  Mrs.  Atherton 

431  Screen,  Embroidery,  Morris  design  Emma  R.  SmitJiers 

432  Carved  Frame  Miss  Margaret  Hussey 

433  Glass  Screen  Sarah  Wyman  Whitman 

434  Heraldic  Screen,  by  Miss  Bifleld  of  Canonbury  (exhibited  in 

1851  Exhibition)  Robert  Drury 

435  Specimens  of  Bookbinding  by  Women    Guild  of  Women  Binders 

436  Copper  Palm  Pot  Miss  Annie  Williams 

437  Repousse  and  Pierced  Copper  Fire  Screen  do, 

438  Chair,  Walnut  Wood,  from  photograph  of  French  chair  (16th 

century)  in  South  Kensington  Museum,  by  exhibitor 

J.  M.  F.  Prosser 

439  Piece  of  Tapestry,  representing  "  The  Milky  Way,"  composed, 

designed,  and  woven  by  the  exhibitor        Mrs.  Frida  Hansen 

440  Combination  Drawers  and  Cupboard  Mrs,  Atherton 


88 

No. 

441  Coal  Box  ' 'Mrs.  Atherton 

442  Copper  Plaque,  "  Cranes  "  Miss  Mart/  WilUam 

443  Carved  Walnut  Mirror  Frame,  "  He  in  whose  face  there  is  no 

light  can  never  be  a  star  "  Miss  Muriel  Moller 

444  Modern  Hand-loom  Tapestry  Mks  GUve  Bayl$, 

445  Chair  Mrs.  Atherton 

446  Hand-decorated  Urn  Sigrid  de  Fondle* 

447  Do.         do.  do. 

448  Three-fold  Screen,  hand-painted  NaSmi  Fuch 

449  Poster  Design  Miss  Alice  Woodward 

450  An  Album  and  Seven  Plates  of  Drawings  of  South  Australian 

Flowers  Mrs.  Scott 

451  An  Etching,  by  H.M.  The  Queen  Lent  by  C.  Van  Nodrden 

452  Do.  do.  do. 
458  Do.  do.  do. 
454     Do.  do.  do. 

Cartoon  referring  to  above,  by  "H.  B."  (John  Doyle) 

Lent  by  C.  Van  Nodrden 


HISTORICAL  AND  LOAN 

SECTION. 


HISTORICAL  AND  LOAN  SECTION 


COMPRISING 


Paintings,  Drawings,  Miniatures,  Pastels,  Engravings,  Prints 
in  Colours,  Personal  Mementoes,  Relics,  &c, 

of  Fair  Celebrities, 

Chronological    Collection    of    Female    Fashions,  Original 
Costumes,  and  Illustrations  of  Sumptuary  Changes, 
and  the  Development  of  Dress. 


Honorary  Sub -Committee  for  Historical  and  Loan  Section 


Lady  Jeune. 
Mrs.  Craigie. 


Mrs.  H.  Kingdon  Clifford. 
Mrs.  E.  M.  Ward. 


Mrs.  Kendal. 


Hon.  Secretary:  Joseph  Grego,  Esq. 


THE  ROYAL  GALLERIES. 


Historical  and  Loan  Section. 

Visitors  to  Earl's  Court  who,  in  making  a  tour  of  the  extensive 
resources  of  the  Woman's  Exhibition,  expect  to  find  a  representative 
collection  of  all  that  pertains  to  womankind  installed  in  the  "  Historical 
and  Loan  Section,"  are  likely  to  arrive  at  the  conclusion  that  the 
Executive  have  spared  no  exertions  in  their  endeavours  to  make  this 
characteristic  department  as  complete  and  comprehensive  as  possible 
befitting  the  circumstances. 

It  has  been  attempted  to  assemble  within  this  range  of  Boyal 
Galleries  a  collection  of  paintings,  drawings,  pastels,  engravings  in 

colours,  mezzotints,  miniatures,  &c,  all  devoted  to  the  main  subject  

likenesses  of  celebrities  of  the  fair  sex.  The  theme  is  a  fascinating 
one,  for  the  efforts  of  the  great  portrait  painters  have  uniformly  been 
directed  to  the  magic  art  of  preserving,  in  enduring  form  pictorially, 
the  personal  traits  and  physical  charms  of  their  gentle  sitters,  thus 
bequeathing,  for  the  contemplation  of  succeeding  generations,  fixed  for 
all  time,  qualities  which  are  evanescent  in  themselves  ;  for,  failing  the 
limner's  art,  it  would  be  difficult  to  realise  the  outward  forms  of  hosts 
of  fair  celebrities,  whose  names  are  otherwise  "  familiar  as  household 
words." 

We  have  the  accounts  handed  down  by  historians  and  chroniclers, 
poets  and  writers,  to  whose  records  we  are  indebted  for  our  acquaint- 
ance with  the  reputations  and  notoriety  of  myriad  female  celebrities. 
To  their  pages  we  owe  the  fullest  recognition,  and  when,  as  in  the 
Woman's  Exhibition,  we  are  confronted  with  "  the  living  portraitures  " 
of  the  famous  women  of  history, 

"  Wherein  the  limner  had  a  strife 
With  Nature  to  out-do  the  life," 

w^are,  at  a  glance,  at  once  thrown  into  touch  with  the  most  interesting 

G  2 


92 

personages  of  history  and  of  tradition,  and  are  made  familiar  with 
their  outward   semblances.    Moreover,  on  the  present  occasion,  in 
many  instances,  the  opportunity  has  been  secured  for  confronting  the 
visitor  not  only  with  the  "limners'  portraitures"  of  famous  women, 
"clad  in  their  habits  as  they  lived,"  but,  amidst  the  gathering  of 
personal  relics,  the  historical  student  may  enjoy  the   emotion  of 
examining  their  actual  dresses,  with  laces  and  costumes,  which  once 
adorned  their  persons,  and  the  letters  written  by  their  fair  hands  in 
the  full  tide  of  their  busy  existence.    Further,  their  personal  orna- 
ments and  belongings  are  "on  view"— the  fans  they  fluttered,  the 
work  of  their  hands,  the  'broideries  they  worked,  and  similarly  precious 
proofs  of  their  industry  in  life.    For  example,  in  the  most  interesting 
and  inestimable  group  of  historical  Tudor  relics  from  Hardwick  Hall, 
munificently  lent  by  their  Graces  the  Duke  and  Duchess  of  Devon- 
shire, there  will  be  recognised,  amongst  the  collection  of  "Portraits 
and  Tapestries,"  the  famous  picture  of  "  Mary  Stuart,  Queen  of  Scots"  ; 
and,  confronting  this  portrait,  as  in  her  lifetime,  there  is  hung  on  the 
walls  facing  the  unfortunate  Queen  of  Scots  the  very  panels  of  rare 
and  ingenious  embroideries  in  silks,  gold  and  silver  thread,  and  "  the 
silk  damasks,  with  applied  embroideries  in  wools  and  silks,"  attributed 
to  Marie  Stuart's  own  hand — unquestionable  relics  of  her  time.  In 
the  group  mentioned,  there  is  presented  by  the  liberality  of  the  same 
noble  owners,  a  no  less  noteworthy  memorial.  Everyone  has  heard  of  the 
highly  interesting  Tudor  embroideries— probably  the  most  memorable  of 
their  kind  extant — treasured  at  Hardwick  Hall,  all  wrought  by  the  in- 
dustrious hand  of  Elizabeth,  Countess  of  Shrewsbury,  and  her  ladies  of 
honour,  "  in  the  days  of  good  Queen  Bess."    The  Duke  and  Duchess  of 
Devonshire  have  generously  enabled  visitors  to  the  Woman's  Exhibition 
to  participate  in  the  pleasure  of  admiring  the  most  characteristic  of 
these  examples  of  woman's  artistic  industries  as  displayed  in  these 
sixteenth-century  relics.    There  hangs  in  the  "  Hardwick  Hall  Group  " 
the  veracious  portrait  of  this  worthy  "Bess  of  Hardwick,"  and,  beside 
the  effigy  of  this  artistic  and  accomplished  high -lady,  there  are  dis- 
played "  on  view"  for  the  curious  to  examine,  panels  of  rich  velvet 

• 

embroidered  with  applique  work,  characteristic  of  the  Tudor  era,  m 
gold  and  silver  thread,  with  the  ingeniously  interlaced  knots  and 
cyphers  of  the  epoch ;  bearing  amongst  the  decorations  the  initials 


93 

B.  S.  of  the  Countess,  repeated  as  portions  of  the  design.  There  are, 
further,  four  embroidered  velvet  panels,  similarly  emblazoned  with 
interlaced  cyphers  and  with  the  initials  of  the  ingenious  embroideress, 
bearing  the  date  1590.  The  said  examples  are  thus  intimately  identified 
with  the  Countess  of  Shrewsbury ;  and  in  the  same  collection  from 
Hardwick  are  many  beautiful  examples  of  Tudor  embroideries  and 
skilful  feminine  handiwork,  which  may  probably  owe  their  origins 
to  the  industrious  lady,  whose  portrait  is  shown  in  the  Historical 
Section  beside  these  choice  memorials  of  her  artistic  accomplishments. 
As  much  of  "  Bess  of  Hardwick's  "  industry  was  expended  in  honour- 
ing another  and  a  royal  "Bess,"  her  Queen  and  contemporary— scenes 
and  triumphs  of  whose  reign  were  commemorated  in  tapestry-pictures 
wrought  by  the  Countess  of  Shrewsbury— it  is  appropriate  that  the 
portrait  of  her  royal  patron,  Queen  Elizabeth,  should  form  part  of 
the  ducal  contributions  drawn  from  Hardwick,  like  the  skilled  em- 
broideries of  which 'that  splendour-loving  sovereign  was  an  experienced 
judge.  The  portrait  of  the  much-praised  beauty,  "Arabella  Stuart," 
is  found  in  the  same  group,  and  is  also  lent  by  the  same  gracious 
owners  from  the  collection  at  Hardwick  Hall.  In  this  connection, 
and  while  referring  to  these  treasures  of  art,  hitherto  so  little  known  to 
the  general  public,  mention  must  be  made,  while  acknowledging  these 
munificent  loans  by  their  Graces  the  Duke  and  Duchess  of  Devonshire,  of 
another  treasure  of  art,  no  less  interesting  to  connoisseurs — namely,  the 
portrait  of  the  fair  and  winsome  Georgiana,  Duchess  of  Devonshire, 
''fashion's  unrivalled  queen,"  the  far-famed  "canvassing  duchess," 
by  whose  exertions  Charles  James  Fox  won  from  the  Tory  Ministers 
the  seat  of  Westminster  for  the  Whig  Party  at  the  great  historical 
Parliamentary  Election  of  1784.  This  portrait  is  by  the  magic  hand 
of  Thomas  Gainsborough,  and,  strange  to  tell,  although  the  numerous 
portraits  of  "  fair  Devon"  are  popularly  familiar — especially  through 

the  engravings  the  beautiful  example  in  question  may  be  regarded 

in  the  light  of  being  an  absolute  novelty.  Her  witching  Grace  is 
painted  wearing  a  large  Leghorn  straw  hat  of  the  order  described  as 
"the  Gainsboro',"  or  "Duchess  of  Devonshire  Hat,"  and  the  very 
counterpart  of  this  large  flap-Leghorn  hat  may  be  studied  in  the 
Exhibition,  in  company  with  a  representatively  typical  group  of 
feminine  headgear,  treasured  up  for  over  a  century,  and  thus  preserved 


94 

■ 

through  the  careful  guarding  of  generations  to  delight  the  eyes  of  the 
curious  amongst  the  numerous  authoritative  relics  and  characteristic 
resources  of  the  Woman's  Exhibition. 

"While  dwelling  upon  the  Elizabethan  era,  note  must  be  taken  of  a  j 
most  interesting  costume-painting,  "  Lucy  Harrington,  wife  of  Edward 
third  Earl  of  Bedford."  In  the  same  Historical  Section  is  a  similarly 
interesting  "  whole  length"  of  later  date,  "  Henrietta  Cavendish 
Holies,  Countess  of  Oxford,"  by  Sir  Godfrey  Kneller.  Both  these 
works  have  been  kindly  contributed  by  his  Grace  the  Duke  of  Portland. 
Of  the  same  epoch  is  a  choice  example  of  contemporary  portraiture, 
said  to  represent  "  Mary  Queen  of  Scots,"  obligingly  lent  to  the 
Exhibition  by  Messrs.  Willson  Brothers. 

The  Executive  and  the  influential  Committee  of  noble  ladies,  in 
organising  the  Section  of  historical  portraits  of  famous  and  note- 
worthy women  in  the  past  and  present — which  fills  several  divisions  of 
the  picture  galleries — have  necessarily  had  to  rely  largely  upon  the 
generosity  of  art  patrons  and  collectors  who  have  the  good  fortune  to 
possess  paintings  of  eminent  women  ;  and  it  is  to  this  liberal  spirit 
that  the  authorities  are  indebted  for  the  opportunity  of  making  an 
interesting  exhibition.  The  fact  that  the  Royal  Galleries  have  been 
successfully  filled  with  examples  of  the  historical  portrait  painter's 
art  (both  retrospective  and  up-to-date)  is  entirely  due  to  this  ap- 
preciated assistance  thus  handsomely  rendered  by  owners  of  ancestral 
collections,  and  alike  by  connoisseurs,  "  experts,"  and  artists. 

In  endeavouring  to  express  their  grateful  acknowledgments  for  these 
generous  contributions,  the  members  of  the  Executive  are  most 
solicitous  to  record  their  deep  obligations  for  "  favours  received"  in 
the  direction  of  valuable  "  exhibits,"  which  materially  enhance  the 
interest  of  the  collection,  and,  in  combination,  have  made  the  Eoyal 
Galleries  the  repository  for  the  time  being  of  a  gallery  of  likenesses 
of  eminent  women,  painted,  as  it  will  be  observed,  by  the  succession 
of  eminent  Masters — from  the  time  of  the  Tudors  downwards — whose 
names  are  immortalised  by  their  magic  art  as  delineators  of  all  that 
was  winsome  and  fair  in  their  famous  gentle  sitters. 

Amongst  the  list  of  picture-lovers  who,  in  the  most  public -spirited 
manner,  have  denuded  the  walls  of  their  houses  in  the  interests  of 
enabling  the  Executive  to  afford  the  public  the  opportunity  of  seeing 

i 


95 


at  the  Woman's  Exhibition  artistic  treasures  which  are  sure  to  be 
appreciated,  there  will  be  recognised  the  names  of  many  connoisseurs 
and  collectors  who  are  well-known  judges  of  art.  In  glancing  at  the 
list  of  lenders  of  portraits,  it  will  be  seen  that  Lord  Burton  has  been 
good  enough  to  send  from  his  fine  collection  four  valuable  paintings, 
all  of  the  most  interesting  character—"  Madame  de  Bovuille  "  (once 
a  celebrated  beauty  at  the  French  Court),  painted  by  Jean  Marc 
Nattier;  and  "Madame  Bacelli,"  the  winsome  opera-dancer, painted  by 
John  Opie,  E.A.  This  is  the  winning  likeness  of  the  same  Italian 
sylph  and  syren,  "  the  Bacelli,"  as  painted  by  Gainsborough,  engaged 
in  the  witchery  of  dancing— a  veritable  "  Terpsichore,"  and  one  of 
that  gifted  artist's  most  felicitous  chefs-cV 'arnvre.  Lord  Burton  has 
also  sent  from  his  collection  Sir  Joshua  Beynolds's  lovely  portrait  of 
«  La  Contessa  della  Rena,"  another  of  the  bewitching  Italian  syrens 
of  the  same  date,  who  turned  the  heads  of  the  English  aristocracy 
by  similar  fascinations. 

Of  another  order,  but  equally  interesting,  is  Lord  Burton's  capital 
and  life-like  portrait  of  the  eminent  Hannah  More,  so  conspicuously 
honoured  by  her  generation  for  her  learning  and  "parts,"  respected 
as  the  friend  and  correspondent  of  Reynolds  and  of  Dr.  Johnson. 
In  this  connection  an  interesting  point  presents  itself,  for  this  very 
portrait  of  Hannah  More  is  also  introduced  into  another  example 
in  the  collection.  The  fine  mezzotint  reproduction,  contemporaneously 
engraved  by  William  Ward  after  Morland's  picture  of  "A  Visit  to 
the  Boarding  School,"  has  been  lent  to  the  gallery,  as  practically 
illustrating  that  the  art  of  embroidery  and  the  "  working  of  samplers  " 
was  the  accepted  test  of  school -taught  accomplishments  imparted  in 
young  ladies'  seminaries  of  the  eighteenth  century,  as  shown  in 
Morland's  picture,  where  "  prize- samplers  "  are  on- view;  the  artist 
has  evidently  painted  the  portrait  of  the  learned  Hannah  More  as  the 
lady-principal  of  the  said  "establishment  for  young  ladies  finishing 
their  education." 

Mr.  George  Harland-Peck,  another  fortunate  owner  of  '  a  fine 
.collection  of  pictures  by  the  great  masters,  has  been  good  enough 
to  lend  a  beautiful  example  of  the  fashionable  portrait  painter  of  the 
Court  of  Louis  XIV,  Nicolas  de  Largilliere— the  likeness  of  the 
Princess  Louisa  Maria  Theresa,  of  further  interest  historically,  as 


96 


this  young  lady  was  the  daughter  of  the  Pretender,  and  was  evidently 
painted  when  that  expatriated  Prince  was  a  guest  of  the  French 
monarch,  and  keeping  his  fugitive  Court,  an  exile  at  St.  Germains. 

Another  interesting  example  from  the  same  choice  collection  is  the 
portrait  of  the  Princess  Amelia,  favourite  daughter  of  George  III, 
daintily  painted  by  Maria  Hadfield,  another  accomplished  "  paintress," 
or  lady-limner,  better  known  as  the  beautiful  wife  of  Richard  Cosway, 
R.A.,  the  famous  miniature-painter.  The  Princess  Amelia,  it  will  be. 
remembered,  was  an  accomplished  young  lady  of  promising  parts; 
she  died  young,  and  it  is  said  the  King's  grief  at  her  premature  and 
pathetic  ending,  while  in  the  first  bloom  of  youth,  accelerated  the 
complaint  which  deprived  the  monarch  of  his  reason. 

Mr.  Harland-Peck  also  contributes  the  fine  portrait  of  Angelica 
Kauffman,  painted  by  herself,  to  the  interesting  group  of  examples, 
all  executed  by  Reynolds's  "  Miss  Angel"  (otherwise  the  famous 
female  artist,  Angelica  Kauffman) — " unfortunate  and  fair!" — full 
member  of  the  Royal  Academy  of  Arts. 

The  portrait  of  the  Countess  of  Albemarle,  by  Sir  Godfrey  Kneller, 
and  "  Lady  Lyon,"  by  William  Hogarth,  are  both  contributed  by 
Mr.  James  Bailey,  M.P. 

Mr.  Paul  Cremieu-Javal  is  another  generous  contributor,  who,  in 
the  interests  of  the  Woman's  Exhibition,  has  denuded  his  surroundings 
of  several  of  his  favourite  pictures.  Conspicuous  in  this  category 
will  be  noticed  two  beautiful  examples  by  Sir  Thomas  Lawrence 
P.R.A. — one  a  most  interesting  portrait  of  Lady  Byron,  the  unfortunate 
wife  of  the  poet ;  and  a  second  important  specimen,  a  group  of  a. 
lady  with  her  infant— probably  Lawrence's  portrait  of  H.R.H.  Caroline 
of  Brunswick  with  the  infant  Princess  Charlotte  of  Wales.  Beyond 
these  choice  works,  Mr.  Paul  Cremieu-Javal  has  contributed  to  "  The 
Royal  Galleries  "  quite  a  collection  of  paintings  of  types  of  inter- 
national womanhood — French,  Spanish,  Italian,  etc. ;  while  to  the 
Section  of  "  Pastel  Art"  (eighteenth  century)  he  has  lent  four 
examples  of  the  "  Seasons,"  by  Rosalba. 

As  a  type  of  fair  womanhood,  after  the  traditions  of  the  high 
Italian  school  of  the  sixteenth  century,  Mr.  F.  E.  Sidney,  F.S.A., 
has  lent  a  choice  example,  "The  Virgin  " — "most  honoured  among; 
women  "—painted  by  Nicolo  dell'  Abbate. 


97 


There  is  a  beautiful  group  of  high-class  examples  of  the  courtly 
French  School  generously  lent  by  Mr.  Charles  Davis,  paintings  not 
only  interesting  as  portraits  of  fair  celebrities,  but  equally  interesting- 
as  costume-pictures.  In  this  group  will  be  found  several  fine  examples 
by  Mignard- "  Madame  de  Feuquiere  "  (Mignard's  daughter) ;  «  Marie 
de  Bourbon,  Duchess  of  Orleans";  and  "Claire  Clemence  de  Malle 
Breze,  wife  of  the  great  Conde "  ;  also  a  grand  work  by  Gaspar 
Netscher,  "  Lady  Temple  and  Child,"  with  the  statesman,  her 
husband.  Mr.  Charles  Davis  has  further  lent  two  examples  of  fair 
nymphs,  painted  respectively  by  Campidoglio  and  by  Fragonard ;  and 
a  beautiful  portrait  of  "  Madame  la  Duchesse  de  Gesures  "  (Largilliere) . 

Two  noble  life-size  examples  by  J.  Housman  —  portraits  of 
«Mrs.  Blount"  and  "Mrs.  Hobey  "— are  lent  by  Mr.  Edwin 
|f:  Hodgkins,  another  fortunate  collector.  There  are  Vandycks — - 
«The  Children  of  Charles  I,"  and,  of  noteworthy  interest,  the  abso- 
lutely life-like  study  of  the  hand  of  Queen  Henrietta  Maria.  Sir 
Anthony  Vandyck  is  famous  for  painting  hands.  It  has  been  said 
that  every  hand  he  painted  is  a  portrait ;  this  theory  is  supported, 
by  the  choice  example  lent  by  Mr.  Carl  Haag,  E.W.S.  The  daughter 
of  Henry  VI  of  France  had  the  most  elegant  hands  in  the  world,  and 
the  painter  has,  in  this  example,  produced  a  veritable  chef-d'ceuvre* 
Amongst  examples  by  Gaspar  Netscher  is  a  little  group  of  historical 
interest — "  Princess  Anne,"  daughter  of  James  II ;  her  sister,  "  Princess* 
Mary  as  a  Child  "  ;  and  the  same  princess  as  wife  of  William  III  of 
Orange  and  sovereign  of  these  realms. 

The  portrait  of  Selina,  Countess  of  Huntingdon,  painted  by  Jonathan 
Richardson,  is  of  interest,  as  this  good  and  pious  lady  was  the  foundress, 
of  the  "  Huntingdon  Connection,"  with  which  her  name  has  been  so 
long  associated  ;  Lady  Huntingdon's  portrait  is  lent  by  Messrs.  Henry 
Graves  &  Co.,  Limited.  "  The  Duchess  of  Portsmouth,"  by  Sir  Peter 
Lely,  and  "  The  Duchess  of  Orleans"  (sister  of  Charles  II),  by  the 
Brothers  Beaubrun  (1649),  are  also  lent  from  the  same  source  with 
many  other  noteworthy  exhibits. 

The  likeness  of  another  historical  heroine,  "  Flora  Macdonald,"  by 
Allan  Eamsay,  is  lent  by  Mrs.  E.  B.  Haynes. 

Mr.  Martin  Colnaghi,  from  his  extensive  collections,  has  been  good 
enough  to  select,  as  his  contributions  to  the  Exhibition,  "  The  Portrait 


98 


of  a  Sculptress,"  by  Sivani,  and  the  picture  of  "Lady  Townshend,"  by 
Yander  Heist. 

There  are,  as  might  be  anticipated,  goodly  groups  of  productions  by 
Vandyck's  followers— Sir  Peter  Lely  and  Sir  Godfrey  Kneller. 
Amongst  these  we  may  mention  the  spirited  example  by  Sir  Peter 
Lely,  "Mary  Beale,"  pupil  of  Sir  Peter  Lely,  and,  like  her  master, 
limner  by  royal  appointment  to  the  Court  of  Charles  II.  There  is  the 
laughing  figure  of  "Nell  Gwynn,"  by  Lely,.  and  "My  Lady  Castle- 
maine"  (Duchess  of  Cleveland)  by  the  same  hand.  Mrs.  Leith  of 
Gwynn  (lent  by  the  Fine  Art  Society)  ;  "  Arabella  Churchill,  sister  of 
the  Duke  of  Marlborough";  "Lady  with  Flowers,"  and  "Lady 
Barbara"  (Kneller);  "The  Countess  of  Orford,"  a  spirited  example 
by  Charles  Jervas  (pupil  of  Kneller),  and,  by  the  same  hand,  "Lady 
Gertrude  Gower,  Duchess  of  Bedford,"  and  the  "  Duchess  of  Berwick." 
These  examples  are  from  Strawberry  Hill,  and  evidently  belonged  to 
the  Walpole  family. 

The  above-mentioned  works  chiefly  belong  to  the  First  Division  of 
the  Historical  Portrait  Section. 

In  Division  II  will  be  found  a  group  of  works  by  the  hand  of 
Angelica  Kauffman,  E.A.,  the  gifted  lady  whose  artistic  fame  has 
survived  her  own  generation,  and  whose  works  are  in  considerable 
demand  in  our  own  day.  Beyond  the  selection  of  original  paintings 
by  the  fair  Eoyal  Academician,  which  are  prized  by  modern  collectors, 
there  is  a  choice  collection  hung  upon  a  screen  of  the  now  fashion- 
able engravings  executed  by  F.  Bartolozzi,  E.A.,  Thomas  Burke, 
"W.  Wynne  Byland,  R.  Marcuard,  C.  Knight,  G.  Scorodoomoff, 
J.  M.  Delattre,  and  other  gifted  engravers,  after  the  original  paintings 
by  A.  Kaufrhian  ;  many  of  these  examples  are  printed  in  colours  and 
several  are  early  proofs. 

Much  interest  appertains  to  the  worthy  representation  of  this  lady 
artist  through  her  works,  as  associated  posthumously  with  those 
intentions  of  exhibiting  woman's  handiwork,  which  have  produced  the 
present  gathering  as  an  exponent  of  the  artistic  capabilities  residing  in 
womankind. 

A  truly  impressive  example  of  feminine  portraiture  of  the  highest 
standard  will  be  recognised  in  the  dignified  and  attractive  likeness 
of  Mrs.  Henry  Lumley,  painted  by  Solomon  J.  Solomon,  R.A.,  and 


99 

V 

,  i'^ffW  lent  by  Mr.  Henry  Lumley— a  much  appreciated  contribution 
to  the  Section. 

There  are  scattered  through  the  Galleries  quite  a  collection  of 
jesses  of  artists'  wives  as  painted  by  their  husbands ;  the  portrait 
\  Mrs.  E.  M.  Ward  is  a  typical  example  of  this  nature,  painted  by  the 
0  B  M.  Ward,  K.A.  Mrs.  Ward  is  a  liberal  contributor  to  the 
Election;  from  her  own  art  treasures  lending  fine  examples  of  rare 
Stuart  embroideries,  casquets,  etc. ;  and,  as  additional  attractions  to  the 
a  Costume  Group,"  sending  beautiful  Georgian  dresses.  There  will  be 
recognised,  too,  the  engraving  after  Mrs.  Ward's  sympathetic  picture 
■0f  "The  philanthropic  Mrs.  Fry  engaged  in  visiting  the  poor  prisoners 
confined  in  Newgate  Jail,"  to  whom  Mrs.  Fry  brought  the  comforts  of 
religion. 

A  beautiful  example  of  technical  mastery  will  be  recognised  in  the 
faithful  and  life-like  portrait  of  his  mother,  by  Carl  Haag,  E.W.S. 

There  is  Hoppner's  portrait  of  "  Lady  Charlotte  Cavendish  Bentinck," 
afterwards  wife  of  Charles  Greville  ;  this  example  was  subsequently 
enotaved  by  Young  in  mezzotint.  A  very  valuable  engraving  of  this 
picture,  printed  in  colours,  is  contributed  to  the  Section  of  "  prints  in 
colours,"  lent  by  Mr.  Frank  T.  Sabin  ;  and  it  is  interesting  to  have 
the  facility  afforded  of  comparing  the  original  painting  with  the 
engraved  version  in  the  same  collection. 

A  portrait  of  "  The  beautiful  Miss  Gunning"  is  also  shown  in 
Division  II.  This  famed  Miss  Gunning  was  popularly  recognised  as 
"The  Double-Duchess,"  early  becoming  Duchess  of  Hamilton,  and, 
after  her  early  widowhood,  subsequently  Duchess  of  Argyle  and 
Brandon. 

Amongst  fair  theatrical  celebrities,  past  and  present,  will  be  recog- 
nised Dubufe's  portrait  of  the  great  tragedienne,  "Madame  Eachel  "  ; 
the  dashing  portrait  of  her  still  greater  successor,  "  Madame  Sarah 
Bernhardt,"  must  be  accounted  amongst  the  chejs-cV ceuvre  of  the  Gallery. 
This  striking  picture,  one  of  the  most  remarkable  of  its  kind,  is  the 
production  of  Mr.  Walter  Spindler  ;  by  the  same  artist  is  a  portrait  of 
the  accomplished  musician,  Mdlle.  Natalie  C.  Janotha,  "Court 
pianist  to  H.I.M.  the  German  Emperor."  The  great  pianiste  is  also 
painted  in  another  version  with  her  famous  black  cat,  "White 
Heather,"  who  accompanies  his  gifted  mistress  on  all  occasions ;  this 


100 


feline  favourite  has  been  introduced  by  Mdlle.  Janotha  to  the 
*!  crowned  heads  of  Europe,"  and  in  all  respects  is  treated  as  a 
distinguished  personage.  As  an  augury  of  good  luck,  Mdlle.  Janotha 
has  been  good  enough  to  lend  to  the  Exhibition  a  separate  portrait  of 
her  famous  feline  pet. 

In  the  musical  division  there  is  the  portrait  of  "  Mdlle. Jenny  Lind," 
(the  Swedish  Nightingale),  lent  by  her  husband  Mr.  Otto  Goldschmidt ; 
and  there  is  the  likeness  of  Madame  Malibran.  The  popular  favourite 
actress,  Miss  Mary  Moore,  will  be  recognised  in  her  life-size  portraits 
as  "  Ada  Ingot  "  in  "  David  Garrick,"  and  as  "  Fiorella  "  in  "  The  Jest." 
There  is  a  delectable  picture  of  Miss  Stella  Brereton  as  "  Ophelia," 
painted  by  Joseph  Mordecai ;  the  same  artist  also  exhibits'  a 
powerfully  painted  picture  of  "  Mrs.  John  Lobb."  Amidst  the  corps 
dramatique- of  recent  times  will  be  recognised  the  portrait  of  another 
popular  favourite,  "  Lady  Bancroft,"  painted  by  F.  P.  White,  and,  with 
other  interesting  theatrical  exhibits,  obligingly  contributed  by  Sir 
Squire  and  Lady  Bancroft,  There  is  a  delightful  pastel  of  "  Miss 
Marion  Terry,"  by  Mrs.  Louise  Jopling  ;  and,  as  no  gathering  pro- 
fessedly of  likenesses  of  fair  celebrities  could  be  reckoned  complete 
which  did  not  contain  the  reigning  Queen  of  Comedy,  there  will  be 
recognised  in  Division  IV  a  sympathetic  miniature  portrait  of  "  Miss 
Ellen  Terry,"  in  pastel,  by  Miss  Florence  Graham. 

Ifc  may  be  realised  that  the  arts  are  appropriately  represented  in 
another  characteristic  group  of  which  the  worthy  centre  is  the  fine 
intellectual  portrait  of  Mrs.  Louise  Jopling,  a  noble  example  by  the 
late  Sir  John  E.  Millais,  P.R.A.  As  is  fitting  in  the  instance  of  lady 
artists,  Mrs.  Louise  Jopling  is  surrounded  by  a  representative  group  of 
her  own  talented  pastel  *works  ;  there  is  "  Miss  Marion  Terry  "as 
mentioned,  a  finely  realistic  and  beautiful  portrait  of  "  Lady  Colin 
Campbell,"  "Mrs.  G.  M.  Cockell,"  "Miss  Beatrice  Vaillant,"  and 
"  Little  Sunshine,"  one  of  those  delightful  portraits  of  childhood  we 
owe  to  Mrs.  Jopling's  artistic  genius. 

Of  fair  literary  celebrities  there  is  the  beautiful  example  by  Herbert 
Schmalz  "John  Oliver  Hobbes"  (Mrs.  Craigie),  a  portrait  likely  to 
attract  the  most  popular  interest;  and,  by  the  same  artist,  "Mrs.  Alec" 
Tweedie;  souvenirs  of  this  writer's  "Tour  to  Iceland"  are  shown  in 
the  collection — "Mrs.  Alec"  having  favoured  the  Executive  by  the  loan 


101 


of  a  gr°llP  of  Personal  ornaments>  portions  of  costumes,  relics,  and 
Irious  belongings  illustrative  of  Icelandic  womankind  and  their 
V  stomS.  The  beautiful  Marchioness  of  Stafford  (Duchess  of  Suther- 
land) is  represented  by  her  portrait,  by  James  Sant,  R.A.;  by  the 
same  artist  is  the  group  of  H.R.H.  the  Princess  of  Wales,  with 
H  E.H.  the  Prince  of  Wales— an  imposing  work  which  appropriately 
inaugurates  the  collection  of  illustrious  celebrities  and  exalted  per- 
sonages, as  the  first  portrait  group  in  the  Historical  Section  of  the 

Exhibition.  v:^f^:^ 
Of  sentimental  interest  amongst  the  portraits  of  artists'  wives  as 

painted  by  their  husbands,  is  the  likeness  of  Mrs.  Romney  by  George 
Bonmey;  it  will  be  observed  the  lady's  expression  is  noticeably  one 
of  deep  distress  and  sadness;  it  was  painted  early  in  the  artist's 
brilliant  career,  and  the  despondent  air  of  the  sitter  favours  the 
assumption  that  this  portrait  was  painted  by  G.  Romney  as  a  parting 
souvenir,  at  the  time  he  had  arranged  to  leave  his  wife  and  children 
buried  in  the  retirement  of  the  distant  north  country,  whilst  the  artist, 
unencumbered  by  family  cares,  sought  fashionable  recognition  and 
professional  advancement  alone  in  the  modish  centre  of  the  great  metro- 
polis. The  lady's  evidently  sorrowful  expression  is  thus  explained  by 
the  contingent  circumstances  described. 

Another  sympathetic  example,  the  portrait  of  "  Eliza  Linley,"  by 
Thomas  Gainsborough,  is  obligingly  contributed  to  the  Gallery  by  Mr. 
Gilbert  Cook. 

Besides  "the  personalities  of  portraiture"  enumerated — actualities 
of  living  sitters  as  transmitted  by  the  great  masters  of  portrait 
painting—"  life-like,"  but  not  necessarily  typical  of  "perfect  beauty  "— 
the  Executive  have  attempted  to  attract  loans  representing  the  "Ideal" 
side  as  contrasted  with  the  "  Real." 

The  "Ideal"  order  is  no  less  interesting,  and  more  pleasing  as  a 
rule;  aspiring  to  attain  and  aiming  at  the  delineation  of  physical 
perfection  uncommon  in  nature — "artistic  ideals"  of  all  that  is 
externally  beautiful  in  womankind— according  to  the  individual 
imaginations  of  respective  artists  who  have  preferred  to  " idealise" 
their  sitters.  Forsaking  for  awhile  the  trammels  of  strict  portraiture, 
with  its  hard  and  fast  limitations,  it  has  been  an  irresistible  temptation 
to  artistic  temperaments  to  "  idealise  "  ;  the  actual  sitter  is  there  as  a 


\ 


102 


model,  but  the  painter  has  refined  on  the  original,  and  by  the  force 
of  imagination  has  engrafted  upon  this  foundation  "  ideal  beauty," 
of  which  the  suggestion  has  been  inspired  by  special  attributes  found  in 
sitters,  selected  as  possessing  pictorial  qualities  ;  the  results  are  accepted 
as  "  Fancy  subjects."  In  this  category  prominence  is  given  to 
"  Heroines,"  ideal  personages,  like  the  Goddesses  of  Heathen  Mythology 
(beloved  idyllic  myths  of  ancient  masters) — owing  their  creation  to 
the  imaginative  fancies  of  poets,  novelists  and  dramatists  ;  heroines  of 
romance,  whose  personalities  and  "  pictorial  presentments  "  are  artistic 
creations,  inspired  in  the  minds  of  artists  who  have  graphically 
embodied  these  imaginary  beings  of  fiction. 

In  the  representative  group  of  beautiful  "  Heroines  "  as  drawn 
from  the  pages  of  Shakespeare,  Sir  Walter  Scott,  etc.,  which  the 
Executive  have  had  the  good  fortune  to  assemble  in  one  choice 
Section,  the  visitor  will  appreciate  a  series  of  ideal  personages, 
drawn  from  fiction,  but  translated  into  lovely  living  entities  by  the 
genius  of  Sir  James  D.  Linton,  E.I.,  whose  knowledge,  power,  and 
consummate  mastery  of  technique  are  seen  advantageously  in  this 
special  series,  which  has  been  organised  for  the  Woman's  Exhibition 
1  entirely  owing  to  the  generous  assistance  of  private  collectors,  who 
treasure  these  wondrous  masterpieces  of  water-colour  art,  confessedly 
at  its  highest  development. 

It  is  desired  to  gratefully  acknowledge  this  liberality  on  the  part  of 
the  owners  of  chefs-d'oeuvre  by  Sir  James  Linton— collectors  who,  at 
no  small  personal  sacrifice,  have  enabled  the  Executive  of  Earl's 
Court  to  reassemble  a  comprehensive  gathering  of  drawings  of  the 
choicest  order — drawings  which  are  esteemed  by  the  public  as  the 
most  beautiful  examples  procurable  of  this  "  ideal  order  "  of  delineation 
and  of  excellence  unexampled. 

Dr.  Dyce  Brown,  M.D.,  in  the  handsomest  manner,  has  con- 
tributed quite  a  gallery  of  selected  water-drawings  by  the  hand  of  Sir 
James  D.  Linton ;  the  series  thus  generously  contributed  includes 
"Marguerite,"  "  Ida,"  "  Hero  "  (from  "Much  Ado  About  Nothing)," 
"Ninon,"  "  Clairette,"  "The  Black  Fan,"  "The  Letter,"  "Dream- 
land," "The  Embroideress,"  "Before  the  Ball,"  "After  the  Ball," 
"The  Day  Dream,"  '"  The  Murmur  of  the  Shell,"  and  other  no  less 
delightful  examples. 


103 


^Miranda,"  "  Jacqueline,"  and  <<  Chloris  "  are  lent  by  Mr.  William 
Walter  Hayworth.  -Lady  Clare"  and  -  Waiting"  are  lent  by  the 
Executors  of  the  late  Mr.  William  Lockwood. 

«  Lady  Heron  "  (from  Sir  Walter  Scott's  "  Marmion  "),  and  «  Isabel " 
are  lent  by  Mr.  John  Fulleylove,  R.I.  Three  superb  examples  of  the 
finest  quality  are  the  property  of  Mr.  James  Orrock,  R.I. ;  these 
masterpieces  include  -Mary  Queen  of  Scots"  and  « The  Beautiful 
Sitter,"  unequalled  for  its  luscious  sense  of  colour  and  beauty.  "  Janet 
Foster,"  Mr.  Orrock's  third  contribution,  is  drawn  from  "  Kenil worth." 
u  A  Fair  Puritan  "  and  "  Lady  with  a  Fan,"  are  choice  specimens,  the 
property  of  Mr.  Alexander  Hollingsworth.  : 

Mr.  Theodore  Lumley  has  lent  the  important  example  "  A  Lady 
looking  in  a  Looking  Glass."  A  lovely  drawing  of  "  Amy  Robsart " 
(« Kenilworth  ")  is  contributed  by  Mr.  J.  E.  Sarson.  "  Constance" 
(from  Scott's  "Marmion")  is  lent  by  Mr.  Fred  W.  Kell.  This,  in 
brief,  is  the  muster-roll  of  the  most  artistic  series  of  drawings  and 
paintings  by  Sir  James  Linton,  R.L,  thus  appropriately  gathered  at 
Earl's  Court  for  the  delectation  of  art-lovers  ;  an  artistic  treat,  it  may 
be  stated,  to  all  who  have  the  opportunity  of  enjoying  the  good 
fortune  of  being  thus  agreeably  enabled  at  their  leisure,  to  study  this 
matchless  series. 

Another  branch  of  feminine  portraiture — "  Portraits  in  Pastel  " — has 
been  successfully  represented  at  the  Woman's  Exhibition.  It  is 
acknowledged  that  this  beautiful  medium  has  peculiar  attractions  ;  in  its 
development  lending  itself  with  unusual  facility  to  the  difficult  feat  of 
catching  the  evanescent  charms  of  female  loveliness. 

The  use  of  chalks  and  pastels  is  one  of  the  earliest  phases  of  art, 
and  was  practised  in  ancient  days  in  various  forms.  Owing  to  the 
fugitive  nature  of  the  soft  materials  the  chalks  were  fixed  with  various 
media,  which  lent  stability. 

Vaillant  is  credited  with  having  revived  the  practice  of  pastel 
delineation.  The'  Executive  are  favoured  with  an  example  by  this 
artist,  the  portrait  of  "  The  Princess  Henrietta  Anne,  daughter  of 
Charles  L"  This  interesting  early  specimen  has  been  lent  to  the 
Gallery  by  the  Dowager  Lady  Freake. 

Pastel  was  used  by  Lely  and  Kneller  for  their  studies,  as  related  by 
Walpole  and  other  writers.    There  is  a  head  in  pastel  of  the  beautiful 


104 


"'Lady  Denham,"  lent  to  the  Exhibition  by  Mr.  W.  Hamilton  Shears 
This  work  acquires  further  interest,  as  it  was  purchased  at  the 
"  Waldegrave  Sale"  of  Pictures  from  Strawberry  Hill,  and  probably 
belonged  to  Horace  Walpole.  It  is  attributed  to  Sir  Peter  Lely. 
Vigee,  the  father  of  the  famous  Madame  Vigee  Le  Brun,  brought  the 
"  pastel  art  "  to  great  perfection,  and  his  pastels  are  much  esteemed. 
Mr.  George  Harland-Peck  has  had  the  good  fortune  to  secure  a 
beautiful  example  by  Vigee,  the  portrait  of  the  Marquise  de  Pompadour. 
Bosalba  attained  a  high  reputation  as  a  pastellute.  There  is  in  the 
Gallery  a  small  group  of  examples  ascribed  to  Eosalba,  including  a 
brilliant  portrait  of  the  Hon.  Miss  Anson.  J.  Eussell,  R.A., 
brought  pastel  art  to  great  perfection,  and  examples  by  his  hand  are 
now  vastly  esteemed.  Mr.  Frank  T.  Sabin  has  lent  to  this  section  a 
charming  portrait  of  the  winsome  Mrs.  Jordan,  by  Russell. 

The  modern  side  of  "  pastel  art  "  is  liberally  represented,  and  it  is 
demonstrable — from  the  beautiful  examples  exhibited  by  up-to-date 
practitioners  of  "pastel" — that  the  art  is  not  only  flourishing  under 
the  impulse  of  a  fashionable  revival,  but  that,  in  the  hands  of 
.accomplished  artists  of  the  present  day,  it  has  developed  and  attained 
vigour  and  resourcefulness  which  promise  great  things  for  its  future. 

As  instances  of  the  higher  recent  development  of  "  pastel  "  we  have 
the  pleasure  of  referring  visitors  to  the  masterly  and  artistic  group  of 
high-class  pastel  portraits  exhibited  by  that  gifted  practitioner  and 
powerful  portrait  painter,  J.  Ernest  Breun.  In  this  spirited  group 
■will  be  recognised  the  charming  likeness  of  "  Miss  Maud  Millett" 
(Mrs.  Tennant),  with  other  convincing  specimens — "  Innocence," 
^Simplicity,"  "Miss  West,"  "Mrs.  C.  Adeane,"  "  Miss  M.  Baird," 
"Miss  Farquharson,"  "The  Marquise  d'Hautpoul,"  and  the  lovely 
Iiead  described  as  "  A  Study." 

"  Pastel  art  "  has  also  been  taken  up  by  Bernard  Partridge,  who  is 
a,  member  of  the  Pastellist  Society.  This  versatile  artist  has  achieved 
great  results  by  the  same  medium,  with  an  originality  distinctive  of 
his  well-known  work.  Exhibited  in  the  Gallery  is  the  portrait  of 
Mrs.  Bernard  Partridge,  by  her  husband,  with  "Vanity,"  "En 
Japonaise"  and  "  The  Bed  Scarf,"  all  by  the  same  gifted  hand. 

Mrs.  Craigie  ("John  Oliver  Hobbes  ")  has  lent  the  portrait  of 
"H.B.H.  the  Duchess  of  York,"  by  Thaddeus.    On  all  grounds  the 


105 


presence  of  the  portrait  of  this  gracious  princess  is  peculiarly 
appropriate  in  the  "  Historical  Section."  When  it  is  remembered  that 
the  Duchess  of  York  has  graciously  accepted  the  presidency  of  the 
nationally  important  section  "British  and  Irish  Silk  Industry"' 
(installed  in  the  Ducal  Hall)  lb  will  be  realised  that  Mrs.  Craigie's 
valued  contribution  must  be  regarded  with  additional  interest  as 
respects  H.B.H.  the  Duchess  of  York's'  patriotic  exertions  on  behalf 
*of  the  objects  of  the  "  Woman's  Exhibition." 

Besides  the  "  pastel  portraits  "  exhibited  as  described  by  Mrs.  Louise 
Jopling,  there  is  a  strong  group  of  "  pastel  portraits  "  by  lady  artists— 
accomplished  practitioners  of  this  branch.  Miss  Maud  Coleridge  has 
been  so  obliging  as  to  contribute  several  much  appreciated  examples  of 
her  art ;  amongst  these  we  must  refer  to  the  portrait  of  "  Mrs. 
Golightly  "  (No.  2572),  "  Miss  Muriel  Wilson  "  (2936)  and  "Miss  Sarah 
Brooke"  (2939). 

Miss  Marion  Gemmell  (Hon.  Secretary  to  the  Society  of  Pastellists,. 
has  favoured  the  Galleries  with  the  loan  of  a  representative  group  of 
her  productions  in  the  same  branch.  Of  this  order  are  her  con- 
tributions:  "  The  Princess  Kosfigliosi,"  "Lady  Newton  Butler," 
"Lady  Carew,"  "  Mrs.  William  Cunard,"  and  ' <  Kassandra  Vivaria  " 
(wife  of  Mr.  Heinemann). 

Another  accomplished  and  versatile  exponent  of  the  arts  of  pastel, 
and  drawings  executed  in  crayons,  or  coloured  chalks,  is  Miss  Florence 
Graham,  who  has  favoured  the  Executive  by  the  loan  of  a  group  of  her 
tasteful  productions  of  these  respective  orders.  This  lady  artist's 
contributions  include  the  miniature  portrait  of  "  Miss  Ellen  Terry," 
"'The  New  Woman,"  "  Priscilla,  the  Puritan  Maiden" — (three 
character  portraits) — "Dawn,  Day  and  Night,"  "  Eecollections," 
"  A  Modern  Bacchante,"  with  refined  portraits — a  la  Doivnman — of 
"The  Dowager  Lady  Freake,"  "  The  late  Dowager  Lady  Castletown  of 
Upper  Ossory,"  "The  Hon.  Mrs.  C.  Eliot,"  "  Christine,  daughter  of 
Mr.  F.  Key,"  and  "  Miss  Frances  Power  Cobbe." 

A  group  of  refined  drawings  in  red  chalk,  which  are  much 
appreciated  at  the  Exhibition  for  their  artistic  qualities,  delicate 
feeling,  and  sense  of  beauty  of  the  highest  order,  has  been  contributed 
to  the  Gallery  by  that  accomplished  portraitist,  Charles  F.  Marshall, 
who  has  made  this  branch  a  speciality.    These  select  contributions 

ii 


106 


include  likenesses  such  as  "Lady  Arthur  Grosvenor,"  "Lady 
Colebrooke,"  "Portrait  of  a  Lady,"  &c,  and  subject-studies  from  life; 
of  this  order  may  be  mentioned:  "  Tender  and  True,"  "Maidenhood," 
"Youth,"  "  Day  Dreams,"  "Innocence," 

"  When  the  Day  is  overr 
Night  is  drawing  nigh." 

Together  with  the  winsome  lady  described  by  the  Scottice  couplet ! 

"  Her  lips  are  roses  wat  wi'  dew, 
Oh,  what  a  feast  her  bonnie  mou  !  " 

In  close  proximity  with  this  panel  of  chalk  drawings  by  Charles 
F.  Marshall,  there  is  contributed  to  the  Exhibition  a  group  of  beautiful 
tinted  drawings,  the  graceful  productions  of  an  Italian  lady  artist, 
Madame  Mantovani  Gutti,  of  Eome ;  these  examples  answer  every 
requisition  as  to  delicate  refinement,  classically  elevated  sentiment,  and 
feeling  for  beauty.  This  selection  is  mainly  lent  by  Messrs.  Henry 
Graves  &  Co.,  and  includes  such  dainty  examples  as  "  The  Queen  of 
Italy— a  sketch,"  "Mother  and  Children,"  "Dream  of  Love," 
"  Spring,"  "Music,"  " Koman  Children,"  and  "Dante's  Beatrice." 

"Flower  sweet  "  in  sentiment  and  feeling  are  the  contributions  of 
Henry  Thomas  Schafer,  an  artist  who  has  lent  to  the  Exhibition  a 
group  of  his  own  refined  paintings,  which,  it  will  be  recognised,  are 
of  a  specially  poetical  order  ;  idyllic  and  delicate  works  which  are 
much  appreciated,  combining  as  they  do  the  graces  of  girlhood, 
contrasted  with  daintily  tinted  bouquets  and  sprays  of  flowers,  as  the 
titles  imply:  "  Golden  Treasures,"  "All  among  the  Eoses,"  "A  Love 
Token,"  "  Dreaming  the  Happy  Hours  away,"  "  A  Spray  of  Blossoms," 
"Lilies,"  "Eve,"  "Sweet  Seventeen,"  &c,  &c. 

Amongst  noteworthy  paintings  obligingly  contributed  by  the 
proprietors  of  The  Graphic,  is  the  dashing  example  "Breezy,"  by 
St.  George  Hare,  E.I. ;  and  "  A  Question  of  Colour,"  a  brilliant  water- 
colour  drawing  by  W.  Small.  From  the  popular  series  com- 
missioned by  the  proprietors  of  The  Graphic  to  represent  "  Types  of 
Beauty,"  there  is  lent  to  the  Gallery,  P.  A.  Cot's  "  Spanish  Type  of 
Beauty."  Another  brilliant  example  of  luscious  colouring  is  lent  by 
The  Graphic,  representing  a  resplendent  lady  embowered  amidst  gay 
flowers ;  this  is  entitled,  "  In  Merry  Mood,"  a  striking  painting  by 
J.  Clark. 


107 


Le  is 


Amongst  the  portraits  of  artists'  wives,  a  noteworthy  example 
the  graceful  likeness  of  Mrs.  Kilburne,  by  her  husband. 

Portraits  of  lady  artists  by  themselves  are  doubly  welcome  in  the 
Woman's  Exhibition  ;  of  this  order  is  the  spirited  life-size  likeness  of 
«Miss  Ethel  Mortlock,"  painted  by  that  clever  artist,  and  appropriately 
treated  in  the  style  of  Sir  Peter  Lely,  who  so  successfully  imparted 
dash  and  flutter  to  his  cliquante  likenesses.  Another  interesting  and 
successful  portrait,  also  painted  by  Miss  Ethel  Mortlock,  is  the  likeness 
0f  «  The  Marchioness  of  Ailesbury." 

The  Executive  have  been  favoured  with  the  loan  of  a  beautiful 
example  by  that  great  modern  French  master  of  portrait  painting, 
Benjamin  Constant,  the  likeness  of  "  Daisy  Gilbey  Eiviere,"  obligingly 
contributed  by  Mr.  H.  Riviere. 

The  likeness  of  the  great  singer,  <£  Madame  Antoinette  Sterling,'' 
is  another  interesting  example  of  popular  portraiture. 

Past  recollections  are  summoned  up  by  the  presence  of  Signor 
Baccani's  life-size  picture  of  the  "  Dowager  Lady  Freake,"  a  lady 
whose  social  reputation  is  well  recognised,  associated  with  hospitalities 
and  receptions  at  the  once  well-known  Cromwell  House,  where 
London  Society  congregated  in  the  days  when  Lady  Freake's  gifted 
friend,  Charles  Dickens,  was  a  moving  spirit,  and  the  gaiety  of  South 
Kensington  was  vastly  promoted  by  popularly  fashionable  enter- 
tainments inaugurated  by  this  kindly  hostess  and  familiar  leader  of 
society  in  her  generation.  It  will  be  remembered  that  Mrs.  Langtry 
burst  as  an  actress  upon  London  Society  at  Lady  Freake's  house. 

One  of  the  late  Frank  Miles's  delicately  touched  portraits  of  "  Mrs. 
Langtry  "  is  lent  to  the  Exhibition  by  Sir  Squire  Bancroft. 

Eighteenth- century  engravings,  and  especially  examples  of  prints  in 
colours,  wherein  are  perpetuated  portraits  of  the  "  Fairer  portion  of 
Creation  "  will  be  found  in  sufficiency  in  Division  IV  of  the  Historical 
and  Loan  Section. 

In  this  category  will  be  recognised  George  Clint's  likeness  of  "  Miss 

Foote,"  printed  in  colours.    A  special  personal  interest  attaches  to 

this  example,  for  it  was  presented  by  the  fair  original  of  this  character 

portrait,  then  Countess  of  Harrington,  to  the  present  owner,  Lady 

Bancroft,  when,  as  Marie  Wilton,  that  versatile  lady  was  delighting 

the  theatrical  world.    This  souvenir  is  lent  by  Lady  Bancroft. 

H  2 


108 


One  of  the  popular  miniaturists  of  the  early  part  of  the  century  was 
Adam  Buck,  a  graceful  artist,  whose  productions— in  the  form  of 
groups  of  ladies  and  children— are  now  held  in  fashionable  esteem, 
and  valued  at  correspondingly  high  prices.  Extensive  groups,  selected, 
from  choice  engravings  after  Buck,  printed  in  colours,  are  much 
admired  in  the  present  gathering. 

The  Executive  have  to  acknowledge  their  obligations  to  Mr.  John 
Thurston  Gabriel,  who  has  most  liberally,  from  his  own  choice 
collection,  contributed  to  the  section  the  larger  portion  of  these, 
interesting  "  exhibits,"  together  with  the  suite  of  fine  mezzotints, 
engraved  by  Philip  Dawe,  after  the  original  pastels  by  Henry  Morland,. 
representing  Ladiesmaids  and  Laundrymaids  washing,  ironing  and. 
wringing-out  linen,  etc. — the  figures  described  as  portraits  of  the. 
beautiful  Miss  Gunnings. 

To  the  obliging  liberality  of  Mr.  Frank  T.  Sabin  the  Executive  are* 
indebted  for  a  group  of  very  valuable  contributions,  illustrating  the. 
beauties  of  colour-printing  as  displayed  in  the  high-class  engravings  of 
the  last  century.  When  it  is  realised  that  the  choicest  examples  of 
this  order  are  now  very  rare,  and  much  sought  after  at  prices  which., 
to  the  uninitiated,  appear  simply  "  fabulous,"  the  value  of  Mr.  Sabin's, 
contributions  will  be  more  generally  recognised. 

Noteworthy  in  the  group  of  "  exhibits  "  lent  by  Mr.  Frank  Sabin. 
is  the  example  engraved  by  W.  Dickinson  after  Angelica  Kauffman's; 
picture  of  "  The  Duchess  of  Devonshire,  with  her  sister  Viscountess. 
Duncannon,"  printed  in  colours. 

Attention  may  be  invited  to  the  following :  The  fine  mezzotint  by 
W.  Ward,  A.R.A.,  after  Hoppner's  beautiful  portrait  group,  "  The 
Daughters  of  Sir  Thomas  Frankland,"  printed  in  colours;  "The 
Duchess  of  York,"  also  after  Hoppner,  printed  in  colours;  "Lady 
Charlotte  Cavendish  Bentinck  (Lady  Charlotte  Greville),  engraved  by 
<J.  Young,  after  Hoppner  (printed  in  colours)  ;  Lady  Hamilton  as; 
"  A  Bacchante,"  engraved  by  J.  R.  Smith,  after  the  fine  picture  by- 
Sir  Joshua  Reynolds,  printed  in  colours;  a  superb  "artist's  proof 
by  Samuel  Cousins,  after  the  favourite  picture  by  Dubufe,  "  La 
Surprise";  "Mrs.  Seaforth  and  Child,"  after  Sir  Joshua  Reynolds. 
Also  a  spirited  group  of  important  original  drawings  by  Thomas 
Rowlandson,  including  several  specially  choice  examples  :  "A  Visit  to 


109 

the  Aunt,"  -  A  Visit  to  the  Uncle,"  «  The  Syrens,"  -The  Boxes  at 
.Oovent  Garden  Theatre"  (executed  for  George  IV,  when  Prince  of 
Wales).  For  all  these  «  exhibits,"  with  many  other  valued  contribu- 
tions, the  Galleries  are  indebted  to  Mr.  Sabin's  friendly  interest  in  the 
Exhibition. 

There  are,  further,  several  delightful  examples  of  fair  women  after 
paintings  by  George  Morland— such,  for  instance,  as  the  choice  mezzo- 
tint, "The  Visit  to  the  Boarding  School,"  with  its  companion,  "  The 
Visit  to  the  Child  at  Nurse"  (otherwise  "  The  Foster-Mother"); 
"The  Fruits  of  Early  Industry  and  Economy,"  with  its  pendant, 
«  The  Effects  of  Youthful  Extravagance  and  Idleness,"  both  subjects 
engraved  by  W.  Ward,  and  printed  in  colours ;  "  The  Farmer's  Visit 
io  his  Married  Daughter  in  Town,"  and  "  The  Visit  returned  in  the 
Country,"  both  printed  in  colours;  "  The  Discovery,"  and  "The  Fair 
Seducer,"  a  pair  engraved  by  E.  J.  Dumee,  and  printed  in  colours— 
io  mention  merely  a  few  leading  items  amongst  the  Morland  prints 
lent  to  the  Galleries. 

From  the  consideration  of  fair  womankind,  delineated  in  the  colour- 
printed  engravings  as  shown  in  the  Woman's  Exhibition — after 
English  masters  of  the  eighteenth  century,  such  as  are  recognised  in 
pictures  by  Keynolds,  Romney,  Gainsborough,  KaufTman,  Downman, 
Buck,  Hoppner,  Ward,  Morland, ;  and  similarly  favourite  artists,  whose 
productions  are  now  in  deservedly  high  request — it  is  a  far  cry  to 
x'The  Flowery  Land  of  the  Rising  Sun  "  ;  from  the  fair  daughters  of 
our  own  land  to  the  witching  maidens  of  Japan,  with  their  rich  tropical 
tinting,  glossy  blue-black  tresses,  brilliant  almond-shaped  eyes,  and  all 
jfehe  catalogue  of  Oriental  lustre  and  charm,  enhanced  by  their  gorgeous 
raiment,  delighting  with  gay  hues,  dazzling  embroideries,  and  subtle 
harmonies  of  colour.  Eastern  Circes,  whose  lives — of  lotus-like 
idyllic  delights — are  spent  through  flower- strewn  pathways,  recalling 
the  convenient  axiom  that  to  be  consistently  charming  is  alike  the 
duty  and  pleasure  of  these  happy  syrens. 

It  is  a  happy  thought  to  be  enabled  to  pass  from  the  contemplation 
of  "  feminilities  "  which  please  at  home,  to  the  flowery  and  poetic  life 
of  Japan,  with  its  fascinating  bevies  of  beauties. 

The  suggestion  was  offered  by  Mrs.  Hart,  who  is  happily  possessed 
fcf  vast  treasures  of  Japanese  art,  including  the  famous  collection  in 


110 

which  her  regretted  husband,  the  late  Mr.  Ernest  Hart,  keenly 
delighted.  It  was  at  once  realised  that  a  Section  devoted  to  the 
beautiful  colour-printed  pictures— the  productions  of  the  great 
Japanese  masters  of  a  century  and  more  ago— would  afford  the  most 
interesting  of  contrasts,  and  moreover  be  popularly  appreciated,  for 
these  pictures  of  Japanese  beauties  are  perfect  feasts— the  colour 
schemes  pleasingly  harmonious,  the  actions  of  the  personages  repre- 
sented realistic,  telling,  as  they  do  most  graphically,  the  story  of  the 
pleasures,  occupations,  and  daily  lives  of  the  daughters  of  the  Flowery 
Land,  illustrating  their  gay  costumes  and  fashions,  and  artistically 
unfolding  the  most  delightful  panorama  of  female  existence  in  Japan. 
The  pictures— inexhaustible  as  to  incident  in  themselves— are  sup- 
plemented by  the  actual  costumes,  the  personal  ornaments,  cooking 
utensils,  and  all  the  accessory  objects,  as  delineated  in  these  animated 
designs  which  fill  the  walls  of  the  Japanese  Section. 

Kesplendent  are  the  actual  costumes  arranged  in  cases  ;  groups  of 
gorgeous  female  robes,  glowing  with  rich  colourings  and  harmonious 
effects.  Other  cases  contain  collections  of  beautiful  lacquers,  bronzes, 
porcelain,  and  personal  ornaments  ;  these  exhibits  are  confirmations  of 
the  fidelity  to  detail  characterising  the  pictures  by  Japanese  Masters, 
the  numerous  objects  of  the  toilet  and  of  the  kitchen,  or  used  by 
the  Japanese  fair  in  their  costumes,  at  their  meals,  tea- drinking, 
dining,  and  recreations  in  general ;  picnicing,  smoking,  in  pastimes, 
playing  games,  in  letter-writing,  arranging  flowers — in  short,  in 
all  the  eventualities  of  the  agreeable  and  enjoyable  daily  routine  of 
life  in  Japan. 

Mrs.  Hart,  as  mentioned,  has  been 'so  obliging  as  to  provide  an 
entire  gallery  of  pictures  in  colours  graphically  displaying  Japanese 
womankind  and  their  occupations.  As  supplementary  to  this  liberal 
*  contribution,  Mrs.  Hart  has  collected  a  most  complete  and  representative 
assemblage  of  Japanese  antique  Lacquer,  Bronzes,  Porcelain,  and 
articles  of  daily  present  use — all  these  objects  being  carefully  selected 
specimens  of  the  choicest  quality.  It  will  be  seen  that  this  lady  has 
been  so  obliging  as  to  completely  organise  this  interesting  Japanese 
Section.  In  thus  successfully  carrying  out  this  undertaking  she 
has  further  enlisted  the  valuable  assistance  of  well-known  collectors 
of  the  "  Japanese  cult,"  gentlemen  who  have  also  generously  con- 


Ill 


trfbuted  their  treasures  to  enhance  and  reinforce  the  attractions  of  the 
Section.  Mrs.  Hart  has  availed  herself  of  the  rich  resources  obligingly 
lent  her  by  Mr.  Harding  Smith,  Mr.  Frank  Dillon,  Mr.  Phene  Spiers 
Mr<  George  Haite,  and  Mr.  Tomkinson.  There  are  separate 
groups,  objects  lent  by  Mr.  Harding  Smith,  Mr.  Phene  Spiers 
Mr.  Frank  Dillon,  and  Mr.  George  Haite  ;  the  last-named  gentlemen 
have  contributed  groups  of  "  Kimonos,"  «  Obi-agies,"  and  «  Fukusas," 
gorgeous  raiments,  enhanced  with  rich  embroideries. 

Amongst  the  daintiest  belongings  of  the  fair  sex,  antique  lace  is 

especially  in  character  at  the  Woman's  Exhibition.  Collectors  of 

these,  beautiful    memorials    of    feminine    artistic  industry  have 

generously  lent  -  to  the  Eoyal  Galleries  ancestral  treasures  and 
historical  examples. 

Mrs.  Bruce  Clarke,  a  specialist  in  this  department,  has  contributed 
a  comprehensive  selection  from  her  resources  in  this  direction  ;  this 
lady's  examples  are  exhibited  in  separate  frames,  and  include  "  Old 
English  point — time  of  Queen  Elizabeth,"  with  a  generally  repre- 
sentative gathering  of  considerable  interest. 

The  other  leading  examples  are  arranged  on  velvet-covered  stands 
and  shown  in  glass  cases.  For  instance,  Case  No.  10  contains  a  rich 
and  choicely  representative  collection  of  antique  point  and  other  lace, 
Flemish,  French,  Venetian  point,  and  Italian  tape-lace  of  great 
interest  and  value,  generously  lent  to  the  Executive  by  Frances,  Lady 
Trevelyan,  who  has  herself  been  good  enough  to  arrange  her  beautiful 
exhibits. 

Case  No.  11  contains  an  instructive  and  most  interesting  collection 
of  forty-four  specimens  of  seventeenth  century  point  and  other  lace, 
which  Mr.  Sydney  Vacher  has  selected  from  his  collection  for  exhibition 
in  the  Gallery.  This  obliging  contributor  has  also  arranged  his  own 
exhibits. 

Case  No.  12  contains  examples  of  rare  and  historical  lace  selected 
from  several  collections.  Mrs.  Farquharson  of  Haughton,  a  lady  who 
is  known  as  an  expert  in  lace,  and  whose  taste  and  knowledge  are  well 
recognised,  has  lent  from  her  ancestral  treasures,  two  superb 
examples,  "A  Spanish  Eose  Point  Lace  Scarf"  and  "  A  Length  of 
Point  d'Alencon  Lace."  Mrs.  Sidney  has  kindly  contributed  an 
interesting  «  Selection  of  old  Brussels  Point,  Mechlin,  and  other  choice 


112 


Laces."  "  An  old  Milanese  Lace  Sleeve  "  figures  amongst  several  rare 
exhibits  contributed  by  Miss  Elinor  Mary  Clarke.  In  the  same  case 
is  «  A  Point  Lace  Collar  "  (Charles  I) ;  A  "  William  III  Cravat "  ;  and 
a  pair  of  "  Cardinal's  sleeves,"  of  the  delicate  antique  "Pope's  Lace," 
the  patient  artistic  toil  of  Italian  nuns,  working  for  the  glorification  of 
the  Church  within  the  quiet  life-long  seclusion  of  their  cloisters. 

The  Fan  is  another  characteristic  appendage  of  the  Fair,  and  the 
management  have  been  fortunate  in  assembling  a  representative  collec- 
tion of  these  dainty  accessories,  which  frequently  have  historical 
interests  beyond  their  beauty,  artistic  decorations,  choice  paintings, 
the  ingenuity  and  fine  workmanship  of  their  frames,  mounts,  and 
sticks  of  highly  carved  and  pierced  ivory,  mother-of-pearl,  tortoise- 
shell,  fine  steel,  and  similarly  costly  materials,  enriched  with  gold 
and  silver,  worked  in  fine  plates  over  figures  carved  in  low-relief. 

Mrs.  Lucy  J.  Evans  has  most  liberally  lent  several  of  her  finest  fans, 
most  noteworthy  for  the  beauty  of  their  mounts,  which  repay  lengthy 
examination.     From  his  choice  collection  Mr.  Sydney  Vacher  has 
contributed  sixteen  examples  of  the  finest  quality.  These  are  improving 
studies  in  themselves,  and  include  several  examples  of  quite  exceptional 
value,  such  as  "  Kauffman  Fans,"  decorated  with  paintings  of  the 
highest  quality.    Mr.  C.  P.  Downing  has  lent  two  fans  of  special 
interest — one  reported  to  have  belonged  to  Madame  de  Pompadour,  the 
other  once 'the  property  of  Madame  Vestris,  bearing  the  initials  of  that 
popular  actress  carved  upon  the  sticks.    In  addition  to  the  mounted 
fans,  with  their  elaborate  and  beautifully  decorated  sticks  shown  in 
glass  cases,  there  are  panels  filled  with  fine  examples  of  unmounted 
fans,  exhibited  in  frames.    These  commence  with  Louis  XIV  fans, 
en  gouache,  and  are  selected  as  giving  an  illustrated  history  of  the  fan 
industry  throughout  the  eighteenth  century  as  painted,  or  printed  from 
copper-plate  engravings,  upon  kid  leather,  chicken-skin,  silk,  satin, 
paper,  etc.     The  gathering  is  exceptionally  rich   in  examples  of 
Kauffman  subject  fans,  Bartolozzi  fans,  Cipriani  fans,  Cosway  fans,  and 
the  like  rare  specimens.     There  is  also  a  group  of  fans  with  old- 
fashioned  ©oaching  pictures  in  colours,  and  numerous  examples,  printed 
in  colours,  after  Sir  Joshua  Keynolds's  pictures  of  children,  "  Children  s 
Games  "  by  W.  Hamilton,  E.A.,  T.  Stothard,  E.A.,  etc.     There  is 
quite  a  collection  of  fan-mounts,  with  favourite  subjects  after  George 
Morland,  all  delicately  printed  in  colours. 


113 


Further  there  is  a  group  of  commemorative  fan-mounts,  including 
incidents  associated  with  the  royal  family,  a  Evolutionary  series,  and 
interesting  examples  produced  contemporaneously  in  Portugal  and 
London  commemorating  the  Duke  of  Wellington  and  his  victories  in 
the  peninsular  wars.  Some  beautiful  fans  painted  on  chicken-skin 
^ith  classical  subjects  from  frescoes  at  Pompeii  are  particularly  select 
examples  of  delicate  drawings  en  gouache,  in  which  art  Neapolitan 
artists  excelled.  These  fan-mounts  were  purchased  in  Naples  in  the 
eighteenth  century  and  formerly  belonged  to  the  Bessborough  family. 
There  is  a  choice  Louis  XV  fan-mount  artistically  painted  on  chicken- 
skin  by  some  waggish  and  gifted  French  artist  of  the  first  half  of  the 
eighteenth  century,  with  "  The  Apotheosis  of  La  Marquise  de  Pompa- 
dour "  as  the  "  Queen  of  Love,"  playfully  satirising  the  dignitaries  of 
Church,  State,  Finance,  Literature,  Art,  Music,  etc.,  as  Cupids  or  Amorini 
worshipping  and  otherwise  courting  notice  while  amorously  disporting 
themselves  at  the  altar  of  the  reigning  royal  favourite. 

From  Watteau  groups — assemblages  of  gods  and  goddesses  on  Mount 
Olympus,  shepherds  and  shepherdesses  of  the  Opera  courting  in  the 
groves  of  Versailles,  and  similar  pastorals  of  the  gallant  eighteenth 
century  French  school  as  displayed  on  fan-mounts,  the  repertoires  as  to 
subjects  of  professional  fan-painting  artists — we  come  to  the  groups  of 
actual  costume — those  interesting  and  authentic  memorials  of  the 
past  which  the  Executive  have  been  fortunate  in  securing  for  the 
delectation  of  the  curious  at  Earl's  Court. 

Gatherings  of  actual  memorials  of  antique  costume  have  been 
attempted  at  rare  intervals  in  the  past ;  the  Directors  of  the  Woman's 
Exhibition  are  certainly  to  be  congratulated  upon  the  importance  of 
the  present  display,  which,  as  all  the  world  can  easily  recognise,  com- 
prises examples  of  a  beauty  and  refined  quality  beyond  common  belief ; 
for,  amongst  the  extensive  treasures  of  real  historical  costume,  there 
are  lent  to  the  Executive  many  sumptuous  relics  of  this  nature  which 
are  as  fresh  now  as  when  the  richly  decorated  garments  left  the  hands 
of  the  artistic  embroiderers  and  embroideresses  over  a  century  and  a 
quarter  back  as  regards  the  ambassadorial  embroideries,  and  still  longer 
ago  as  regards  ladies'  robes.  Many  of  these  precious  memorials  owe 
their  marvellous  preservation  to  their  beauty  and  sumptuous  character— 
they  really  were  too  fine  to  be  worn,  even  in  an  era  when,  on  special 


114 


festivities,  princes  and  courtiers  were  arrayed  with  splendours  more 
dazzlingiy  resplendent  than  the  tail  of  the  peacock,  and  hence  these 
superlative  examples  have  been  hoarded  up  in  their  pristine  freshness 
It  may  be  fairly  realised  that  the  true  sumptuary  epoch  culminated  at 
the  era  when  the  ambassadors  of  the  respective  Great  Powers  of 
Europe  at  the  French,  Eussian,  German,  or  English  Courts  were,  on 
Eoyal  Birthdays  and  State  Balls,  forced  into  competition  to  outdo 
their  rivals  in  the  magnificence  of  the  new  dresses,  de  rhjle  on  these 
anniversaries.  This  sumptuary  emulation  for  the  splendour  and 
honour  of  respective  Empires  and  States  was  a  desperately  costly  kind 
of  competition,  and  correspondingly  good  for  the  broiderers'  trade.  It 
is  not  difficult  to  realise,  in  examining  these  beautiful  examples  of 
artistic  needlework,  that  vast  sums  were  thus  expended,  and  one  can 
understand  from  the  extravagant  nature  of  the  materials,  and  the 

tasteful  floral  decorations  lavished  upon  their  further  enrichment  how  

as  Walpole  and  other  writers  of  the  time  have  recorded — two,  three,  and 
even  four  hundred  guineas  have  been  expended  upon  a  single  Court-suit, 
to  be  worn  on  the  solitary  occasion  of  a  Boyal  Birthday  Ball  when 
emulation  of  this  costly  character  was  in  fashion,  and  ran  to  the  most 
extravagant  lengths.  The  dresses  thus  worn  were  described  in  the 
journals  of  the  epoch,  and  the  sums  they  had  cost  were  recorded. 

It  must  be  explained  that  these  male  garments — many  of  which  are 
absolutely  unworn — thus  displayed  at  Earl's  Court,  owe  their  admission 
to  the  "  Woman's  Exhibition,"  not  on  the  conjecture  that  they  could  by 
any  possibility  have  been  worn  by  the  fair  sex,  but  as  wondrous  examples 
of  artistic  embroidery,  possibly  wrought  by  lady  'broideresses  ;  and,  in 
the  beauty  and  delicacy  of  their  rich  decorations  and  embellishments, 
conspicuously  surpassing— as  may  be  judged  by  comparisons  between 
respective  examples  in  the  cases— the  most  elaborately  embroidered 
garments  worn  by  the  Fair  on  similarly  "  dressy  V  occasions  at  Court 
festivities. 

It  is  largely  due  to  the  liberality  of  the  Hon.  Mrs.  Lyulph  Stanley 
that  the  Earl's  Court  Executive  are  enabled  to  exhibit  the  finest  of 
these  sumptuous  costumes  of  the  Louis  XVI  epoch;  these  rich 
Ambassadorial  and  Court  suits,  which  are  in  perfect  preservation- 
many  of  the  superlative  pieces,  especially  the  beautiful  waistcoats,  still 
possessing  all  their  pristine  freshness  and  brilliancy — never  having 


115 


en  worn,  but  jealously  treasured  up  and  preserved  against  injury 
^er  since  they  were  ordered  by  the  Lord  Stanley  of  the  eighteenth 
tntury,  who,  as  the  representative  of  the  British  Monarch  at  the 
Court  of  the  French  King,  naturally  had  the  temptation  of  being 
ffered  for  purchase  the  most  surpassing  specimens  of  embroideries  of 
the  most  elaborately  embroidered  era.  These  unequalled  examples, 
after  having  been  preserved  with  the  greatest  care  ever  since  the 

lmy  days  of  Boyal  Versailles,  have,  by  the  kindness  of  the  Hon. 
Mrs  Lyulph  Stanley,  been  added  to  similar  groups  elsewhere  secured 
for  the  present  Exhibition.  Their  matchless  condition  has  evoked  the 
wonderment  and  admiration  of  all  who  have  enjoyed  and  appreciated 
this  tempting 'facility  for  studying  these  most  beautiful  examples  of 
artistic  handiwork  of  the  most  flourishing  school,  and  produced  at  the 
most  accomplished  era  of  the  'broiderers'  masterpieces. 

Grateful  acknowledgments  are  due  to  the  Executors  of  the  late 
Towneley  Green,  E.I.,  for  their  liberality  in  lending  to  the  "  Woman's 
Exhibition  "  the  very  interesting  collection  of  early  female  dresses 
formed  by  the  late  accomplished  artist,  Charles  Green,  R.L,  a  great 
authority  on  costume,  who,  all  his  lifetime  had,  throughout  his 
industrious  artistic  career,  been  adding  to  his  collection  of  dresses,  &c, 
all  that  appertains  to  costume  in  the  history  of  the  past.  This 
gathering  is  well  known  for  its  curious  and  complete  character,  and 
is  probably  the  most  extensive  collection  of  the  kind  ever  formed. 

After  the  lamented  decease  of  the  Brothers  Green,  it  was  arranged 
for  the  realisation  of  the  estate  that  the  valuable  and  comprehensive 
collection  should  be  sold  at  the  rooms  of  Messrs.  Christie,  Manson 
and  Woods,  with  the  contents  of  the  studio.  As,  however,  all  these 
treasures  of  female  costume  were  promised  to  be  sent  to  Earl's  Court, 
the  Executors  in  the  most  obliging  spirit  have  been  good  enough  to 
thus  carry  out  the  intentions  of  the  late  Towneley  Green,  R.L  ;  the 
realisation  of  the  estate,  as  regards  these  antique  memorials,  has  been 
postponed  until  after  the  close  of  the  "  Woman's  Exhibition,"  in  order 
to  enable  the  Directors  to  have  the  opportunity  of  showing  the 
collection  at  Earl's  Court,  where  these  relics  of  old-fashioned  costume 
add  considerably  to  the  interest  of  this  Historical  Section  of  the 
Exhibition.  Several  leading  artists,  who  are  also  collectors  of  costume 
for  professional  study  and  use,  have  generously  lent  from  their  studios 


116 


many  beautiful  dresses  of  the  seventeenth  and  eighteenth  centuries, 
thus  enabling  the  management  to  strengthen  the  Exhibition  as 
regards  female  raiment  of  the  past.  It  is  noteworthy  that,  from  their 
own  rich  resources  of  this  choice  order, Sir  James  D.  Linton,  and  other 
Members  of  the  Eoyal  Institute  of  Painters  in  Water- Colours,  have 
handsomely  responded  to  the  invitation  to  lend  their  treasures  in  the 
wray  of  historical  dresses.  Amongst  Sir  James  D.  Linton's  fine 
contributions  there  is  a  Court  Dress,  said  to  have  belonged  to  Marie 
Antoinette,  and  other  sacque  costumes  of  the  handsomest  brocades  with 
xich  embroideries.  Mrs.  E.  M.  Ward  has  also  lent  some  fine  costumes, 
and  Mr.  G.  G.  Kilburne,  E.I.,  in  the  same  generous  spirit,  has  con- 
tributed a  choice  selection  of  interesting  costumes  from  his  studio.  Mrs. 
Goodeve  and  the  Misses  Goodeve  have  also  exhibited  certain  choice 
examples  of  embroidered  costumes. 

Mr.  Sydney  Vacher's  exhibits  are  always  interesting,  and  the 
choicest  of  their  kind.  Much  interest  is  evoked  by  Case  4,  a  collection 
of  embroidered  Baby  Linen,  18th  century.  Bands,  infantine  mittens, 
bibs  and  tuckers ;  quite  a  comprehensive  collection  of  elaborately 
embroidered  baby  caps  and  nurses'  caps  of  richly  ornate  description — 
all  these  choice  and  curious  specimens  are  contributed  from  Mr. 
Sydney  Vacher's  collection. 

Messrs.  Fownes  Brothers  and  Co.,  in  the  most  generous  manner,  have 
allowed  the  Executive  the  privilege  of  exhibiting  their  unequalled 
collection  of  historical,  antique  and  curious  gloves,vin  which  the  public 
take  an  intelligent  interest,  and  the  exhibits  lent  by  Messrs.  Fownes 
Brothers  and  Co.,  it  can  be  seen,  are  vastly  apereciated  by  visitors  to 
the  "  Woman's  Exhibition." 

.  The  actual  original  costumes — of  which  the  Executive  is  enabled  to 
exhibit  in  the  glass  cases  an  important  gathering,  as  regards  the 
object  of  illustrating  the  progressive  history  of  costume  and  the 
development  of  female  dress — are  supplemented  by  a  series  of 
drawings  in  water-colours  founded  upon  authoritative  originals. 
'There  is  lent  to  the  Executive  a  lengthy  chronological  series  of  these 
illustrations.  The  suite  of  costume-drawings  in  question  covers  a 
considerable  number  of  centuries,  and  represents  the  materials  for  a 
proposed  "  History  of  Female  Costume"  which  these  drawings  were 
designed  to  illustrate.    The  greatest  pains  was  taken  by  the  artist, 


117 


E  T.  parris— Historical   Painter   to   Queen  Adelaide-to  secure 
scmpulous  accuracy  ;  for  instance,  the  drawing  0f  Queen  yictoria 
0er  Gracious  Majesty  was  good  enough  to  sit  for  the  picture  which, 
presents  the  Queen  in  her  Coronation  Robes  when  crowned  at- 
Westminster  Abbey,  June  28th,  1838,  sketched  during  the  ceremony,, 


mg 


and  immediately  after ;  "  The  Empress  Eugenie  in  her  WeddU 
^38/'  sketched  at  Notre  Dame,  Paris,  Sunday,  January  30th,  1853. 
Equal  pains  to  secure  historical  correctness  was  taken  in  every 
instance,  the  artist  going  to  authoritative  sources  with  consistent 
care  to  secure  archaeological  truth,  such  as  contemporaneous  statues, 
and  paintings,  monumental  effigies,  and  the  works  of  Court  painters, 
of  the  respective  eras  represented.  For  example,  the  costume  of  the 
« Venetian  Lady  "  is  copied  from  Mosaics  in  the  porch  of  St.  Mark's^ 
Venice;  "German  Lady,"  from  the  tapestry  in  Cardinal  Wolsey 
Presence  Chamber  at  Hampton  Court ;  "  Egyptian  Lady  of  High 
Rank,"  from  paintings  on  the  wall  of  a  tomb  at  Thebes,  now  in  the 
British  Museum  ;  "  Athenian  Lady,"  from  the  frieze  of  the  Parthenon 
at  Athens;  "Queen  Anne,"  from  the  statue  by  Eysbrack  at  Blenheim. 

The  history  of  female  costume  is  disclosed  in  a  further  selection  of 
drawings  and  coloured  engravings,  which  illustrate  the  development  of 
dress  and  fashions  from  the  time  of  Boadicea,  Queen  of  the  Iceniy 
Roman-British  females,  Hibernian  costumes,  St.  Clotilde,  wife  of 
Clovis  I,  and  so  on,  in  proper  sequence,  throughout  successive 
centuries. 

Take  the  ninth  and  tenth  centuries — there  is  Judith,  Queen  of  Louis? 
I  (819-847),  clad  in  the  dignified  flowing  robes  and  ample  regal  cloak,, 
the  hair  worn  in  long  plaits,  much  as  we  see  in  the  costumes  chosen 
to  represent  the  era  of  "  Lady  Macbeth  "  on  the  Lyceum  stage.  Of  the 
thirteenth  century  we  find  Eleonora  of  Castile,  Queen  of  Edward  I 
(1244—1291),  and  so  on  through  typical  portraits  of  celebrities  repre- 
senting respective  centuries.  The  fourteenth  century  is  rich  in 
sumptuous  costumes,  the  ladies'  robes  embroidered  with  heraldic 
bearings,  the  head-dresses  —  remarkable  erections,  with  crowns,, 
"steeples,"  "  horns,"  "triple  come*,  "  escoffions  aux  cornes"  the  huge 
"hoods,"  "  cornets,"  and  veils  of  gauze  building  up  the  most  elaborate 
and  imposing  superstructures  in  the  way  of  head-dress.  There  are 
plentiful  illustrations  of  these  extravagant   fashions  amongst  the 


118 


drawings    and   coloured   engravings   of    the   era.     Marguerite  cle 
Flandre  (Philip  VI,  1341),  with  the  "  steeple  "  head-dress— esco^o,M 
ait.v   do nws— Jacqueline  de    la   Grange,   wife    of   Jean   de  Mont- 
fort,   Duke   of   Brittany;   Isabella   of   France,    Queen  Consort  of 
Edward  II  (1295  to  1358),  with  the  "  steeple  "  head-dress;  Marie  de 
Hainault,   Duchess   of   Bourbon;   Maria  de  Mendoza ;  Isabeau  of 
Bavaria,  Queen  of  Charles  VI  of  France;   Euriant,  Countess  de 
Nevers  ("steeple"  head-dress);  Lady  of  the  Ursins  family  (Charles 
VI),  with  "horns;  "  with  cushions,  mitres,  crowns,  coronets  galore, 
all  worn  as  head-dresses  ;  Laura  celebrated  by  Petrarch  (La  belle  Laurt)] 
1308—1348;  Philippaof  Hainault,  Queen  of  Edward  III,  1327—1369; 
the  Dauphiness  of  Auvergne,  wife  of  Louis  the  Good ;  Christina  of 
Pisa ;  Joan  of  Arragon,  Queen  of  Sicily ;  Lady  of  the  Court  of  King 
John,  1350  ;  of  the  Tudor  era  Margaret  of  Denmark,  Queen  of  James 
III  of  Scotland,  and  so  on  through  the  reigns  of  Henry  VII  and 
Henry  VIII — whose  six  wives  figure  among  historical  fair  celebrities— 
Edward  VI,  Queens  Mary  and  Elizabeth  ;  the  Stuart  era  ;  through 
the  Courts  of  the  four  Georges,  the  Court  of  France  (Louis  XV 
and  XVI),  the  "  Eevolution,"  the  "  Directoire,"  the  "  Empire,"  the 
"Bestoration,"  and  "  the  early  Victorian  era."    Such,  in  brief,  is  the 
synopsis  of  the  centuries,  with  the  changes  of  fashion  which  gave  them 
their  distinctive  characteristics,  so  unerringly  that  antiquaries  can  with 
safety  assign  each  particular  fashion  to  its  correct  epoch.  Altogether 
it  may  be  realised  that,  with  the  original  dresses  in  the  cases,  and  with 
the  collective  groups  of  water-colour  drawings  and  coloured  engravings 
as  further  evidence  and  authoritative  confirmation  as  to  the  progressive 
stages  in  the  march  of  fashion,  the  history  of  female  costumes  may  be 
studied  without  exertion,  and   in   realistic   form  at  the  Woman's 
Exhibition,  as  is  it  may  be  felt  is  only  suitable  and  in  character  with 
the  intentions  of  the  Executive,  who  have  successfully  collected  all 
these  examples  for  popular  edification. 


119 


Historical  and  Loan  Section. 


DIVISION  I. 

No.  Lent  by 

2501  Their   Royal    Highnesses    the    Prince  and 

Princess  of  Wales.    By  J.  Sant,  R.A.      Joseph  Grego,  Esq. 

2502  Virgin  and  Child  and  St.  John.    Nicolo  dell'  ' 

Abbate,  16th  Century  F.  E.  Sidney,  Esq.,  F.S.A. 

2503  Portrait  of  a  Lady  said  to  be  Mary,  Queen  of 

Scots.    By  Zucchero.  Messrs.  WUlson,  Bros. 

2504  Madame  la  Princesse  de  Richemont.    By  Van 

Somer.  E.  T.  Sabin,  Esq. 

2505  The  Hand   of   Henrietta   Maria,    Queen  of 

Charles  I,  King   of   England.     By  Sir 

Anthony  Van  Dyck  Cart  Haarj,  Esq.,  ll.W.S. 

:2506  Lady  in  Masqueing  Dress.   By  Theodor  Russel 

Joseph  Grnjo,  Esq. 

=2507  Madame  de  Feuquiere,  daughter  of  Mignard. 

By  Mignard  Charles  Davis,  Esq. 

2508  Princess  Anne  when  an  Infant.    By  Gaspar 

Netscher  J oseph  Gre/jo,  Esq. 

;:2509  Princess  Mary  as  a  Child.    By  Gaspar  Netscher  do. 

:;25iO  Princess  Mary,  wife  of  the  Prince  of  Orange 

(William  III).    By  Gaspar  Netscher  do, 

2511  Children  of  Charles  I.    By  Van  Dyck  do. 

;:2512  Duchess  of  Portsmouth.    By  Sir  Peter  Lely 

Messrs.  Henry  G ret  res  4'-  Co.,  Ltd. 

"2518  Marie  de   Bourbon,  Duchesse   d'Orleans,  as 

''Melpomene."    By  Mignard  Charles  Daris,  Esq. 

'•'2514  Sir  W.  Temple  (statesman  and  writer,  1628-99), 
Lady  Temple,  and  Child.  By  Gaspar 
Netscher  do. 


$  These  pictures,  tyc,  marked  with  an  asterisk  are  for  sale.    For  prices  00y 

to  the  Curator  in  the  Gallery. 


120 

No.S^^  Lent  by 

-2515  Arabella  Churchill,  sister  of  John  Churchill, 
Duke  of  Marlborough.    By  Sir  Peter  Lely 

Joseph  Grego,  Esq. 
-2516  Claire  Clemence  de  Malle  Breze,  wife  of  the 
great   Conde,   as   "  Terpsichore."  By 
Mignard  Charles  Davis,  Esq. 

-2517  Portrait  of  a  Lady  as  "  Diana,"  heliotrope  and 

yellow  costume  Messrs.  JVillson,  Bros. 

-2518  Selina,  Countess  of  Huntingdon.    By  Jonathan 

Richardson  Messrs.  Henry  Graves  &  Co.,  Ltd. 

-2519  Madame  la  Duchesse  de  Gesures.    School  of 

Largilliere  Charles  Davis,  Esq. 

-2520  Lady  with  a  Vase  of  Flowers.  By  Campidoglio  do. 

2521  Dorothy,  Countess   of   Sunderland  (Waller's 
"  Sacharissa  ")    After  Van  Dyck 

F.  E.  Sidney,  Esq.,  E.S.A. 

-2522  Portrait  of  a  Girl  with  a  Parrot.  By  Fragonard 

Charles  Davis,  Esq. 

2523  Lady  Barbara.    By  Sir  Godfrey  Kneller     The  Fine  Art  Society 

-2524  Portrait  of  a  Lady  of  the  Court  of  Louis  XIV. 

Attributed  to  Largilliere  Messrs.  Willson,  Bros. 

-2525  Mary  Beale,  portrait   painter ;    pupil  of  Sir 

Peter  Lely.    By  Sir  Peter  Lely  Joseph  Grego,  Esq. 

2526  The  Countess  of  Albemarle.    By  Sir  Godfrey 

Kneller  James  Bailey,  Esq.,  M.P. 

-2527  Nell  Gwynn.    By  Sir  Peter  Lely  Joseph  Grego,  Esq. 

-2528  Portrait  of  a  Lady.    By  Sir  Peter  Lely 

Henry  Thomas  S  eh  lifer)  Esq. 

-2529  Lady  with  Flowers.    By  Sir  Peter  Lely      The  Fine  Art  Society 

-2530  Portrait  of  a  Child  Joseph  Grego,  Esq. 

-2531  Countess  of  Orford.  By  C.  Jervas  do. 

-2532  Lady  Castlemaine.  By  Sir  Peter  Lely   G.  G.  Kilbume,Esq.,B.L 

2533  Duchess  of  Portsmouth.    By  Peter  Mignard 

Walter  Withall,  Esq. 

2534  Princess  Louisa  Maria  Therese.    By  Nicolas  de 

Largilliere'  George  Harland-Peek,  Esq, 

2535  Portrait  of  Mrs.  Blount.     By  J.  Housman, 

1656-1696  Edwin  M.  Hpdgkins,  Esq. 

2536  Duchess  of  Berwick.    By  £1.  Jervas  Joseph  Grego,  Esq. 


*  Those  'pictures,  SfC,  marked  with  an  asterisk  are  fcr  sale. 

to  the  Curator  ir  the  Gallery. 


For  prices  apply 


121 

No.  -  Lent  by  - 

^537  Mrs.  Leith  of  Gwynn.      By  Sir  Peter  Lely 

The  Fine  Art  fyociety 

2538  Portrait  of  Mrs.  Hobey.     By  J.  Housman 

1656-1696  f  Edwin  M.  Hodgkms,  Esq 

2539  Madame  de  Bovmlle.    By  J ean  Marc  Nattier    The  Lord  Burton 

2540  Flora  Macdonald.  By  Allan  Ramsay  Mrs.  E.  B\  Haynes 
2540^  Marie  Antoinette.   By  Madame  Le  Brun     Joseph  Grego,  Esq. 

-2541  Duchess  of  Orleans.    By  Leo  Beaubrun,  1649 

Messrs.  Henry  Graves  &  Co.,  Ltd, 

2542  Portrait  of  a  Sculptress.    By  Sivani        Martin  ColnagH,  Esq. 

2543  Henrietta  Cavendish  Holies,  Countess  of  Ox- 

ford.   By  Sir  Godfrey  Kneller 

His  Grace  the  Duke  of  Portland,  E.G. 
2543a  Lucy  Harrington,  wife  of  Edward,  third  Earl 
of  Bedford 

25436  Frances  Howard,  Countess  of  Essex  and 
Countess  of  Somerset  (dated  1632). 
Ascribed  to  Vansomer  ,/0t 

-2544  Venus  and  Cupid  Moms  Cohen,  Esq. 

2545  Portrait  of  Lady  Townshend.    By  Vander  Heist 

Martin  Colnaghi,  Esq. 

-2546  Cleopatra  Morris  Cohen,  Esq. 

DIVISION  II. 

2547  Madame  Bacelli.    By  John  Opie,  R.A.  The  Lord  Burton 

2548  Mrs.  Montague,  foundress  of  the  "Blue  Stocking- 

Club, "  friend  of  Dr.  Johnson  and  of  Sir 
Joshua  Reynolds.  Mrs.  Montague  has 
been  famous  for  her  interest  in  little 
chimney  sweeper  boys  ;  see  Charles  Lamb's 
account  of  "Old  May  Day,"  also  Charles 
Dickens  upon  "  Sweeper  Boys."  Mrs. 
Montague's  lost  son  was  found  as  a  sweeper 
boy,  asleep  on  a  bed  in  which  he  had  slept 
as  an  infant  in  Montague  House,  and 
Mrs.  Montague,  his  mother,  ever  afterwards 
celebrated  the  anniversary  by  giving  a 
dinner  and  a  silver  sixpenny  piece  to  all  the 
chimney  sweeper  boys  in  London  on 
May  1st  Hon.  Mrs.  Percy  Mitford 


Those  pictures,  Sfc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 

I 


122 

No.  Lent  by 

2549  La  Contessa  della  Eena.     By  Sir  Joshua 

Eeynolds,  P.R.A.  The  Lord  Burton 

"2550  Cleopatra.    By  Guido  Reni  '  Shakespeare  Stewart,  Esq. 

2551  Mrs.  John  Lobb  Joseph  Mordecai,  Esq. 
-2552  Lady  Charlotte  Cavendish  Bentinck.    By  John 

Hoppner,  R.A.  Joseph  Gregoy  Esq. 

-2553  La  Cruche  Cassee.    After  Greuze  do. 

-2554  Ariadne.    By  Angelica  Kauffman,  R.A.  do. 

-2555  Subject  Picture.    By  Angelica  Kauffman,  R.A.  do. 

2556  Una  and  the  Lion.   By  Angelica  Kauffman,  R.A. 

Mrs.  Lucy  Evans 

2557  Portrait  of  the  Artist  by  herself.  'Angelica 

Kauffman,  R.A.  George  Harland-Peck,  Esq. 

-2558  Allegory.    By  Angelica  Kauffman,  R.A. 

Henry  Thos.  Schdfer,  Esq. 

-2559  Circular  Painting,  Mythological  Subject.  By 

Angelica  Kauffman,  R.A.  J oseph  Grego,  Esq. 

-2560  Mrs.  Robinson.    By  Angelica  Kauffman,  R.A.  do. 

-2561  Circular  Painting,  Mythological  Subject.  By 

Angelica  Kauffman,  R.A.  do. 

-2562  Duchess  of  Gloucester.    By  Angelica  Kauffman, 

R.A.  *  F.  Parsons,  Esq. 

-2563  Miss  Vansittart.    By  Eckhardt  Frank  T.  Sabin,  Esq. 

2564  Mrs.  Fane  of  Fulbeck.    After  Gainsborough     Miss  F.  Graham 

-2565  Lady  Ada  Cavendish,  daughter  of  Georgiana, 
Duchess  of  Devonshire.  By  John  Down- 
man,  A. R.A.  *  Joseph  Grego,  Esq. 

2566  Mrs.  Hannah  More.    By  Johann  Zoffany,  R.A. 

The  Lord  Burton 

2567  Princess  Amelia.    By  Maria  Hadfield  (Mrs. 

Cos  way)  George  Harland-Peck,  Esq. 

-2568  Mrs.  Siddons.    After  Sir  Joshua  Reynolds 

Frank  T.  Sabin,  Esq. 

-2569  A  Red-Cross  Nurse.    By  S.  John  Hassall 

W.  H.  B.  Sands,  Esq. 

"2570  Psyche.    By  Robert  Beyschlag       Messrs.  George  Roumey  &  Co. 

2571  Italian  Street  Singer.    By  Luca  Sano     P.  Cremieu-Javal,  Esq. 

"2572  Portrait  of  Mrs.  Golightly.    By  Miss  Maud 

Coleridge  Miss  Maud  Coleridge 


Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


123 

No.  ^ent  °y 

9573  The  Princess  Kosfigliosi.      By  Miss  Marion 

Gemmell  Miss  Marion  Gemmell 

2574  Spanish  Woman.    By  La  Pera  P.  Cremieu-Javal,  Esq. 

2575  Mrs.  Henry  Lumley.   By  Solomon  J.  Solomon, 

E.A.  Henry  Lumley,  Esq. 

2576  Italian  Sewing  Girl.    By  Pagliano.         P.  Cremieu-Javal,  Esq. 

2577  Lady  Newton  Butler.  By  Miss  Marion  Gemmell 

Miss  Marion  Gemmell 

2578  Lady  Carew.    By  Miss  Marion  Gemmell  do. 
0579  »  The  Portrait   of  My  Mother."     By  Carl 

Haag,  E.W.S.  Carl  Haag,  Esq.,  R.W.S. 

2580  Mrs.  E.  M.  Ward.    By  the  late  E.  M.  Ward, 

E.A.  Mrs.  E.  M.  Ward 

-2581  Miss  Gunning.    By  Finlayson  E.  Parsons,  Esq. 

2582  The  late  Mrs.  de  Gaury.    By  L.  Gratia 

Francis  H.  H.  de  Gaury,  Esq. 

2583  Virginia.    By  G.  E.  Hicks  Messrs.  George  Roimey  &  Co. 

2584  Playmates.    By  G.  E.  Hicks  do. 

*2585  Madame  Malibran.    By  Harlow  E.  Parsons,  Esq. 

2586  Lady  and  Child.    By  Sir  Thomas  Lawrence, 

p.R.A.  P.  Cremieu-Javal,  Esq. 

*2587  Madame  Eachel,  the  great  Tragedienne.  By 

Dubufe  P"  Parsons,  Esq. 

2588  Lady  Byron.  By  Sir  Thomas  Lawrence,  P.E.A. 

P.  Cremieu-Javal,  Esq. 

-2589  Miss  Tennyson,  sister  of  Alfred,  Lord  Tennyson. 

("In  Memoriam.")      By  Sir  Francis  Grant, 

pjft.A.  Henry  Hay  ward  Stewart,  Esq. 

2590  Mdlle.   Jenny   Lind    as   Norma.  After 

Soedermark  Otto  Goldschmidt,  Esq. 

*2591  Viola.    By  W.  Egley  Joseph  Grego,  Esq. 

2592  Spanish  Type  of  Beauty.    By  P.  A.  Cot 

The  Proprietors  of  "  The  Graphic 

2593  Remembrance.    By  W.  M.  May  Theodore  Lumley,  Esq. 

2594  Miss  Mary  Moore  as  "Fiorella"  in  "The  Jest"    Miss  Mary  Moore 

2595  Miss  Mary  Moore  as  "  Ada  Ingot  "  in  David 

G^arrick "  * 

2596  Miss  Violet  Vanbmgh  Mrs.  Arthur  Bourchier 


*  Those  pictures,        marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


124 

No.  ■  ^^MM^MM^0^^'.  Lentby 

2597  Miss  Stella  Brereton  as  Ophelia  jmeph  Mordecai,  Esq- 

2598  Le  Reve  d'Ete.    By  P.  Franc  Lamy       P.  ( 'nwiieu-Jaral,  Esq. 

2599  Miss  Marion  Terry.    By  Mrs.  Louise  Jopling 

Mrs.  Louise  JopUng 

2600  Miss  Beatrice  Vaillant.    By  Mrs.  Louise  Jopling  do. 

2601  Lady  Bancroft.    By  F.  P.  White  Sir  Squire  Bancroft 

2602  Mrs.  Louise  Jopling.    By  the  late  Sir  John 

Millais,  P.R.A.  Mrs.  Louise  Jopling 

2603  Mrs.  G.  M.  Cockell.    By  Mrs.  Louise  Jopling  do. 

2604  Little  Sunshine.    By  Mrs.  Louise  Jopling  do.  ' 

2605  Lady  Colin  Campbell.    By  Mrs.  Louise  Jopling  do. 

-2606  Duchess  of  Devonshire  (Louise,  Duchess  of 

Manchester).    By  M.  Tekusch  Joseph  Grego,  Esq. 

2607  Mrs.  Alec  Tweedie.    By  Herbert  Schmalz       Mrs.  Alec  Tweedie 

1 2608  Madame  Sarah  Bernhardt.  By  Walter  Spindler 

Walter  Spindler,  Esq. 

2609  John  Oliver  Hobbes  (Mrs.  Craigie).    By  Herbert 

Schmalz  Herbert  Schmalz,  Esq. 

2609«Miss  Natalie  Janotha  (Court  Pianiste  to  H.I.M. 

the  German  Emperor)  with  her  famous 
favourite  Cat  "  White  Heather."  By 
Borglum  Miss  Natalie  C.  Janotha 

2609&Miss  Natalie  C.  Janotha  (Court  Pianiste  to 
H.I.M.  the  German  Emperor).  By 
Walter  Spindler  do. 

'2610  Marchioness  of  Stafford.    By  J.  Sant,  R.A.    Joseph  G;wjb9  Esq. 

mil  The  Bride  of  Venice.    By  William  Etty,  R.A.  do. 

^2612  "  What  you  will."    By  John  Raphael  Smith  do. 

2613  Lady  Gertrude  Gower,  Duchess  of  Bedford. 

By  T.  Hudson.  do. 

*2614  Mrs.  Jordan.    By  Hoppner  LI.  Parsons,  Esq. 

2615  Lady  Lyon.    By  William  Hogarth      James  Bailey,  Esq,  M.P. 

-2616  Portrait  of  a  Lady  :  "  Fame."    By  Sir  Joshua 

Reynolds,  P.R.A.  Shakespeare  Stewart,  Esq, 

*2617  Mrs.  Romney.    By  George  Romney  Joseph  Grego,  Esq. 

2618  Miss  Eliza  Linley  (afterwards  Mrs.  Sheridan). 

By  Thomas  Gainsborough,  R.A.  Gilbert  Cook,  EJsq.. 

2618#Bust  of  Mdlle.  Jenny  Lind.     After  Joseph 

Durham,  A. R.A.  (1849)  Otto  Goldschmidt,  Esq. 


*  Those  pictures,  cfc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


125 


DIVISION  III. 

No.  Lent  by 

2619  Lady  Clare.    By  Sir  James  D.  Linton,  RJ. 

The  Executors  of  the  late  William  Lockwood,  Esq. 

2620  Miranda.    By  Sir  James  D.  Linton,  RJ. 

William  Walter  Hayworth,  Esq. 

2621  Constance  ("Marmion").    By  Sir  James  D. 

Linton,  RJ.  Fred.  W,  Kell,  Esq. 

2622  Marguerite.    By  Sir  James  D.  Linton,  R J. 

D.  Dyce  Brown,  Esq.,  M.I). 

2623  The  Black  Fan.    By  Sir  James  D.  Linton,  RJ.  do. 

2624  The  Letter.    By  Sir  James  D.  Linton,  RJ.  do, 

2625  Dreamland.    By  Sir  James  D.  Linton,  RJ.  do. 

2626  The  Embroiderer.    By  Sir  James  D.  Linton, 

RJ.  do. 

2627  Jacqueline.    By  Sir  James  D.  Linton,  RJ. 

William  Walter  Ha;/ worth,  Esq. 

2628  After  the  Ball.    By  Sir  James  D.  Linton,  R  J. 

I).  Dyce  Ih  'own,  Esq.,  M.D. 

2629  The  Day  Dream.    By  Sir  James  D.  Linton, 

.    r.i.      ^i^i^^^^^^i^i^  .  d(0iM^$ 

2630  Ida.    By  Sir  James  D.  Linton,  RJ.  do. 

2631  Lady    Heron     (from    Sir    Walter  Scott's 

"  Marmion  ").    By  Sir  James  D.  Linton, 

RJ.  John  Eulleylove,  Esq.,  B.I. 

-2632  Amy  Robsart.    By  Sir  James  D.  Linton,  RJ. 

J.  E.  Sarson,  Esq. 

2633  The  Beautiful    Sitter.     By  Sir  James  D. 

Linfcon,  RJ.  James  Orrock,  Esq.,  B.I. 

2634  Mary,  Queen  of   Scots.    By  Sir  James  D. 

Linton,  RJ.  do, 

2636  Hero  from  "  Much  Ado  about  Nothing."  By 

Sir  James  D.  Linton,  R  J.         D.  Dyce  Brown,  Esq.,  M.D. 

2637  Isabel.    "  Eyes  not  down  dropt  nor  over  bright, 

but  fed  with  the  clear  pointed  flame  of 
Chastity."    By  Sir  James  D.  Linton,  RJ. 

•  John  Eulleylove,  Esq.,  B.I 

2638  Ninon.    By  Sir  James  D.  Linton,  R  J. 

I).  Dyce  Ih-own,  Esq.,  M.D. 


*  Those  pictures,  Sf,c.,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Cwrator  in  the  Gallery. 


126 

no.  Lentby 

2639  Autumn.    By  Sir  James  D.  Linton,  R.L 

B.  Byce  Brown,  Esq.,  M.D. 

2640  Before  the  Ball.     By  Sir  James  D.  Linton, 

R.L  do- 

2641  Waiting.    By  Sir  James  D.  Linton,  R.L 

The  Executors  of  the  late  William  Lockwood,  Esq. 

2642  The  Murmur  of  the  Shell.    By  Sir  James  D. 

Linton,  R.L  DVce  Brown,  Esq.,  M.D. 

2643  Chloris.    By  Sir  James  D.  Linton,  R.L 

William  Walter  Hayworth,  Esq. 

2644  The  Day  Dream.    By  Sir  James  D.  Linton,  R.L 

D.  Byce  Brown,  Esq.,  M.D. 

2645  A  Lady  looking  in  a  Looking  Glass.    By  Sir 

James  D.  Linton,  R.L  Theodore  Burnley,  Esq. 

2646  Janet  Foster  (from  Sir  Walter  Scott's  "  Kenil- 

worth.")    By  Sir  James  D.  Linton,  R.L 

James  Orrock,  Esq.,  B.I. 

2647  Marguerite.    By  Sir  James  D.  Linton,  R.L 

D.  Byce  Brown,  Esq.,  M.D. 

2648  A  Fair  Puritan.     By  Sir  James  D.  Linton, 

B,  J.  Alex.  Thos.  Hollingsworth,  Esq. 

2649  Lady  with  Fan.  By  Sir  James  D.  Linton,  R.L  do. 

2650  Clairette.    By  Sir  James  D.  Linton,  R.L 

B.  Byce  Brown,  Esq.,  M.D. 

2651  Spring.    By  Rosalba  P.  Cremieu-J  aval,  Esq. 

2652  Hon.  Miss  Anson.    By  Rosalba  Joseph  Grego,  Esq. 

2653  Summer.    By  Rosalba  P.  Cremieu-Javal,  Esq. 

2654  Winter.    By  Rosalba  do. 

2655  Autumn.    By  Rosalba  do. 

-2656  Portrait  of  a  Lady.    By  Rosalba  E.  Parsons,  Esq. 

2657  Princess  Henrietta  Anne,  sister  of  Charles  II. 

By   Vaillant    (the    inventor    of  Pastel 
<  Painting)  Dowager  Eady  Freake 

"2658  Elizabeth,  Lady  Denham  (from  the  Waldegrave 

collection).  By  Sir  Peter  Lely      W.  Hamilton  Shears,  Esq. 

-2659  Mrs.  Jordan.    By  J.  Russell,  R.A.  Frank  T.  Sabin,  Esq. 

2660  Miss  West.    By  J.  Ernest  Breun  J.  Ernest  Breun,  Esq. 

2661  Innocence.    By  J.  Ernest  Breun  do. 


*  Those  pictures,  Sfc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


127 

No.  Lent  by 

2662  Mrs.  0.  Adeane.    By  J.  Ernest  Breun      J.  Ernest  Breun,  Esq. 

2663  Simplicity.    By  J.  Ernest  Breun  d(h 
oAfU  MissM.  Baird,  daughter  of  G.  Baird,  Esq.,  M.P. 

By  J.  Ernest  Breun  d0t 

nnK  Miss  Farquharson,  daughter  of  Mrs.  Farquharson 
of  Invercauld,  Scotland.  By  J.  Ernest 
Breun  ;  do. 

2666  Miss  Maude  Millett  (Mrs.  Tennant).     By  J. 

Ernest  Breun  do. 

2667  A  Study.    By  J.  Ernest  Breun  do. 

2668  The  Marquise  d'Hautpoul.    By  J.  Ernest  Breun  do. 
*2669  Catherine  Hayes  (famous   vocalist).     By  F. 

Boggi,  1839  Shakespeare  Steivart,  Esq. 

2670  A  Sussex  Beauty.    By  John  James  Masquerier    Mrs.  Hampton 

"2671  Eve.    By  Henry  Thomas  Schafer    Henry  Thomas  Schafer,  Esq. 

-2672  A  Love  Token.    By  Henry  Thomas  Schafer  do. 

-2673  Golden  Treasures.   By  Henry  Thomas  Schafer  do. 

-2674  All  among  the  Boses.    By  Henry  Thomas 

Schafer  do. 

*2675  Dreaming  the  Happy  Hours  Away.    By  Henry 

Thomas  Schafer  do. 

$2676  A  Token  of   Affection.    By  Henry  Thomas 

Schafer  do. 

$2677  A  Spray  of  Blossoms.    By  Henry  Thomas 

Schafer  do. 

2678  Sweet  Seventeen.    By  Henry  Thomas  Schafer  do. 

2679  An  Open  Book.    By  Henry  Thomas  Schafer  do. 
^2680  Nercide.    By  Henry  Thomas  Schafer  do. 
:;2681  An  Offering.    By  Henry  Thomas  Schafer 
;;2682  Lilies.    By  Henry  Thomas  Schafer 

2683  Breezy.    By  St.  George  Hare,  B.I. 

The  Proprietors  of  the  "  Graphic  " 

2684  Pomona.  By  Maxim  Gauci  F.  T.  Sabin,  Esq. 
-2685  The  Bed  Scarf.  By  Bernard  Partridge  Bernard  Partridge,  Esq. 
>2686  En  Japonaise.    By  Bernard  Partridge  do. 

2687  Mrs.  William  Cunard.  By  Miss  Marion  Gemmell 

Miss  Marion  Gemmell 


do. 
do. 


*  Those  pictures,  Sec,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


128 

No.  Lent  by 

2688  H.K.H.  the  Duchess  of  York.    By  Thaddeus 

Mrs.  Graigie  {John  Oliver  Hobbes) 

2689  Mrs.  Bernard  Partridge.    By  Bernard  Partridge 

j  Bernard  Partridge,  Esq, 

2690  Mrs.  Kilburne    By  George  G.  Kilburne,  R.I. 

G.  G.  Kilburne,  Esq.,  pl  jt 
"2691  Vanity.    By  Bernard  Partridge.  Bernard  Partridge,  E$q 

2692  Kassandra  Vivaria  (Mrs.  Heinemann).  By 

Miss  Marion  Gemmell  Miss  Marion  Gemmell 

2698  A  Question  of  Colour.    By  W.  Small 

The  Proprietors  of  the  "  Graphic  " 
-2694  Geres.    By  Maxim  Gauci  F,  T.  Sabin,  Esq. 

2695  Miss  Ethel  Mortlock.    By  Miss  Ethel  Mortlock 

Miss  EJthel  Mortlock 

2696  In  Merry  Mood.  By  J.  Clark  The  Proprietors  of  the  "  Graphic  " 
-2697  Miss  Marion  Clements..  By  G.  A.  Storey,  A.R.A. 

1  G.  A.  Storey,  Esq.,  A.R.A. 

2698  Mrs.  Stanley  Ford.    By  Miss  Ethel  Mortlock 

Miss  Ethel  Mortlock 

2699  Daisy  Gilbey  Riviere,  daughter  of  H.  Riviere, 

Esq.    By  Benjamin  Constant.  H.  Biviere,  Esq. 


DIVISION  IV. 

2700  Mrs.  Woolfe  Haldinstein.    By  Mrs.  Gordon 

Salamon  Mrs.  Gordon  Salamon 

2700aLady  McKenna.    By  Miss  Alice  Bolton  Miss  Alice  Bolton 

2701  Miss  Frances  Power  Cobbe.    By  Miss  Florence 

Graham  Miss  Florence  Graham 

2702  Christine,  daughter  of  F.  Rey,  Esq.    By  Miss 

Florence  Graham  do. 

2703  The  Hon.  Mrs.  C.  Eliot.    By  Miss  Florence 

Graham  do. 

*2704  Four  Miniatures  entitled  :  Miss  L.  as  The  New 
Woman  ;  Miss  M.  as  Priscilla  the  Puritan 
Maiden;  Dawn,  Day,  and  Night;  Miss 
Ellen  Terry.    By  Miss  Florence  Graham  do. 


Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


129 

No.  Lent  hy 

2705  Recollections.    By  Miss  Florence  Graham 

Miss  Florence  Graham 

2706  The  Dowager  Lady  *  reake.    By  Miss  Florence 

Graham  , 

at). 

2707  A  Modern   Bacchante.     By   Miss  Florence 

Graham  ^ 

2708  The  late  Dowager  Lacly  Castletown  of  Upper 

Ossory.    By  Miss  Florence  Graham  &iK 

2709  Dowager  Lady  Freake.    By  Signor  Baccani 

Dowager  Lady  Freake 

2710  Miss  Foote,  afterwards  Countess  of  Harrington, 

by  whom  it  was  given  to  Lady  Bancroft^ 
.  when  Miss  Marie  Wilton  Lady  Bancroft 

2711  Mrs.  Langtry.  By  Frank  Miles  Sir  Squire  Bancroft 
-2712  "  When  the  day  is  over 

Night  is  drawing  nigh  "  Charles  E.  Marshall,  Esq. 

-2718  Tender  and  True  (j(K 

%14  u  Her  lips  are  roses  wat  wi'  dew, 

Oh,  what  a  feast  her  bonnie  mou'! "  dp. 

2715  Portrait  of  a  Lady  do. 

-2716  Maidenhood  do. 

2717  Lady  Arthur  Grosvenor  do. 

2718  Youth  do. 
-2719  Day  Dreams  do. 

2720  Innocence  do. 

2721  Lady  Colebrooke  do. 

2722  Madame  Antoinette  Sterling  Madame  Antoinette  Sterling 

:;'2721  Sylvia  Harold,  Speed,  Esq. 

-2725  Mother  and  Children.    By  Madame  Mantovani 

Gutti  Messrs.  Henry  Graves  &  Co.,  Ltd. 

-  2726  Spring.    By  Madame  Mantovani  Gutti  do. 

-2727  Queen  of  Italy:    a   Sketch.     By  Madame 

Mantovani  Gutti  do; 

"2728  Roman  Children.     By   Madame  Mantovani 

*:<2729  Music.    By  Madame  Mantovani  Gutti  Miss  F.A.  Graves 

!2730  Beatrice  of  Dante.    By  Madame  Mantovani 

Gutti  Mrs.  A.  Graves 


*  Those  pictures,  Sfc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery.  ■ 


130 

No.  Lent  by 

-2731  Dream  of  Love.    By  Madame  Mantovani  Gutti 

Sydney  Graves,  Esq. 
2732  Head  of  Mrs.  Hemans  :  the  Poetess  of  the 

Affections  Madame  Antoinette  Sterling 

-2733  Illustrations  of  later  Eighteenth  Century  Cos- 
tumes: The  Love  Story.  Dr.  Jeddler  and 
his  Daughters.  Drawing  to  illustrate 
"  The  Battle  of  Life,"  by  Charles  Dickens. 
By  Charles  Green,  K.I.  Joseph  Grego,  Esq. 

-2734  Do.  do.  The  Miniature,  drawing  to  illustrate 
"  St.  Catherine's  by  the  Tower,"  by  Sir 
Walter  Besant.    By  Charles  Green,  E.L  do. 


SERIES  OF  UNFOLDED  FAN  MOUNTS. 

Illustrating  the  printing  of  Fans  (in  the  Eighteenth  Century) 
on  Paper,  Kid  Leather,  Chicken  Skin,  Satin,  &c. 

Lent  by  Joseph  Grego,  Esq. 

*2735  Series  of  old-fashioned  Coaching  Subjects  printed  as  Fans.— 
The  Mail  Coach  Changing  Horses,  1825.  By  J ames  Pollard. 
— Stage  Coach  and  Opposition  Coach  in  Sight,  1819. 
By  James  Pollard 

"2736  The  Birmingham  "  Tally  ho"  Coaches,  passing  the  "  Crown" 
at  Holloway,  1823.  By  James  Pollard. — Hyde  Park  Corner, 
1  1828.    By  James  Pollard 

-2737  West  Country  Mails  at  the  "  Gloucester  "  Coffee  House, 
Piccadilly,  1828.  By  James  Pollard.— The  Mail  arriving 
at  Temple  Bar,  1834.    By  C.  B.  Newhouse 

-2738  The  Last  Journey  on  the  Eoad,  1823.  By  J.  L.  Agasse.— 
Old  Temple  Bar  by  Moonlight,  1834.    By  C.  B.  Newhouse 

-2739  Impressions  of  miniature  versions  of  engraved  plates,  with 
ornamental  borders,  specially  engraved  for  Fan  Mounts 
by  T.  Eyder. — The  Hours  crowning  virtuous  Love.  ByK. 
Cosway,  R.A. — A  Cottage  Girl  Shelling  Peas.  By  W.  E. 
Bigg,  E.  A. — A  VillageGirl  Gathering  Nuts.  By  W.E.Bigg, 
E.A. 

-2740  Do.    do.     A  Girl  of  Carnarvon.    Printed  %on  Satin.    By  E. 

Wes.tall,E.A.— Adelaide.  Printed  on  Satin.  ByE.  Westall, 
E.A. — Venus  Chiding  Cupid  for  Casting-up  Accounts.  By 
Sir  Joshua  Eeynolds.    Proof  by  A.  Poggi 


Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


131 


.0741  Impressions  of  miniature  versions  of  engraved  plates,  with 
V  ornamental  borders,  specially  engraved  for  Fan  Mounts 

Kauffman  Fans.  Proof  Impressions  of  Engravings  by 
Schiavonetti,  Marcuard,  F.  Bartolozzi,  etc.,  after  paintings 
by  Angelica  Kauffman,  E.A.— Innocence,  Sappho,  The 
Muse,  Music,  A  Bacchante,  Poesy.  The  same  printed  on 
kid  leather  Fan  for  colouring 

-0742  printed  Fans  from  Engraved  Plates.  "Serena"  (portraits  of  Lady 
Hamilton  and  George  Romney).  Painted  by  T.  Stothard, 
B.A.  Engraved  by  Edward  Scott.  Dedicated  to  Mrs. 
Sheridan. — Two  Bartolozzi  proofs  of  Cupids  for  Fan  Mounts 

*2743  Proofs  after  Engraved  Plates  used  for  printing  upon  Fan 
Mounts. — Love.  By  B.  Cosway,  B.A.— Juno  in  her  Chariot. 
 The  Marriage  of  Cupid  and  Psyche  (Payne-Knight  Gem) 

*2744  Special  "proof  before  letters"  Impressions  of  Plates  printed  as 
Fans. — Playing  Shuttlecock.  By  W.  Hamilton,  B.A., 
engraved  by  J.  Barney. — Whip  Top.  By  W.  Hamilton, 
R.A.,  engraved  by  J.  Barney 

-2745  Botanical  Fan.  Classification  of  species  upon  the  System  of 
Linnseus. — Vive  la  Bagatelle  Fan 

*2746  Bartolozzi  Fans,  1779.    Payne-Knight  Gems,  with  Marriage  of 
Cupid  and  Psyche,  etc.  Proof. 
The  same  tinted 

*2747  Bo.  do.  Apollo  with  the  Chariot  of  the  Sun,  accompanied  by 
the  Muses. — A  Classical  Fan  (Etruscan  School).    Proof  do. 

"2748  Morland  Fans,  printed  in  Colours. — Children  Nutting. — Children 
Birdsnesting 

-2749  Bo.     do.     Children  Playing  at  Blindman's  Buff. — Children 

Playing  at  Soldiers 
"2750  Do.     do.     Nursemaid  and  Children  in  the  Fields.— Fan  printed 

in  Colours,  Perdita  (Mrs.  Robinson),  after  R.  Cosway,  R.A. 

 Children  Playing  at  Marbles,  and  Playing  at  Hot  Cockles. 

By  W.  Hamilton,  R.A. 
*2751  Bo.     do.     The  Farmer's  Door.— The  Squire's  Door 
*2752  Sir  Joshua  Reynolds   Fans,  printed  in  Colours.— Simplicity. 

Engraved  by  F.  Bartolozzi.— The  Age  of  Innocence 
*2753  Do.    do.     Miss  Penelope  Boothby.—G. Morland  :  "  Variety" 

(Portrait  of  Mrs.  Morland) 
*2754  Morland  Fans,  printed  in  Colours.— Buffet  the  Bear.    By  T. 

Stothard,  R.A.— The  Kite  Entangled.    By  George  Morland 
-2755  Do.    do.     Delia  in  the  Country.— Delia  in  Town 
*2756  Do.    do.     Juvenile  Navigators.— Susan's  Farewell 


*  Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


\ 


132 

No.  Lent  by 

2757  Old  French  Lace:  Point  de  Caen  Mrs.  Bruce  Clarke 

2758  Old  English  Needlework,  run  on  machine  net, 

1830-40  do. 

2759  Embroidered  Muslin  Pelerine,  1790-1820  do. 

2760  Picture  in  Needle  and  Brush  work:  "  See-saw." 

After  Francis  Wheatley,  E.A.  do. 

2161  Old  English  Needle  Point ;    time  of  Queen 

Elizabeth  do. 

2762  Embroidered  Muslin  Pelerine  do. 

2763  Old  Bucks  Lace  Veil  do. 

2764  Photographs  of  Burano  Laces.     Made  from 

patterns  lent  by  H.M.  Queen  Margherita  do. 

2765  Photographs  of   Burano   Laces,  made  from 

patterns  lent  by  H.  M.  Queen  Margherita  do. 

2766  Embroidered  Muslin  Pelerine  do. 

2767  (1)  Needle-run  Lace  Veil  (2)  Needle-run  Sleeve. 

Both  probably  amateur.  do. 

2768  Embroidered  Muslin  Pelerine  do. 

:  2769  E.  Dighton.    Series  of  The  Months  (engraved 
to  in  mezzotint),  from  January  to  December, 

;c277 3        giving  the  female  fashions  for  the  year  1 780. 

By  R.  Dighton  Joseph  Grego,  Esq. 

SERIES  OF  SKETCHES  FROM  GAINSBOROUGH'S  SKETCH 

BOOK.    Lithographed  by  R.  Lane,  A.R.A. 

2774  Lady  in  Rich  Dress,  'Cello  Player,  and  Charity 

Mrs.  Von  Schweitzer 

2775  Three  Studies  of  Georgiana  Spencer,  Duchess 

of  Devonshire  do. 

2776  Four  Studies  :  Gainsborough's  Daughters,  Girl 

with  Pitcher,  etc.  do. 

2111  Three  Sketches :   Hon.  Mrs.    Graham,  Miss 
Linley  (afterwards  Mrs.   Sheridan),  and 

Back  View  of  a  Female  Figure  do. 

\- 

SERIES  OF  ENGRAVINGS,  PRINTED  IN  COLOURS. 

After  Drawings  by  Adam  Buck. 

2778  The  darling  awake.    By  Adam  Buck 

t  John  Thurston  Gabriel,  Esq. 


'Those  pictures,  tyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


138 

No.  Lent  by 

2779  "Ride  on  pickback,  my  darling."    By  Adam 

Buck  John  Thumon  (iabrid,  Kxq. 

2780  "Ride  on  a  horse  to  Banbury  Cross."  By 

Adam  Back  ^ 

2781  First  steps,  in  life.    By  Adam  Buck  (l(K 

2782  Step  by  step ;    or,  the  progress  of  human 

We'  N||        :,  i  do. 

2783  The  darling  asleep.    By  Adam  Buck  d(K 

2784  Charity.    By  Adam  Buck  do. 

2785  "  Have  I  not  learn'd  my  book,  Mamma  ?  "  By 

Adam  Buck  LjiK 

2786  "I  could  not  learn  my  book,  Mamma."  By 

Adam  Buck 

2787  "  Mamma,  don't  make  me  beg  in  vain  ; 

Pray  read  that  pretty  book  again  !  " 

By  Adam  Buck  do. 

2788  "  Come,  father's  hope!  come,  mother's  glory! 

Now  listen  to  a  pretty  story  !  " 

By  Adam  Buck  do. 

2789  Madame  Catalani,  famous  vocalist.     By  Adam 

Buck  do. 

2790  Miss  Decamp  (Mrs.  Charles  Kemble)  in  the 

character  of  Urania    By  P.  Jean  do, 

*2791  Mrs.  Mary  Anne  Clark,  of  Gloucester  Place; 

famous  in  connection  with  the  Duke  of 
York's  case  and  the  Parliamentary 
investigation,  1808.    By  Adam  Buck     Joseph  (Trego,  Esq. 

1*792  Miss  Kemble  (sister  of  Mrs.  Siddons).   By  John 

Downman,  A.K.A.    Engraved  by  J.  Jones  do. 

-2793  Mrs.   Parkyns.      By   John    Hoppner,  R.A. 

Engraved   by   C.   Wilkin.     Printed  in 

colours  4<>. 

-'•2794  Miss   Stephens   as  Lucy   Bertram  in  "  Guy 

Mannering."    By  G.  H.  Harlow  do. 

-2795  Miss  Katharine  Stephens,  the  famous  actress 
and  singer  (afterwards  Countess  of  Essex). 
By  G.  H.  Harlow.  Engraved  by  Henry 
Meyer  d°k 


*  Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


134 


SEEIES  OF  FOUB  MEZZOTINTS. 
No.  Lent  by 

2796  Lady's  Maid  Soaping  Linen  (described  as  Miss 

Gunning,  Duchess  of  Hamilton).  By 
Henry  Morland.  Engraved  by  Philip 
Dawe  Jolm  Thurston  Gabriel,  Esq. 

2797  The   Laundry    Maid    Hanging    out  Linen 

(described  as  Miss  Gunning,  Countess  of 
Coventry).  By  Henry  Morland.  Engraved 
by  Philip  Dawe  do. 

2798  Lady's    Maid    Ironing    (described    as  Miss 

Gunning,  Countess  of  Coventry).  By 
Henry  Morland.  Engraved  by  Philip 
Dawe  do. 

2799  Female  Lucubration.     By  Henry  Morland. 

Engraved  by  Philip  Dawe  do. 

2800  Adrienne    Lecouvreur,     the    great  French 

tragedienne  Richard  Davey,  Esq. 

"2801  Personal  Belie  of  Joanna  Southcott,  foundress 
of  the  religious  sect  bearing  her  name : 
"  Seal  of  Safety  "  (granted  to  her  followers 
and  disciples),  "  to  inherit  the  Tree  of 
Life."  Given  to  George  Newman  ;  born 
1800  Miss  J.  S.  Hipkins 

"2802  The  unfortunate  Caroline  of  Brunswick,  Queen 
of  George  IV.    By  Abraham  Wivell 

Mrs.  Mariquita  J.  Moberly 

"2803  Queen  Elizabeth.    By  N.  Hilliard.  Engraved 

by  R.  Earlom  do. 

"2804  "Variety"  Portrait  of  Mrs.  Morland :  "  The 
Charm  of  Life's  Variety."  By  George 
Morland.    Printed  in  colours.  Joseph  Or  ego  t  Esq. 

"2805  Penelope  Boothby.    By  Sir  Joshua  Reynolds  do. 

*2806  The  Nymph  of  Immortality,  attended  by  The 
Loves,  crowning  the  bust  of  Shakespeare. 
By  G.  B.  Cipriani,  R.A.  Engraved  by  F. 
Bartolozzi,  R.A.    Printed  in  colours.  do. 

"2807  Portrait  of  Mrs.  Fitzherbert.  By  R.  Cosway, 
R.A.  Engraved  by  John  Conde.  Printed 
in  colours  Samuel  Sullivan,  Esq. 

2808  Fortitude.  By  David.  Engraved  by  Godby    Joseph  Orego,  Esq. 


*  Those  pictures,  <fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


135 

No.  Lent  by 

*2809  The  Princess  Charlotte  of  Wales.  Engraved 

by  W.  J.  Fry  Mrs.  Mariquita  J.  Moberly 

2810  Curious  specimen  of  fine  penmanship  on  vellum : 

The  Ten  Commandments  and  the  Creed. 
With  the  Lord's  Prayer,  inscribed  in  the 
compass  of  a  silver  penny.  By  Mary 
Johnson  (scripsit  1747).  Miss  Sylvia  Goodeve 

2811  Anne  Throgmorton,   wife   of    Sir  Nicholas 

Throgmorton,  Queen  Elizabeth's  famous 

Ambassador  James  Roberts  Broivn,  Esq. 

*2815  Water  Colour  Drawing  :  Rowlandson  the  Artist  3 
and  his  fair  sitters.  By  Thomas  Rowlandson 

Joseph  Grego9  Esq. 

"2816  Portraits  of  Georgiana,  Duchess  of  Devonshire, 
with  her  sister  Viscountess  Duncannon. 
By  Angelica  Kauffman,  R.A.  Engraved 
by  W.  Dickinson.    Printed  in  colours. 

Frank  T.  Sabin,  Esq. 

-2817  Water  Colour  Drawing.  Portrait  of  Miss 
Decamp,  actress,  as  Miss  Rivers.  (Miss 
Decamp  became  Mrs.  Charles  Kemble)  do. 

-2818  Do.    do.    The  Syrens.    By  Thomas  Rowlandson  do. 

-2819  The  Boxes  at  Covent  Garden  Theatre  during 
the  performance  of  "  The  Way  of  the 
World,"  1785.  By  Thomas  Rowlandson. 
The  original  drawing  executed  for  George 
IV,  when  Prince  of  Wales  do. 

"2820  A  Visit  to  the  Aunt.    By  Thomas  Rowlandson  do. 

*2821  A  Visit  to  the  Uncle    By  Thomas  Rowlandson  do. 

-2822  Lady  Hamilton  as  a  "Bacchante."  By  Sir 
Joshua  Reynolds,  P.R.A.  Engraved  by 
J.  R.  Smith.    Printed  in  colours  do. 

*2823  La  Surprise.     By  Dubufe.     Engraved  by 

Samuel  Cousins.    Artist's  proof.  do. 

"2824  The  Fruits  of  Early  Industry  and  Economy. 

By  George  Morland.     Engraved  by  W. 

Ward.    Printed  in  colours.  Joseph  Grego,  Esq. 

"2825  Lady  Charlotte  Greville.  By  John  Hoppner, 
R.A.  Engraved  by  J.  Young.  Printed  in 
colours.  Frank  T.  Sabin,  Esq. 


*  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


t 


186 

No.  Lent  by 

-2826  H.R.H.  the  Duchess  of  York.  By  John 
Hoppner,  R.A.  Engraved  by  W.  Dickinson. 
Printed  in  colours.  Frank  T.  Sabin,  Esq 

"2827  The  Daughters  of  Sir  Thomas  Frankland.  By 
John  Hoppner,  R.A.  Engraved  by  W. 
Ward.    Printed  in  colours  do. 

"2828  The  Effects  of  Youthful  Extravagance  and 
Idleness.  By  George  Morland.  Engraved 
by  W.  Ward.    Printed  in  colours  Joseph  Grego,  Esq 

"2929  Mrs.  Seaforth  and  Child.  By  Sir  Joshua 
(Reynolds,  P. R.A.    Engraved  by  J.  Grozer 

Frank  T.  Sabin,  Esq 

"2830  Lady  Hamilton  as  "  Sensibility."  By  George 
Romney.  Engraved  by  Richard  Earlom. 
Printed  in  colours.  Joseph  Grego,  Esq 

"2831  The  Discovery.  By  George  Morland.  Engraved 

by  E.  J.  Dumee.    Printed  in  colours  do. 

"2832  The  Farmer's  Visit  to  his  Married  Daughter  in 
Town.  By  George  Morland.  Engraved 
by  W.  Bond.    Printed  in  colours  do. 

"2833  Miss  Farren  (afterwards  Countess  of  Derby). 

By  John  Downman,  A. R.A.    Engraved  by 

Edward  Stodart.    Printed  in  colours    Frank  T.  Sabin,  Esq 

"2834  Mrs.  Siddons.    By  John  Downman,  A.R.A.  do. 

"2835  Diana,  Lady  Sinclair.    By  Richard  Cosway, 

R.A.  do, 

"2836  The  Visit  returned  in  the  Country.  By  George 
Morland.  Engraved  by  W.  Nutter. 
Printed  in  colours  Joseph  Grego,  Esq 

"2837  The   Fair   Seducer.     By    George  Morland. 

Engraved  by  ]E.  J.  Dumee.    Printed  in 
colours.  do. 

"2838  Mrs.  Jordan  in  the  character  of  "  The  Country 
Girl."  By  George  Romney.  Engraved 
by  John  Ogborne.    Printed  in  colours  do, 

2839  Frame    containing   Five   curious   and  rare 

Engravings  of  Marie,  Queen  of  Scots,  after 
contemporary  portraits,  etc.  Richard  t)avey,  Esq 

2840  Drawing  of  Marie  Stuart,  wife  of  Francis  II. 

Facsimile  after  the  Clonet  do. 


*  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


187 

No*  .  Lent  bv 

2841  Drawing  of  Marie  Stuart  as  widow  of  Francis 

II.    Facsimile  after  the  Clouet  Richard  Dacey,  H,, 

2842  Rachel  on  her  Deathbed.      After  a  study  bv 

Mrs.  F.  0.  Connell  -7 

do. 

2843  Three  characters  from  "  The  Merry  Wives  of 

Windsor  "  ;  drawings  in  water  colours 
By  Kenny  Meadows  ("Punch  "  artist  and 
illustrator  of  Shakespeare)  Theodore  Lumleg,  Esq. 

COLLECTION  OF  FAN  MOUNTS, 

Painted  on  Silk,  Kid  Leather,  Chicken  Skin,  etc. 
with  Series  of  Engraved  Fans,  unmounted,  printed 
in  colours 

*2844  Fan  Mount,  painted  by  B.  Andre\    Lizard  and 

tropical  bind,  moss  roses,  and  wasp  Joseph  Grego,  Esq. 
2845  Bartolozzi  Fan,  unmounted,  painted  on  chicken 

skin,  with  Pompeian  subjects  Mrs.  Arthur  Goodeve 

;':2846  Fan  Mount,  unfolded,  painted  on  chicken  skin, 

with  subjects  from  frescoes  at  Pompeii. 

Bought  at  Naples  end  of  18th  century. 

From  the  Bessborough  collection.  Joseph  Grego,  Esq. 

"2847  Louis  XIV  Fan  Mount,  unfolded  :  Assembly  of 

the  Gods,  Elysium.     Painted  by  Giulio 

Komano  d0t 

-2848  Fan  Mount,  unfolded,  painted  on  chicken  skin, 
from  frescoes  at  Pompeii :  Bacchus  and 
Ariadne,  etc.  Bought  at  Naples  18th 
century.    From  the  Bessborough  collection  do. 

"2849  Fan  Mount,  unfolded,  painted  on  chicken  skin. 

Painted  at  Naples  1796,  commemorating 
the  eruptions  of  Mount  Vesuvius  in  1795 
and  1796  -  "  do. 

2850  Commemorative  Engraved  Plates,  used  for  Prin- 
ting on  Fans. — The  King's  Kestoration  to 
Health  (George  III),  by  Thomas  Stothard, 
K.A.  Engraved  by  F.  Bartolozzi,  R.A.— 
Marriage  of  the  Duke  of  York,  with  the 
Princess  of  Prussia,  by  Thomas  Stothard, 
R.A.  Engraved  by  E.  Scott. — Do.  do., 
by  Thomas  Stothard,  R.A.    Engraved  by 


*  Those  pictures,  #c,  marked  tvith  an  asterisk  are  for  sale.    For  prices  apply 

U  the  Curator  in  the  Gallery. 
K 


188 

No.  ■  Lent  by. 

Chapman.— Royal  Cumberland  Free- 
masons' School,  by  Thomas  Stothard,  R.A. 
Engraved  by  F.  Bartolozzi,  R.A.— Music, 
by  G.  B.  Cipriani,  R.A.  Engraved  by.  F. 
Bartolozzi,  E.A.,  1780  Joseph  Grego,  Esq. 

-2851  Damon  and  Musidora,  by  Angelica  Kaufman, 
R.A.  Engraved  by  F.  Bartolozzi,  R.A. 
(Thomson's  "  Seasons  ").—  Do.  do., 
delicately  printed  on  a  Fan  of  kid  leather, 
to  be  coloured  by  the  artist,  Angelica  Kauf- 
man, R.A.— Children  Feeding  Chickens.  . 
'  .       By  W.  Hamilton,  R.A.    Printed  in  colours.  do, 

-2852  Louis  XV   Fan,   painted  on   Silk.  Ladies 

Angling. — Gentlemen  out  Driving  do, 

-2853  Louis  XV  Pompadour  Fan  Mount  (unfolded). 

Painted  on  chicken  skin.  The  Apotheosis 
of  the  Royal  favourite,  Madame  la  Marquise 
de  Pompadour;  homages  offered  at  her 
Altar  by  Church  and  State  :  Abbes,  Priests, 
Abbots,  Bishops,  Archbishops,  Cardinals, 
Statesmen,  Financiers,  Professors  of 
Literature,  Art,  Music,  etc.,  figuring  as 
Amorini  or  Cupids  do, 

-2854  Printed  Kauffman  Fan  Mounts.  From  plates 
engraved  by  F.  Bartolozzi,  R.A.,  after  paint- 
ings by  Angelica  Kauffman,  R.A.  Printed 
on  kid  leather,  to  be  finished  by  the  artist 
as  water-colours. — Fan  Mount,  Sancho's 
Letters.  The  print  of  same  by  F.  Bartolozzi, 
R.A. — The  Origin  of  Drawing  :  The  Three 
Fine  Arts,  printed  on  kid  leather,  specially 
designed  for  Fan.—  Do.  do.  Proof 
before  letters  (en  sanguin)  do. 

-2855  Designs  of  Cupids.    By  G.  B.  Cipriani,  R.A. 

(the  original  drawing). — Do.  do.  (for  the 
benefit  of  M.  Salpietro).  Engraved  by  F. 
Bartolozzi,  R.A.,  1773. — Design  of  Ticket 
for  the  Lady  Mayoress's  Ball  at  the  Mansion 
House,  1791.  By  W.  Hamilton,  R.A. 
— Do.,  do.,  Engraving  of  Same  by  Francis 
Bartolozzi,  R.A.  M 

-2856  Portuguese  Fan  Mount,  commemorative  of  the 
Revolution  in  Madrid,  1808.  —  Do.  do., 
another  version,  coloured,  1808  do. 


*  Those  pictures,        marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery, 


139 

No.  Lent  by 

0Q57  Loyal    Portuguese    Fan   Mounts.  Amado- 

Ferdinando  8th.   In  colours.— Do.,  do.    Joseph  Gr ego,  E 
#2858  Eevolution  in  Madrid,   1808.— Scenes  from 
Sterne's  "  Sentimental  Journey  through 
France."    In  colours  ^ 

*2859  Commemorative  Fan  Mounts  (the  Duke  of 
Wellington  and  the  Peninsular  Wars): 
Ciudad  Rodrigo. — Victories  of  Salamanca 
and  Vittoria.    Printed  in  colours  (j(K 

$2860  Do.  do.,  Victory  over  the  French.    In  colours  do* 

"2861  Engraved  Fan  Mount :  Shakespeare's  Seven 
Ages. — Do.,  The  Lady's  Adviser,  Physician, 
and  Moralist     .  d0. 

SERIES  OF  FAN  MOUNTS,  PRINTED  IN  COLOURS. 

-2862  Lucy  of  Leinster.    By  William  Ward,  A.R.A.  do. 

*2S68  Cricket-playing.    By  Mrs.  Trewineau  do. 

:2864  The  Masquerade.    By  W.  Hamilton,  R.A.  do. 

"2865  Winter's  Amusement.    By  W.  Hamilton,  R.A.  do. 

2866  The  Breaking-up.    By  W.  Hamilton,  R.A.  do. 

"2867  Sensibility  (Lady  Hamilton  with  the  Sensitive 

Plant).    By  George  Romney  do, 

-2868  Winter, (Portrait  of  Mrs.  Wheatley).    By  F. 

Wheatley,  R.A.  do, 

-2869  Louisa ;    or,  The  Shipwreck.  —  Saved.  By 

George  Morland  do, 

-2870  Children  Playing  Thread-the-Needle.    By  W. 

Hamilton,  R.A.  do. 

-2871  Marble-playing.    By  Mrs.  Trewineau  do. 

-2872  Children  Playing  Hunt-the- Slipper.    By  W. 

Hamilton,  R.A.  >  do, 

-2873  The  Ladies  Frankland.  By  John  Hoppner,  R.A.  do, 

-2874  Series  of  the  Twelve  Months,  engraved  in 
to         mezzotint,  giving   the   female  fashions, 
-2879        from  January  to  December,  for  the  year 

1767.    By  F.  Hayman  do. 
"2880  Hon.  Miss  Anne  Bingham  (sister  of  Countess 

Spencer).     By    Sir    Joshua  Reynolds, 

P.R.A.    Engraved  by  F.  Bartolozzi,  R.A. 

(proof)  do- 


*'■  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 
K  2 


140 

No.  ]  Lent  by 

-2881  Mrs.  Abington  as  Roxalana  in  "  The 
Sultan."  By  Sir  Joshua  Reynolds,  P.R.A. 
Engraved  by  J.  K  Sherwin  Joseph  Grego,  Esq, 

-2882  Lady  Acland  and  Children.  By  Sir  Thomas 
Lawrence,  P.R.A.  Engraved  by  Samuel 
Cousins,  R.A.,  1826  do, 

-2883  Miss  Polly  Jones.    By  Sir  Joshua  Reynolds, 

P.R.A.  do, 

-2884  "Evelina."  Portrait  of  Miss  Fanny  Burney, 
(afterwards  Madame  D'Arblay),  authoress 
of  "Evelina."  By  John  Hoppner,  R.A. 
Engraved  by  J.  Baldrey  do, 

SERIES  OF  WATER  COLOUR  DRAWINGS, 

founded  upon  authoritative  originals,  drawn  from 
actual  examples  from  life.  Executed  by  E.  T.  Parris, 
as  a  history  of  female  costume,  with  a  view  to 
publication  ;  entirely  drawn  from  original  sources. 

:2885  Egyptian  Lady,  b.c.  2000  Joseph  Grego,  Esq, 

c2886  Esquimaux  Woman  do, 

J2887  Flemish  Woman,  1640  do, 

2888  Henrietta  Maria,  Queen  of  Charles  I,  1625  do, 

;2889  Dutch  Lady,  1670  *  do, 

2890  Greek  Maiden  do, 

:2891  Lady  of  the  Court  of  Louis  XV,  1740  do, 

^2892  Anne,  Queen  of  England,  1702  do, 

:2893  Queen  Charlotte,  wife  of  George  III,  1761  do.  , 

'2894  The  Empress  Eugenie,  in  her  wedding  dress, 

drawn  from  life,  1853  do, 

-2895  H.G.M.  Queen  Victoria,  drawn  from  life,  at 
Her  Majesty's  Coronation  at  Westminster 
Abbey,  1838  do. 

'2896  Athenian  Lady,  b.c.  440  do. 

c2897  Venetian  Lady,  1071  do. 

'2898  Berengaria,  Queen  of  Richard  I,  1191  do. 

'2899  Cecily  Nevile,  Duchess  of  York,   mother  of 

Edward  IV  and  Richard  III,  1424  do. 

*2900  Margaret,Queenof  Scots,Queenof  James  IV,  1500  do. 


Those  pictures,  tyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


141 

No.  '  Lent  by 

*290l  Eleonore  d'Autriche,   Queen  of  Francis  I  of 

France,  1529  Tk^i,  r<  ^ 

'   „  .  Joseph  Grego,  Esq. 

,1=2902  Indian  Bride,  Rajpootana  ^ 

-2903  French  Peasant  Girl,  1640  ^ 

-2904  Anne  of  Denmark,  Queen  of  James  I,  1590  ^ 

-2905  Mary,  Queen  of  Scots,  1542—1587  d0t 

-2906  Queen  Elizabeth,  1588  g£ 

-2907  Mary  Stuart,  wife  of  Francis  II.,  1560  d()i 

*2908  German  Lady,  1520  d0t 

#2909  Lady  Jane  Grey,  1554  d0t 

"2910  Queen  Anne  Bullen,  second  wife  of  Henry  VIII, 

1536  -  d(U 

mil  Hindoo  Woman,  1790  d(K 

2912  Silhouette  Portrait.  H.R.H.  the  Princess 
Victoria,  from  a  Sketch  taken  at  Rams- 
gate  1836,  by  F.  Frith  (Profilist)      Mm  Horatia  Sprdston 

SERIES  of  DRAWINGS  and  RARE  COLOURED  ENGRAVINGS, 

illustrating  the  History  of  Costume,  and  the  develop- 
ment of  female  dress  ;  with  the  progress  of  fashions 
across  the  ages,  from  the  days  of  Boadicea  downwards 

*2916  FIRST  GROUP  from  the  Vlllth  Century  to 
to  the  XIV th  Century,  consisting  of  44 

-2933  examples  in  colours,  arranged  in  18 

frames  Joseph  Grego,  Esq. 

2934  A  Beautiful  Woman  of  German  Type.    By  Carl 

Becker  Theodore  Lumley,  Esq. 

2935  Masked  Woman  do. 

2936  Miss  Muriel  Wilson  ,  Miss  Maud  Coleridge 
-2937  Mrs.  Molesworth  (author  of  "  Carrots,"  &c.) 

By  Mrs.  Moberly  Mrs.  Mariquita  J.  Moberly 

2938  The  Marchioness  of  Ailesbury.    By  Miss  Ethel 

Mortlock  Miss  Ethel  Mortlock 

;:2939  Miss  Sarah  Brooke.    By  Miss  Maud  Coleridge 

Miss  Maud  Coleridge 

"2940  Her  Excellency  Madame  Olga  Novikoff  (O.K.). 

By  Mrs.  Moberly  Mrs.  Mariquita  J.  Moberly 

2941  Miss  Natalie  Janotha's  famous  cat,  "White 

Heather. ' '    By  Borglum  Miss  Natalie  J anotha 


*  Those  pictures,        marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


142 

DIVISION  V. 

COLLECTION  OF  POKTRAITS  AND  TAPESTBIES. 

No.      Lent  by  His  Grace  the  Duke  of  Devonshire,  E.G.,  P.O. 

2942  Portrait  of  Elizabeth,  Countess  of  Shrewsbury  (from  Hardwick 

Hall) 

2943  Panel  of  Canvas,  embroidered  in  silks,  silver  gilt  and  silver 

thread,  attributed  to  Mary,  Queen  of  Scots  (b.  1542,  d.  1587) 

2944  Velvet  Panel,  with  applique  work  and  embroidery.    It  bears  the 

initials  of  Elizabeth,  Countess  of  Shrewsbury.  English 
work  ;  second  half  of  16th  century 

2945  Panel,  embroidered  in  wools  and  silks.   English  work;  second 

half  of  16th  century 

2946  Bands  (two)  of  Canvas,  embroidered  in  coloured  silks.  English 

work  ;  late  16th  or  17th  century 

2947  Silk  Damask,  with  applied  embroidery  in  wools  and  silks  on 

canvas.  Attributed  to  Mary,  Queen  of  Scots  (b.  1542, 
d.  1587) 

2948  Panel  of  applique  work  and  embroidery,  with  the  initials  of 

Elizabeth,  Countess  of  Shrewsbury.  English  work  ;  second 
half  of  16th  century 

2949  Two  Bands  of  Canvas,  embroidered  in  coloured  silks.  English 

work  ;  late  16th  or  17th  century 

2950  Embroidered -  Velvet  Panel.     English  work  ;  second  half  of 

16th  century 

2951  Four  Embroidered  Velvet  Panels,  with  the  initials  of  Elizabeth, 

Countess  of  Shrewsbury  and  the  date  of  1590.  English 
work 

2952  Panel  of  Canvas,  embroidered  in  silks  and  silver  gilt  and  silver 

thread.    English  ;  second  half  of  16th  century. 

2953  Six  Embroidered  Panels.     English;  second  half  of  16th 

century 

2954  Panel   of    applique  work  and  embroidery.     English  work; 

second  half  of  16th  century 

2955  Queen  Mary  Stuart.    By  Oudey.    From  Hardwick  Hall. 

2956  Georgiana,  Duchess  of  Devonshire.    By  Gainsborough.  From 

Hardwick  Hall 

2957  Portrait  of  Arabella  Stuart  at  the  age  of  13|  years.  From 

Hardwick  Hall.    By  Carl  von  Mander 

2958  Queen  Elizabeth.    From  Hardwick  Hall 


*  Those  pictures,  Sfc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery,  ■ 


143 

No.  Lent  by 

DIVISION  VI. 

2959  Glov.es  worn  by  Lord  Nelson  Mes^s.  Fownes  Bros.  $  Co. 

2960  A  Century-old  Glove  do. 

2961  Glove  worn  by  Queen  Elizabeth  at  her  corona- 

tion, 1559  i  do. 

2962  Glove  worn  by  Queen  Anne,  17th  century  do. 

2963  Queen  Anne  Picture,  embroidered  in  silk  and 

gold  and  silver  Mrs.  Brackett 

2963aEmbroidery  Picture,  cut  out  of  various  silks  and 
antique  brocades.  Subject:  The  Duke  of 
Cumberland  The  Exors.  of  the  late  Towneley  Green,  Esq. ,  Pi.L 

2963frEmbroidery  Picture.   Subject :  Going  to  Market  do. 

The  Elders  being  punished.    Worked  on  silk. 

Stuart  period  Mrs.  C.  Shaw 

-2965  An  Officer  writing  in  his  Tent.  Embroidered 

on  Satin.    Stuart  period  do. 

-2966  Pair  of  Figures,  worked  in  lace  stitch.  Stuart 

period  do. 

2967  Worked  Picture,  about  100  years  old  Mrs  Sibley 

-2968  Portrait  of  a  Lady.    Stuart  period  Mrs.  C.  Shaw 

-2969  Lady  Playing.     Tent  stitch  in  silk.  Stuart 

period  •  d°. 

-2970  Figure  with  flowers  round,  worked  in  tent 

stitch.    Stuart  period  do. 

2971  Jephthali's  Vow  (Judges,  ch.  II,  verses  30-34). 

Needlework  picture,  about  100  years  old  Mrs  Sibley 

-2972  Mirror.    Stuart  period.    Worked  in  beads  Mrs.  C.  Shaw 

-2973  Oriental  Subject  in  centre;  flowers  and  animals 

around.    Stuart  period  do. 

-2974  Figure  of  a  Monk.    17th  century  do. 

2975  Woolwork  Picture  :  Mary,  Queen  of  Scots  and 
her  attendants  at  the  death  of  Douglas 
after  the  Battle  of  Langside,  1568.  Worked 
by  Mrs.  Derry  Jones  about  1830      Mrs.  GiamiUe  Langdon 

-2976  Large  Mirror,   a  perfect   specimen.  Stuart 

period  Mrs.  Shaw 

-2977  Mirror.    Magnificent  work  on  satin.  Stuart 

period  . 


*  Those  pictures,  $c.f  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery \ 


144 

No.  Lent  by 

-2978  Mirror.    Border  in  fine  raised  work,  Stuart 

period  Mrs.  Shaw 

"2979  Kebekah  at  the  Well.    Raised  work  on  satin. 

Stuart  period  do. 
-2980  Lady  of  Court  of  Queen  Anne  do. 

2981  Landseer's    Hawking  Party,  in  needlework. 

By  Mrs.  F.  A.  Cowen,  1851  Mrs,  F.  A.  Cowen 

-2982  Portrait  of  a  Lady ;  surround  of  Flowers  and 

Animals.    Stuart  period  Mrs.  C.  Shaw 

-2988  Elijah  and  the  Widow's  Son,  worked  in  lace 

and  tent  stitches.    Stuart  period  do. 

-2984  Susannah  and  the  Elders.    Stuart  period  do. 

2985  Sampler  (worked  in  1821)  Sidney  Young,  Esq.,  F.S.A. 

-2986  Cover  of  a  Book.    Worked  by  Queen  Anne  Mrs.  C.  Shaw 

"2987  The  Sacrifice  of  Isaac.    William  and  Mary  do. 

*2988  Pair    of    figures     worked    in    lace  stitch. 

Stuart  period.  do, 

2989  Framed  Sampler,  1798  Sidney  Young,  Esq.,  F.S.A. 

2989aNeedlework  Picture  on  silk.    After  Hamilton. 
Boy  Riding  on  Dog. 

The  Exors,  of  the  late  Toicneley  Green,  Esq,,  B:J. 

2990  Tiger's  head  in  embroidery,  taken  from  the 

Palace  at  Lucknow.    By  Queen  Charlotte's 

embroideress  Mrs.  Lucy  J.  Evans 

2991  Eli  and  Samuel.    Worked  picture,  about  100 

years  old  Mrs.  Sibley 

2991«Needlework  picture  Mrs,  Frank  Willis  Green 


*  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


\ 


145 


HISTORICAL  AND  LOAN  SECTION, 


THE    JAPANESE  SECTION. 

This  section  has  been  arranged  by  Mrs.  Ernest  Hart,  who  has  lent 
among  other  interesting  exhibits,  the  collection  of  Colour-Prints  which 
adorns  the  walls.  This  collection  which  is  arranged  in  historical 
sequence  illustrates  not  only  the  best  work  of  the  masters  Harunobu, 
Katsugawa  Shunsho  and  his  pupils,  the  first  Toyokuni,  Torii  Kiyonaga, 
Yeishi,  Koriusai,  Hokusai,  Yeizan,  Utamaro  and  his  pupils,  and  the 
later  Kunisada  and  Kuniyoshi,  but  also  the  costumes,  the  pleasures,  and 
the  occupations  of  the  Court  ladies  and  noted  women  of  Japan  of  the 
eighteenth  and  the  early  part  of  the  nineteenth  centuries.  The  extreme 
beauty,  the  mastery  of  technique,  and  the  subtle  harmony  of  colour  of 
the  old  Japanese  art  of  colour-printing  from  wood  blocks  will  be 
apparent  to  all  lovers  of  art,  while  none  can  fail  to  be  interested  in  the 
poetic  life  of  the  Japanese  woman  of  the  past  which  these  prints 
portray. 

In  the  cases  will  be  found  the  various  objects  used  by  Japanese 
women  in  their  costume  and  toilet,  in  dining  and  drinking  tea,  in 
writing  and  sending  letters,  in  smoking  and  playing  games,  in 
picnicing  and  arranging  flowers.  These  exhibits,  which  include  some 
very  fine  examples  of  the  work  of  the  great  lacquists,  bronzists  and 
other  artists  of  old  Japan,  have  been  kindly  loaned  by  Mrs.  Ernest 
Hart,  Mr.  Frank  Dillon,  Mr.  Harding  Smith,  Mr.  Phene  Spiers,  Mr. 
George  Haite,  and  Mr.  Tomkinson. 

The  exhibit,  though  small,  is  representative,  and  gives  a  realistic  and 
artistic  presentment  of  the  Japanese  woman  past  and  present.  A 
study  of  it  cannot  fail  to  excite  sympathy  and  interest  in  the  lives  of 
the  women  of  the  Flowery  Land  of  the  Kising  Sun,  who  never  forget 
that  to  charm  is  as  much  their  duty  as  their  pleasure. 


146 

COLLECTION  OF  FRAMED  JAPANESE  COLOURED  PRINTS 

OR  NISHIKI-YE.  . 

Lent  by  Mrs.  Ernest  Hart. 

No. 

2992  Woman  buying  Fish  from  Fisherman.    By  Shunro  (the  name 

taken  by  Hokusai  when  he  was  a  pupil  in  the  studio  of 
Katsugawa  Shunsho).    Published  about  1790 

2993  A  Moonlight  Romance.    By  Kunisada 

2994  Noble  Lady  and  her  Attendants  going  out   to  admire  the 

Cherry  Blossoms.    By  Kikugawa  Yeizan 

2995  Lady  with  a  Telescope  in  a  Garden.    By  Utagawa  Toyokuni 

2996  Lady  playing  a  Shoulder  Drum.     By   Kitagawa  Utamaro 

(b.  1754,  d.  1806) 

2997  A  Beauty  and  her  Attendants.    By  Utamaro 

2998  Two  Ladies  reading  a  Letter.    By  Utamaro 

2999  Yoshiwara  Ladies  out  Walking.    By  Utamaro 

8000  Lady  writing  a  Letter  with  Attendants  handing  her  Paper 
Box  and  Despatch  Box.  By  Utamaro.  (The  various 
objects  seen  in  this  print  will  be  found  in  the  cases) 

3001  A  Flower  Dance.    By  Tsukimaro  (pupil  of  Utamaro) 

3002  Two  Ladies  under  the  Lanterns.    By  Utamaro 

3003  A  Group  of  Three  Ladies.    By  Utagawa  Toyokuni 

3004  Lady  reading  a  book,  sitting  against  a  Screen.    By  Yeizan 

3005  Writing  Poetry.    By  Kikugawa  Yeizan,  1800-1820 

3006  Two  Ladies.    By  Yeisho  (pupil  of  Yeishi) 

3007  Arranging  Flowers.    By  Hokusai 

3008  Court  Lady  descending  from  her  Chariot.    By  Utamaro 

3009  Illustration  of  a  scene  in  the  famous  romance  "  Genji  Mona- 

gaterie,"  written  by  the  Court  lady  Murasaki  Shikibu  in 
the  10th  century.  By  Kunisada,  pupil  of  Toyokuni,  and 
called  Toyokuni  II. 

3010  A  Boy  showing  a  youthful  Noble  Lady  and  her  Attendants  how 

a  game  is  played.    By  Kunisada 

3011  Gathering  Persimmon.    By  Utamaro 

3012  The  Picture  Competition.    By  Kikumaro.    Published  1776 

3013  In  the  Garden  at  Night  in  the  gay  Cherry  Blossom  Time.  By 

Kunisada 

3014  Playing  Ball.    By  Tsukimaro  (pupil  of  Utamaro) 

3015  A  Nobleman  playing  the  Flute  to  Four  Ladies.    By  Kunisada 


147 


3016  Temptation  Kesisted.    By  Kunisada 

17  The  Thunder  God  deafening  Two  Ladies  below.     By  Suzuki 
80  Harunobu 

3018  Ladies  Travelling.    By  Hokusai 

3019  Picnicing.    By  Katsugawa  Shunsen 

3020  Fishing  and  Flirting.    By  Kunisada 

3021  A  Lady  crossing  a  Bridge 

3022  Yoshiwara  Belles  with  Attendants.    By  Koriusai 

3023  Three  Figures  of  Ladies.    By  Suzuki  Harunobu,  1763-1779 
<moi  Three  Portraits  of  Ladies.    By  Katsugawa  Shunsho,  Shunko 
802         and  Shunyei,  1770-1800 

3025  A  Lady.    By  Okumura  Masanobu,  1690-1720 

3026  A  Spring  Picnic.    By  Katsugawa  Shuncho 

3027  Ladies  going  out  to  see  the  Flowers.    By  Katsugawa  Shunsho. 

Published  about  1800 

3028  In  the  Village  Garden.    By  Torii  Kiyonaga,  1765-1790 

3029  The  Empress  Jinju  and  her  General  Kakemouche,  when  engaged 

in  the  Conquest  of  Korea,  in  —  century.  By  Koriusai, 
1770-1781 

3030  The  Flute  Player  and  Two  Ladies.    By  Torii  Kiyonaga 

3031  Yoshiwara  Belles.    By  Chobunsai  Yeishi,  1800-1820 

3032  Group  of  Ladies.    By  Utagawa  Toyokuni  (b.  1772,  d.  1828) 

3033  The  Serenade.    By  Utagawa  Toyokuni 

3034  Ladies  buying  Dwarf  Trees.    By  Utagawa  Toyokuni 

(An  interesting  example  of  his  later  work,  after  he  had 
introduced  the  use  of  purple  into  colour  printing) 

3035  Lady  with  a  Bat.    By  Utamaro 

3036  Ladies  and  Children  gathering  Fruit.    By  Toyohiro,  1800 
8037  Portraits  of  Two  Ladies.    By  Utamaro 

3038  Party  of  Ladies  engaged  in  writing  Lucky  Sentences  to  be 

hung  up  at  the  New  Year.    By  Yeizan 

3039  Lady  with  a  Sake  Coupe.    By  Utamaro 

3040  Ladies  and  Children  by  the  Sea  Shore.    By  Utagawa  Toyokuni 

3041  Three  Ladies  admiring  a  Dwarf  Forest  Tree.    Published  about 

1800 

3042  Ladies  and  Children  on  a  Pier.    By  Hokusai  (b.  1760,  d.  1849). 

3043  A  Lady  and  her  Lover 

3044  Catching  Fireflies  with  a  Fan  by  Night  in  a  Garden.  By 

Kunisada 


i  us 

No  Lent  by 

30 1 5  Coloured  print  with  Royal  Arms  and  description, 
commemorative  of  the  Coronation  of 
Geo.  IV.  Portrait  of  Miss  Fellowes,  as 
herb-strewer,  attended  by  her  Six  Maids  of 
Honour  ,  Orlando  Butler  Fellowes,  Es 

3046  Mrs.  Elizabeth  Fry,  the  Philanthropist.  En- 
graved by  S.  Cousins,  R.A.,  after  the 


Portrait  by  George  Richmond  Madame  de  Bmisen 

-3047  Taste  in  High  Life.    By  Wm.  Hogarth         Joseph  Grego,  Esq. 

"3048  L'Audience  de  Boudoir.    By  Pasquier  do. 

-3049  High  Life  below  Stairs.    By  Collet  do. 

"3050  A  Visit  to  the  Boarding  School.    By  George 

Morland  do. 

"3051  A  Visit  to  the  Child  at  Nurse.    By  George 

Morland  do. 


3052  Empress  Elizabeth,  wife  of  Alexander  I.  of 
Russia.  Painted  by  Monier.  Engraved  by 
Chas.  Turner  Mrs.  Mariquita  J,  Mobeyhj 


DIVISION  VII. 


"3054  My  Dove.   After  Greuze.  Mezzotint  by  Richard 

Josey  Messrs.  Doivdeswell  $  Dowdesivells,  Ltd. 

-3055  Hope.    After  Romney.    Printed  in  colour  and 

engraved  by  J.  Watkins  Chapman  do. 

"3056  Girl  with  Apple.  After  Greuze.  Printed  in 
colour  and  engraved  by  J.  Watkins 
Chapman  do. 

*3057  Faith.    After  Romney.    Printed  in  colour  and 

engraved  by  J.  Watkins  Chapman  do. 

"3058  Delia.    Painted  by  George  Morland.  Engraved 

by  M.  Cormack  Messrs  J.  P.  Mendoza,  Ltd. 

"3059  Viscountess  St.  Asaph.     Painted   by  John 

Hoppner,R.A.  Engraved  by  T.  G.  Appleton  do. 

"3060  Lady  Hamilton  as  Nature.    Painted  by  George 

Romney.    Engraved  by  M.  Cormack  do. 

"3061  Nancy.  Painted  by  George  Morland.  Engraved 

by  M.  Cormack  do. 


Those  pictures,  tfc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


149 

No.  Lent  by 

.qnf2  Eliza  and  Thomas  Lmley.  After  T.  Gains- 
'  ■  borough,  K.A.    Engraved  by  J.  Watkins 

Chapman  Messrs.  Dowdeswell  &  Dowdeswells,  Ltd. 

"q063  Countess  Poulett.  After  the  picture  by  George 
Romney.    Engraved  by  Will.  Henderson 

Stephen  T.  Gooden,  Esq. 
..Q064  A  Thorn  amidst  the  Roses.    Painted  by  James 
Sant,  R.A.    Mezzotint  by  H.  Scott  Bridg- 
water Messrs  Dowdeswell  $  Dowdeswells,  Ltd. 
406S  The  Sisters.    After  Sir  Thos.  Lawrence,  P.R.A. 

Mezzotint  by  Norman  Hirst  (j0t 

$3066  Elizabeth,  Countess   of  -  Derby,    Painted  by 
George  Romney.    Engraved  by  M.  Cormack 

Messrs.  J.  P.  Mendoza,  Ltd. 
*S067  Floral  Offering.    Painted  by  James  Sant,  R.A. 
Mezzotint  by  H.  Scott  Bridgwater 

Messrs.  Dowdeswell  &  Dowdeswells,  Ltd, 
*3068  Lady  Day.    Painted  by  George  Romney.  En- 
graved by  M.  Cormack  Messrs.  J.  P.  Mend o -a,  LJd. 

$3069  Biondina.    After  Lord  Leighton,  P.R.A.  En- 
graved by  Samuel  Cousins,  R.A.  The  Fine  Art  Society 

$3070  Mrs.  Siddons*    After  T.  Gainsborough,  R.A. 

Engraved  by  George  Every  do. 

"3071  Moretta.  After LordLeighton,  P.R.A.  Engraved 

by  Samuel  Cousins,  R.A.  do. 


COLLECTION  OF  MEZZOTINTS,  PROOF  ENGRAVINGS, 

AND  COLOURED  PRINTS 

Lent  by  Messrs.  Henry  Graves  $  Co.,  Ltd. 


No.  Subject. 

"3072  The  Frigidarium 

"3073  Lady  Hamilton  when 
young 

"3074  The  Duchess  of 
Devonshire 

;::3075  Mrs.  Dawson 


T.Gainsborough 
George  Romney 


Engraver. 


Artist. 
Sir  F.  Leighton 

George  Romney        H.  T.  Greenhead 


T.  G.  Appleton 
Gertrude  Dale 


*  Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale,    For  prices  apply 

to  the  Curator  in  the  Gallery* 


150 


No.  Subject. 

-3076  Clematis 

-3077  Lady   Hamilton  as 
Ariadne 

-3078  Miss  Close  (Mrs.  Mark 
Currie) 

-3079  Lady  Skipwith 

-3080  H.M.  the  Queen 

-3081  Lady  Hamilton  at  the 
Spinning  Wheel 

-3082  Lady  Castlereagh 

-3083  Miss  Stanton 

-3084  Mrs.    Abington  as 
Roxalana 

-3085  La  Cigale 

-3086  The  Marchioness  of 
Thomond 

-3087  Lady    Hamilton  as 
Cassandra 

-3088  Lady  Salisbury 

-3089  Mrs.  Gainsborough 

-3090  Countess  Grosvenor 

-3091  Fair  Eosamund 

-3092  Enid 

-3093  Lady  Wallscourt 

-3094  Vicountess  Townshend 

-3095  Beauty  and  the  Arts 

-3096  Madeline 

-3097  Miss  Croker 

-3098  La  Surprise 

-3099  Lady  Betty  Foster 

-3100  Mrs.  Davis  Cooke 

-3101  Andromeda 

-3102  The  Birth  of  a  Pearl 

-3103  The  Dreamers 

-3104  Charlotte  Viscountess 
St.  Asaph 


Artist. 


G.  Romney 

G.  Romney 
Sir  J.  Reynolds 
A.  Forestier 

G.  Romney 
Sir  T.  Lawrence 
John  Hoppner 

Sir  J.  Reynolds 
Henrietta  Rae 


Engraver. 
Norman  Hirst 

H.  T.  Greenhead 

H.  T.  Greenhead 
Norman  Hirst 
Armand  Mathey 

H.  T.  Greenhead 
H.  T.  Greenhead 
H.  T.  Greenhead 

T.  G.  Applet  on 
Norman  Hirst 


Sir  Thos.  Lawrence    E.  Leslie  Haynes 


G.  Romney 
Sir.  J.  Reynolds 
T.  Gainsborough 
Sir  T.  Lawrence 
W.  C.  Wontner 
W.  C.  Wontner 
Sir  T.  Lawrence 
Sir  J.  Reynolds 
G.  Romney 
W.  Wontner 
Sir  T.  Lawrence 
Dubufe 

Sir  J.  Reynolds 
G.  Romney 
Frank  Dicksee  . 

Albert  Moore 
J.  Hoppner 


E.  Leslie  Haynes 
T.  G.  Appleton 
J.  Scott 

H.  T.  Greenhead 
T.  G.  Appleton 
J.  C.  Webb 
TV  G.  Appleton 
H.  T.  Greenhead 
H.  T.  Greenhead 
J.  C.  Webb 
H.  T.  Greenhead 

J.  J.  Chant 

H.  T.  Greenhead 


Photogravure 
Photo. 

Eugene  Tily 
Printed  in  colour 


*  Those  pictures,        marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


151 


No.  Subiect- 

i8i06  La  Cigale 
*3106  The  Hoppner  Children 

-8107  The  Gay  Parisienne 
igt08  Miss  Farren 

*8109  Gloves 

.oiio  Juvenile  Retirement 
(the  Douglas  Chil- 
dren) 

*3lll  The  Two  Duchesses 

-3112  Lady  Charlotte  Dun- 
combe 

-3113  Green  Overmantel 
with  Three  Lady 
Hamilton  Engra- 
vings 

3114  The  Cuckoo 

3115  The  Secret 

3116  Lady  Townshend 

3117  Hope  Nursing  Love 

:3118  A  Bacchante 

'3119  Countess  Grosvenor 

:;3120  The  Hoppner  Chil- 
dren 

'3121  The   Douglas  Chil- 
dren 

-3122  Roses 

-3123  The  Soul's  Awakening 
-3124  Dawn 
-3125  Miss  Croker 
-3126  Imogen 

-3127  Overmantel  with  Two 
Engravings 

-'•3128  Spring 

-3129  Vanity 


Artist. 
Henrietta  Rae 
John  Hoppner 

Madame  Bries 
Sir  T.  Lawrence 

Hal  Ludlow 
John  Hoppner 

John  Downman 
J.  Hoppner 


Engraver. 

Printed  in  colour 

T.  G.  Appleton 
Printed  in  colour 

Printed  in  colour 

Eugene  Tily 
Printed  in  colour 

Coloured 

T.  G.  Appleton 
Printed  in  colour 

Eugene  Tily 
Printed  in  colour 

Eugene  Tily 
Printed  in  colour 


Madame  Gutti 
Madame  Gutti 


Photo. 
Photo. 


Sir  Joshua  Reynolds  C.  A.  Tomkins 
Sir  J.  Reynolds        R.  Josey 
Sir  F.  Leighton 
Sir  T.  Lawrence 
J.  Hoppner 


Photogravure 
H.  T.  Greenhead 
T.  G.  Appleton 


J.  Hoppner 

H.  Herkomer 
J.  Sant 

M.  H.  Earnshaw 
Sir  T.  Lawrence 
W.  Wontner 


T.  G.  Appleton 


H.  S.  Bridgwater 
Photogravure 
H.  T.  Greenhead  * 
F.  Miller 


Madame  Gutti 
Madame  Gutti 


Photo. 
Photo. 


*  Those  pictures,  #c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


152 

No.  Lent  by 

COLOUBED  PRINTS. 


•  oloO  A  .baccnante 

iviessis.  Jrieniy  irraies  oc 

•  olol  .Lady  oi  ine  -Empire 

do. 

1  oioA  bnowDan 

do. 

'oloo  Winter 

do. 

dlo4  xellow  Kose 

do. 

"3135  bpnng 

7 

ao. 

'  oloo  i  mK:  liose 

a  a. 

-3137  Wild  Rose 

-3138  La  Seance 

-3139  Roses 

-3140  Bo-Peep 

do. 

-3141  Say  Yes! 

do. 

-3142  Rose  Queen 

do. 

-3143  Manon 

do. 

-3144  The  Age  of  Innocence. 

After  a  picture  by  Sir 

Joshua  Reynolds,  P.R.A.    Engraved  by 
S.  Cousins,  R.A.  Thos.  McLean,  'Esq. 

-3145  Mrs.  Baker  (nee  Clithero).  After  a  picture  by 
Gainsborough.  Engraved  by  W.  Hen- 
derson do, 

-3146  Duchess  of  Rutland.    After  Sir  J.  Reynolds, 

P  R.A.    Engraved  by  S.  Cousins,  R.A.  do. 

-3147  The    Marchioness    Camden.     After   Sir  J. 

Reynolds.   Engraved  by  H.  T.  Greenhead  do. 

:'3148  Duchess  of  Devonshire.   After  Sir  J.  Reynolds. 

Engraved  by  S.  Cousins,  R.A.  do, 

lc3149  Little  Elsie.     Picture  by  Blanche  Jenkins. 

Engraved  by  Mrs.  G.  Dale  do, 

-3150  His  First  Birthday.    After  a  picture  by  Fred 

■    Morgan  ^  d0. 

*3151  Lady  A.  Pitzpatrick  as  Sylva.    After  Sir  J. 

Reynolds.    Engraved  by  S.  Cousins,  R.A.  do. 

"3152  Lady  Caroline  Montague  as  Winter.  After 

Sir  J.  Reynolds  do. 

8158  Engraving  from  the  Picture,  "  Mrs.  Fry,  the 
Philanthropist,  visiting  poor  prisoners  in 
Newgate  Jail."  By  Mrs.E.  M.  Ward  Mrs.  E.M.  Ward 

-3154  Dolce  far  niente.    After  the  picture  by  J.  W. 

Godward  Thos.  McLean,  Esq. 


*  Those  pictures,  <$x.,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


CASES  AND  SCKEENS. 


CASE  No.  1. 

No.  .  .  Lent  by  > 

Examples  of  Louis  XVI  Embroidered  Ambassadorial 
Costumes  worn  on  Royal  Birthday  Balls  and  State 
occasions.  Made  for  Lord  Stanley  when  Ambassador 
at  tbe  Court  of  France. 

3155  Full-dress  Court  Suit.    Coat  and  Culotte,  black 

cut  velvet  on  puce  ground.  Waistcoat, 
elaborately  embroidered  en  mite 

The  Hon.  Mrs.  Lyulpfi  Stanley 

3156  Court  Waistcoat,  white  satin,  embroidered  on 

silk  and  in  imitation  coloured  feathers  do, 


CASE  No.  2. 

3157  Full-dress  Court  Suit.    Coat  and  Culotte,  dark 

blue  velvet.    Waistcoat,  trellis  work  in 

diaper,  elaborately  embroidered  en  suite  do* 

3158  Court  Waistcoat.  Transitional  fashion,  English 

cut,  richly  embroidered,  example  of  the 
Anglomanie  introduced  into  France  by 
the  Duke  of  Orleans  on  his  return 
from  England  4°f 


CASE  No.  3.  ; 

-3159  Early  Georgian  Birthday  Ball  Dress.  Creamy 
white  lutestring,  heavily  embroidered  m 
silver  Joseph  (tre<jo,  Esq. 

3160  Early  Georgian  Court  Dress.    Silver  ground 
brocade,  embroidered  with  flowers 

The  Exors.  of  the  late  Towneleij  Green,  Esq.}  lid, 

*  fkoie  pictures,        marked  with  an  asterisk  are  for  sale.    For  prices  apply 

U  the  Curator  in  the  Gallery. 
L 


154 

No-    .  ^^0^10^ Mf^^^!    'S'S:         '    "        !  Lent  mW$ 

3161  Early  Georgian  Court  Dress..  White  silk  brocade 

with  coloured  bouquets  of  flowers  in  needle- 
work, trimmed  with  raised  flowers 

G.  '<&*  Kttburhe,  Est}.,  Bjj 

3162  Full  Dress..    Embroidered  with  flowers  in  high 

relief,  trimmed  with  bands  of  lace  over 
blue  silk,  said  to  have  belonged  to  Marie 
Antoinette  Sir  James  I).  Linton,  ILL 

;3163  Overdress,  blue  silk  damask  ;  over  petticoat, 
of  blue  and  white  striped  silk.  Marie 
Antoinette  period  Joseph  Greyo,  Esq* 

3164  Early  Georgian  Court  Dress.    Mandarin  yellow 
brocade  silk,  elaborately  embroidered  with  < 
silver  and  bouquets  of  flowers,  trimmed  with 
silver    lace    with    richly  embroidered 
stomacher  en  suite  Sir  Jawes  I).  Linton,  ILL 


CASE  No.  4. 

Infantine  Robes  and  Caps. 

3165  Suite  of  embroidered  Baby  Linen,  early^lStli 

Century,  including  lawn  bands,-  Baby 
mittens,  Collar,  Collarettes,,  and  Bibs  and 
Tucker  Sydney  Yaeher,  Esf, 

3166  Series  of  Twenty-three  Baby  Caps  and  Nurses' 

Caps,  elaborately  embroidered  da, 

3167  Baby's  Cap.    Quilted  and  puffed  crimson  silk, 

with  gold  lace..    Stuart  period.  dov 

3168  Two  examples  of  Caps  worn  by  young  married 

ladies  in  the  beginning  of  the  century     Mrs.^C.  H.  Statkam 

3169  Old  Sicilian  drawn  thread  Mantel-border       Miss  L..  M.  Clarke 

3170  Miniature  Model  of  full-dressed  Figure  in  Ball 

Dress  or  Bridal  Costume,  with  high 
feathered  head-dress,  period  of ' Georgiana, 
Duchess  of  Devonshire,  as  mostly  painted 
by  Sir  Joshua  Reynolds  •Marcus  B.  Htiish,  Esq.,  M.A* 

3171  Child's  Robe,  Cream-coloured  Satin,  elaborately 

trimmed  with  silk  gimp 

The  E.vorx.  of  the  late  Towneley  Greeny  Esq.,  ILL 


*  Those  phtiw&y  $cn  ma-eked  with  an  aster  isle  are  for  sale*    For  prices  apply 

to  the  Curator  in  the  Gallery. 


155 

No.  Lent  by 

•      CASE  No.  5.  •' 

Examples  of  Louis  XVI  Embroidered  Ambassadorial 
Costumes,  worn  on  Royal  Birthday  Balls  and  State 
occasions.  Made  for  Lord  Stanley  when  Ambassador 
at  the  Court  of  France. 

3172  Full-dress  Court  Suit.  Coat  and  Culotte, 
brown  satin,  embroidered  needlework. 
Waistcoat,  white  corded  silk,  elaborately 
embroidered  with  coloured  flowers  en  suite 

The  Hon.  Mrs.  Lj/ulph  Stanley 

3178  Court  Waistcoat,  white  satin,  embroidered  with 

flowers  do\ 

jfj  CASE  Xo.  0.  #if|f;      ||  fH 

Louis  XVI  Court  Costumes. 

^3174  Ambassadorial  Coat.  Cut  velvet,  black  anil 
white  stripes,  elaborately  embroidered  with 
needlework.  Waistcoat,  embroidered  on 
white  corded  silk  en  suite  JosepJt  (ireijo,  Esq, 

-3175  Court  Waistcoat.  White  satin,  elaborately 
trimmed  with  garlands  in  tinsel  and 
coloured  spangles  with  jewels  %u 

-3176  Court  Waistcoat.  Embroidered  with  needle- 
work flowers 

-3177  Court  Waistcoat.  Embroidered  with  needle- 
work flowers  in  garlands 

*8178  Military  Baldrick  or  Sword  Belt.  Buff  leather, 
elaborately  embroidered  with  raised  designs 
in  gold  and  silver  thread,  buckle,  slide,  and 
tongue -point  in  massive  antique  silver, 
with  ornaments,  masks,  and  busts  m 
parcel  gilt,  English  hall  mark 

8179  Waistcoat.  White  satin,  embroidered  in  needle- 

work  ,  P»  R)tth  h(mdm 

-B180  Early  Georgian  Long  Waistcoat.  Blue  satin, 
embroidered  with  flowers  of  same  colour 

Joseph  (rref./o,  Esq* 


*  Those  pictures,  ft%  marked  witJi  cm  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


L  2 


/ 


156 

No.  Lent  by 

-8181  Waistcoat  (William  III).  Lapels  down  to  the 
knees,  elaborately  embroidered  in  the 
Chinese  manner  with  coloured  flowers  on 
silver  stalks  Joseph  Gre<jo,  2£W 

3182  Waistcoat.    Straight  cut,  white  satin,  of  the 

Anglomanie   period,  Louis   XVI  epoch, 
trimmed  with  spangles  on  bands  of  satin 

Miss  Ruth  Goodeve 

3183  Waistcoat.     White    satin,    elaborately  em- 

broidered in  needlework  with  garlands  of 
flowers,  stained  with  the  blood  of  a  duel 

Mrs,  Arthur  Goodeve 


CASE  No.  8. 

Collection  of  Early  Bodices,  Embroidered  Corsets, 
Spencers,  Hats,  Caps  and  Bonnets. 

8184  Pair  Corsets.  Silk  damask.  About  Queen  Anne  . 

period        The  Exors.  of  the  late  Toivnelei/  Green,  E$q'.}  RJ. 

8185  Pair  Corsets  with  shoulder  straps,  &c.  Blue- 

ground  brocade  embroidered  in  coloured 

flowers  <lo. 

8186  Pair  Corsets  with  shoulder  straps,  &c.  Deco- 

rated with  coloured  flowers  and  needlework  do. 

8187  Bodice   in    antique  brocade  with  detachable 

sleeves  do. 

8188  Spencer.     White  satin  decorated  with  tinsel 

and  spangles  do. 

8189  Evening  Dress  Bodice.    White  silk  trimmings 

with  yeilow  ribbon  do. 

8190  Evening  Dress  Bodice.    White  silk  do. 

8191  Do.  do.  Blue  satin.  do. 

8192  Spencer  with  long  sleeves.  White  figured  satin 

with  white  satin  trimmings  and  pipings  do, 

8193  Spencer  with  long  sleeves.    Lavender  colour 

G.  G.  Kilburne,  Esq.  ILL 

3194  Bodice.    White  watered  silk 

The  Exors.  of  the  late  Towmley  Green,  Esq.  ILL 

3195  Hoppner  Bonnet.     Salmon-coloured  watered 

silk  do. 


Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


157 

No.  Lent  by 

9196  Hoppner  Silk  Hat 

The  Emm.  of  the  late  Toivneley  Green,  Esq.,  E  I 

8197  Leghorn   Gainsboro'  Hat.     Very  fine  straw. 

As  worn  by  Georgiana,  Duchess  of  Devon- 

shire  do. 

3198  Evening  Dress  Hood.    As  worn  over  powdered 

hair  to  protect  the  head-dress.  Joseph  Grego,  E'sq-J 

8199  Leghorn  Gainsboro'  Hat.    Very  fine  straw 

The  E.wrs.  of  the  late  Toivneley  Green,  Esq.r  B.H 

3200  Straw  Hat.    Maize  trimming  do. 

3201  Funnel-shaped  Cottage  Straw  Bonnet,  trimmed 

with  convolvuli  flowers  of  ribbon  do. 

3202  Early  Bonnet.    Lavender  silk  with  curtain  do. 

3203  Early  Victorian  Bonnet.    Lavender  silk  with 

chenille  trimmings  '  do. 

3204  Early  Bonnet.   Pale  Straw.   Figured  silk  with 

mauve -coloured  piping  do* 

15  Early  Blue  Velvet  Cottage  Bonnet  do. 

Green  Straw  Cottage  Bonnet,  trimmed  with 

pink  do. 

8207  Hoppner  Leghorn  Straw  Bonnet  do. 

3208  Cottage  Bonnet.    Blue  drawn  satin  do. 

3209  Early  Bonnet.    Maize  satin  covered  in  lace  do. 


SCKEEN  No.  1. 

WOBKS  BY  ANGELICA  KAUFFMAN,  B.A. 

Group  of  Engravings  by  F.  Bartolozzi  and  other  Engravers, 
after  Paintings  by  Angelica  Kauffman,  R.A. 

3210  Innocence,  1782.    Engraved  by  R.  Marcuard. 

Printed  in  colours  Joseph  Grer/o,  Esq. 

B211  Emilia  (portrait  of  Angelica  Kauffman).  En- 
graved by  H.  Sintzenick.  Printed  in 
colours  -t 

•3212  Damon  and  Musidora  {vide  Thomson's 
"Seasons").  Engraved  by  C.  Knight. 
Printed  in  colours 


*  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


158 

No.  Lent  by 

-3213  Portrait  of  Angelica  Kauffman  (by  herself). 

Printed  in  colours  *   Joseph  Gfdgo^  E!sqt 

3214  Palemon  and  Lavinia  (ride  Thomson's 
"Seasons").  Engraved  by  C.  Knight. 
Printed  in  colours  do. 

-3215  Painting    (Portrait    of   Angelica  Kauffman). 

Engraved  by  H.  Sintzenick.    Printed  in 

colours  do. 

-3216  Friendship,  1782.    Engraved  by  E.  Marcuard. 

Printed  in  colours  do. 

-3217  Female  Figure.    Engraved  by  F.  Bartolozzi, 

R.A.    Printed  in  colours  Francis  Harvey,  F*q. 

-3218  St.  Cecilia.    Printed  in  colours  Joseph  (Inyo,  Ks<j. 

-3219  Flora.  "  Come  Gentle  Spring  "  (ride  Thomson's 
"  Seasons  ").  Engraved  by  F.  Bartolozzi, 
R.A.  do. 

-3220  Diana.    Engraved  by  F.  Bartolozzi,  R.A.  do. 

-3221  Winter — "The  Seasons."     Engraved  by  F. 

Bartolozzi,  R.A.  do. 

-3222  Conjugal  Peace  (portrait  of  Angelica  Kauffman). 

Engraved  by  W.  Wynne  Ryland.    Proof  do. 

-3223  Ganymede.    Printed  in  colours  do. 

-3224  Zeuxis  composing  his  picture  of  Juno  ;  with 
the  most  beautiful  maidens  of  Athens  for 
his  models.  Engraved  by  F.  Bartolozzi, 
R.A.    Proof  before  letters  do. 

-3225  A  Bacchante.     Painted  and  engraved  by  F. 

Bartolozzi,  R.A.    Printed  in  colours  do. 

-3226  The  Portrait  of  Angelica  Kauffman,  in  the 
character  of  Design  listening  to  the  in- 
spiration of  Poetry.  Engraved  by  Thomas 
Burke.     Painted  by  A.  Kauffman,  R.A.  do. 

-3227  Armida.    Painted  by  P.  Reinagle.    Printed  in 

colours  do. 

-3228  Paulus  ^Emilius,  the  most  indulgent  parent  in 
Rome.  Painted  by  A.  Kauffman,  R.A. 
Engraved  by  F.  Bartolozzi,  R.A.  do. 

*3229  Bacchantes  adorning  a  bust  of  Pan.  Engraved 

by  W.  Wynne  Ryland  do. 

*3230  The  Judgment  of   Paris.    Engraved   by  W. 

Wynne  Ryland  do. 


*  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


159 

v  Ho/  ;     '  Lent  by"  ■ 

-B23l  Louisa  Hammond.     Engraved   by   F.  Bar- 

tolozzi,  R.A.  Joseyh  Grego,  Esq. 

Industry,  with  Patience  and  Perseverance, 
crowned  by  Honour.  Engraved  by  G.  S. 
&  J.  G.  Facius  || 

l;  003  jf  g  Flight  of  Paris  with  Helen  from  the  Court 
of  King  Menelaus.  Engraved  by  W. 
Wynne  Ryland  .  id:. 

Jupiter  disguised  as  Diana,  with  the  nymph 

Calista.    Engraved  by  Thomas  Burke  do. 

-3235  Aglaia  bound  by  Cupid  do.> 
-3236  Cupid,  disarmed  by  the  Graces.    Engraved  by 

G.  Scorodoomoff  do. 

-3237  Cupid  bound  by  Aglaia  do.. 

-3238  Cupid's  Revenge.  Engraved  by  G.  Scorodoomoff  do. 

-3239  Cupid  Enthroned  do.. 
*3240  Nymph  and  Cupid.    Engraved   by   F.  Bar- 

tolozzi,  R.A.  do* 

3241  Una  and   the   Lion.    Engraved  by  Thomas 

Burke  IF.,  (iitiui  (jirmnet,  Esq:. 

*3242  Andromache,  with  Cupid  carrying  off  Hector's 
Armour.  Engraved  by  E.  Bartolozzi, 
B.A.  Jvsepk  (ir-etfo,  Esq.. 

-3243  Calais. — Sterne,  Father  Lorenzo,  and  the  Lady 
at  the  Hotel  Dessein.— The  Snuff  Box, 
(See  Sterne's  "  Sentimental  Journey.") 
Engraved  by  J.  M.  Delattre  do.. 

-3244  Abelard  offering  Hymen  to  Eloisa.  Proof    Francis  Harvey,  Esq. 

-3245  Moulines.— Sterne  and  Maria.  The  Handker- 
chief. (See  Sterne's  *  Sentimental 
Journey.")  Engraved  by  J.  M.  Delattre   Joseph  Grego,  Esq. 

3246  A  Female  Figure  with  a  Cupid  W.  Gunn  Gicennet,  Esq. 

*3247  Painting.    Engraved  by  F.  Bartolozzi,  B.A. 

proof  Francis  Harvey,  Esq. 


CASE  No  9. . 

-8248  Lady's  full  Pompadour  Costume,  with  sac-cme 

and  wadded  trimmings  J(^'l'h  hS(^ 


*  Those  pictures,  &fc,  marheclwithcm  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery-. 


160 

No..  Lent  by 

3249  Lady's  full  Costume,  with  sacque,  red  brocade, 

white  flowers  Mrs.  E.  M.  Ward 

:c3249«Blue  quilted  satin  petticoat  Joseph  Gre§o,  Esq, 

3250  Lady's  full  Costume.    Yellow   brocade,  with 

quilted  pink  satin  petticoat 

The  E.cors.  of  the  late  Towneley  Green,  Esq.,  H.E 

3251  Lady's  full  Costume.     Cream-coloured  silk 

brocade,  with  bold  garlands  of  flowers  and 
elaborately  embroidered  stomacher  do. 

"3252  Embroidered  Screen  Mrs.  Bracken 

*3252«Embroidered  Stool  do. 

3253  Needlework  Screen.    Copy  of  picture  "  Finding 

of  Moses  in  the  Bulrushes"  (completed 

1848)  Mrs.  E.  A.  Couen 

3254  Lute-Harp  formerly  belonging  to  Mrs.  Jordan 

Dowager  Lady  Freaks 

3255  Antique  Spinning  Wheel  from  Ireland,  over 

200  years  old  Miss  Ada  Daynall 


CASE  No.  10. 

3256  Collection  of  -  Antique,  Point,  and  other  Lace, 
Flemish,  French,  Venetian  Point,  and 
Italian  Tape  Lace  h  ranees,  Lady  Trevelyan 


CASE  No.  11. 

3257  Collection    of     Forty  -  four     Specimens  of 
Seventeenth  Century  Point  and  other  Lace 

Sydney  Vacher,  Esq* 


CASE  No.  12. 

3258  Spanish  Rose  Point  Lace  Scarf    Mrs  Earquharson  ofHauyhton 

3259  A  Length  of  Point  d'Alengon  Lace  do. 
"3260  Antique  Lace  Collar  (Charles  I)  Joseph  Grego,  Esq. 
'3261  Antique  Lace  Cravat  (William  III)  do. 


*  Those  pictures,  $c,  marked  with  cm  asterisk  are  for  sale.    For  prices  apply 

to  the-  €urator  in-  the  Gallery. 


161 


UK 
lo. 


No.  Lent  by 

B262  Pair  of  Cardinal  or  Pope's  Lace  Sleeves         Joseph  Grego,  Esq. 
<>263  A  Selection  of  old  Brussels  Point,  Mechlin,  and 
e    '        other  Lace  F.  F.  Sidney,  Esq,,  F.S.A. 

3261  Old  Milanese  Lace  Sleeve  Miss  E  M  m 


CASE  NO  13. 

Brocade  Stole  or  Hood.     Embroidered  with 

flowers  J.  Grigo, 

3266  Early  Brocade.  Bichly  flowered.  Embroidered 

with  silver 

3267  Chinese  black  crepe  scarf.    Embroidered  with 

flowers  do. 

3268  Shot  green  silk  shawl  (about  1820)  do. 

3269  Pair  early    mittens.    Canary  coloured,  em- 

broidered in  white  silk  (j0. 

3270  Pair  white  satin  ball  shoes 

:827l  Bo.  yellow     do.       do.  d< 
:8272  Bo.  Children's  shoes.  Embroidered  in  pink  silk 

(about  end  of  last  century)  do. 

8273  Bo.  Infants'  shoes,  Blue  Morocco  (about  end  of 

last  century)  do.. 

=3274  Bo.  Antique  stockings.    Crimson  silk,  black 

and  white  clocks  do. 

•3275  Bo.  Early  French  white  silk  stockings.  Scarlet 

clocks  and  embroidery  do* 

B276  Pink  silk  dancing  slipper  do. 

:3277  Blue        do.  do. 

8278  Pair  white  silk  stockings  with  embroidered 

clocks ;  and  white  satin  shoe  worn  by  the 
Princess  Charlotte  of  Wales  when  an 
infant  Lady  Clementine  Walsh 

8279  Pair  Lisle  silk  thread  embroidered  stockings 

(1808)  Miss  F.  Withycombe 

8280  Indian  purple  mat,  gold  sequins  and  wire        Miss  F.  M.  Clarke 

8281  Coffee  coloured  lace  shawl  4<k 

3282  Four  yards  very  old  pillow  lace  Mrs,  Arthur  Good  eve- 

Embroidered  muslin  scarf  (about  1830)   G.  G.  Kilbume,  Esq.,  ILL 


*  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For-  prices  apply 

to  the  Curator  in  the  Gallery. 


162 

No.  Lent  by 

CASK  No.  14. 

Examples  of  Louis  XVI  Embroidered  Ambassa- 
dorial Costumes,  made  for  Lord  Stanley 
when  Ambassador  at  the  Court  of  France 

8284  Full-dress  Court  Suit.  Coat  and  Culotte,  dark 
green  corded  silk,  embroidered  with  pink 
and  white  bouquets.  Waistcoat,  corded 
white  silk,  embroidered  en  suite  The  Hon  Mrs  Lj/ulph  Stanley 

"3285  Ambassadorial  Coat.  Eich  blue  velvet, 
embroidered  with  oak  leaves  and  acorns 
in  blue  and  white  silk,  worn  at  the  Court 
of  the  First  Napoleon,  with  antique  ruffles 
of  Pope's  lace.  Waistcoat,  white  corded 
silk,  embroidered  em  suite  Joseph  Grego,  Esq. 


CASE  No.  15. 

Examples  of  Louis  XVI  Embroidery. 

"3286  Ambassadorial  Coat.  -Brown  cut  velvet  pile  on 
puce  ground,  elaborately  embroidered. 
Waistcoat,  white  satin,  embroidered  en  suite  do, 

"3287  Birthday  Ball  Coat.  Cut  velvet  pile  on  puce- 
coloured  satin,  richly  embroidered  with 
groups  of  flowers  and  gold  thread,  said 
to  have  been  worn  by  H.R.H.  George 
Prince  of  Wales,  1786.  Waistcoat,  white 
satin,  embroidered  with  gold  and  flowers 
en  suite  do. 


CASE  No.  16. 

3288  Collection  of  Forty-two  Portrait  Medals  of  the  XV, 
XVI,  XVII,  XVIII,  and  XIX  Centuries,  and  Five 
Portrait  Medallions  by  Tassie 

PORTRAIT  MEDALS. 

1  Isotta  Atti,  wife  of  Sigismondo  Pandolfo 
Malatesta  of  Rimini.  Dated  1446.  Bronze, 
cast  and  chased.   By  Matteo  de  Pasti 

Lent  by  Ma  e  Rosenheim,  Esq. 


*  Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


163 


o  Isotta  Atti,  wife  of  Sigismondo  Pandolfo 
Malatestaof  Rimini.  Dated  1446.  Bronze, 
cast  and  chased.   By  Matteo  de  Pasti   M(L  M 

#  Antonia  de  Balzi,  wife  of  Gianfrancesco 
Gonzaga,  Lord  of  Sabbionetta.  1479-1538. 
Bronze,  cast  and  chased.  By  Pier  Jacopo 
Ilario  of  Mantua 

4  Isabella  di  Capua,  wife  of  Ferdinand  Gonzaga ; 

died  at  Naples,  1559.    Bronze,  cast  and 
chased.    By  Giaeomo  da  Trezzo 

5  Maria,   daughter   of    Charles    V,    wife  of 

Maximilian  II.  Born  1548  ;  married  1548  ; 
died  1603.  Bronze,  cast  and  chased.  By 
Pompeo  Leoni 

6  Mary   Tudor,    Queen   of    England,   wife  of 

Philip  II  of  Spain,  1553-1558.  Bronze 
gilt,  cast  and  chased.  By  Giaeomo  da 
Trezzo 

7  Catharina  Riva.    About  1540.     Bronze  gilt, 

cast  and  chased.  By  Antonio  Abondio,  the 

§|        Elder  (?) 

8  Hadria,  daughter  of  Pietro  Aretino ;  married 

(1548)  Diotisalvi  Rota.    Bronze,  cast  and 
chased 

9  Christina,    daughter    of    Charles,   Duke  of 

Lorraine.  Married  (1589)  Ferdinand, 
Grand  Duke  of  Tuscany;  died  1637. 
Bronze,  cast  and  chased.  By  Michele 
Mezza,  1592 

10  Elisabeth  of  France,  third  wife  of  Philip  II  of 

Spain.  Born  1545  ;  married  1560  ;  died 
1568.  Bronze,  cast  and  chased.  By  Gian- 
paolo  Poggini 

11  Elisabeth  (Isabella),  daughter  of  Philip  H  of 

Spain.  Married  Albert,  Archduke  of 
Austria.  Regent  of  the  Low  Countries, 
1598-1621;  died  1633.  Bronze,  cast.  By 
G.  A.  Moro 

12  Elizabeth,  Marchioness  of  Northampton,  1562. 

Bronze,  cast  and  chased.    By  Stephen  of 
Holland 


mr>.-  m 


164 

No. 

13  Jeanne  d'Albret,  Queen  of  Navarre  ;  wife  of 
Antoine  de  Bourbon,  mother  of  Henry  IV 
of  France.    1555-1572.    Bronze,  cast  and 


14 


15 


16 


17 


18 


19 


20 


21 


22 


28 


24 


Lent  by 


chased 


Maw  Rosenheim,  \Ew, 


Maria  de'  Medici,  second  wife  of  Henry  IV  of 
France ;  dated  1614.  Bronze,  cast  and 
chased 

Anna,  daughter  of  Frederick  II,  King  of  Den- 
mark, the  wife  of  James  I,  King  of 
England.  Married  1590.  Silver,  oval. 
Engraved  by  Simon  de  Passe 

Anna  of  Austria,  the  wife  of  Louis  XIII  of 
France,  as  guardian  of  Louis  XIV,  1643. 
Bronze,  cast.    By  Jean  Warin 

Henrietta  Maria,  wife  of  Charles  I  of  England. 
Cavalier's  Badge  with  Portrait  of  Charles  I 
on  the  obverse.  Silver,  oval,  cast  and 
chased.    About  1645.    By  T.  Bawlins 

Maria  Eleanora,  the  wife  of  Gustav  Adolph, 
King  of  Sweden.  About  1620.  Silver, 
east  and  chased 

Catherina  de  Braganza,  wife  of  Charles  II  of 
England.  In  Portuguese  dress  ;  probably 
before  her  marriage,  1662.  Silver,  cast 
and  chased,  with  ring  for  suspension 

Catherina  de  Braganza,  wife  of  Charles  II  of 
England,  1662.  "  The  Golden  Medal." 
Silver,  struck.    By  J.  Boettier 

Christina,  Queen  of  Sweden,  1632" ;  resigned, 
1654  ;  died  at  Kome,  1689.  Bronze,  cast 
and  chased.    By  Travani,  1665 

Margarita  de'  Medici,  wife  of  Odoardo,  Duke  of 
Parma  and  Piacenza  ;  about  1646.  Bronze, 
cast  and  chased 

Mary,  daughter  of  James  II,  wife  of  William, 
Prince  of  Orange  (afterwards  William  III, 
King  of  England).    Silver,  struck 

Mary  II,  Queen  of  England,  wife  of  William 
III ;  died  1695.  Copper,  struck.  By  J. 
Boskam 


do. 


do, 


do. 


do. 


do* 


do. 


do. 


do. 


do. 


do. 


do. 


165 

ol'  Anna  Dorothea,  Duchess  of  Saxe- Weimar, 
ld        Abbess    of     Quedlinburg.  1684-1704. 


Lent  by 


27 


'28 


Silver,  struck  Mm  BosenJiem,  Exq, 

Elisabeth  Charlotte,  Princess  Palatine,  the 
second  wife  of  Philip  I,  Duke  of  Orleans. 
About  1690.  Bronze  gilt,  cast  and 
chased  do. 

Portrait  of  a  Lady  (unknown)  of  the  Court  of 
Louis  XIV.  About  1670.  Bronze,  cast 
and  chased.    By  F.  Cheron 

Portrait  of  a  Lady  (unknown)  of  the  Court  of 
Louis  XIV.  About  1670.  Bronze,  cast 
and  chased.    By  Claude  Warin  ,/„. 


29  Anna,  Queen  of  England.  Medal  on  the  Union 
of  England  and  Scotland,  1707.  ;  Silver, 
struck.    By  J.  Croker  ,/„. 

80  Anna,  Queen   of    England.      Medal   on  the 

Capitulation  of  Bethune,  1710.  Silver, 

struck.   By  J.  Croker  fy< 

81  Clementina  Sobieski,  wife  of  James  (III),  the 

Elder  Pretender.   Escape  from  Innspruck, 

1719.   Silver,  struck.   By  Otto  Hamerani  do. 

82  Carolina,  wife    of    George   II   of  England. 

Coronation,  1727.    Silver,  struck.   By  J. 

Croker  do. 

83  Anna,  daughter  of  George  II,  wife  of  William 

Charles  Henry   Friso,  Prince  of  Orange. 

1750.    Silver,  struck.    By  Holtzhey  d<>. 

.34  Frederica  Carolina,  Marchioness  of  Brandenburg- 
Ansbach.  1752.  Silver  partly  gilt ;  cast 
and  chased  do* 

35  Maria  Theresa,  Queen  of  Hungary  and  Bohemia, 

Archduchess  of  Austria,  1736;  Empress 
of  Austria,  1740—1780.  Silver,  struck. 
By  Vestner  do* 

36  Maria  Theresa,  Empress  of  Austria,  1740—1780. 

Dated  1772.    Bronze,  struck.    By  Krafft  do. 

"37  Catherina  II,  Empress  of  Russia,  1764.  Bronze, 

struck.    By  Waechter  do. 

38  Marie  Antoinette,    Queen   of  Louis  XVI  of 

Prance,  1793.    Silver,  struck.    By  Loos  do. 


160 

W^3^0'0^S§^-    "  ^^^^^^^0MMMM^0&  Lent  by 

39  Lady  Morgan,  1829.    Bronze,  cast  and  chased. 

By  David  d'Angers  ;  Max  Wmetikeim,  Ext}. 

40  Queen  Victoria,  large  silver  Jubilee  Medal,  1897 

41  Do.  small  do.  do.  do. 

42  Do.  do.    gold  do.  do, 


PORTRAIT  MEDALLIONS.    By  Tassie. 


1  Caroline   Matilde,   sister   of   George   III  of 

England.     Married  1766  to  Christian  VII, 

King  of  Denmark.    Gray,  No.  488  do. 

2  Catherina  II,  Empress  of  Russia.    Modelled  by 

the  Grand  Duchess,  afterwards  (1796) 
Empress  Maria  Foedorowna  of  Russia. 
Signed,  Maria  F.  21  April  1789.  Gray, 
No.  70  do. 

3  Maria  Foedorowna,  wife  of  Paul,  Grand  Duke, 

afterwards    (1796)  Emperor   of  Russia. 
Modelled  by  herself.    Gray,  No.  256  do. 

4  Maria  Foedorowna.  Modelled  by  Leclerc.  Gray, 

No.  60  do. 

5.  Imperial  Family  of  Russia.  Modelled  by  the 
Grand  Duchess,  afterwards  (1796)  Empress 
Maria  Foedorowna  of  Russia.  Signed, 
Maria  F.  21  April  1791.    Gray,  No.  349  d 


,    CASE  No.  17. 

3289  Blue  silk  Scarf.    Embroidered  Persian  pattern 

in  colours  •  Miss  Louie  S.  (iretjn 

3290  Crimson  silk  Scarf  (about  1830).  Embroidered 

Persian  pattern  in  colours  Cr.  (t.  Kilburne,  Esq.,  II.  I 

3291  Rich  Italian  Brocade  Bodice  with  sleeves,  green 

ground,  embroidered  flowers  in  red,  and 
with  pattern  in  gold  and  silver  thread 
(Venetian)  J  cones  1).  Lint<m>  li.l 


167 

No.  ^ent  by 

9qo  Spencer.  White  flowered  satin,with[Branden- 
bergs,  piped  with  white  satin  and  silk  gimp 
ornaments  (about  1820)  <!.  G.  Kilburne, 

-Q093  Gainsboro'  Overdress.    Lavender-coloured  silk 

'6  brocade,  with  white  flowers   '  -  goupft  QrsgQ.  &> 

0094  Shot  Silk  Costume.    Various  coloured  stripes 

(Child's  dress)  G.  G. ■  Kilbume,  Esq:,  B.L 

3295  Gown  of  Indian   Muslin.     Embroidered  in 

tinsel  (1812)  Miss  K.  W.  Jendwine 

;g296  Georgian  Overdress.  Pale  green  brocade  with 
white  silk  stripes,  embroidered  with  bunches 
of  toses      . '    •  \        ~  J-  Gref/o,  Esq. 

3297  White  muslin  Ball  Dress  (1810),  yellow  pipings 

and  vandykings  Mrs.  G.  H.  StatUmn 


CASE  No.  18. 

3298  White  brocade  Costume  with  train.  Coloured 

flowers  worked  in  brocade  / 

The  K.vors.  of  the  late  Townelen  Green,  Es  q  .  ,  .  ti  J. 

3299  Louis  Seize  Brocade.   Pale  green  white  stripes, 

trimmed  with  flowers  in  relief  do. 

3300  Roumanian  National  Dress,  lent  by  a  Roumanian 

Lady  Mrs.  Susana  Buck 


CASE  No.  m 

3301  Centre  Cover,  worked  by  "  Carmen  Sylva,"  the 

Queen  of  Roumania  Miss  Louie  Gre<j<r 

;:3302  Silk  Shawl  :M  Gre<jo,  Esq.. 

3303  Blue  Gauze  Scarf,  worked  about  1825    G.  G.  Kilbume,  Esq.,  B.I. 

;:3304  Lady's  Cardinal  Cape,  blue  silk  damask,  about 

the  period  of  Hogarth  J.  Gmp,  Esq.. 

;  3305  Antique  Buttons  \  M 

3306  Lace  (Court  Ruffles),  given  to  the  late  Captain  ; 
James  Eafon,  R.N.,  signal  officer  on  the 
"  Temeraire,"  at  the  Battle  of  Trafalgar,, 
by  Emma,  Lady  Hamilton       ,  .  ,  Mrs.  B.  Harden  Boyes- 


Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gcdlery. 


168 


CASE  No.  20. 

No.  Lent  by 

8307  Book  of  Hours  of  The  Blessed  Virgin,  with 
15  full  page  miniatures.  Flemish  MS. 
Saec.  XV  Sidney  Young,  Esq,,  E.S.A. 

3308  Book  of  Hours  of  The  Blessed  Virgin,  with 
14  full  page   miniatures.     French  MS. 

!p  |  *         Saec.  XV.  {  clo. 

43309  Book  of  Hours  of  The  Blessed  Virgin,  with 
8    full  page   miniatures.     French  MS. 
|||||  \  Saec.  XV  ^^^^^^^^^^^V^^^^^      $00$%$  ' 

3310  La  vie  de  Madame  Sainte  Katherine  dicte  en  f. 

vers  francois,  with  full  page  miniature  of 
St.  Katherine.  French  MS.  Saec.  early 
XV  g  do. 

3311  La  vie  de  Madame  Sainte  Marguerite  dicte  en 

vers  francois,  with  full  page  miniature  of 

St.  Margaret  do. 

3312  Antique  Satin-Lined  Jewel  Case,  containing 

two  massive  bracelets,  and  a  necklace  with 
large  cross  pendant,  made  of  fine  Berlin 
ironwork  of  elaborate  design.  These  orna- 
ments were  bestowed  by  the  Prussian 
Government  on  a  German  Lady,  who  (like 
others  of  her  compatriots)  gave  her  jewels 
towards  defraying  the  cost  of  the  defence 
of  the  Fatherland  during  the  Napoleonic 
Wars.    Tempus,  circa  1810.  Miss  E.  L.  BqMer 

3312aIvory  Walking  Stick,  formerly  belonging  to  the 

Hon.  Mrs.  Walpole  Richard  Dare*/,  E\s</. 

3313  Silver  Gilt  Knife,  Fork,  and  Spoon,  with  chased 

handles,  engraved  with  the  crown  and 
monogram  of  Queen  Charlotte.  Presented 
by  Her  Majesty  to  Lady  Banks.  From 
Lord  Brabourne's  collection  Mrs.  Moss  (Jockle 

3314  Painted  Parchment  Fan,  with  ivory  stick  inlaid 

with  silver,  once  the  property  of  Madame 
Vestris.  Her  initials  carved  upon  the 
stick  C.  P.  Downiny,  Esq. 

3315  Painted   Fan,   mounted   upon   carved  ivory 

stick,  said  to  have  belonged  to  Madame  de 
Pompadour  do, 

'3316  Fan,  ivory  mount  inlaid  with  silver.  Engraved 
design  printed  in  colours  on  satin 

The  Exors.  of  the  late  Toicneley  Green,  Esq.,  ILL 


169 


No.  Lent  bv 

SIXTEEN    HAND-PAINTED  FANS. 

From  the  collection  of  Mr.  Vacher 

3317  Silk  Fan,  with  three  engravings  printed  in 

colour  on  silk,  centre  medallion  "  Serena  " 
Lady  Hamilton  and  Romney  the  artist. 
Printed  after  the  drawing  by  Thos. 
Stothard,  B.A.  Engraved  by  Scott. 
Smaller  medallions,  Bacchantes,  trimmed 
with  fringe,  burnished  steel  mount       Sydney  Vacher,  Esq, 

3318  Louis  XV  Fan.    Medallions  in  blue,  curious 

carved  ivory  frame,  with  pillars  and 
garlands  decorated  in  blue  and  white  and 
gilding  d(K 

3319  Chinese  Fan.    Groups  of  flowers  and  exotic 

birds,  carved  and  pierced  ivory  stick,  with 
landscape  in  medallions,  in  imitation  of 
lace  work  (j0^ 

3320  Chinese    Fan,   decorated  with  flowers  and 

wreaths,  figure  subjects  of  Chinese  children 
in  medallions  ;  carved  ivory  stick  painted 
with  figures  d0m 

3321  Ivory  Fan,  elaborately  carved,  with  picture 

of  ship  in  centre  of  escutcheon;  oval 
medallions  with  coats-of-arms,  painted  on 
back  with  landscape  scenes,  and  with 
cypher  carved  on  oval  medallion  on  the 
stick  do, 

3322  Chinese  Fan.  Landscape  and  figures,  enhanced 

with  gilding,  stick  decorated  with  various 
coloured  lacs,  tinted  pearl  and  gilding,  do. 

3323  Chinese  Fan.    Mandarin  giving  entertainment 

at  his  country  house  with  female  musicians ; 
stick  decorated  with  black  and  gold  lac, 
back  painted  with  groups  of  roses  and 
butterflies  do. 

3324  Kauffman  Fan,  chicken  skin  mount,  medallion 

"Love  sleeps,"  mounted  with  carved 
ivory  sticks,  view  of  London  Bridge  and 
the  Port  of  London,  decorated  with 
classical  figures  in  low  relief  do. 

3325  Chinese  Fan.    Groups  of  figures,  ivory  frame, 

decorated  in  red  lac  with  gilding  do. 


M 


170 

No.  Lent  by 

3326  Chicken-skin  Fan  with  scalloped  edges,  painted 

with  "  Judgment  of  Paris,"  pierced  ivory 

frame,  faceted  steel  sticks  Sj/dnci/  Vacher,  Esq* 

3327  Lords  XV  Fan,  painted  with  three  classical 

groups,  ivory  picqu£9  mother-of-pearl  sticks  do* 

3328  Silk  Fan,  painted  medallion  in  centre,  decorated 

in  garlands  and  scrolls,  gold  and  silver 
spangles,  carved  and  pierced  ivory  frame, 
heavily  decorated  with  various  .coloured 
golds  and  steel  do. 

3329  Silk  Fan,  mount  painted  with  musical  party 

and  cornucopia,  surrounded  with  gold 
thread  and  spangles,  ivory  sticks,  carved, 
pierced,  and  decorated  with  gold  do, 

3330  Fan,  with  group  of   Watteau    figures,  fete 

champetre,   carved   pierced    mount,  also 
decorated  with  Watteau  figures  do. 

3331  Miniature  Fan,  horn  frame,  decorated  with 

spangles  and  coloured  discs  do'. 

3332  Small  Neapolitan  Fan.     Eruption  of  Mount 

Vesuvius,  October,  1822,  by  daylight  and 
moonlight.    Gouache  do. 

FIVE   ANTIQUE   HAND-PAINTED  FANS. 

From  the  collection  of  Mrs.  Lucy  J.  Evans. 

3333  Louis  Seize  Fan,  white  silk,  painted  a  la  Boilli. 

The  Turtle  Doves.     Trimmed  with  gold 
.  spangles  and  coloured  tinsel,  carved  ivory 
sticks  inlaid  with  gold  Mrs.  Lucy  J.  Fran* 

3334  Louis  XV  Fan,  painted  on  kid,  with  groups  in 

colour,  and  two  medallions  en  grisaille, 
delicately  carved  mount,  with  pierced 
medallions,  shepherds  and  shepherdesses, 
inlaid  with  gold  and  silver  do. 

3335  French  Fan  (Louis  XV)  ;  blue  ground,  with 

gilding,  with  three  panels  painted  in  sprigs 
and  flowers,  sticks  elaborately  carved  and 
pierced,  with  group  of  figures  in  centre  da. 

3336  Painted  Paper  Fan  on  early  carved  ivory  frame 

with  pierced  medallions,  groups  of  trophies, 

and  cupids  as  warriors  dxu 

3337  Fan  with  massive  frame,  carved  mother-of-pearl 

with  gold  figures   in  relief,  the  mount 

painted  with  pastoral  subjects  do. 


No.  Lent  by 

ETRUSCAN  JEWELLERY 

(From  the  Collection  of  Mrs.  Lucy  ^  Evans). 

8338  Greek  Gold  Bangle,  1000  B.C.  Etruscan  Gold 
Earrings,  found  in  Egypt.  Pair  of  Etrus- 
can Gold  Earrings,  found  in  Egypt.  Greek 
Earring,  "  Winged  Victory."  Greek  Gold 
Cupid.  Roman  Gold  Baby's  Bracelet. 
Egyptian  Scarab  from  Mummy  of  Egyptian 
Queen.  Woman's  Bangle  from  Zanzibar.   Mm.  Lucy  J.  Leans 

3339  Two  Egyptian  Dolls,  3000  years  old  cjo. 

3340  Steel   Locket,   with    Wedgwood  medallion, 

formerly  belonging  to  Mrs.  Siddons  do. 

3341  Old  Egyptian  Pap-boat  do. 

3342  Pair  of  Bracelets  worn  by  Madame  Trebelli  in 

"  Carmen  "  Burnham  Horner,  Lsq. 

3343  Bracelet,  made  of  hair  of  H.R.H  Princess  Char- 

lotte of  Wales  (daughter  of  George  IV), 
with  chased  gold  centre  and  miniature 
painting  of  H.R.H's  eye  (supposed  to  be 
by  Cosway)  Lady  Clementine  Wakh. 

3344  Gold  heart-shaped  Locket,  with  key  attached, 

containing  lock  of  H.R.H's  hair,  given 
after  her  death  to  Emily,  Viscountess  Ash- 
brook  ■        '  do.. 

3345  Three  plain  glass  and  silver  mounted  Scent 

Bottles,  which  belonged  to  H.R.H.  do. 

3346  Three  Battersea  Patch  Boxes  F.  L.  Sidney,  Esq.,  F.&A. 

3347  Small  old  silver  Vinaigrette  •  do. 

3348  Small  old   silver   Nutmeg   Grater  (formerly 

carried  by  ladies)  do. 

3349  Queen  Charlotte's  Seal.   -  Chased  gold  with 

bloodstone  intaglio  of  her  favourite  dog 
"  Muff."  The  handle  of  the  seal  is  also -a 
model  of  the  dog.  Given  by  Queen  Char- 
lotte to  the  "  Jessamy  Bride "  (Miss 
Horneck)  Mrs.  Moss  Cockle. 

3350  Miniature  of  the  Duchess  of  Kent  (mother  of 

Her  Majesty  the  Queen)  J.  E.  Brown,  Lsq. 

3351  Miniature,  Lady  Templemore  and  Child.  After 

Lawrence.    By  the  late  G.  R.  Ward,  Esq.  Mrs.LLM.  Ward. 

3352  Portrait  of  Mrs.  Fellowes.    By  G.  Faij  a,  minia- 

ture painter  to  Her  Majesty    Orlando  Butler  Fellowes,  Lsq. 

M  2 


172 

No.  Lent  by 

-"3358  Petitot  Miniature,  Ninon  de  L'Enclos,  in  gold 

frame  Joseph  Cirego,  Esq. 

'3354  Enamel  Picture,  "  Rape  of  the  Sabines  "  do. 

3355  Enamel  Picture  do. 

3356  Eighteenth  Century  Scent  Bottle,  in  form  of  a 

nectarine,  mounted  in  gold  do, 

"3357  Eighteenth  Century  Scent  Flacon,  as  hanging 
pilgrim's  bottle,  in  gold,  silver,  and  enamel, 
suspended  by  silver  chain  to  a  finger  ring  do. 

"3358  Antique  Jewel,  set  with  carbuncle,  garnets, 

turquoises,  &c.  do. 

"3359  Enamelled    Dome     of    Watch,  Eighteenth 

Century  do. 

"3360  Antique  Silver  Sheath  for  Scissors  do. 

"3361  Tortoiseshell  Etui,  mounted  in  silver,  with 
Wedgwood  medallion  of  Cupid,  with  silver 
fittings  do. 

"3362  Ivory  carving  (dated  1785),  scene  from  Ovid's 

"  Metamorphoses  ' '  do. 

"3363    Do.  Head  of  Medusa.    After  the  antique  do. 

"3364  Ivory  Patch  Box,  with  motto  and  medallion  in 

enamel  :  "  A  token  of  esteem  "  do.. 

"3365  Battersea  enamel  Patch  Box,  with  mirror  do. 

"3366  Rorstrand  Powder  Box,  blue  royal,  decorated  in 

gold  and  enamel  do. 

"3367  Rorstrand  Pin  Box,  blue  royal,  decorated  in 

gold  and  enamel  do. 

"3368  Brunswick  Vernis  Snuff  Box.    Subject,  "  The 

Rivals "  do. 

CASE  No.  21. 

COLLECTION  OF  MINIATURES. 

3369  Madame  du  Barri  Mrs.  Moss  Cockle 

3370  Nellie  O'Brien  do. 

3371  Lady  Barrymore  (after  Cosway).    Copied  by 

the  late  G.  R.  Ward,  Esq.  Mrs.  E.  M.  Ward 

3372  Mrs.  Siddons  Mrs.  Moss  Cockle 


*  Those  2>ictnrcs,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


No. 

3373 

3374 
3375 

*8376 

3377 
-3378 
-3379 

-3380 
-3381 
3382 
-3383 
-3384 

-3385 
-3386 
-3387 
-3388 


-3389 

-3390 

-3391 
-3392 
3393 
-3394 
-3395 
-3396 
-3397 

-3398 


173 

Lent  by 

Portrait  of  Mrs.  Thrale  (afterwards  Madame 

Piozzi)  Orlando  Butler  Fellowes,  Esq 

Henrietta  Maria,  Queen  of  Charles  I  Mrs.  Moss 

Mrs.  Fitzherbert 

A  Visit  to  Chloe.    By  William  Hamilton,  E.A. 

Engraved  by  T.  Gaugain.  Printed  in  colours  'J,  Grego,  Esq. 
Portrait  of  a  Beauty.    By  J.  de  Geer  Mrs.  Moss  Cockle 

La  Signora  Storace.    After  P.  Conde  Joseph  Grego,  Esq. 

Head  of  Lady  Hamilton.    Engraved  for  Lord 

Nelson.    By  Pistrucci  ^ 

Miss  Tree  as  Juliet.    By  Alfred  E.  Chalon,  R.A.  do. 

Miniature  of  a  Lady,  mounted  as  a  Brooch  do. 

Duchess  of  Richmond  Mrs.  Moss  Cockle 

A  Little  Maid.    By  S.  Shelley  Joseph  Grego,  Esq. 

A  Visit  to  Puss.    By  Wm.  Hamilton,  R.A. 

Engraved  by  T.  Gaugain  do. 

La  Cruche  Cassee.    After  Greuze  do. 

Madame  Recamier.    By  Isabey  do. 

Princess  Marie  Sobieski,  wife  of  the  Pretender  do. 

Innocence.  By  Angelica  Kauffman,  R.A.  En- 
graved by  L.  Marcuard.  Printed  on  satin. 
Mounted  in  needlework  with  spangles  and 
tinsel  do. 

Marie  Antoinette  (Queen  of  Louis  XVI)  when 

Dauphiness.    By  Dumont  .  do. 

Lady  Hamilton.  After  G.  Romney.  By  P. 
Conde 

Diana  and  her  Nymph.    By  Klingstedt 
Miniature  of  a  French  Lady,  time  of  Directoire 
Ninon  de  l'Enclos 

Princess  Pauline  Bonaparte.    By  Isabey 


do. 
do. 
do. 

Mrs.  Moss  Cockle 
Joseph  Grego,  Esq. 


Miniature  of  a  Lady.    By  N.  Hone 

Miniature  of  a  Lady.    Time  of  Maria  Theresa 

Mrs.  Hardinge   as  Miranda.     Engraved  by 
F.  Bartolozzi 

Lady  Horatia   Seymour,  daughter  of  Grace 
Dalrymple  Elliot 


do. 
do. 

do.. 

do. 


*  Those  pictures,  $c,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


174 

No.    j  Lent  by 

3399  Mrs.  Knowlys,  from  miniature  by  Boss,  and  in  ; 

j  Heath's  Book  of  Beauty  Miss  Flora  (rood ere 

3400  Elinor  Bold,  of  Bold  Hall,  Lancashire        Miss  Sylvia.  Goodeve. 

3401  Madame  Vestris  Bitrnham  Horner,  Esq. 

3402  Maria  Siddons.    Pencil  sketch  by  Sir  Thomas 

Lawrence  Mrs.  Moss  Cockle 

*3403  Mrs.  Mary  Bobinson,  by  Shelley  Joseph  Grego,  Esq. 

-;  3404  Cyprian   Votary,   painted   and   engraved  by 

William  Ward,  A.B.A.    Printed  in  colours  do, 

*3405  Georgiana,  Duchess  of  Devonshire,,  by  John 
Downman,  A.B.A.  Engraved  by  F.  Barto- 
lozzi.    Printed  in  colours  do. 

*3406  Lady  Hamilton,  sketch,  by  Sir  Thos.  Lawrence, 
P.B.A.,  made  at  Bomney's  house  in  Caven- 
dish Square  do. 

"3407  Lady  Hamilton,  by  Geo.  Bomney  (sketch  for 

Sensibility)  do. 

*3408  Eleanor  Gwynn,  by  Sir  Peter  Lely,  engraved  by 

John  Ogborne.    Printed  in  colours  do. 

3409  Autograph  Composition  by  the  late  Madame 

Clara  Schumann  Otto  Goldschmidt,  Esq, 

"3410  Mrs.  Mary  Anne  Clarke,  friend  of  the  Duke  of 

York,  by  Adam  Buck.    Printed  in  colours  J oseph  Grego,  Esq 

SCEEENS  Nos..  2  and  3. 

COLLECTION  OF  ENGBAVINGS  IN  COLOUBS 

AND  DBAWINGS, 

"3411  Illustrating  the  History  of  Costume  and  the 
to  development  of  Female  Dress  with  the 

"3410         Progress  of  Fashion  throughout  the  ages   Joseph  Grego,  Esq. 

CASE  No.  22. 

3441  Geo.  IV  Dress,  silk  brocade  Mrs,  W.  Prout 

3442  Early  Georgian  Sacque  Costume,  silk  brocade 

with  coloured  gold  stripes  embroidered  in 
bouquets  of  flowers,  and  trimmed  with 
raised  gimp  flowers  in  relief        Sir  James  D.  Linton,  B.I. 


*  Those  pictures,  Sfc,  marked  with  an  asterisk  are  for  sale.  .  For  prices  apply 

to  the  Curator  in  the  Gallery. 


175 

No.  Lent  by 

3443  Geo.  IV  Dress,  leg  of  mutton  sleeves,  pink 

brocade  .  >  Mrs.  A.  Temple 

$IU  Empire  Costume  with  vandyke  edgings  and 

tassels  G.  G.  Kilburne  "Esq1.  Il.I. 

3445  Green  Satin  Costume  with  pipings  of  the  same  dp. 

3446  Empire  Evening  Dress,  blue  silk  embroidered 

in  patterns  and  with  sprays  of  flowers,  and 
finished  off  with  edging  of  pearls  '^0\ 

3447  Early  Sacque  Costume,  red  silk  ground  with 

pattern  in    white  brocade  and  coloured 

flowers  Sir  James  I).  Linton,  ILL 

3448  Long-waisted  White  Silk  Dress,  handsomely 

"brocaded  with  bouquets  of  flowers  d(). 

3449  Evening  Dress,  brocade  costume,  printed  and 

painted  and  with  groups  of  fuschias,  and 
brocaded  in  white  silk 

The  E.eors.  of  the  late  Toivneley  Green,  Esq.,  ILL 

3450  White  Satin    Theatrical  Costume,   epoch  of 

Mrs.  Siddons,  richly  embroidered  in  gold 

thread  do. 

3451  Gallery  of  Fashion,  1794  to  1800.    In  2  Vols. 

Dowager  Lady  Westbiiry 


CASE  No.  23. 

3452  Collection  of  Oriental  Seed  Pearl  Work  and 

Strung  Coral.  The  pearls  are  secured  on 
the  foundation  by  means  of  horsehair, 
foundation  consisting  of  mother-of-pearl. 
Directorate  —  Empire  —  Eestoration  to 
Early  Victoria  *  Mrs.  Ellen  Yallat 

3453  Eopes  of  Strung  Pearls  from  which  the  finished 

articles  are  made  *°* 


CASE  No.  24. 

3454  COLLECTION  OF  HISTORICAL,  ANTIQUE  AND 

CURIOUS  GLOVES. 

King  George  IV  Glove.    The  fellow  glove  is  in  Messrs.  Foimes, 
possession  of  H.M.  the  Queen.  Brothers  $  to. 


176 

Lent  by 

Glove  worn  by  H.M.  Queen  Victoria,  at  her 

Coronation  Messrs.  Foivnes,  Brothers  S  Co. 

Gloves  as  made  for  Her  Majesty  at  the  present 

day.     The  seams  are  placed  outside  for 

additional  comfort  do* 
Gloves  made  in  Commemoration  of  the  Jubilee, 

1897  do. 

Gloves  worn  at  the  funeral  of  the  Duchess  of 

Kent,  mother  of  H.M.  the  Queen  do* 

Glove  of  Danish  manufacture,  worn  by  the 
Princess  of  Wales  on  her  entry  into 
London, 1863  do. 

Ladies'  Linen  Fabric  Gloves,  100  years  old  do* 

Examples  of  Mousquetaire  gloves  of  the  18th 
century,  with  curious  hand-net  insertion 

Examples  of  Suede  and  Glace  Mousquetaire  of 
the  last  century.  The  white  gloves  dis- 
play in  the  cut  of  the  thumb  and  the 
curving  at  the  wrist,  an  approach  to  the 
modern  style  do* 

Various  specimens  of  different  styles  and 
colours  in  vogue  from  time  to  time  since 
the  beginning  of  the  century  do* 

Two  Miniature  Gloves  perfect  in  every  detail. 
Made  by  a  woman  glove-maker,  in  the 
employ  of  Fownes,  Brothers  &  Co.,  when 
70  years  of  age  do. 

One  pair  Gloves  in  Walnut  Shells.  These  were 
known  as  chicken  skin  or  Limerick  gloves. 
"  It  all  lies  in  a  nutshell  "  do. 

Two  pairs  of  Doll's  Gloves  do. 

Smallest  pair  of  Hand-Knitted  Gloves  in  the  do. 
world  do. 

Lady's  Eight-Button  Gloves  found  after  a  fire 

at  Whiteley's,  Westbourne  Grove.    Size  6  do. 

Lady's  Hawking  Glove  do. 

Largest  sized  Glove  that  can  be  made  from 

rat  skins  do. 

Pair  Gloves  made  from  a  rabbit  skin  do. 

Glove  worn  by  the  wife  of  General  Tom  Thumb 

(nee  Minnie  Warren)  do. 

Maunday  Purses  as  manufactured  by  Messrs. 

Fownes  Brothers  for  over  60  years  do. 


177 

No.  Lent  by 

CASE  No.  25. 

3455  Bead  Basket.    Temp.  Charles  II  3fm      Mt  Ward 

3456  Two  Pair  Gloves.    Temp.  Charles  I  d()t 

3457  Work  Box.    Temp.  Charles  II  d(K 

3458  Pair   Ladies'    Shoes,  yellow  brocade.  18th 

century  Ered  Eoe,  Esq 

3459  Casket  for  writing  materials.   Stuart  period  Mrs.  C.  Shaw 

3460  Casket  for  work  materials.    Early  Stuart  do. 

3461  Queen  Anne's  Gloves  from  Copt  Hall     Sir  James  D.  Linton,  B.I. 

3462  Do.                 do.  do. 

3463  Embroidered  Glove  from  the  Stafford  Collection  do. 


CASE  No.  26. 

3464  Elizabethan  Curtain,  embroidered  crewels  on 

'  linen,  with  birds  and  Tree  of   Life,  in 
various  colours  Mrs.  Bracket 

3465  Elizabethan  Curtain,  embroidered  crewels  on 

linen  do. 

-3466  Embroidered  Silk  Quilt,  described  as  having 
belonged  to  Ferdinand  and  Isabella  of 
Spain  Joseph  Grego,  Esq. 

3467  Antique  Bed  Quilt,  embroidered  in  coloured 

silks  Miss  Josephine  Good  eve 


CASE  No.  27. 

3468  Bead  Basket.    Temp.  Charles  II  Mrs.  E.  M.  Ward 

3469  Needlework  Sampler.    Work  of  Lady  Sumpter. 

Temp.  Charles  II  do. 

3470  Pair  of  Shoes  and  Clogs.  Temp.  Charles  II  do. 

3471  Tapestry  Box,  worked  by  Mrs.  Bold  of  Bold 

Hall,  Lancashire,  1702  Mrs.  Arthur  Goodeve 


Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


178 

No.  Lent  by 

3472  Sampler.    Map  of  England  and  Wales  Miss  Josephine  Good  ere 

3473  Do.        The  Christian  Eace.  t  do. 

3474  Mirror.    Stuart  period  Mrs.  C.  Shaw 

3475  Small  Cushion.   The  Sacrifice  of  Isaac.  Early 

Stuart  do. 

3476  Saint  Louis.    Portrait,  tent  stitch  in  gold  and 

silver.    Stuart  period  do. 

3477  Pincushion.    Old  Chinese  embroidery  Miss  E.  M.  Clarke 

3478  Purse  which  formerly  belonged  to  the  niece  of 

the  late  Sir  Walter  Scott  Mrs.  B.  Harden  Boy  ex 

3479  Pair  Ladies'  Shoes,  flowered  brocade  Fred  Roe,  Esq. 

3480  Needlework  Picture,  1780  Mrs.  Sibley 


SCBEEN  No.  4. 

EMBROIDERED  PICTURES  AND  EMBROIDERY. 

16th-18th  Centukies. 

Lent  by  the  Corporation  Museum,  Maidstone. 

3481  Henry  VIII  seated  on  a  throne  with  his  foot  on  the  Pope. 

To  his  left  is  Edward  VI  and  Mary,  Edward  VI  holding  a 
Bible,  and  Mary  holding  a  rosary.  To  his  right  is 
Elizabeth  with  a  book  with  the  words  inscribed  "  Good 
tidings  of  great  joy,  Luke  2." 

17th  century.  Same  frame.  King  seated  on  a  throne  receiv- 
ing a  chalice  from  a  lady.  (?)  King  Solomon  and  the  Queen 
of  Sheba. 

3482  Apron  in  white  silk,  worked  with  coloured  silks  and  gold  wire. 

Early  18th  century. 

3483  Portion  of  an  apron  with  geometrical  design  of  flowers  in  gold 

thread  and  silks. 

3484  Three  figures  in  a  landscape  with  trees  and  flowers.  Cupid, 

flying  in  the  air,  discharges  an  arrow.    18th  century. 

3485  An  allegorical  design  representing  the  elements — air,  land,  and 

water.  In  the  upper  portion  the  sun  (air)  appearing  from 
under  the  clouds,  and  birds — peacock  and  parrot.  In  the 
centre  a  female  (land)  wearing  a  wreath  of  laurel,  and 
standing  under  an  arch  of  flowers,  holding  in  her  hands  a 
bunch  of  roses  and  a  spray  of  heartsease.  On  either  side  a 
leopard  and  a  lion.  In  the  lower  portion  the  sea  (water) 
with  fish  and  a  mermaid.    First  half  of  the  18th  century. 


179 

No. 


o486  Two-handled  vase,  containing  flowers  and  foliage,  standing  in  a 
0  garden  with  growing  flowers.    18th  century. 

3487  Alphabets  and  verse  of  a  hymn.    a.d.  1758  and  1782  Thp 
Crucifixion,  worked  in  coloured  silks,  and  a  verse  of  poetry! 
0488  Landscape  and  Figures,  Stuart  Embroidery. 

Lent  by  the  Exors.  of  the  late  Towneley  Green,  Esq.,  B  J 

3489  Frame  of  three  pieces  Gold  Embroidery  for 

Altar  Front.  ^ 

3490  Fine  cross  stitch  Scripture  subject.  do. 

3491  Sampler  worked  in  Silk,  dated  1676.    Lent  by  Mrs.  H.  B.  Venn 


CASES  Nos.  28,  29,  30,  31,  32  and  33. 

COLLECTION  OF  JAPANESE  ANTIQUE  LACQUEE,  BEONZES, 
POBCELAIN,  EMBEOFDEEIE  S,  and  Articles  of  daily  present  use. 

Lent  by  Mrs.  Ernest  Hart. 

3492  Sage-Jubaku  or  Picnic  Box,  decorated  in  flowers  and  buds,  in 

gold  lac,  on  aventurine.  18th  century.  Such  a  box  is 
carried  when  ladies  go  out  to  picnic  under  the  blossoming 
trees,  on  the  occasion  of  the  various  festivals  of  flowers 

3493  A  Lady's  Smoking  Set,  decorated  in  landscape,  with  gold  and 

silver  lac  on  black.    18th  century 

3494  The  Poetry  Game.    Gold  lac  case,  decorated  with  hawthorn 

blossoms.  18th  century.  Containing  100  cards  of  the 
100  poets,  painted  by  an  artist  of  the  Toza  School.  The 
game  is  played  by  throwing  one  of  the  cards  on  which  a 
verse  is  written  on  the  floor,  and  the  player  has  to  im- 
mediately throw  down  the  card  with  the  portrait  of  the 
poet  who  is  the  author  of  the  poetry 

3495  Cha-baku  or  Tea  Caddy.    Decorated  with  landscape,  in  gold 

and  silver  lac.    17th  century 

3496  Cha-baku  or  Tea  Caddy,  in  natural  wood,  decorated  with  owl  in 

gold  lac  and  swallows  in  translucent  enamels.  17th 
century 

3497  Suzuribako    or    Writing    Case,    decorated    with  hawthorn 

blossom  and  fir  in  silver  and  gold  lac  on  black.  17th 
century 

Shikishi-baku  or  Paper  Box,  decorated  with  fans  in  gold  lac. 
18th  century 


180 

No. 

3499  Suzuribako  or  Writing  Case,  decorated  with  a  peony  in  raised 

gold  lac  on  aventurine.    18th  century 

3500  Lady's  embroidered  Pocket  Book,  containing  a  polished  metal 

mirror 

3501  Lady's  embroidered  Tobacco  Pouch 

3502  A  small  Table  used  in  dining.   Each  person,  who  is  seated  on  the 

ground,  has  such  a  table  placed  before  him 

3503  Fubako  or  Despatch  Box,  in  gold  lac.    Such  a  despatch  box 

is  the  envelope  in  which  a  lady  places  a  letter  she  has 
written  for  delivery.    17th  century 

3504  Fubako  or  Despatch  Box,  decorated  with  pine  branches  in 

gold  lac  on  nashiji.    18th  century 

3505  Despatch  Box,  decorated  with  pine  branches  in  gold  lac  on 

nashiji.    15th  century 

3506  Despatch  Box,  decorated  with  maple  leaves  in  gold  and  red  lac 

on  black 

3507  Hairpins,  in  gold  lace 

3508  Hairpins,  in  tortoiseshell 

3509  Combs— 

1.  Black  and  gold  lac 

2.  Peony  in  shibiyama. 

3.  Gold  lac  on  ivory 

4.  Gold  lac  and  shibiyama    By  Hositsu 

5.  Minute  Landscapes  in  discs  in  gold  lac 

6.  Gold  lac  and  coral 

7.  Shibiyama  decorations  on  gold  lac.    By  Kensai 

8.  Birds  and  flowers  in  raised  gold  lac 

9.  Birds  engraved  on  stained  red  ivory 
10.  Shibiyama 

3510  Sake-coupe  pair,  decorated  with  figures  of  actors.    18th  century 

3511  Sake-coupe,  decorated  with  peonies  in  gold  lac  in  relief.  By 

Mosho.    19th  century 

3512  Small  domestic  Shrine  of  Buddha 

3513  Seven  Kogos  or  Perfume  Boxes,  in  gold  and  coloured  lac  and 

shibiyama.    18th  century 

3514  Model  of  a  Goto,  a  musical  instrument  which  all  the  Japanese 

ladies  are  taught  to  play 

3515  Model  of  a  Kaga  or  Sedan  Chair  in  which  ladies  are  carried 

3516  Small  domestic  Shrine  of  Kwannon 


181 

Li  Pocket  Case,  containing  brush  with  which  a  lady  paints  the 
6  lower  lip  with  carmine 

3518  Pipe  Case  (modern) 

3519  Model  of  a  Samisen  (a  kind  of  banjo) 

Q520  Six  Netsuki  Buttons  in  ivory,  carved  red  lac,  shibiyama  and 
6  gold  lac 

3521  Kogo  in  Kaga  porcelain 

3522  Letter  Weight.    Kylin  in  crystal 

3523  Kogo  in  Satsuma  china.     Figures  painted  by  Meizan  and 

another 

2524  Incense  Pot  in  Satsuma  porcelain.    Painted  by  Meizan,  with 
silver  cover 

0525  Teapot  in  Satsuma  porcelain.    Made  for  and  presented  to  the 
lender  by  Meizan,  with  inscription 

3526  Tea  Jar,  decorated  with  red  cockscomb  in  red  and  gold  lac 

on  black.    18th  century 

3527  Six  antique  Tea  Jars,  used  in  the  tea  ceremony. 

3528  Antique  Baku  Tea  Bowl,  used  in  the  tea  ceremony,  with  the  silk 

bag  in  which  it  has  been  carefully  preserved  for  generations 

3529  Three  carved  and  painted  Ivory  Decorations  for  the  hair 

3530  Lacquer  Luncheon  Box  (modern) 

3531  Bunko  or  Manuscript  Box,  decorated  with  wistaria,  in  gold  and 

coloured  lacs  on  black 

3532  China  Pail,  used  by  ladies  to  make  soapsuds  in,  when  taking 

a  bath 

3533  Carved  red  lac  Hairpin  and  three  others  in  gold  lac 

3534  A  Mokume  Pipe 

3535  Pipe  and  Case 

3536  Five  Articles  of  Toilet 

3537  Large  Box  with  Tray,  black  and  gold  lac  on  red  canvas,  in 

which  a  lady  would  keep  her  wardrobe. 

3538  Model  of  a  Goto 

3§39  Pillow  used  by  Japanese  ladies  in  order  to  prevent  their  beauti- 
fully arranged  hair  being  disordered.  This  pillow  was 
brought  from  Japan  by  Lady  Franklin  in  1862 

3540  Shoulder  drum  used  by  Geishas 

,3541  Gold  lacquered  and  painted  carved  figure  of  Kwannon,  the 
Goddess  of  Mercy,  standing  on  a  lotus  flower.     16th  century 

3542  Lacquered  and  painted  figure  of  Komachi,  carved  in  wood, 
representing  the  poetess  reduced  to  begging  m  her  old  age. 
17th  century 


182 

No. 

3543  Kashi-baku  or  Cake  Box,  in  Somada  lac.    Early  18th  century 

3544  Jubaku  or  Nest  of  Boxes,  in  carved  guishi  lac.    17th  century 

3545  Socks,  with  divided  space  for  the  big  toe,  through  which  is 

passed  the  strap  of  the  sandal 

3546  Pair  of  straw  Sandals,  worn  out  of  doors 

3547  Another  pair  of  the  same 

3548  Pair  of  Clogs,  worn  out  of  doors  in  muddy  weather 

3549  Fukusa,   representing   a   serpent   attacking   a   stork's  nest, 

defended  by  a  kylin,  finely  embroidered 

3550  Fukusa,    stencil    printed    and     embroidered,  representing 

children  drawing  a  basket  of  flowers  in  a  cart 

3551  Obi-agi,  cherry  trees  in  blossom,  stencil  printed 

3552  Obi-agi,  ducks  and  reeds  design,  stencil  printed 

3553  Obi-agi,  pinks  design,  stencil  printed 

3554  Obi-agi,  plum  blossom  and  moon  design,  stencil  printed 

3555  Neckerchief,  folded  inside  the  Kimono,  deer  and  trees  design, 

stencil  printed 

3556  Neckerchief,  fan  design,  stencil  printed  and  embroidered 

3557  Silk  obi  or  sash 

3558  Lacquer  dish  for  food  (modern) 

3559  Bice  bowl  and  cover  (modern) 

3560  Soup  bowl  and  cover  (modern) 

3561  Crystal  Charm 

3562  Pocket  Mirror  (modern) 

3563  Miniature  silver  inro  and  mokume  Bead 

3564  Wallflower  Vase,  in  the  form  of  the  mask  of  Okume,  the  Goddess 

of  Happiness.    Old  Kioto  ware 

3565  Wallflower  Vase.    Modern  Banku  ware 

3566  Wallflower  Vase,    Old  Satsuma  porcelain,  landscape  design 

3567  Bronze  Hanaike  or  Flower  Vase,  decorated  with  the  Kiri  crest, 

by  Seimin,  signed 

3568  Bronze  Water  Kettle 

3569  Bronze  Hanaike  or  Flower  Vase,  decorated  with  flying  hoho 

birds  in  relief,  by  Yasumore,  signed  18th  century 

3570  Antique  Kogo,  over  300  years  old,  gold  lac  on  linen,  presented 

to  the  lender  in  Japan,  in  1892,  by  the  son  of  the  last  of 
the  Shoguns 

3571  Kogo,  figure  of  a  Woman.    By  Bitsuo,  17th  'century 

3572  Mirror  of  polished  metal  with  gold  and  black  lac  case 


183 


No. 

3573  Cloisonne  Ink  Bottle 
8574  Antique-  painted  Fan 

3575  Three  damascened  and  mokume  Tobacco  Pouch  Clasps 

3576  Writing  Table,  carved  red  and  black  lac 

3577  Carved  Flute,  used  in  the  No-dance 


Lent  by  H  arding  Smith,  Esq^  /  : 

3578  Lady's  Toilet  Bowl,  of  .copper  gilt,  lining  aventurine  lac 

3579  Miniature  Model  of  Tea  Set,  consisting  of  14  pieces 

3580  Mirror  Case  of  old  nashiji  lac,  pewter  mounts,  crests  of  owner's 

family  and  families.    16th  century 

3581  Lady's  Dagger,  double-edged  blade.     Made  by  "Sakemitsu/' 

Silver  mounts,  decorated  with  cherry  blossom  and  birds' 

3582  Fan,  decorated  with  crests  of  various  families 

3583  Fan,  decorated  with  sun,  pine  trees,  and  waves 

i 

Lent  by  Phene  Spiers,  Esq. 

3584  Six  Combs  in  gold  lac,  ivory,  and  shibiyama 

3585  Six  gold  lac  Hairpins 

\  N 

Lent  by  George  Haite,  Esq. 

3586  Lady's  Kimono,  fir  tree  and  bamboo  design,  stencil  printed  and 

embroidered  in  colour  and  gold  on  black 

3587  Fukusa,  storks  and  fir  tree  embroidered  on  blue  satin 

3588  Fukusa  representing  the  devoted  son,  who  went  in  the  snow  to 

search  for  bamboo  roots  for  the  sustenance  of  his  brother 

3589  Fukusa.    Cake  boxes  and  shells  finely  embroidered  on  white 

damask 

3590  Fukusa.    Fir  tree,  embroidered  in  gold  thread  on  dark  blue 

,  satin 

8591  Fukusa.     Stork    and    the   hairy   tortoise,   the   emblem  of 
longevity,  worked  in  gold  thread  on  dark  blue  satin 

3592  Storks  and  fir  tree,  worked  in  silk  and  gold  on  blue  satin 


184 

No. 

Lent  by  E.  Tomkinson,  Esq. 

3593  Kimono,  finely  embroidered  on  white  silk 

3594  Do.,  richly  embroidered 

3595  Obi,  embroidered  in  silk  and  gold  on  open  satin 

Lent  by  Frank  Dillon,  Esq. 

3596  Obi-agi,  woven  in  red,  green  and  gold 

3597  Lady's  Kimono,  embroidered  with  large  green  leaves 

3598  White  Silk,  embroidered  and  painted 

3599  Lady's  Kimono,  in  black  and  grey  silk,  embroidered  with 

bunches  of  flowers 

3600  Lady's  Kimono,  in  grey  crepe,  embroidered  with  bamboo  and 

apple  blossom 

3601  Obi-agi  in  grey  crepe,  decorated  with  stencil  prints  of  fans 

3602  Obi-agi  in  grey  crepe,  decorated  with  stencil  prints  of  boughs 

3603  Scarf  of  white  silk 

3604  Neckerchief  in  grey  satin,  embroidered 

3605  Neck- scarf  in  grey  crepe,  stencilled  with  chrysanthemums 

3606  Obi-agi  in  blue  silk,  stencilled  with  chrysanthemums 

3607  Obi-agi  in  gold  and  blue  damask 

3608  Part  of  an  Obi,  handsome  gold  and  black  damask 

3609  Part  of  an  Obi,  blue  and  red  silk  damask 


CASE  No.  34.  > 

COLLECTION     OF     ICELANDIC  EELICS 

FORMED  BY  MRS.  "ALEC"  TWEEDIE. 
No.  Lent  by 

3610  Sketch,  "  Our  First  View  of  Iceland."  Mrs.  Alec  Tweedie 

3611  Icelandic   Musical   Instrument   of   the  17th 

century,  called  in  Iceland  "  Langspil  "  do. 

3612  Flat  Iron,  1684  do. 

3613  Engagement  Ring,  set  with  stones  (old  silver)  do. 

3614  Silver  Pendant,  with  hangings  (old  silver)  do. 

3615  Bride's  Marriage  Buckle  with  her  initials  and 

bridegroom's  upon  it  (old  silver)  ..  do. 


185 

Lent  by 

3616  Double-thumbed  Gloves  ?    ^|  ^ 

3617  Skin  Shoe  g£ 

3618  Native  Cap,  as  worn  by  woman  in  Herbert 

Schmalz's  picture  7 

3619  Silver-mounted  Belt  and  Neck  Collar  j 0 

3620  Snuff  Box,  made  of  walrus  tooth  (j0 

3621  A  Pen-and-ink  Sketch  of  Girl  in  Icelandic 

dress.    By  Herbert  Schmalz 


■       \  \  CASE  No.  35.  ■ 

3622  Collection  of  Autographs  (Musical  and  Literary)  of 

Famous  Women. 


Adelina  Patti.    Two  letters                        X)r.  Haitian  ! 

.Norman  Neruda 

do 

Tietiens  (signed  Theresa).    Letter  and  photo 

/in 

Adelaide  Kemble.    Two  letters 

///) 
\  M  /  • 

Jenny  Lind  (Goldschmidt) 

vv:'  1 i  ship 

Madame  Storace.    Letter  and  portrait 

Arabella  Goddard.    Letter  and  photo 

do> 

Edith  Wynne 

<J(K 

Priscilla  Horton  (Mrs.  German  Reed)  < 

'.Sarah  Harlowe 

do. 

Pauline  Viardot 

(jo. 

Lydia  Thompson.    Two  letters 

do. 

Clara  Novello 

do.r 

Parepa  Rosa 

•do. 

Mrs.  Craik 

do. 

Mrs,  Keeley 

Mo. 

Rebecca  Isaacs 

do. 

Madame  Albania    Letter  and  photo 

do. 

Taglioni 

do. 

Mrs.  Oliphant 

do. 

Eliza  Cook.    Letter  and  portrait 

do. 

L.  E.  L.  (Letitia  Elizabeth  Landon) 

do. 

Harriet  Martineau 

■do. 

Caroline  Norton 

d(>. 

Agnes  Strickland 

do. 

N 


186 

No.  Lent  by 

Jane  Porter                                              Dr.  Maitland  Coffin 

Miss  Kelly  (Actress)  do. 

Grisi    .  da, 

Florence  Marry  at  do, 

Susannah  Moody  da, 

Jenny  Viard  Louis  do, 

Maria  Edgeworth  do, 

Isabelle  de  Chalot  do, 

John  Strange  Winter  do, 

Maude  Goodman  do, 

Mary  Holman  do. 

Baroness  Burdett  Coutts  do. 

Florence  Warden  do. 

Lady  Alfred  Tennyson  do* 

3623  School  Shakespeare,  formerly  belonging  to  Mrs. 

Siddons  Mrs.  Moss  Cockle 

\  CASE  jSfo.  36. 

-3624  Green  Silk  Damask  Cradle  Coverlet,  lined  with 

white  moire  antique  J.  Grego,  Esq, 

"3625  Indian  Gauze  Scarf,  embroidered  in  gold  and 

amber  da, 

-3626  Indian  Nautch  Girl's  Cap,  embroidered  and 

tinselled  do. 

-3627     Do.                   do.                   do.  do. 

-3628  Black  Velvet  Cap,  embroidered  gold  thread  and 

pearls  do, 

-3629  Albanian  Jacket,  damask  rose-coloured  velvet, 

embroidered  in  gold  lace  do. 

-3630  Green  Satin  Waistcoat  en  suite  do, 

3631  Small  Red  Silk  Siamese  Handkerchief  Miss  E.  M.  Clarke 

3632  White  Embroidered  Chinese  Silk  Handkerchief  do. 

3633  Embroidered  with  Shamrocks  Irish  Tea-cloth  do. 
-3634  Three  Old  Tapestry  Needlework  Chair-seats  Miss  Sandeman 

3635  Dress   Panel,   hand-painted    cornflowers  on 

chiffon                                             Mtes  Alice  M.  Gurney 

3636  Dress  Panel,  hand-painted  roses  on  chiffon  do. 


*.  Those  pictures,  fyc,  marked  with  an  asterisk  are  for  sale.    For  prices  apply 

to  the  Curator  in  the  Gallery. 


187 

CASE  No.  37. 

FOUR  EXAMPLES  OF  RUSSIAN  COSTUMES. 

No.  Lent  by 

3637  Antique  Rich    Brocade    Gown,   Costume  of 

Russian  Noble  Lady,  five  pieces     Lent  by  Madame  Policy 

3638  Antique  Costume  of  Russian  Peasant  Woman, 

four  pieces  ^ 

3639  Costume  of  a  Russian  Merchant's  Wife,  Red 

Brocade  Saraptan  and  four  other  pieces 

and  necklace  ^Q 

3640  Modern  Costume  of  Moscow  Peasant  Woman, 

four  pieces  and  headwear  ^0 


188 


List  of  Exhibitors  in  Children's  Section. 

Mrs.  Ada  S.  Ballin,  Professional  and  Private  Address,  18 
Somerset  Street,  Portman  Square,  W. ;  Office,  5  Ag-ar 
Street,  Strand. 

Womanhood;  the  Magazine  of  Woman's  Progress  and  Interests. 
Magnificently  illustrated.  Monthly. 

Baby ;  the  Mother  s  Magazine.  A  Guide  to  the  Health,  Dress,  Food, 
and  General  Management  of  Children.  Monthly. 

The  Mother  s  Guide.  Series  of  Booklets,  written  by  Mrs.  Ballin. 
No.  1 :  How  to  Feed  our  Little  Ones.  No.  2  :  Bathing,  Exercise  and 
Best.    No.  3  :  Early  Education.    No.  4  :  Children's  Ailments. 

Personal  Hygiene.  An  Explanation  of  the  Laws  of  Health  as  regards 
the  Individuaf  and  the  Home.    Over  200  pp.    Handsomely  bound. 

Health  and  Beauty  in  Dress,  from  Infancy  to  Old  Age.    Over  200  pp. 

Nursery  Cookery.    Becipes  for  children  from  1  to  12  years. 

Paper  Patterns  (registered)  of  Mrs.  Ballin's  Improved  Hygienic  and 
Layette  and  Other  Patterns  for  Children  and  Ladies. 

Mrs.  Ballin  s  Baby  Corselet.  An  invention  to  prevent  children  from 
falling  out  of  bed. 

The  Boris  Safety  Belt."  An  invention  to  keep  children  from  falling 
out  of  mail  carts,  prams,  &c. 

The  Ballin  Baby  Bottle. 

Dr.  Jaeger's  Sanitary  Woollen  System,  Ltd.,  95  Milton 

Street. 

Articles  of  Clothing,  carrying  out  practically  Dr.  Jaeger's  Sanitary 
Woollen  System,  and  showing  how  pure  wool  is  substituted  for  linen 
and  cotton  fabrics. 

Hitchings,  Ltd.,  Regent  House,  Regent  Street. 

Baby  Cars,  Baby  Carriages,  Baby  Chairs,  etc.,  under  the  distinguished 
patronage  of  Her  Majesty  the  Queen-Empress,  H.B.H.  Princess  of 
Wales,  H.K.H.  Duchess  of  York. 

Mrs.  McKinna,  Anlaby  Road,  Hull. 

The  Beatrice  Cot-net  for  preventing  children  from  falling  out  of  bed. 


189 

Alidne  Co.,  17  The  Broadway,  West  Norwood. 

The  Alione  Baby  Clothes,  for  day,  night,  and  out-of-doors  Each 
all  in  one.  Patented  The  Ah6n6  Invalid  Gown  (reg.  pattern).  The 
Ali6n6  "Ark  of  Safety  Crib.  Gods  Flowers:  a  Book  of  Poems 
for  Children. 

The  Portia  Co.,  202  Romany  Road,  West  Norwood. 

a  Portia"  Combined  Stocking  Suspender  and  Shoulder  Support. 
Easily  adapted  to  any  figure  by  adjustment  of  elastic  in  central  disc  ' 
suitable  for  all  ages  from  four  years  upwards. 

Miss  E.  L.  Youngr,  17  Avenue  Road,  Regent's  Park. 

Specimens  of  keyboard  music,  printed  and  manuscript,  keyboard 
modulators,  pamphlets,  diagrams.  The  "  Happy  Readers"  :  a  scientific 
and  attractive  method  of  teaching  children  to  read. 

British  Somatose  Co.,  Ltd.,  165  Queen  Victoria  Street,  E.C. 

Food  for  Invalids,  made  from  Beef,  in  three  kinds,  viz. :  Somatose, 
Iron  Somatose,  Milk  Somatose. 

The  Kelpion  Co.,  59a  Bishopsgrate  Street  Within. 

Kelpion  (regd.).  Stainless  Iodine  Ointment — Antiseptic,  Non- 
irritant.  A  scientific  and  specific  remedy  for  Rheumatism,  Gout, 
Enlarged  Glands,  Stiff  Joints,  Eczema,  Ringworm,  Chilblains,  Burns, 
Sprains,  Bruises,  etc. 

Bailey's  Patent  Cooker  Co.,  10  Bromley  Road, 

Beckenham,  Kent. 

Bailey's  Patent  Champion  Potato  and  Food  Cooker,  and  great 
Economizer  in  Fuel. 

Bailey's  Patent  Strainer  Dispenser  for  serving  up  potatoes, 
fish,  etc. 

The  Patent  Fish  Food  Syndicate,  Ltd.,  Berry  Yard, 
Greenock  Works,  Wick,  N.B. 

"  Marvis  "  is  made  from  prime  white  fish  newly  caught.  It  is  in  the 
form  of  a  powder,  and  contains  all  the  nutriment  and  delicate  flavour 
of  white  fish  in  a  very  highly  concentrated  form. 

Westburn  Sugar  Refineries,  Ltd.,  Greenock,  N.B. 

"Sacrette  "  Sugar.  A  pure  sugar  substance,  free  from  glucose  or 
any  adulterant.  Specially  suitable  for  the  dietary  of  children.  The 
form  of  the  article  strongly  resembles  honey. 

Josiah  Neave  &  Co.,  Fordingrbridge,  Hants. 

Infants'  Food. 


190 


Edgar's  Croup  Lotion,  Ltd.,  Dartford,  Kent. 

Edgar's  Croup  Lotion.  A  grand  specific  for  the  cure  of  that 
dangerous  and  fatal  disease  Croup,  and  the  finest  remedy  for  Sore 
Throat,  Bronchitis,  Quinsy,  Whooping  Cough,  etc. 

The  Sanitas  Co.,  Ltd.,  Bethnal  Green. 

"  Sanitas  "  Disinfecting  Fluids,  Oils,  Powders  and  Soap.  "  Sanitas  " 
Bronchitis  Kettles  and  Fumigators,  Inhalers,  and  Disinfectors. 
"  Sanitas  "  Toilet  Preparations,  Tooth  Powder,  Toilet  Powder,  etc. 

Alexander  Riddle  &  Co.,  Ltd.,  36  Commercial  Street,  E. 

Stower's  Lime  Juice  Cordial. 

J.  Curwen  &  Sons,  Ltd.,  8  and  9  Warwick  Lane, 

Newgate  Street,  E.C. 
William  Harbutt,  Hartley  House,  Bath. 

"  Plasticine."  A  newly  invented  material  for  Modelling,  either  for 
Kindergarten  teaching,  advanced  schools,  or  adults.  Tools  and 
appliances  for  instruction  in  modelling. 

Mrs.  Holmes,  45  Minford  Gardens,  S.W. 

Toys,  Dolls,  and  Kindergarten  Games. 

The  Bimbo  Co.,  15  Fakenham  Street,  Holloway,  N. 

"Bimbo."    A  Magic  Dry  Mirror  and  Window  Cleaner. 

H.  Hoare,  30  Vernon  Street,  Kensington. 

"  Vegetine."  For  Cleaning  Gloves,  White  Shoes,  Silk  and  Leather 
Goods. 

The  Antexema  Co.,  83  Castle  Road,  N.W. 

The  "  Antexema  "  preparations  for  Skin  and  Toilet  use.  ' '  Antexema, " 
the  Standard  Skin  Remedy,  a  wonderful  specific  for  Eczema,  and  all 
inflamed  conditions  of  the  skin. 

J.  &  J.  0.  Evans,  Teigrnmouth,  Devon. 

Sea  Pod  Liniment.  To  strengthen  children's  limbs,  especially  bow 
legs.  Excellent  for  rheumatism,  sprains,  joint  troubles,  etc.  Ocoline, 
a  healing  Ointment,  valuable  for  chafes,  roughness,  eczema,  and  other 
skin  troubles. 

The  Twin  Wheel  Cycle  Co.,  Ltd.,  32  North  Audley  Street, 

Grosvenor  Square. 

A  Lady's  Patent  Twin-Wheel  Cycle.  The  advantages  of  a  Cycle  on 
this  principle  are  perfect  safety  from  skidding.  It  can  also  be  mounted 
and  dismounted  from  whilst  stationary. 


191 

Major  &  Co.,  Ltd.,  Hull. 

Bath  Eucryl,  Eucryl  Cold  Cream  Disinfecting  Fluid  and  Powder 
Tooth  Powder  Tooth  Paste,  Ointment,  Embrocation,  Salubrene 
Major's  Soluble  Sanitary  Fluid,  etc. 

H.  Gold,  Camomile  Street  Chambers,  Bishopsgate. 

A  «  Safety  Chair  "  for  the  Purpose  of  Cleaning  Windows  (intended 
especially  for  Family  Use). 

Mellin's  Food,  Ltd.,  Marlboro'  Works,  Peckham,  S.E. 

Mellin's  Food,  Mellin's  Biscuits,  Mellin's  Lacto  Glycose,  Mellin's 
Cod  Liver  Oil  Emulsion. 

The  Dalli  Smokeless  Fuel  Co.,  Ltd.,  27  Milton  Street,  E.C. 

The  Dalli  Smokeless  Box-Iron  and  Fuel.  New  Patented  Box-Iron 
which  is  heated  by  a  Patent  Fuel.  Entirely  free  from  Smoke  and 
Odour,  and  ready  for  use  in  a  few  minutes. 

Nelson,  Dale  &  Co.,  Ltd.,  Dowgate  Hill,  E.C. 

Gelatine,  Isinglass,  Gelatine  and  Liquorice  Lozenges,  Jellies  :  Tablet 
and  Granulated  Soups,  Creams,  "  Hipi  "  :  a  Pure  Mutton  Essence, 
Beef  Tea,  Essences,  Citric  Acid,  Albumen. 

Keen,  Robinson  &  Co.,  Garlick  Hill,  Cannon  Street,  E.C. 

Patent  Groats,  Waverley  Oats,  Patent  Barley,  Keen's  Mustard  and 
Spices,  Keen's  Blue,  etc. 

S.  E.  Haward  &  Co.,  Lim.,  Tunbridge  Wells. 

The  Patent  "Princess  "  Automatic  Chest-expanding  Swings. 

J.  &  G.  Cox,  Ltd.,  George  Mills,  Edinburgh,  and  Eastcheap 
Building's,  London,  E.C.   Established  1725. 

Sparkling  Gelatine,  in  packets,  for  Preparing  Jellies,  Blanc  Mange, 
Paddings,  etc. ;  Tablet  (Solidified  Jellies)  and  Flavouring  Essences ; 
Jellies  made  from  the  same. 

Pate,  Burke  &  Co.,  6  Wool  Exchange,  Basinghall 

Street,  E.C. 

"Petanelle"  (Natural  Antiseptic  and  Deodorant).  Hygienic 
Clothing,  Bedding,  Nursery  Specialities,  &c.  An  entire  novelty  in  this 
country.    Only  goods  of  their  kind  manufactured.    30  medals. 


192 


DUCAL  HALL. 

List  of  Exhibitors  in  British  and  Irish 

Silk  Industry  Section. 

Thos.  G.  Litchfield,  3  Bruton  Street,  Bond  Street. 

A  portion  of  a  Bedroom  Wall  hung  with  Silk  in  Louis  XVI.  style. 
Bedstead  with  Cushions  covered  in  Silk  and  other  suitable  furniture. 

J.  Maygrove,  51  &  52  Aldersgate  Street. 

Sewing,  Embroidery  and  other  Silks. 

Miss  A.  Garnett,  The  Spinney,  Fairfield,  Windermere. 

Silks  and  Throwans,  hand  made  in  the  village  of  Windermere. 

Mr.  David  Wansker,  187  Bury  New  Road,  Manchester. 

Patent  Silk  Feather  Tip,  in  various  designs. 
Silk  Pom  Poms. 

Miniature  Straw  Hats,  with  miniature  patent  silk  feather  tipsy 
illustrating  how  they  should  be  worn. 

Silk  Girdles,  Curtain  Bands,  Children's  Sleeve  Ties  and  Tassels  of 
various  descriptions. 

Faudel,  Phillips  &  Sons,  Newgate  Street,  E.G. 

Faudel's  English  made  and  English  dyed  Embroidery  and  sewing- 
Silks,  also  specimens  of  Embroidery,  worked  with  Faudel's  Silks, 
viz.  :  Mantle  Drape,  Table  Centres,  and  Sofa  Cushions. 

Henry  &  John  Cooper,  Great  Pulteney  Street. 

The  old  carved  wood  Bedstead,  with  enriched  and  carved  Foot- 
board and  Canopy  with  hangings  of  rose-colour,  English-woven  silk 
and  old  English  bedspread. 

The  Queen  Anne  Dressing  Chair,  upholstered  in  English  silk 
tapestry. 

The  carved  wood  Screen,  with  panel  of  English  woven  silk  and 
accessories. 

The  English  Silk  Weaving  Co.,  Ltd.,  8  Oxford  Circus 

Avenue,  W. ;  and  at  Ipswich. 

Furniture  and  Ecclesiastical  Silks,  comprising  Damasks,  Brocades, 
Brocatelles,  Tissues,  Lampas,  plain  and  figured  Velvets  and  plain 
Satins.  All  silk  guaranteed  pure  and  unweighted  and  mostly  vegetable 
dyes.  The  designs  are  all  designed  for  the  Company  by  Luther 
Hooper,  or  are  reproductions  from  the  antique  under  his  directions. 


193 

W.  Wallace  and  Co.,  Ltd.,  125  New  Bond  Street  W 

Furniture  and  Drapery  Silks,   Silk  Tapestries,   Silk  L  \ 
Specimens  of  high-class  Furniture  Silks.  '   bllk  Br°cades, 

Cowtan  &  Co.,  309  Oxford  Street,  W. 

Patterns  of  specially  designed  and  Woven  Silks,  Silk* Fabrics  a  d 
Velvets.  n 

Waring  and  Sons,  Ltd.  (Waringr  and  Gillow),  176  to  181 

Oxford  Street,  London,  W. 

The  Tapestry  Looms  in  work  exhibited  by  Messrs.  Warm*  ™* 
Gillow  are  :  b  0111(1 

The  Basse-Lisse  or  Low  Warp  Loom,  as  used  in  the  Beauvais  and 
Aubusson  Factories,  and  the  Haute-Lisse  or  High  Warp  Loom  ^  llc3 
in  the  Gobelins  Factory.  1  dib  Ubea 

This  interesting  revival  of  Tapestry  work  in  England  is  carried  on 
at  Messrs.  Waring  s,  181,  Oxford  Street. 

The  Room  is  hung  with  fine  examples  of  Antique  Tapestries  and 
Panels  executed  at  Messrs.  Waring  and  Gillow's  Works. 

Fry  &  Co.,  115  and  116  Cork  Street,  Dublin. 

Poplin  Damasks,  Poplin  and  Silk  Terry  and  Taborette  and  Carriage 
Laces. 

Pirn  Bros.  &  Co.,  22  William  Street,  Dublin. 

Irish  Poplins. 

Riehd.  Atkinson  &  Co.,  Dublin. 

Irish  Poplins. 

R.  Mitchell  &  Co.,  Ltd.,  10  Parliament  Street,  Dublin. 

Curtain  and  Furniture  Poplins  and  Upholsterers'  Trimmings. 

Leek  Embroidery  Society,  Leek,  Staffs. 

1.  The  Nine  Orders  of  Angels,  as  represented  on  the  Screen  of 

Southwold  Church,  Norfolk  ;  arranged  in  three  groups. 

2.  Embroidered  Stole,  with  figures,  worked  by  Mrs.  Worthington, 

Stockwell  House,  Leek  ;  the  property  of  the  Vicar  of  All 
Saints',  Leek;  designed  by  Thomas  Wardle,  jun. 

3.  White  Stole,   ends   only   embroidered;    design   by  Thomas 

Wardle,  jun.  • 

4.  Green  Chalice  Veil  and  Burse;  the  design  of  the  late  Edmund 

Sedding,  Esq. ;  belonging  to  the  Old  Parish  Church,  Leek. 

5.  Nightdress  Case;  "lily"  design,  in  green. 

6.  -  Handkerchief  Case,  in  white  and  gold  ;  rose  design. 

7.  Photograph  Frame. 


194 


8.  Sample  piece ;  "  Queen  Anne "  design  on    blue  challes ;  by 

Thomas  Wardle,  jun. ;  worked  in  Tusseh  silks. 

9.  Sofa  or  Chair-back,  embroidered  border. 

10.  Sample  piece  ;  "  Ajanta  "  design  ;  copied  from  the  Ajanta  Caves, 
India,  and  arranged  for  embroidery  by  C.  Purdon  Clarke, 
Esq.,  CLE. 

11  and  12.    Drawing-room  Pincushion. 

Kerry  Knitting*  Co.,  Bridge  Street,  Tralee,  co.  Kerry, 

Ireland. 

Knitted  Silk  and  Blended  Silk  and  Wool  Underwear,  Hosiery,  etc. 
Pure  Wool  Underwear  and  Hosiery. 

The  Countess  of  Arran's  Arran  Industry,  Emily  A,  Curtois, 

Manager,  16  Hertford  Street,  W. 

Hand-knit  Silk  Socks;  Hand-knit  Woollen  Socks,  with  silk 
patterns ;  Hand-knit  Woollen  Stockings,  with  silk  introduced  in  tops. 

St.  Joseph's  Orphanage,  Dundalk. 

1  Cloth  of  Silver  Stole,  1  Silk  Stole,  1  Silk  Table  Centre. 

The  Royal  Irish  School  of  Art  Needlework,  20  Lincoln 

Place,  Dublin. 

1  Large  Quilt  Italian  Design  in  Silk. 
1  Large  Quilt  in  Crewel  Tudor  design. 
1  Blotter  on  Parchment. 
1  Blotter  on  Parchment. 

1  Book  Cover  on  Parchment,  designed  by  Kate  Greenaway. 
1  Book  Cover  on  Parchment,  Omar  Khayyam. 
1  Parchment  Prayer  Book. 

Smythe  &  Co.,  Ltd.,  George's  Hill,  Balbriggan,  co.  Dublin. 

Ladies'  Eeal  Balbriggan  Cotton  Hosiery,  Lisle  Thread,  Cashmere 
Spun  Silk,  Pure  Silk,  Exquisite  Irish  Hand-Embroidered  Hosiery, 
Ladies'  Real  Balbriggan  Natural  Wool  Combinations,  Gentlemen's 
Real  Balbriggan  Cotton,  Cashmere,  and  Silk  Half-Hose. 

Honiton  Lace  Guild,  Honiton,  Devonshire. 

Collection  of  Silk  Laces,  of  various  designs. 

Arthur  Coke  &  Son,  Umbrella  Manufacturers,  339 

Oxford  Street,  W. 

Speciality,  British  dyed  and  Woven  Silks,  and  Solid  Sticks. 

Howard  &  Sons,  Ltd.,  25  and  27  Berners  Street,  W. 

English  made  Silks. 


195 


D.  H.  Evans  &  Co.,  Ltd.,  Oxford  Street,  W. 

t  Special  Exhibit  of  English  manufactured  Silk,  Satins  Crene  da 
Chine,  etc.    Made  expressly  for  D.  H.  Evans  &  Co.,  Limited. 

Miss  Alice  M.  Sandbrook,  Oak  Lodge,  Edgware. 

Art  Needlework,  consisting  of  1  Stole,  1  Fan,  and  2  Panels. 

Municipal  Technical  Institute,  Coventry. 

Plain  and  Fancy  Kibbons,  Specimens  of  Students'  work  woven  from 
their  own  designs. 

Warner  &  Sons,  5  Newgate  Street,  E.G. 

Loom  weaving  Dress  Brocade. 

Case  containing  samples  of  Silks,  Damasks,  Brocades,  Brocatelles, 
figured  Velvets,  &c,  for  Furnishing,  Dress  and  Church  purposes^ 
woven  in  Spitalfields,  E.,  and  at  Brain  tree,  Essex. 

Saml.  Hess  &  Son,  28  Spital  Square,  Spitalfields,  E. 

Ecclesiastical  Furniture  and  Fancy  Silks  and  Laces  made  in  Spital- 
fields. 

C.  Farlow  &  Co.,  Ltd.,  191  Strand,  W.C. 

Assortment  of  Salmon  and  Trout  Flies  made  of  Silk. 
Salmon  and  Trout  Silk  Lines. 

George  Davenport  &  Co.,  Hope  Silk  Mills,  Leek, 

Staffordshire. 

Fly-tying  and  Fly-dressing  Silks,  specially  manufactured  from  the 
best  of  raw  silk  procurable,  and  cannot  be  excelled  for  evenness, 
strength  and  fineness  of  thread  combined.  The  colours  are  specially 
dyed  fast  to  light  and  water. 

Bailey,  Fox  &  Co.,  9  Trump  Street,  E.C. 

Black  and  Coloured  Silk  Velvets,  Black  and  Coloured  Silk  Serges, 
and  Sateens  Striped  and  Plain.  Facing  Silks  of  all  descriptions, 
Black  Gros,  Failles  and  Satins,  Black  and  Coloured  Moire  Antiques 
and  Striped  Glaces. 

Kashmir  Exhibit. 

The  Figured  and  Brocaded  Silks  for  Upholstery  and  Decorative 
purposes  made  of  the  raw  silk  grown  in  Kashmir.  Woven  by 
Messrs.  Warner  &  Sons,  of  Braintree  and  Spitalfields. 

Fennell  Bros.,  9  Jewin  Street,  E.C. 

Silk  Power  Loom  and  samples  of  manufactured  Silks. 
Working  Loom  illustrating  the  manufacture  of  English  Umbrella 
Silks  and  Silk  Serges. 


196 


List  of  other  Exhibitors  in  Ducal  Hall. 

(DRESS,  FASHION,  &c,  SECTION.) 
Mrs.  E.  James,  83  Larkhall  Lane,  Clapham. 

Ladies'  Underwear,  Petticoats  and  Knickers,  etc. 

The  H.  W.  Velvet  Grip  Stocking'  Supporter  Co., 

81  Wood  Street,  E.C. 

Stocking  Supporters,  Corset  Supporters,  Ladies'  Smallwares,  Ladies' 
Measures. 

A.  E.  Lardeur,  64  Stamford  Street,  S.E. 

Embroideries. — An  Embroideress  will  be  in  daily  attendance  showing 
the  method  of  making  the  stitches. 

H.  Sherwood  &  Co.,  12  London  Wall,  E.C. 

Factories — Brussels,  Portsmouth,  &  London. 
The  celebrated  "  H.S."  Corsets.    Here  are  exhibited  all  the  latest 
Paris  and  London  creations,  viz.,  the  Ribbon  Corset,   the  Mary 
Anderson,  the  Ada  Rehan,  the  Regence/the  Empire,  the  Sp^cialite, 
and  the  new  Cycling,  Tennis,  and  Sports  Corsets. 

Salviati,  Jesurum  &  Co.,  Ltd.,  Regent  House,  Regent  Street. 

Real  Old  Lace  from  Salviati,  Jesurum  &  Co.,  Ltd. ;  a  Collection  of 
Italian  Art  Work,  manufactured  by  the  firm  in  Venice. 

Mdme.  de  Rothe,  65  Old  London  Road,  Hastings. 

Corsets. 

Mrs.  Ernest  Hart,  Bunbeg  Woollen  Mill,  37  Marylebone 

Lane,  W. 

Samples  of  the  Woollens  and  Art  Linens  made  at  the  Bunbeg 
Woollen  Mills,  and  by  hand  by  the  Cottagers  trained  under  Mrs.  Hart's 
direction  in  co.  Donegal  and  co.  Armagh,  Ireland. 

Healthy  &  Artistic  Dress  Union  (Mrs.  G.  Bishop,  Hon.  Sec.) 

An  Exhibit  of  Dress  selected  bv  the  Union,  and  Designs  for  same. 

The  Old  Bleach  Linen  Co.,  Ltd.,  Randalstown,  co.  Antrim, 

Ireland. 

Embroidery  and  Drawn  Thread-Work  Competition,  "  Prize  Winning 
Pieces  of  Work,"  Embroidery  Linens,  Towels,  Diapers,  Pillow  Linens, 
Sheetings,  Pillow  Slips  and  all  household  linens. 

Misses  Swinhoe  &  Maynard,  29  Church  Street, 

Kensington,  W. 

Ecclesiastical  and  Secular  Embroideries,  Leather  Work,  Bead 
Trimmings,  Designs  for  same. 


197 

Peter  Robinson,  Ltd.,  Oxford  Street,  W. 

Artistic  Hand  Embroideries  in  Silks,  Ribbons,  Chenilles  and  CnU 
and  Silver  Threads.  '  Wict 

Corke,  Ltd.,  27  Old  Bond  Street,  W. 

Blouses,  Shirts,  Fans,  Hosiery,  Underlinen,  Gloves,  Scarves,  etc. 

Swan  &  Edgar,  Ltd.,  39  to  57  Regent  Street,  W.,  10  to  13 
Piccadilly,  &  182  to  184  Sloane  Street,  S.W. 

A  collective  exhibit  of  Linen  manufactured  in  Belfast—D'Ovlevs 
Towels,  Sheeting,  and  other  Household  Linen.  ^  ' 

Harrod's  Stores,  Ltd.,  87  to  105  Brompton  Road,  S.W. 

An  exhibit  of  Irish  Table  Linen,  D'Oyleys,  Towels,  Bed  Linen  ind 
general  Household  Linens. 

William  Liddell  &  Co.,  6  Milk  Street  Buildings,  E.G. 

Damask  Table  Napkins  and  Table  Cloths,  Linen  Sheeting,  Pillow 
Linens,  Diapers,  Pillow  Cases,  Hemstitched  Pillow  Cases  and'  Sheets, 
Embroidered  Pillow  Cases  and  Sheets,  Embroidered  Bedspreads' 
Embroidered  'Afternoon  Tea  Cloths,  Plain  and  Embroidered  Hand,-' 
kerchiefs,  Plain  and  Embroidered  D'Oyleys. 

Harrod's  Stores,  Ltd.,  Brompton  Road. 

Harrod's  Stores'  Stand :  Each  figure  represents  one  of  the  different 
contingents  of  the  Imperial  Forces  fitted  out  by  Harrod's  for  service  in 
the  South  African  War. 

Edwin  &  Robert  Garrould's,  150  to  160  Edgrware  Road,  W. ; 

and  Queen  Street,  Hyde  Park,  W. 

Exhibition  of  Nurses'  Uniforms  as  worn  by  Nurses  and  Probationers 
at  the  principal  London  Hospitals  ;  also  Materials,  Books,  Instru- 
ments, etc.,  as  supplied  to  the  Nursing  profession. 

"The  Gentlewoman,"  Arundel  Street,  Strand. 

The  Gentlewoman  Publications  and  Original  Drawings  by  their 
exclusive  fashion  artists. 

Madame  Hastings,  27  Kempsford  Gardens,  South 

Kensington,  W. 

Artificial  Flowers,  Leaves,  and  Ferns  for  Millinery  and  Dress. 
High-class  Women's  and  Children's  Hosiery  Gloves  and  Sunshades. 

A;  Prince,  71  Margravine  Gardens,  West  Kensington/ 

Ladies'  Silk  Ties,  Lace  Cuffs,  Shawls,  Fans. 


198 


Miss  Fanny  Emily  White,  14  Elm  Road,  Camden  Town,  N.W. 

Patent  Reliable  Hat  Holder. 

Miss  Prince  Browne,  The  Studios,  Artillery  Mansions, 

Victoria  Street,  S.W. 

Work  of  Students  from  Miss  Prince  Browne's  Studio. 
1  Model  Court  Dress. 

1  Model  Japanese  Court  Dress,  made  and  sent  over  from  Tokio  by  a 
late  Japanese  student. 
1  Cycling  Costume. 
1  Kharki  (model)  Costume  and  Hat. 
1  Model  Satin  Dinner  Dress. 
1  Model  Afternoon  Dress  and  Visiting  Dress. 
1  Model  Skirt  and  Blouse. 
1  Model  Dressing  Gown. 
1  Model  Waterproof  Cloak. 
1  Model  Fur  Jined  Cloak,  braided. 
1  Model  Silk  Petticoat. 

Miss  A.  Garnett,  Fairfield,  Windermere. 

Hand-made  Woollens  and  Linens. 
Embroideries  on  hand-made  materials. 

Rational  Dress  League,  10  Guildford  Street,  Russell  Square. 

The  objects  of  the  Association  are  to  foster  and  encourage  reform  in 
the  dress  of  both  sexes,  more  particularly  to  promote  the  wearing  by 
women  of  some  form  of  bifurcated  garment  especially  for  such  active 
purposes  as  Cycling,  Tennis,  Golf,  and  other  athletic  exercises, 
Walking  Tours,  House  Work,  and  for  Business. 

Wax  Model  wearing  the  Park  Costume  suitable  for  Walking. 
Wax  Model  seated  on  a  bicycle  and  wearing  a  costume  suitable  for 
Cycling. 

Madame  A.  K.  Pogosky. 

Eussian  Peasants'  Industries. 

Hand-made  Laces,  Drawn  Work  and  Embroideries,  Weavings  in 
Linen  Thread  and  Woollens. 

Canterbury  Weavers,  39  High  Street,  Canterbury. 

Curtains,  Draperies,  Towels,  Household  Cloths,  Toilet  Covers, 
Afternoon  Tea  Cloths,  Cot  and  Pram.  Covers,  Chair  Backs,  Carpets* 
Eugs  and  Mats,  Cushions,"  Screens,  Fancy  Chairs  and  Stools  up- 
holstered in  hand-woven  materials,  Flannel,  Serge,  Tweed,  Grenadine 
Linen,  Cotton,  Dress  Materials,  Bedspreads,  Shawls,  Aprons. 


199 

Hangwell  Patent  Co.,  16  Albany  Street,  N.W. 

«Hangwell"  Patent  Tapes,  showing  improved  methods  of  suspend 
ing  and  draping,  Window  Curtains,  Underclothing,  Ladies'  WearW 
Apparel,  Bed  Hangings  and  other  Draperies.  M  & 

Madame  Pomeroy,  Ltd.,  Old  Bond  Street,  W. 

Hygienic  Complexion  Treatment  and  Electrolysis,  Toilet  Preparations 
and  Toilet  Appliances.  Electrolysis  is  the  only  permanent  cure  for 
superfluous  hairs.  No  scars.  All  Toilet  Preparations  absolutely 
harmless. 

M.  C.  Soulal,  58  Lillie  Road,  S.W. 

Hand-Painted  and  Enamelled  Goods,  Miniatures,  Powder  Boxes, 
Clasps,  Belt  Buckles,  Pearl  Necklaces,  Parasol  Handles,  Fancy! 
Hair  and  Hat  Pins,  Jewellery  Boxes,  Lace  Pins,  Hair  Ornaments^ 
Bonbonniers. 

Maynard's,  Ltd.,  368  Strand,  W.C. 

Confectionery. 


Mrs.  Blanche  Leigh,  4  Rue  de  la  Paix,  Paris. 

Manufacture  of  Toilet  Soap  and  Soaps  of  all  kinds. 


200 


IMPERIAL  COURT. 


List  of  Exhibitors  in  Furniture 
Decorating,  &cM  Section. 

A. — Guides,  Catalogues,  Programmes,  and  Souvenirs  of  the  Exhibition. 

"B.— Bocconi  Bros.,  Milan. 

Hand-painted  Hard  Fireware,  Venetian  Art  Pottery. 

1,  2  and  8.  -Norman  &  Stacey,  Ltd.,  118  Queen  Victoria 

Street,  E.G. 

An  Exhibition  Boom  designed  by  Mrs.  Hodgson  of  "  The  Lady," 
furnished  and  decorated  by  Messrs.  Norman  and  Stacey,  118  Queen 
Victoria  Street.  Wall  papers  supplied  by  Messrs.s  Charles  Knowles  and 
Co.,  164  King's  Eoad,  Chelsea.  The  first  room  is  a  Study  in  Khaki, 
showing 'how  this  material  can  be  used  for  draperies  and  the  possi- 
bilities of  decoration  in  a  very  small  space.  The  second  room  is  a 
Drawing  Koom  furnished  and  decorated  entirely  in  the  Louis  Quinze 
style.  The  third  room  is  a  Bedroom  in  which  the  furniture  is  entirely 
of  English  oak,  a  fine  example  of  solidity  and  modern  workmanship 
on  artistic  lines. 

4.  — Wileman  &  Co.,  The    Foley  China  and  Art  Pottery 

Exhibited  by  Thomas  Goode  &  Co.,  South  Audley  St.,  W. 

The  Foley  China,  finest  English  Porcelain.  The  Foley  Faience. 
The  Foley  Intarsio,  consisting  of  every  variety  of  useful  and  orna- 
mental Art  Pottery  mostly  designed  and  executed  by  Lady  Artists. 

5.  — G.  Petrosemoli,  37  Mirabel  Road,  Fulham. 

Sculptures,  Bronzes,  Furniture,  Ceramics,  Pictures. 

6.  — Bewlay  &  Co.,  Ltd.,  $9  Strand,  W.C. 

Flor  de  Dindigul  Cigars  and  Cigarettes. 


201 


-  8)  9,  10,  11  and  12.-W.  Wallace  &  Co.,  Ltd.,  125  New 

Bond  Street,  W. 

aeries  of  Booms,  decorated  and  furnished  in  various  styles  under 
the  supervision  of  Mr.  J.  E.  Panton :  Two  Bedrooms,  Dining' Boom 
Drawing  Boom,  and  special  display  of  novelties  in  Gentlemen's 
Furniture  patented  by  Messrs.  Dore  and  Sons,  Ltd.,  of  the  City  and 
Wert  End. 

13  and  U.S.  J-  Waring-  &  Sons,  Ltd.  (Waring  &  Gillow), 

176-181  Oxford  Street,  W. 

A  room  hung  with  fine  examples  of  Antique  Tapestries  and.  Panels 
executed  at  Messrs.  Waring  and  Gillow's  works.  ' 

15  and  16.— The  Indo-China  Curio  Trading  Co.,  170  New 

Bond  Street,  W. 

A  Room  fitted  with  Japanese  Works  of  Art. 

17  to  22.— Salviati,  Jesurum  &  Co.,  Ltd.,  Regent  House, 

Regent  Street. 

An  exhibit  of  the  celebrated  Venetian  Blown  Glass,  which  is  of 
exquisite  beauty,  and  used  both  for  ornamental  and  table  service. 
Here  may  be  seen  this  world-famed  manufacture  in  actual  progress  by 
native  workmen.  The  exhibit  contains  some  fine  Venetian  Mirrors  in 
glass  and  mosaic  frames,  Chandeliers  and  Electroliers  of  tasteful 
design,  Antique  and  Modern  Real  Lace  ;  of  the  former  the  firm  possess 
one  of  the  finest  collections  in  Europe,  and  for  the  production  of 
the  latter  the  largest  manufactory  in  Italy. 

Silks,  Brocades,  Velvets,  Damasks,  besides  a  number  of  other 
objects  of  interest.  The  Mosaic  work  of  Salviati,  Jesurum  and  Co. 
ornaments  many  of  the  buildings  and  monuments  of  London,  and 
may  be  seen  at  St,  Paul's  Cathedral,  the  Albert  Memorial,  the  Royal 
Mausoleum  at  Frogmore,  etc. 

23.  -La  Double  (British)  Cigariere,  Ltd.,  24  Wells  Street,  E.G. 

Cigar-making  Machine  and  Cigars  of  the  following  brands  :  T.  S. 
Murias,  Bock  &  Co.,  Flor  de  Cubas. 

24.  — The  British  Mutoscope  and  Biograph  Co.,  Ltd.,  18-19 

Great  Windmill  Street,  W. 

Electrical,  Optical  and  Scientific  articles. 


o 


202 

25  and  26.— Welsbach  Incandescent  Gas  Light  Co.,  Ltd.,  14 

Palmer  Street,  Westminster. 

Incandescent  Gas  Lighting  and  Appliances  in  connection  therewith. 

27.— London    Non-flammable    Wood    Co.,    Ltd.,  Regent 

House,  Regent  Street,  W. 

Non-flammable  Furniture,  Non-flammable  Draperies,  Non-flammable 
Curtains  and  Fabrics  generally. 

28  and  29.— Model  Nurseries  designed  and  arranged  by  Cecil 

Aldin  and  John  Hassall. 

Furnished  and  fitted  up  by  Story  &  Co,,  49  Kensington  High  Street. 


8 


0.— Lawrence  &  Bullen,  Ltd.,  16  Henrietta  Street,  W.C. 

Original  Pictures,  Engravings,  Coloured  Prints. 

31.  — The  Bowen  Manufacturing  Co.,  Ltd.,  125  Angel  Lane, 

Stratford,  E. 

"A.  perfect  steam  washer"  (protected).  Generating  its  own  steam 
without  the  aid  of  engine  or  boiler,  using  gas  or  oil  lamp  instead  of 
coal.  No  boiler ;  no  washboard ;  no  brushes ;  no  chemicals  or  com- 
pounds. Uses  only  water  and  soap  !  It  boils  and  washes  all  kinds  of 
clothing  without  injuring  a  thread  or  button. 

32.  — Klenzal  Limited. 

Washing  Machines  and  Klenzal. 

33  and  34.— G.  W.  Riley,  Villa  Rustica,  Heme  Hill.  , 

Summer  Houses  and  other  Rustic  Work,  Greenhouses. 

;5  and  36.— The  Eagle  Range  &  Gas  Stove  Co.,  Ltd.,  127 

Regent  Street. 

Eagle  Ranges,  Eagle  Grates,  Eagle  Chimney  Tops. 


203 

Royal  Galleries-  -Handicraft  Section. 

Miss  Barnes,  70  Earl's  Court  Road. 

Demonstration  of  Honiton  Lace-making. 

The  Royal  School  of  Art  Needlework,  Exhibition  Road. 

Working  Exhibit  of  Embroidery. 

Miss  Ellen  Sparks,  30  Tite  Street,  Chelsea. 

Working  Exhibit  of  Leather  Work. 
Bookbinding,  etc.,  all  the  work  of  women. 

Miss  Clive  Bayley,  Weaving-  School,  Bushey,  Herts, 

Demonstration  of  Tapestry  Weaving. 

Miss  Muriel  Moller,  Addison  Hall,  Addison  Road,  W. 

Wood-carving  Studio,  with  benches,  tools,  and  all  the  usua 
appliances.    A  Corner  Bookcase.    A  Mirror  Frame.    A  Triptych,  etc. 

Miss  Julia  Hilliam,  Reading-  College. 

Demonstration  of  Wood  Carving.  A  Writing  Table.  Music  Seat, 
Worktables.    Carved  Chest,  etc. 

Madame  Arland,  Copenhagen. 

Demonstration  of  Painting  on  Porcelain. 

Miss  Everitt,  54a  Walton  Street,  Lennox  Gardens,  S.W. 

Cane  Basket  Work.    Demonstrations  daily. 

Miss  Charlotte  Brown,  115  Gloucester  Road,  S.W. 

Demonstration  of  Hand-loom  Weaving. 

Miss  Ridley,  10  Osborne  Mansions,  Northumberland 

Street,  W. 

Demonstrations  of  Colour  Printing. 

Miss  John  Willis,  101  Great  Portland  Street,  W. 

Working  Exhibit  of  Metal  Bepousse  Work.  A  large  Collection  of 
Specimens  of  Bepousse 

Miscellaneous. 

M.  C.  Soulal,  58  Lillie  Road. 

Jewellery. 

Mrs.  McRae,  3  Tournay  Road,  Fulham. 

Jewellery. 

Roek  Bros.,  46  Perham  Road,  West  Kensington. 

Olive-wood  Jewellery. 

Mrs.  Grainger,  84  Grantham  Road,  Clapham. 

Natural  Flowers,  Sprays,  Button-holes. 

o  2 


201 


List  of  Exhibitors  in  Hospital  Section. 

Messrs.  Swan  &  Edgar,  Ltd.,  Piccadilly  Circus. 

The  Bed  Linen,  Blankets,  Counterpanes  and  Nurses'  Uniforms  are 
supplied  by  this  firm. 

Bovril,  Ltd.,  152  to  166  Old  Street,  City  Road,  E.C. 

A  highly  concentrated  Extract  of  Beef,  containing  in  an  easily 
digested  form  the  entire  albumen  and  fibrine,  or  nutritious  constituents 
of  Beef,  which  is  devoid  of  seasonings.  Most  suitable  for  use  in 
hospitals  and  sick  rooms. 

Elliman,  Sons  &  Co.,  Slough,  England. 

Elliman's  Universal  Embrocation.  For  rheumatism,  lumbago, 
sore  throat  from  cold,  chest  colds,  sprains,  strains,  bruises,  cramp, 
stiffness  and  soreness  of  limbs  after  severe  exertion. 

Messrs.  Maw,  Son  &  Thompson,  7  to  12  Aldersgate 

Street,  E.C. 

Aseptic  furniture  for  operating  theatre  including  brass  and  plate 
glass  cabinet,  metal  operation  table,  glass  and  brass  instrument  tables, 
steriliser,  lotion  jars,  surgical  instruments,  glass  bowls,  etc.,  etc. 

The  Aylesbury  Dairy  Co.,  Ltd.,  St.  Petersburgh  Place, 

Bayswater. 

Sole  Proprietors  of  the  "  Life  Belt "  Brand  preparations  of  Human, 
ized  Milk,  Peptonized  Milk,  Specially  Prepared  Whey,  Sterilized  Milk, 
Sterilized  Cream,  Koumiss.    Deliveries  to  all  parts. 

Welford  &  Sons  (Dairy  Co.),  Ltd.,  Elgin  Avenue,  London,  W. 

Humanized  Milk,  «  Facsimile  Human  Milk  "  Brand,  analogous  to 
best  mother's  milk. 

Modified  Humanized  Milk,  Sterilized  and  Peptonized  Milk,  Koumiss, 
Asses'  Milk  and  other  Nursery  Specialities. 

Messrs.  G.  Van  Abbott  &  Sons,  104  Wigmore  Street, 

London,  W. 

Manufacturers  of  all  Foods  for  diabetic  and  obesity  patients,  also 
Invalid  Soups,  Beef  Teas,  &c.  Established  1859.  Catalogues  free  on 
application. 


205 


The  Sanitary  Wood  Wool  Co.,  Ltd.,  26  Thavies  Inn 

Holborn  Circus,  E.C.  ■ 

Hartman's  Patent  Wood  Wool  Preparation.    Wood  Wool  Wadding 
(as  used  at  Charing  Cross  and  all  the  principal  Hospitals).  Wood 
I   Wool  Tissue. 

Liebig's  Extract  of  Meat  Co.,  Ltd.,  9  Fenchurch  Avenue, 

London,  E.C. 

"Lemco,"  the  genuine  Liebig  Company's  Extract.     The  mcst 
concentrated  meat   preparation   made.     Absolutely  free  from  fat. 
■  Exclusively  prepared  at  Company's  own  Factories.    Used  by  leading 
Hospitals. 

"Ronuk,"  Ltd.,  83  Upper  Thames  Street,  E.C. 

Hospital  "  Eonuk,"  for  polished  wood  block,  parquet,  and  stained 
floors,  leather  furniture,  &c.#  Specially  prepared  for  hospital  use.  A 
sample  sent  free  on  application. 

James  Epps  &  Co.,  Ltd.,  Holland  Street,  Blackfriars,  S.E. 

Prepared  Cocoa :  The  most  nutritious  form  ;  invaluable  for  hospital 
and  nursery  use. 

Cocoa  Essence :  The  finest  pure  cocoa,  of  less  consistence. 
Cocoa  Nibs,  West  India  Arrowroot,  Kenned  Sugar,  Materials  used 
for  prepared  cocoa. 

The  British  Somatose  Co.,  Ltd.,  165  Queen  Victoria 

Street,  E.C. 

Somatose  is  acknowledged  by  eminent  medical  authorities  to  be  the 
Ideal  Food  for  Invalids  arid  Convalescents.  Easily  assimilated,  con- 
taining all  the  Albuminoids  of  Lean  Beef. 

Condal  Water,  1900,  Ltd.,  38,  Walbrook  E.C. 

Condal  Water,  the  only  natural  Aperient  for  safe,  constant  family 
use.  Is  unique  inasmuch  as  it  is  not  a#  "  bitter  water,"  neither  is  it 
debilitating. 

Lipton,  Ltd.,  City  Road,  E.C.  Branches  throughout 

the  country. 

Lipton's  Extract  of  Beef. — "  A  powerful  nutrient  as  well  as  stimu- 
lant."— The  Lancet.  Lipton's  Concentrated  Fluid  Beef  "  is  evidently 
a  high-class  preparation." — The  Hospital. 

Thos.  Bradford  &  Co.,  140  to  143  High  Holborn,  W.C. 

The  laundry,  which  is  an  important  adjunct  to  all  hospitals,  is  fitted 
up  by  Thomas  Bradford  &  Co.,  of  London  and  Manchester,  with  the 
most  approved  apparatus. 


206 


Quaker  Oats,  Ltd.,  St.  George's  House,  Eastcheap,  E.C. 

"  Quaker  Oats"  is  more  economical  and  healthful  than  meat,  and 
specialists  strongly  recommend  a  more  general  use  of  it.  A  cereal 
cook  book  sent  free. 

Alexander  Riddle  &  Co.,  Ltd.,  36  and  38  Commercial 
*  Street,  E. 

Stower's  Lime  Juice  Cordial.  Free  from  musty  flavour.  Supplied 
to  Her  Majesty  the  Queen  and  all  the  principal  hospitals.  A  delightful, 
cooling  and  wholesome  beverage. 

Messrs.  J.  &  J.  Taunton,  Ltd.,  Belgrave  Works,  Sherborne 

Road,  Birmingham. 

,  The  Taunton  Patent  "  Diagonal  "  Hospital  Bedstead  combines  all 
advantages  and  improvements.  The  Patent  "  Diagonal "  mesh 
ensures  the  highest  degree  of  resiliency  and  freedom  from  sagging. 

Messrs.  Armour  &  Co.,  Tooley  Street,  S.E. 

Armour's  Extract  of  Beef — a  solid  beef  essence  for  culinary 
purposes. 

"  Vigoral  "—nourishing  and  stimulating  liquid  beef,  dissolves 
readily  in  aerated  waters. 

Keen,  Robinson  &  Co.,  Ltd.,  Garliek  Hill,  E.C. 

Eobinson's  Patent  Groats,  the  purest  Farina  of  finest  Scotch  oats. 
Robinson's  Patent  Barley,  a  Farina  for  making  a  barley  water 
diluent  of  milk  for  babies. 

i 

Pate,  Burke  &  Co.,  Paris,  Reims  and  London,  6  Wool 
Exchange,  Basinghall  Street,  E.C. 

"Patenelle,"  Natural  Antiseptic  and  Deodorant  "Wool  for  Surgical 
Dressings,  Splint  Padding,  Sanitary  Mattress  Stuffing,  &o.  Resists 
putrefaction  and  annihilates  all  odour.  "  Patenelle  "  disinfectants. 
30  Medals. 

Bartleet  &  Sons,  Abbey  Mills,  Redditch;  11  and  12 
Goldsmith  Street,  Wood  Street,  E.C. 

Manufacturers  of  every  description  of  perfect  finished  Surgical 
needles  and  pins — 150  years'  reputation — 23  Gold  and  Prize  Medals  at 
various  Exhibitions. 

A.  &  F.  Pears,  Ltd.,  71  to  75  New  Oxford  Street,  W.C. 

Pears.  20  Highest  awards :  Gold  Medal  Paris  Exhibition.  The  great 
Skin  Specialist,  Sir  Erasmus  Wilson,  calls  it  "  The  most  agreeable  of 
Balms  to  the  Skin." 


207 


The  Gorham  Patent  Bedstead  Co.,  3  to  6  South  Place, 

Moorgate  Street,  E.G. 

The  patient  can  rest,  write,  read,  or  eat  in  any  position  without 
Sort,  by  attendant  simply  turning  the  wheel,  and  is  invaluable  for 


e 

any  illness. 


Cerebos,  Ltd.,  3  Maiden  Lane,  E.C.,  and  Newcastle-on-Tyne. 

Cerebos  Table  Salt  contains  the  constitution -building  phosphates 
wanting  in  white  bread  owing  to  removal  of  bran.  Invaluable  for 
children,  mothers,  and  brain  workers. 

Nao  Food  Co.,  2  Great  George  Street,  Westminster,  S.W. 

Works:  Millwall  Docks. 

Nao  Soups,  Essences,  Paste;  Rations  supplied  to  Government, 
Hospitals,  Stores ;  for  All,  well  or  ill.  Consultants  :  Dr.  John  Attfield, 
F.R.S. ;  Dr.  H.  Attfield.    Apply  for  pamphlets,  etc. 

Whalley's  Sanitary  Fluid  Co.,  2  Basinghall  Avenue,  E.C. 

Makers  of  Fluid,  Powder,  Soaps,  etc.,  as  supplied  to  Her  Majesty's 
Households,  Corporation  of  the  City  of  London,  and  the  principal 
Hospitals. 

Anderson,  Anderson  &  Anderson,  Ltd.,  India  Rubber 
and  Waterproof  Manufacturers,  37  Queen  Victoria 
Street,  E.C. 

The  Water  Beds,  Air  Cushions,  Waterproof  Sheets,  and  all  the 
India  Rubber  Goods  in  use  in  this  Model  Hospital  are  supplied  by  this 
well-known  firm. 

Cuxson,  Gerrard  &  Co.,  Oldbury,  near  Birmingham. 

Visitors  interested  in  nursing  and  hospital  work  will  doubtless  he 
interested  in  the  exhibits  of  this  firm  in  the  Model  Ward. 

Scrubb  &  Co.,  Guildford  Street,  Lambeth,  S.E. 

Scrubb's  Cloudy  Fluid  Ammonia  for  Hospital  and  Bathing  purposes. 
Its  cleansing  and  refreshing  properties  are  wonderful. 

Burroughs,  Wellcome  &  Co.,  Snow  Hill  Buildings,  E.C. 

"  Tabloid  "  and  <<  Soloid  "  Brands  of  Medicine  Chests  and  Cases,  as 
supplied  to  all  the  great  military,  exploring,  and  other  expeditions. 
Field  Hospital  equipment  (Army  regulation  pattern). 

The  Longford  Wire  Co.,  Ltd.,  Warrington. 

The  Hospital  "  G "  design  Bedstead,  with  lifter  ag_^w4 
steel  woven  wire  mattress,  malleable  brackets,  and  steel  strengtnonm0 
stays«   Guaranteed  for  five  years. 


208 


Cadbury  Bros.,  Ltd.,  Bourneville,  near  Birmingham. 

Cadbury's  Cocoa.    Absolutely  pure — therefore  best. 

Salutaris  Water  Co.,  The  Distillery,  236  Fulham  Road,  S.W 

"  Salutaris  Water."— An  ideal  Table  Water— -Pure— Distilled— 
Aerated.  Widely  recommended  by  the  medical  profession  for  daily  use, 
on  account  of  its  marvellous  solvent  and  preventive  qualities. 

The  Hovis  Bread  Flour  Co.,  Ltd.,  Macclesfield. 

Hovis.— An  exceptionally  nutritious  and  digestive  bread.  Especially 
suitable  for  the  dyspeptic  and  convalescent.  It  is  both  tasty  and 
appetising.    Hovis  Biscuits  have  similar  properties. 

C.  Shippane,  Chichester. 

Shippane's  genuine  Preparations  for  Invalids  :  Chicken  Broth  Jelly, 
very  nutritious,  retained  in  99  per  cent,  of  cases.  Beef  Tea— pre- 
pared special  process,  albuminous  and  fibrous. 

Bonthron  &  Co.,  50-52  Glasshouse  Street,  106  Recent 
Street,  and  88  Mount  Street,  W. 

Specialists  in  Gluten  Bread,  Biscuits,  Busks,  Almond,  Cocoa  Nut, 
Bran,  Regent  Cakes  and  Biscuits,  Porridge  Meal  Biscuits,  Obesity  and 
Indigestion  (Special).    Lists  by  post. 

Atkinson  &  Co,,  198  to  212  Westminster  Bridge  Road,  S.E. 

Atkinson  and  Co.'s  Birmingham  Hospital  Bedstead,  constructed 
after  the  views  of  a  Committee  of  Surgeons,  in  use  throughout  the 
Birmingham  Hospital,  also  in  many  other  Hospitals  and  Public 
Institutions. 

Henry  Nestle,  48  Cannon  Street,  E.C. 

Nestle's  Swiss  Milk,  Richest  in  Cream. 

Viking  Unsweetened  Milk,  a  perfect  unsweetened  milk. 

Nestles  Food  for  Infants,  Children  and  Invalids. 

Cosenza  &  Co.,  95  Wigmore  Street,  W. 

Maggi's  Consomme  and  Cross- Star  Soups,  as  supplied  to  members  of 
the  Royal  Family,  to  the  War  Office  and  Military  Hospitals,  and 
Ambulances  at  the  front. 

The  Artistic  Tile  Co.,  35,  Berners  Street,  W. 

Artistic  and  Hygienic  Tile  Decorations,  marble,  glass  and  Ceramic 
Mosaics  for  hospitals,  public  and  private  houses,  &c. 

Alexr.  Lefever,  226  to  228,  Old  Street,  E.C. 

General  Furniture  and  Bedding  Manufacturer,  Contractor  for 
Hospitals  and  all  Institutions.    Catalogues  free  on  application. 


209 


Henry  Lamplough,  Ltd.,  113  Holborn,  E.C. 

Lamploug;h's  Pyretic  Saline,  invaluable  in  all  malarial  and  feverish 
symptoms.  It  is  highly  esteemed  and  m  constant  use  with  the  troops 
in  South  Africa. 

Idris  &  Co.,  Ltd.,  Pratt  Street,  Camden  Town,  N.W. 
Branch  Factories :  Liverpool,  Southampton,  &  Canterbury. 

Idris  Royal  Mineral  Waters.  Guaranteed  to  contain  the  quantities 
of  salts  as  stated  on  each  label.  As  supplied  by  Royal  Warrant  to  the 
Queen. 

Leveson  &  Sons,  New  Oxford  Street,  W.C. 

Bath  Chair  on  rubber-tyred  wheels  for  parish  use.  Adjustable 
Couch  mounted  on  rubber-tyred  wheels.  Self-propelling  Merlin 
Chair.    Adjustable  Bed  Table.    Portable  Carrying  Chair. 

Messrs.  J.  C.  &  J.  Field,  Lambeth. 

Have  manufactured  Candles  and  Soaps  for  upwards  of  250  years. 
Their  Medicated  Soaps  are  recommended  by  the  faculty. 


Other  Exhibits  in  Picturesque  City. 

G.-D.  Siflbo  &  Co.,  16  West  Kensington  Mansions. 

Turkish  and  Oriental  Goods.  Here  will  be  seen  Turkish  women 
executing  the  beautiful  embroideries  for  which  the  Ottoman  Empire 
is  so  famous.  A  loom  will  be  shown  in  operation  weaving  Turkey 
Carpets. 

7  —  D.  Siflco  &  Co.,  16  West  Kensington  Mansions. 

Belgian  and  Dutch  Lace,  with  female  workers. 

8.— The  Autotype  Co.,  74  New  Oxford  Street,  W. 

Framed  Autotype  Permanent  Photographs  of  Famous  Paintings  and 
other  Works  of  Art. 

8a.— Electrophone. 

9.  — Sandow's  Combined  Developer,  17  and  18  Basinghall 

Street,  E.C. 

Sandow's  Own  Combined  Developer.  Sandow's  New  Grip  Dumb- 
bell. Free  Lectures  and  Demonstrations  by  lady  athletes  at  intervals 
daily  on  the  Sandow  System  of  Physical  Culture. 

10.  -The  Bella-Wattee  Co.,  244  Oxford  Street,  W. 

The  Bella-Wattee  Teapot,  which  does  away  with  the  bitter  flavour  of 
over-stewed  tea,  and  entirely  avoids  the  poisonous  tannin.  The  New 
Century  design  has  also  the  advantage  of  being  spoutless,  reducing  the 
risk  of  breakage  to  a  minimum. 


210 


ll.—Newball  &  Mason,  Hyson  Green,  Nottingham. 

Mason's  Extract  of  Herbs,  Mason's  Wine  Essences,  Mason's  Essence 
of  Coffee  and  Chicory,  Mason's  Crystals  for  Lemonade,  Deaville's  Meat 
Extract. 

13,  14  and  15.— Thos.  Bradford  &  Co.,  140  Higrh  Holborn. 
Model  Steam  Laundry  Situated  in  Picturesque  England. 

This  Laundry  is  fitted  up  by  Thomas  Bradford  and  Co.,  Laundry 
Engineers,  London,  Liverpool  and  Manchester,  and  contains  some  of 
their  latest  manufactures,  amongst  which  are  the  following : 

One  Bradford's  No.  6  size  Patent  "  Injector"  Washing  Machine, 
fitted  with  patent  "  Woodendway "  Eubbers  and  all  improvements. 
Capacity  250  shirts. 

One  Bradford's  No.  4  size  "  Injector "  Washing  Machine,  with 
Wringing  Boilers.    Capacity  80  shirts. 

One  Bradford's  Improved  Hydro  Extractor  with  Counter  Gear. 

One  Bradford's  Patent  "  Unicourse  "  Drying  and  Finishing  Machine, 
with  double  rollers  and  double  beds,  equal  to  drying  and  finishing  by 
once  passing  through  at  the  rate  of  1,100  to  1,200  feet  per  hour  the  best 
quality  hotel  table  linen. 

One  Bradford's  Patent  "  Vestor "  Body  Linen  Ironing  Machine, 
together  with  numerous  other  patented  laundry  specialities  of  Bradford's 
manufacture. 

The  Exhibit  also  embraces  : 

One  Bradford's  Improved  Horizontal  Steam  Engine  and  Vertical 
Steam  Boiler,  with  the  necessary  shafting  for  driving ;  and  also 

One  Bradford's  Improved  Water  Heater,  utilising  the  exhaust  steam 
from  the  Engine.  5 

The  Laundry  is  being  worked  by  Messrs.  Spiers  and  Pond,  the 
refreshment  Caterers  of  the  Exhibition,  and  the  whole  of  the  linen  used 
at  this  Exhibition  is  being  washed  and  finished  at  this  Laundry. 

16.  — Madame  Cecil  Campbell,  10  King's  Road,  Brighton. 

Indian  Palmistry. 

17.  — Harold    P.    Boseher,    Belmont    Appliance  Works, 

Twickenham . 

Models  of  Poultry  and  Pigeon  appliances,  Kennels,  Hutches,  Coops. 
Models  of  Conservatories,  Greenhouses,  Frames,  Corrugated  Iron 
Buildings,  Stables. 

18.  — Remington  Sholes  Syndicate,  Ltd.,  100c  Queen  Victoria 

Street. 

Letter  Filing  Systems.    Eoll  Top  Desks. 
Card  Index  Systems.    Ladies'  Secretaires. 
Rem  Sho  Typewriters. 

Expansion  Bookcases  for  Library  and  Office. 

Chairs  for  Library  and  Office. 

Fittings,  Furniture,  etc.,  for  Library  and  Office. 


19 


211 

,_The  Dr.  Stephenson  Anatomical  Seat  Saddle  fop  BicvpIpq 
Agent:  A.  E.  Francis,  68  Victoria  Street. 

Bicycle  saddles,  invented  by  Dr.  Stephenson,  Richmond,  and  Bicycles 
to  show  Saddles. 

20.— Miss  Vulliamy,  6  Pitt  Street,  Kensington. 

Grotesque  Pottery.  Illustrations  will  be  given  daily  of  modelling  in 
wax  or  clay. 

21  and  22.— Klenzal,  Ltd.,  c/o  W.  A.  Darrington,  258  Central 

Markets,  E.C. 

Klenzal  Washing  Compound. 
Household  Washing  Machines 

23.-" The  Children's  Salon,"  Effingham  House,  Arundel 

Street,  Strand. 

The  children  of  the  rich  who  work  for  the  children  of  the  poor 
Drawings,  Paintings,  Needlework,  Music  and  other  things  made  by  the 
children,  and  also  representations  of  the  Cots  they  have  founded  in  three 
of  the  London  Hospitals. 

25,  26.— London  &  Provincial  Dairy  Co.,  Ltd.   Head  London 
Offices :  West  Halkin  Street,  Belgrave  Square,  London 
S.W.,  with  Branch  Depots  in  all  parts.  9 

Upwards  of  150  gold  and  silver  medals,  diplomas  of  honour,  and 
other  prizes  awarded  for  Purity,  Richness  and  Excellence. 

(1)  A  representative  »  WOKKING  DAIRY,"  fully  equipped  with 
modern  machinery,  appliances  and  utensils  for  practically  demon- 
strating the  manufacture  of  butter,  creams,  cheese,  etc.,  in  which  will 
be  found  specimens  of  "Protene"  foods,  obtained  by  the  new  process 
of  converting  milk  into  flour,  and  the  milk-flour  or  milk-proteids  into 
solid  and  liquid  foods. 

(2)  Milk  in  its  natural  state  as  yielded  by  healthy  and  well-fed 
cows. 

(3)  The  medically  recommended  sanitary  means  adopted  by  the 
exhibitors  as  a  security  against  adulteration  and  infectious  contamina- 
tion, for  preserving,  conveying,  and  distributing  milk  and  cream  in 
sealed  glass  bottles  for  the  use  of  infants,  invalids,  families,  and 
others. 

(4)  Condensed  and  preserved  milk  and  cream. 

(5)  Creams — raw,  Devonshire,  fruited,  iced,  and  other  varieties. 

(6)  Butters  made  without  being  touched  by  the  hand,  fresh  and  cured. 

(7)  Cream  and  other  cheeses. 

(8)  Koumiss,  peptonised  milk,  goat's  milk,  etc. 

(9)  Curds  and  whey,  milk  soda,  butter  milk,  and  other  dairy  foods 
and  beverages. 

(10)  Eggs— selected  specimens  from  the  domesticated  and  wild 
fowl. 


212 


(11)  Honey,  etc. 

(12)  Butter  churns  and  workers  (Messrs.  T.  Bradford  &  Co.'s), 
and  butter  churning,  making,  working,  moulding,  and  printing  in  all 
branches. 

13)  Cream-raising,  and  making  and  moulding  in  variety. 

14)  The  separation  of  cream  from  milk. 

(15)  Cheese-making. 

(16)  The  effectual  system  of  cooling  and  preserving  the  properties 
of  milk. 

(17)  Cold-air  apparatus  (Messrs.  H.  J.  West  &  Co.,  Ltd.)  for 
preserving  dairy  products. 

(18)  The  preservation  of.  butter  and  other  dairy  products  by  ice 
refrigeration. 

(19)  Machines  and  instruments  for  testing  the  richness  and  purity 
of  milk,  cream,  butter,  etc. 

(20)  The  sanitary  safeguards  adopted  by  this  Company  in  the  pro- 
duction and  distribution  of  milk  and  dairy  products  to  the  public,  and 
the  economic  system  of  payment  of  same  by  tickets. 

(21)  Machinery  driven  by  Messrs.  Carson  &  Joones'  Gas  Engine. 

The  Protene  Co.,  Ltd.,  36  Welbeck  Street,  Cavendish  Square. 

"PROTENE."  An  exhibit  illustrating  a  new  departure  in  the 
manufacture  of  Concentrated  Food  Stuffs  from  pure,  fresh  milk. 
See  advertisement  in  Official  Guide,  etc. 

27.  — w.  Whiteley,  Ltd.,  39  Westbourne  Grove. 

A  Manufacturing  Exhibit  with  two  Steam  Cooking  Pans,  showing 
the  manufacture  of  Jams  and  Bottled  Fruits. 

28.  ~Maynards,  Ltd.,  368  Strand. 

Confectionery. 

80.— Reginald  B.  Clayton,  88  Bishopsgate  Street. 

Byard's  Eucalyptus  Citriodora  Oil,  and  the  Tree  Leaves,  Seeds  and 
Preparations  made  therefrom,  such  as  Byardine. 

The  New  Antiseptic  Cold  Cream,.  Byard's  Antiseptic. 

82,  33.— G.  Garofala,  8  Adeney  Road,  Hammersmith. 

Cob  Pipes,  Jewellery. 

85.— The  Ambulance  Department  of  the  Order  of  St.  John 
of  Jerusalem,  St.  John's  Gate,  Clerkenwell,  E.C. 

Complete  Equipment  for  the  Belief  of  Sick  and  Wounded  in  all 
cases  of  emergency.  A  First-Aid  Ambulance  Station  in  active  opera- 
tion, with  trained  St.  John's  Nurses  and  Medical  Officers  in  attendance, 
where  cases  of  accident  receive  attention. 


213 


Western  Arcade.— General  Exhibits. 

B.— Mrs.  Leon,  37  West  Kensington  Mansions,  W, 

jewellery. 

1, 2  and  3.— D.  Sifico  &  Co.,  16  West  Kensington  Mansions,  W. 

Exhibit  of  Turkish  Embroideries  and  Carpets. 

4,  -^Miss  F.  Watts,  36  St.  Oswald's  Road. 

Jewellery. 

5.  -T.  R.  Fisher,  38  St.  Oswald's  Road. 

Metal  Linen  Marker,  Embroidery  Patterns,  Jewellery,  Smoking 
Sundries  and  Writing  Sets. 

7.-McRae,  Mrs.  Alice,  3  Tournay  Road,  Fulham. 

Jewellery. 

9,— Isaac  Mizrahi,  6  Lillie  Road,  S.W. 

Jewellery. 

14.  — Albert!  Modiano,  35  Lillie  Road,  S.W. 

Jewellery. 

15.  — J.  Behar,  61  St.  Oswald's  Road,  S.W. 

Jewellery. 

16.  — D.  Shepperd,  200  Regent  Street,  W. 

Spectacles,  Eye-glasses,  Field  and  Opera  Glasses. 

17.  -Mrs.  Weinbaum,  27  High  Road,  Kilburn. 

Jewellery. 

20.  -Mrs.  Priscilla  Sampson,  127  Dulwich  Road,  Herne 

Hill,  S.E. 

Fancy  Jewellery. 

21.  ~-Edward  Hesse,  8  Dartmouth  Street,  Queen  Anne's  Gate. 

Music. 

22.  -Hesse  &  Purslow,  5  Lowther  Arcade,  Strand,  W.C. 

Rolled  Gold  Wire  and  Fancy  Jewellery. 


214 

26  and  27.— Mark  Joseph,  371  Battersea  Park  Road. 

Perfumery,  Fancy  Jewellery,  Parisian  Diamonds,  etc. 

29.  — Prof.   Annie   Oppenheim,   B.P.A.,    73  St.  George's 

Square,  S.W. 

Scientific  Character  Beading  from  the  Face,  Verbal  and  Written 
Delineation,  Advice  as  to  Capabilities  for  Professions  and  Trades, 
Books  on  Physiognomy. 

30.  — Litsica  Marx  &  Co.,  174  High  Holborn,  W.C. 

Cigarettes.    Cigars  and  Smokers'  Bequisites. 

81.— Queensland  Government,  Victoria  Street,  Westminster. 

Inquiry  Bureau. 

32. —Madame  de  Para,  The  Rosey,  Priory  Road,  Bedford 

Park,  Chiswiek. 

Scientific  Palmistry  and  Delineation  of  Character. 

38.— R.  Gabbisson,  50  Blythe  Road,  West  Kensington. 

Jewellerv. 

40.— J.  Lief,  321  Mile  End  Road,  E. 

Gyroscopes  and  other  Mechanical  Novelties  and  Toys. 

42.— Theodore  Frackai,  22  Munster  Road,  Fulham. 

Portraits  in  Pencil,  Colour  and  Crayon. 

44    and    45.— The    Edison-Bell    Automatic  Phonographs 
(London  &  Provincial)  Ltd.,  1  Bow  Church  Yard. 

Automatic  Phonograph  Machines. 

47.— J.  Behar,  61  St.  Oswald's  Road,  S.W. 

Jewellery. 

49.  — J.  Behar,  61  St.  Oswald's  Road,  S.W. 

Jewellery. 

50.  — Stanley  Justin,  9  Howard  Road,  Anerley. 

Justin's  Quillaia,  Glove,  Tan  Shoe  and  Cloth  Cleaner. 

51.  52  and  53.— Erasmic  Co.,  Ltd.,  117  Oxford  Street,  W. 

Soaps  and  Perfumes. 


215 

54,— Joseph  Behar,  61  St.  Oswald's  Road. 

Jewellery  and  Fancy  Goods. 

56.  -E.  V.  Vooght,  48  Charlwood  Road,  Putney. 

Anti-Splash  Nozzle,    Excel  Silver  Goods. 
The  Slat-Roller  Washing  Machines. 

57.  j.  Mizrahi,  6  Lillie  Road. 

Jewellery. 

58.  — Lisle  &  Co.,  39  Haymarket,  W. 

Clarke's  Ammonia  Sunbeam  Bleach.       Juente  Artificial  Flowers, 
«  Salvus  "  Fireproofing.  Mars  Opera  Glasses. 

59.  -The  British  Mutoseope  &  Biograph  Co.,  Ltd.,  18  &  19, 

Great  Windmill  Street. 

■  Mutoscopes.      ^  , 

59a.— The  British  Somatose  Co.,  Ltd.,  165  Queen  Victoria 

Street. 

Somatose.  Iron  Somatose.  Milk  Somatose. 

59b.— Mrs.  Leon,  37  West  Kensington  Mansions. 

Jewellery. 


216 


THE  OLD  WELCOME  CLUB, 

with  its  old-world  charm  of  solid,  substantial  hospitality,  its  rustic 
porch  and  quaint  architecture,  has  quite  an  air  of  classic  seclusion. 
To  the  discriminating  eye  there  is  something  in  the  simple  style,  the 
quiet  calm  of  its  rough  wooden  fence  enclosing  a  well-trimmed  lawn, 
that  suggests  the  magic  finishing  touches  to  a  beautiful  picture, 
Additional  interest  attaches  to  the  Old  Welcome  Club  at  this  juncture 
from  the  fact  that  it  is  under  the  Presidency  of 

Field-Marshal  Lord  Roberts  of  Kandahar. 

Improvements  have  been  made  in  the  accommodation  of  the  Club, 
and  no  pains  have  been  spared  to  keep  up  its  well-known  traditions, 
The  Club  dinner  on  the  Terrace  facing  the  Music  Pavilion  is  an  ever- 
popular  feature. 

The  Chairman  of  the  Committee  is  Paul  Cremieu-Javal,  Esq.,  J.P. 
The  following  distinguished  gentlemen  form  the  Committee  : 

Sir  Allen  Young,  C.B. 

Sir  Arthur  Sullivan,  Mus.  Doc,  M.V.O, 

Sir  James  D.  Linton,  E.I. 

R.  D.  Awdry,  Esq.,  C.B. 

A.  J.  B.  Trendell,  Esq.,  C.M.G. 

Walter  H.  Harris,  Esq.,  C.M.G. 

C.  Purdon  Clarke,  Esq.,  C.I.E.,  F.S.A. 

Vice-Admiral  Albert  Hastings 

Markham,  F.B.G.S. 

Colonel  F.  H.  Rich,  R.E. 
Colonel  Robert  W.  Edis,  V.D.,  F.S.A. 
W.  G.  Ellison-Macartney,  Esq.,  M.P. 
Major  L.  H.  Isaacs. 
His  Honour  Judge  Philbrick,  Q.C. 
Frank  Travers  Birdwood,  Esq. 
David  F.  Carmichael,  Esq. 
Samuel  Digby,  Esq. 
Dr.  J.  Irvine  Menzies. 
James  N.  Paxman,  Esq. 
Imre  Kiraley,  Esq. 
J.  M.  Freshwater,  Esq. 
Harold  T.  Hartley,  Esq. 


The  Earl  of  Warwick  and  Brooke. 
Colonel  the  Earl  of  Dundonald,  C.B. 
The  Lord  Burton. 

The  Right  Hon.  Sir  Edward  H.  Carson, 
P.C.,  Q.C,  M.P.,  Solicitor  General. 

Capt.  the  Hon.  Alwyn  H.  Fulke- 

Greville, 

The  Hon.  W.  F.  B.  Massey  Main- 
waring,  LL.B.,  M.P. 

Sir  Edward  Lawson,  Bart. 

Sir  John  Blundell  Maple,  Bart.,  M.P. 

Mai  or- General  Sir  Owen  Tudor  Burne, 
J  G.C.I.E.,  K.C.S.I. 

Sir  Eyre  Massey  Shaw,  K.C.B. 

Sir  Henry  Bergne,  K.C.M.G. 

Sir  Thomas  Sutherland,  Q.C.M.G., 

LL.D.,  M.P. 

Sir  Charles  Malcolm  Kennedy, 

K.C.M.G.,  C.B. 

Sir  George  C.  M.  Birdwood,  K.C.I.E., 

C.S.I.,  M.D.,  LL.D. 

Sir  Edwin  Arnold,  K.C.I.E.,  C.S.I., 

F.R.G.S.,  F.R.A.S. 

Sir  Mancherjee  M.  Bhownaggree, 

K.C.I.E.,  M.P. 


Herman  Hart,  Esq. 
Douglas  G.  H.  Gordon,  Esq.,  LP.,  Secretary, 


217 

REFRESHMENTS. 

Most  ample  provision  is  made  for  the  refreshment  of  the  body 
aS  well  as  of  the  mind.  There  are  three  bars,  conveniently  situated, 
which  dispense  light  refreshments,  and  facing  the  music  pavilion, 
on  the  one  hand  is  the  popular 

GRILL  ROOM, 

on  the  other  being  the 

VICTORIA  RESTAURANT,  QUEEN'S  COURT, 

from  the  French  windows  of  either  of  which  one  can  enjoy  the  panorama 
0f  life  and  colour  and  animation,  the  excellent  ladies'  orchestra  in  the 
music  pavilion  meanwhile  adding  the  " voluptuous  swell"  of  music 
to  this  feast  of  the  senses.  The  crowds  that  avail  themselves  of  the 
small  tables  out  in  the  open,  show  that  the  English  fully  appreciate 
the  al  fresco  pleasures  of  the  Continent. 

IN  THE  WESTERN  GARDENS 

there  is  the 

QUADRANT  RESTAURANT, 

with  its  French  windows  opening  on  to  a  fine  terrace  and  looking  out 
directly  upon  the  beautiful  Western  Gardens  and  in  full  view  of  the 
Music  Pavilion.  The  cuisine,  under  a  cordon  bleu,  is  perfection,  and 
a  dinner  vieing  with  the  best  served  anywhere  in  London,  and 
surrounded  by  unrivalled  attractive  features,  is  served.  That  the 
public  fully  appreciate  the  perfection  to  which  this  department  has 
been  brought  is  evidenced  by  the  suggestion  that,  in  order  to  avoid 
disappointment,  it  would  be  advisable  to  secure  tables  in  advance  by 
letter,  telephone,  or  wire  direct  to  the  caterers. 
The  enormous  popularity  enjoyed  by  the 

LAGER  BEER  HALL 

is  well  merited.  The  English  are  realising  the  advantages  of  the 
light  brews  of  Germany  and  their  pleasant  mildness.    The  consimip- 

15 


218- 


tion  of  lager  beer  is  increasing  by  leaps  and  bounds,  and  here  is 
dispensed  the  famous  Bohemian  Pilsener  beer,  as  well  as  the  Pschore, 
beloved  of  the  Bavarians,  and  the  dainty  Teutonic  dishes,  served  by 
neat-handed  Phyllises,  whilst  listening  to  the  strains  of  Waldteufel, 
Suppe,  and  Strauss. 

Chop  House,  Western  Gardens.  A  la  carte  Luncheon, 
12  to  3  o'clock ;  Is.  Afternoon  Tea,  3.30  to  5.30 ;  2s.  6d.  Dinner  or 
Supper,  6  to  10.30. 

Grill  Room,  Queen's  Court.  Luncheons,  Dinners  and 
Suppers,  at  ordinary  grill  room  prices,  noon  till  10.30  p.m. 

Victoria  Restaurant,  Queen's  Court.  2s.  Luncheon, 
12  to  3  o'clock  ;  Is.  Afternoon  Tea  ;  3s.  6d.  Dinner,  6  to  9.30,  con- 
sisting of  soup,  fish,  joints,  vegetables,  sweets,  cheese,  dessert. 

Canteen  in  Elysia.  Plate  of  Cold  Meat,  6d. ;  Bread  and 
Cheese,  2d. ;  Milk,  Id. ;  Tea,  2d. ;  Coffee,  2d. ;  Mineral  Waters,  2d. 
Liquors  at  public-house  prices.  Special  quotations  for  Excursion 
Parties. 

Tea  Pavilion,  Picturesque  City.  Tea,  Coffee,  and  Light 
Refreshments  at  usual  prices. 

In  addition  to  the  above  there  are  numerous  Bars  and  Buffets  in  the 
Grounds  and  Buildings  where  Tea,  Coffee,  Temperance  Beverages, 
Beers,  Alcoholic  Liquors,  Light  Refreshments,  Cigars,  Cigarettes,  etc., 
can  be  obtained  at  the  usual  rates. 

In  accordance  with  the  scheme  of  the  present  year's  Exhibition 
(which  is  intended  to  promote  the  employment  of  women),  the 
Refreshment  Contractors  have  decided  upon  the  employment  of 
women  in  many  departments  where  men  had  previously  done  the  work. 
Every  endeavour  has  been  made  to  secure  the  services  of  an  efficient 
and  superior  staff  of  young  women  who  have  undergone  a  practical 
training  for  the  purpose,  and  it  is  hoped  that  the  kindly  consideration 
of  the  public  will  be  given  to  this  effort  to  open  the  door  for  a  new 
departure  of  so  much  interest  in  present  social  conditions. 


219 

TRAINS    FROM    THE  EXHIBITION 


DISTRICT  RAILWAY. 
Evening  Trains  leave  EARL'S  COURT  STATION 


rtTY  NEW  CBOSS, 
WHITECHAPEL. 


AND 


Trains  leave  every  few 
minutes  up  to  9  p.m. 


P.M. 


5N.0.10  5N.C11  5  N.C 


8 

17* 

23 

1 28N.C. 
35* 
38 

44  W. 

53 
55* 
58  W. 


P.M. 


P.M. 


10  8  11  8 
1016*  H12 
10  18  W .|11  20* 


10  23 
10  27N.C 
10  36* 
10  38 


11  23 
11  28  N.C 
11  38 
11  55 


10  44  W.  11  57* 


10  51* 
10  53 
10  58* 


12  0  W 

/  12  6  \ 
Not 

beyond  I 
i  Mansion  I 

House.  / 


Gloucester  Ed. 
South 

Kensington 
Sloane  Square 
Victoria 
St.  James' 

Park 
Westminster 
Charing  Cross 
Temple 
Blackfriars 


Calling  at 

Mansion 

House 
CannonStreet 
Monument 
Mark  Lane 
Aldgate  East 
St.  Mary's, 
Whitechapel 
Whitechapel 
(Mile  End) 


Shadwell 
Wapping 
Rotherhithe 
Depfcford  Road 
New  Cross 


New 
Cross 
Line 
Stations. 


AT  THE  FOLLOWING  TIMES  FOR  : 


PUTNEY  BRIDGE  and 
WIMBLEDON. 


P.M. 

5  7WMf 
5  16  S.E. 
5  25  WM 
5  36 

5  44  WM 

5  55  WM 

6  6  S.E. 
6  14WMf 
6  26  WM 
6  38  S.E. 
6  44WMf 


P.M. 

6  55  WM 

7  6 

'  WM 
S  E 

25  WM 
43 

55  WM 
12 

27  WM 
42 

8  53  WM 


7  16 

7 
7 
7 

8 
8 
8 


P.M. 

9  8  WM 
9  19 

9  30  WM 
9  55  WM 

10  12  WM 

10  38 

10  47  WM 

11  6  WM 
11  22 

11  33  WM 

11  56  WM 

12  22  WM 


Calling  at 

West  Brompton 
Walham  Green 
Parsons  Green 
Putney  Bridge 

East  Putney     \  Wimble- 
Southfields  don 
Wimbledon  Pk.  "  Line 
Wimbledon       j  Stations. 

S.E.  Saturdays  excepted. 

W. M .  WimbledonLine  trains. 

f  These  Trains  do  not  run 
beyond  Putney  Bridge  on 
Saturdays. 


N.C.  To  New  Cross,  change  at  St.  Mary's  for  White- 
chapel (Mile  End). 

W.  To  Whitechapel  (Mile  End),  change  at  St.  Mary's 
for  New  Cross  line. 

*  To  High  Street,  Kensington. 

Trains  leave  Gloucester  Road  and  High  Street  (Ken- 
sington) for  Baker  Street,  King's  Cross,  &c,  at  10  minutes' 
Nervals.  Last  train  12.2  from  Gloucester  Road,  12.5 
from  High  Street  (Kensington). 

For  further  Particulars  see  the  Company's  Time  Tables. 

15  a 


RICHMOND, 
CHISWICK  PARK,  EALING 
and  HOUNSLOW. 


P.M. 

P.M. 

P.M. 

5  8E.&H 

6  59  R. 

9  59R. 

5  22  E.* 

7  8E.&H 

10  8E.&II 

5  29  R. 

722E.f 

10  40E.d-II 

5  40E.&H 

7  29R. 

11  OR. 

5  52E.* 

7  38E.&H 

11  8E. 

5  59  R. 

7  59  R. 

1129R. 

6  8E.&H 

810E.&H 

1146E.&H 

6  22  E.* 

8  38E.&H 

1159R&E  + 

6  29  R. 

859R 

12  31E.&H 

6  38E.&H 

917E.&H 

6  54  E.* 

9  38E. 

Calling  at 

West  Kensington 
Hammersmith 
Ravenscourt  Park 
Turnham  GreSn 

Gunnersbury 

Kew  Gardens 

Richmond 
Chiswick  Park  and^i 
Acton  Green 
Mill  Hill  Park 
Ealing  Common 
Ealing  (Broadway)  i 

South  Ealing 

Boston  Road 

Osterley 

Heston-Hounslow 
Hounslow  Brcks. 
R.    Richmond  Line  Trains. 
E.    Ealing  Line  Trains. 
H.    Hounslow   Line  Train?. 

Change  at  Mill  Hill  Park 
*  Not  to  Stations  beyond  Chh  - 

wick  Park  on  Saturdays. 

f  Not  to  Stations  beyond  Mill 
Hill  Park  on  Saturdays. 

}  Change  at  Hammersmith  by 
this  train  for  Ealing  Line  Station  . 


Richmond 

Line 
Stations. 


Ealing 
Line 
Stations. 

Hounslow 
Line 
Stations 
change  at 
Mill  H ill  Pk 


■ 
■ 


I 

■ 
ft 


m 
■ 

& 
ft 


220 

TRAINS   FROM   THE  EXHIBITION 


DISTRICT  RAILWAY. 


Evening  Trains  Leave 

Earl's  Court  Station 

At  the  folloiving  times  for : 


Notting  Hill  and 
Ladbroke  Grove,  West- 
bournePark,  RoyalOak, 
and  Bishops  Road. 


P.M. 


5 
5 


20 
50 


6  20 
6  50 


7 
7 


20 
50 


8  20 


P.M. 

8  50 
9.20 

9  50 
10  20 

10  50 

11  20 
11  50 


Willesden, 
Camden  Town, 
Highbury,  Dalston, 
Broad  Street,  &e. 


Calling  at 

Addison  Eoad 

(Kensington) 
"Oxbridge  Eoad  (for 

Shepherd's  Bush) 
Latimer  Road 
Notting  Hill  and 

Ladbroke  Grove 
Westbourne  Park 
Royal  Oak 
Bishop's  Road  (for 
Taddington  Station) 


P.M. 

5  5 

5  34 

6  5 

6  35 

7  5 


7 

8 


35 
5 


8  35 

9  5 


P.M. 

9  35 
10  5 

10  35 

11  5 

11  35hh. 
Midnight 

12  7w.J 


Calling  at 

Addison  Road 

(Kensington) 
Uxbridge  Road  (for 

Shepherd's  Bush) 
St.  Quintin  Park  and 
Wormwood  Scrubbs 
Willesden 
Kensal  Rise 
Brondesbury 
West  End  Lane 
Finchley  Road  and 

Frognal 
Hampstead  Heath 
Gospel  Oak 
Kentish  Town 
f  Camden  Town 
f  Maiden  Lane 
{Caledonian  Road 
and  Barnsbury 
*  Highbury  and 

Islington 
*Canonbury 
*Mildmay  Park 
{Dalston  Junction 
{Haggerston 
}  Shoreditch 
Broad  Street 


H .  H .  This  train  does  not  go  beyond  Hamp- 
stead Heath. 

W.J.  This  train  does  not  go  beyond  Willes- 
den.   Arrive  12.22  midnight. 

•j  Change  at  Camden  Town  for  Maiden  Lane 
and  Caledonian  Road  and  Barnsbury. 

*  Change  at  Highbury  and  Islington  for 
Canonbury  and  Mildmay  Park. 

{Change  at  Dalston  Junction  for  Hagger- 
ton  and  Shoreditch. 


Evening  Trains  Leave 

West  Brompton  Station  {District  Railway) 

At  the  following  times  for : 


City,  Whitechapel 
and 
New  Cross. 


P.M. 

5  11 


25 

38 

43  S.E. 
56 
6  11 
6  25 

6  30  S.E. 

6  40*  f 
6  47  S.O. 

6  55 

7  0S.E. 

9* 
25 

30S.E.* 

39* 

48* 
7* 


7 
7 
7 
7 
7 
8 


P.M. 

8  18S.E. 
8  26* 
8  39 

8  55 

9  15* 
9  24 
9  40 
9  55 

10  15 
10  34* 

10  55* 

11  9 
11  18* 

11  36 
11  53 
11  57 
Not 
tto  New 
Cross. 


Calling  at 
Earl's  Court 
Gloucester  Road 
South  Kensington 
Sloane  Square 
Victoria 
St.  James'  Park 
Westminster 
Charing  Cross 
Temple 
Blackfriars 
Mansion  House 
Cannon  Street 
Monument 
Mark  Lane 
Aldgate  East 
St.Marys(Whitechapel) 
(change  for  New 
Cross  Line) 
Whitechapel(MileEnd) 


Putney  Bridge 
and 
Wimbledon. 


P.M. 

P.M. 

5  9W.f 

7  57  W. 

5  18  S.E. 

8  14 

5  27  W. 

8  29  W. 

5  38 

8  44 

5  46  W. 

8  55  W. 

5  57  W. 

9  10  W. 

6    8  S.E. 

9  21 

6  16  W.f 

9  32  W. 

6  29  W. 

9  57  W. 

6  40  S.E. 

10  14  W. 

6  46  W.t 

10  40 

6  57  W. 

10  49  W. 

7  8 

11    8  W. 

7  18w.s.e. 

11  24 

7  27  W. 

11  35  W. 

7  45 

11  58  W. 

12  24  W. 

Calling  at 
Walham  Green 
Parsons  Green 
Putney  Bridge 
East  Putney 
Southfields 
Wimbledon 

Park 
Wimbledon 

W.  Wimbledon  Line 
trains. 

t  Not  beyond  Putney 
Bridge  on  Saturdays. 

S.E.  Saturdays  ex- 
cepted. 

S.O.  Saturdays  only 


CO 


Shadwell 
Wapping 
Rotherhithe 
Deptford  Road 
New  Cross 


For  further  Particulars  see  the  Company's  Time  Tables. 


id* 


ns 


Trail 


A\C. 


0  Q'A'  f 


•2N.C 


.1 11 


Calling 


HP 

a  Mi 
Mi 

;'M  Al 
St 

k  W 


Blad 


wniiflooi 


*  To  High  Street  (Kensington),  passengers 
for  Gloucester  Road  and  stations  beyond,  by 
these  trains,  change  at  Earl's  Court. 

Trains  leave  Gloucester  Road  and  High 
Street  (Kensington),  for  Baker  Street,  King's 
Cross,  &c,  at  10  minutes'  intervals.  Last 
train,  12.2  from  Gloucester  Road,  12.5  from 
High  Street  (Kensington). 

f  On  Saturdays,  change  at  Earl's  Court. 


■:lt 


Nh)  for 


221 


TRAINS    FROM    THE  EXHIBITION. 


DISTRICT  RAILWAY. 
Evening  Trains  leave  WEST  KENSINGTON  STATION 

AT  THE  FOLLOWING  TIMES  FOR 


clTy,  WHITE  CHAPEL  &  NEW  CEOSS. 


RIC^SJ?'  CHISWICK  PARK, 
EALING  &  HOUNSLOW. 


P.M. 

5  2N.C. 
5  HW. 

5  32N.C. 
5  41W. 

5  56s* 

6  0N.C. 
6  3*x 


P.M.  ' 

6  HW. 

6  23s* 
6  31N.C. 
6  41W. 

6  53* 

7  2N.C. 

7  irw. 

7  23  W. 

7  23*s 


r.M. 

P.M. 

P.M. 

P.M. 

7  32N.C. 

9 

25N.C. 

10  41W. 

O 

2R. 

7  41W. 

9 

31* 

10  48* 

5 

11E.&H. 

8  2N.C. 

9 

41W. 

11  2N.C. 

5 

25E.* 

3  12W. 

9 

52* 

11  13 

5 

32R. 

8  32N.C. 

10 

2N.C. 

11  25N.C. 

5 

43E.&H. 

8  41W. 

10 

13* 

11  53*f 

5 

55E.* 

9  2N.C. 

10 

23N.C. 

12  3M.+ 

3 

2R. 

9  11 

6 

11E.&H. 

P.M. 

P.M. 

6  25E.* 

7  41E.&H. 

6  32R. 

8  2R. 

6  41E.&H. 

8  13E.&H. 

6  57E.* 

8  41E.&H. 

7  2R. 

9  2R. 

711E.&H. 

9  20E.&H. 

7  25E.f 

9  41E. 

7  32R. 

10  2B. 

P.M. 

10  11E.&H. 

10  43E.&H. 

11  3R. 
11  HE. 

11  32R. 

H  49E.MI. 

12  2R.&E.J 
12  34E.&E. 


Calling  at 


Earl's  Court 
Gloucester  Eoad 
South  Kensington 
Sloanc  Square 
Victoria 

St.  James'  Park 

Westminster 

Charing  Cross 

Temple 

Shadwell 
Wapping 
Rotherhithe 
Deptford  Road 
New  Cross 


Blackfriars 

Mansion  House 

Cannon  Street 

Monument 

Mark  Lane 

Aldgate  East 

St.  Mary's,  Whitechapel 

Whitechapel  (Mile  End) 


New  Cross 
Line 
Stations. 


M .  Stations  to  Mansion  House  only. 

W.  To  Whitechapel  (Mile  End),  change  at 
St.  Mary's  for  New  Cross  Line. 

N.C.  To  New  Cross,  change  at  St.  Mary's 
for  Whitechapel  (Mile  End). 

s.  Saturdays  only.    x.  Saturday  excepted. 

*  To  High  Street  (Kensington),  Passengers 
for  Gloucester  Road  and  stations  beyond,  by 
these  trains,  change  at  Earl's  Court. 
.  t  Change  at  Earl's  Court   for   stations  to 
Whitechapel  only. 

t  To  stations  to  Mansion  House  only. 

Irams "  leave  Gloucester  Road  and  High 
tat  (Kensington)  for  Raker  Street  and 
Aings i  Cross,  &c,  at  10   minutes'  intervals. 

^a!n'  12-2  from  Gloucester  Road,  12.5 
bom  High  Street  (Kensington). 


Calling  at 


Hammersmith 
Raven  scourt  Park 
Turnham  Green 

Gunnersbury 
Kew  Gardens 
Richmond 

Chiswick  Park  and 

Acton  Green 
Mill  Hill  Park 
Ealing  Common 
Ealing  (Broadway) 

South  Ealing 
Boston  Road 
Osterley 

Heston-Hounslow 
Hounslow  Barracks 


Richmond 

Line 
Stations. 


Ealing 
Line 
Stations. 


Hounslow 
•  Line 
Stations,  change 
at  Mill  Hill 
Park. 


R .    Richmond  Line  Trains. 

E .    Ealing  Line  Trains. 

H .  Hounslow  Line  Trains,  change  at 
Mill  Hill  Park. 

*  Not  to  Stations  beyond  Chiswick  Park 
on  Saturdays. 

f  Not  to  Stations  beyond  Mill  Hill  Park 
on  Saturdays. 

I  Change  at  Hammersmith  by  this  trair 
for  Ealing  Line  Stations. 


For  further  Particulars  see  the  Company's  Time  Tables. 


2  !iZ'  t^i 


EARL'S  COURT 


OMNIBUS  ROUTES. 


LONDON    GENEEAL    OMNIBUS    COMPANY,  LIMITED. 


The  following  services  of  omnibuses  pass  the  Earl's  Court  Exhibition,  viz.: 


ROUTE 


COLOUR 


Greyhound,  Fulham   BLUE,  red  panel   . . 
and 

Charing  Cross. 


Fulham  (Prince  of     BLUE,  "  Favourite  M 
Wales)  on  panel, 

and 

Nag's  Head,  Holloway. 


RUN  VIA 

Charing  Cross  Station,  Pall  Mall, 
Begent  St.,  Piccadilly  Circus, 
Sloane  St.,  Brompton  Bd.,  South 
Kensington  Station,  Lillie  Bd. 

Lillie  Bd.,  Brompton  Bd.,  South 
Kensington  Station,  Sloane  St., 
Piccadilly,PiccadillyCircus,Begent 
St.,  Oxford  Circus,  Portland  Bd., 
Euston  Bd.,  King's  Cross  and 
Euston  Stations,  Caledonian  Bd. 


West  Kensington 
(Clarence) 
and 

Bethnal  Green. 


WHITE,  red  panel 


Walham  Green,  Chelsea,  Victoria. 
Westminster  Bridge  and  Charing 
Cross  Stations,  Strand,  Bank, 
Liverpool  St.,  Shoreditch. 


Walham  Green 
and 

Shepherd's  Bush. 


GBEEN 


Walham  Green,  North  End  Rd.j 
West  Kensington  Station,  Addison 
Bd.  Station,  Shepherd's  Bush 
Station. 


WEST  KENSINGTON  AND  SHOREDITCH. 


Colour  :  BBOWN  (Bed  side  panels).   Route  "  L." 

Via 

North  End  Road,  Lillie  Road,  Richmond  Boad,  Old  Brompton  Road,  South 
Kensington  Station,  Brompton  Boad,  Knightsbridge,  Hyde  Park  Corner,  Piccadilly, 
Piccadilly  Circus,  Begent  Street,  Waterloo  Place,  Charing  Cross,  Strand,  Fleet 
Street,  Ludgate  Circus,  Ludgate  Hill,  St.  Paul's  Churchyard,  Cannon  Street,  Queen 

Victoria  street,  Bank,  Threadneedle  Street,  Bishopsgate  Street,  to 
Shoreditch.  Return  vid  Liverpool  Street  and  Broad  Street  to  Bank. 


223 


Applied  Art  Section 


INDEX  TO  EXHIBITORS. 


A 

Adam  Mrs.  Law,  c/o  Miss  Lees,  19  Pembroke  Eoad,  Kensington,  W.,  91  92 
100,102,103,104,106,107,109.  '  ' 

Adams,  Cecilia,  "  Edenhurst,"  Bedford  Park,  Chiswick,  44. 

Armitage,  Mrs.  Harry  A.,  Beeston  Hall,  Neatishead,  Norwich,  401. 

Art  Union  of  London,  112  Strand,  W.C.,  79,  149,  157. 

Arthur,  Emily  (see  Glasgow  School  of  Art). 

Atherton,  Mrs.  A.E.,  53  New  Bond  Street,  W.,  430,  440,  441,  445. 


B 

Baldock,  Miss  Mary,  Ware,  Herts,  313. 

Bale,  Mrs.  A.  E.,  Killarney,  Fontenoy  Road,  S.W.,  174. 

Barnard,  Mary  Baylis,  28  Yeoman's  Row  Studios,  Brompton,  S.W.,  326,  369,  370. 

Bartholomew,  Miss  F.  M.,  6  Bective  Road,  Kirkby  Lonsdale,  185. 

Bayley,  Miss  Clive,  Weaving  School,  Bushey,  444. 

Beaupre,  Maryde,  21  Wendell  Road,  Shepherd's  Bash,  45,  48,  78. 

Bedingfeld,  Miss  L.,  c/o  Mrs.  Trist,  Prestwood,  Ifield,  Crawley,  Sussex,  389. 

Birch,  Miss  W.  P.,  Cranford,  Kettering,  179,  180. 

Birkenruth,  Miss,  89  Cromwell  Road,  S.W.,  43,  181,  182. 

Blount,  Mrs.  Godfrey,  Haslemere,  Surrey,  373,  374,  377. 

Boothby,  Mabel,  Adelaide,  South  Australia,  312a. 

Bott,  Mary  Emmeline,  8  Brandon  Mansions,  West  Kensington,  73,  233. 

Botterill,  Miss  Mary,  49  Wisteria  Road,  Eastdown  Park,  Lewisham,  S.E.,  203,  388. 

Brouckere,  Jeanne  de,  51  Antrim  Mansions,  Haverstock  Hill,  90,  143,  144,  161. 

Brown,  Miss  J.,  The  Copse,  Caterham  Valley,  Surrey,  52, 

Browne,  F.  E.  3  Grange  Park,  Ealing,  W.,  46. 

Buck,  Mrs.,  189  Farringdon  Road,  393. 

Burgess,  Miss  (see  Royal  Female  School  of  Art). 

Burlinson,  Frances,  49  Haverstock  Hill,  N.W.,  423. 

Buscarlet-Calame,  Marguerite,  Rue  de  Candolle  14,  Geneve,  429. 


224 


0 

Canton,  S.  Kuth,  6  Beaumont  Street,  Portland  Place,  W.,  98. 

Carter,  Miss  F.  (see  Chiswick  Art  Workers). 

Casella,  The  Misses,  Wetherby  Eoad,  South  Kensington,  1  to  34. 

Chiswick  Art  Workers'  Guild,  2  Bath  Road,  Bedford  Park,  W.,  67,  G8,  69,  238  to 
251,  292,  293,  295,  376,  378,  379. 

Christiansen,  Miss,  8  Wetherby  Terrace,  South  Kensington,  110  to  121. 

Chromo-Lithographic  Studio,  24  Gloucester  Street,  W.C.,  320  to  323. 

Clarke,  Mrs.  Bruce,  51  Harley  Street,  W.,  255  to  260,  263  to  272,  276,  277,  278, 
276,  277,  278. 

Clegg,  Ada,  49  Fitzroy  Road,  N.W.,  404. 

Cole,  Miss  J.,  67,  69. 

Cole,  Miss  Lsetitia  M.,  96  Philbeach  Gardens,  S.W.,  53,  57. 
Collier,  Mrs.  H.  C,  36  Loughton  Grove,  Sydenham,  392. 
Collins,  Miss  Albina,  11  Cheyne  Row,  S.W.,  176,  419,  420. 

Connell,  Miss  Christine,  22  Stafford  Place,  Buckingham  Gate,  S.W.,  101,  237,  417. 
Connell,  Janet,  5  Victoria  Street,  S.W.,  336,  337,  338,  359,  360,  361. 
Connell,  W.J.,  83  Cheapside,  E.C.,  74,  76. 
Cook  (see  Giles). 

Cordner,  Miss  Emma,  Mullagh,  Longford,  Ireland,  124. 
Coulden,  Mrs.  J.  A.,  81  Durham  Road,  East  Finchley,  N.,  387. 
Crane,  Mrs.  Walter,  13  Holland  Street,  Kensington,  W.,  410. 
Crichton,  Lady  Emma,  Netley  Castle,  Netley  Abbey,  Hants,  348. 

D 

Decorative  Needlework  Society,  17  Sloane  Street,  298  to  311a,  353. 
Dewar,  L.  de  Courcy  (see  Glasgow  School  of  Art). 
Dodds,  Miss,  17  Hughenden  Road,  Clifton,  Bristol,  198. 
Drury,  Robert,  11  Westmoreland  Road,  Bayswater,  W.,  434. 

E 

East,  Miss  Clayton,  Hall  Place,  Maidenhead,  415. 

Edmonds,  Catherine,  Abingdon  Studio,  118  Westbourne  Grove,  W.,  328,  331,  332, 

Edmonds,  Miss  Lilian,  Stamford  Bridge  Studios,  Fulham  Road,  S.W.,  70,  72,  354, 
357,  403. 

Egan,  Miss  Bernadette,  44  Baron's  Court  Road,  West  Kensington,  135. 
Egerton,  Lady,  Stud  House,  Hampton  Court,  60  to  63. 

F 

Fazan,  Mary  (see  Royal  Female  School  of  Art). 

Fisher,  Mary  Chatteris,  169  Withington  Road,  Whalley  Range,  Manchester,  285. 
Ford,  Miss  Emily  S.,  44  Glebe  Place,  Chelsea,  S.W.,  346. 


225 


,  dham,  Montague,  Esq.,  9  Maddox  Street,  W.,  211  to  227. 

F°Kselles ,'Mdlle.  Sigrid  de,  Parkgatau  4,  Helsingfors,  Finland,  446,  447. 

Fachs  Mdlle.  Noemi,  45  Rue  de  Courcelles,  Paris,  364,  448. 

a 

Gairdner,  A.  E.  (see  Glasgow  School  of  Art). 

rvdner  Mrs.  E.,  64  Talgarth  Eoad,  West  Kensington,  125,  126,  132,  136,  191  199 
235,' 236,  385.  '  ' 

Gaskell,  Miss  Hilda,  7  Clarendon  Buildings,  Bournemouth,  381. 
Giannini,  Ada,  19  Piazza  Pitti,  Florence,  Italy,  205. 
Giles  Miss  F.  E.,  Clapton  School  of  Art,  Clapton,  200. 
Giles,  Miss  Margaret,  52J  Campden  Street,  Campden  Hill,  W.,  155. 

fttaow  School  of  Art,  167  Renfrew  Street,  Glasgow,  96,  97,  141,  163, 190,  192,  193, 

194,  196,  395,  405  ,  409,  412,  416  ,  418. 
Gleichen,  Countess  Feodora,  St.  James's  Palace,  229,  230. 
Godwin,  Mrs.  Huber,  Cranesdene,  Walton-on-Thames,  128,  129. 
Golf,  Bertha  L.,  Ashdene,  The  Avenue,  Lee,  S.E.,  105. 

Goodman,  Miss,  Midland  Lace  Association,  34  Cyril  Street,  Northampton,  131, 
140. 

Gordon,  Miss  A.  (see  Chiswick  Art  Workers). 

Gordon,  Miss  H.  Evans,  Prestons,  Ightham,  near  Sevenoaks,  49. 

Gray,  Naomi  S.,  The  Royal  Female  School  of  Art,  43  Queen  Square,  W.C.,  367, 
368. 

Gregory,  Christine,  29  Shaftesbury  Road,  Ravenscourt  Road,  W.,  316, 
Grosvenor  Ladies'  Lace  Classes,  23  Buckingham  Palace  Road,  261. 
Guild  of  Women  Bookbinders,  61  Charing  Cross  Road,  W.C.,  435. 


XT 

JUL, 

Haggard,  Minnie,  Kirkby  Lonsdale,  Westmoreland,  183. 
Halle,  Miss  Elinor,  20  Milner  Street,  Cadogan  Square,  47. 
Hansen,  Mrs.  Frida,  9  Tarvit,  Christiania,  Norway,  439. 

Hartmann,  Frau  Sophie  Burger,  95  Hirzbodenweg,  Basel,  Switzerland,  147,  148, 
150, 158,  159,  160,  234. 

Harvey,  Agnes  B.,  Glasgow  School  of  Art,  416,  418 

Hewitt,  Helen,  13  Rectory  Chambers,  Church  Street,  Chelsea,  288,  408. 

Hewitt,  Miss  A.  (see  Chiswick  Art  Workers). 

Hewitt,  Miss  Maud,  13  Rectory  Chambers,  Church  Street,  Chelsea,  408,  408. 

Hickman,  Miss  Evelyn,  6  Joubert  Studios,  Chelsea,  108. 

Hildesheim,  H.  Gertrude,  13  Redington  Road,  Hampstead,  N.W.,  151. 

Hood,  Mrs.  Acland,  10  West  Eaton  Place,  S.W.,  350. 

Horner,  Mrs.  Burnham,  29  Redclifie  Gardens,  S.W.,  173. 

Houston,  Mary  S.,  25  Sydney  Street,  Chelsea,  S.W.,  177,  232,  375,  424. 


226 


Hughes,  Mrs.  Svvinnerton,  34  Abingdon  Villas,  Kensington,  281  to  284. 
Hussey,  Miss  Margaret,  "  The  Wardrobe,"  The  Close,  Salisbury,  432. 
Hyam,  Miss  Sophie  B.,  62  Cleveland  Square,  Hyde  Park,  W.,  407. 

J 

Jackson,  Grace,  Koyal  Female  School  of  Art,  253,  371. 
Jamieson,  Mrs.  A.  B.,  8  Queen's  Lane,  Lerwick,  Shetland,  58. 
Jendwine,  E.  W.,  6  Sydney  Place,  South  Kensington,  231. 
Jockel,  Miss  D.  (see  Chiswick  Art  Workers). 
Jones,  Lisette,  19  Southwick  Street,  Hyde  Park,  W.,  54. 
Jorgensen,  Mabel,  Bexley,  Kent,  164,  165,  169,  312,  315. 

King,  Miss  Ethel  Slade,  11  Cheyne  Gardens,  Chelsea,  S.W.,  341,  342,  344,  345. 
Kirkpatrick,  Ethel,  The  Gables,  Harrow,  65,  154,  156. 

L 

Ladies'  Work  Society,  31  Sloane  Street,  S.W.,  171,  394. 

Langley,  Miss  Helen,  Cambridge  Lodge  Studios,  42  Linden  Gardens,  W.,  56,  413, 421 
Lear,  M.  Louise,  121  St.  Mark's  Eoad,  North  Kensington,  W.,  390. 
Lee,  Mrs.  Nelson,  20  Elsham  Eoad,  290. 
Leon,  Marie,  30  Eegent  Street,  W.,  329,  330. 

Lilley,  Miss  Emma,  The  Beeches,  111  Lincoln  Eoad,  Peterborough,  319,  325,  327. 

Lowndes,  Miss,  259  King's  Eoad,  W.,  400,  422. 

Lowry,  Miss  EtaL.,  25  Garfield  Chambers,  Belfast,  398. 

Lynch,  Agnes,  10  Horn  ton  Street,  Kensington,  51,  82,  84  87. 

M 

Mackinlay,  Miss  M.,  64  Bedcliffe  Eoad,  South  Kensington,  134. 

Martin,  Beatrice,  11  Eathbone  Place,  W.C.,  95,  153. 

Martin,  Mrs.  C.  H.  250  Portsdown  Eoad,  W.,  195. 

Mead,  Miss  Grace,  2  Eussell  Eoad,  Kensington,  W.,  314. 

Mendham,  Gertrude  A.,  Sheepscombe  House,  Stroud,  Glos.,  75. 

Midland  Lace  Association  (see  Goodman). 

Mills,  Mrs.  Ernestine  E.,  21  St.  Mary  Abbot's  Terrace,  W.,  59. 

Moller,  Miss  Muriel,  Addison  Hall,  Addison  Eoad,  443. 

Molliet,  Clemence,  Pont  Aven,  Finistere,  France,  352. 

Moore,  Miss  Esther  Mary,  4  Bath  Eoad,  Bedford  Park,  W.,  396. 

Moore,  Florence  C,  109  Beaufort  Street,  Chelsea,  66. 


227 


Mrs.,  25  Uverdale  Road,  Fuiham  Road,  S.W.,  201. 

Morris, 
Morriso 

MUllin!'  luce  H,  252,  262,  279. 
Murray,  Alice  xi., 


.  Mrs  Howard,  20  Collingham  Gardens,  South  Kensington,  50 
^•son,  Mrs.  Alfred,  Fonthill,  Wilts,  35  to  42,  170,  172,  175. 
Morrison,  ^  ^  ^  Sinclair  Road,  Kensington,  W.,  291. 

MnllinSj  iU1D  _  _   


Nrman,  Miss  E.,  Tramways  Depot,  Bohemia  Place,  Mare  Street,  Hackney,  N.E., 
383,'  384,  386. 

North  Bucks  Lace  Association,  Moreton  Manor  House,  Buckingham,  122. 
NoUry-Boger,  Mdlle.  Eugenie,  Meaux,  France,  287. 
Nutter,  Laura,  13  Oakley  Street,  Chelsea,  S.W.,  425. 


o 

Oliverson,  M.,  90  Inverness  Terrace,  W.,  55. 

P 

Paget,  Mrs.,  129  Victoria  Street,  S.W.,  64,  210,  317. 

Paull,  Edith  C,  20  Victoria  Street,  S.W.,  334. 

Pollard,  Miss  Marian,  20  Handen  Road,  Lee,  S.E.,  380. 

Prosser,  J.  M.  F.,  Ashburnham,  Southend-on-Sea,  438. 

Pulley,  Eosamund  Fanny,  2  Norfolk  Mansions,  Battersea  Park,  166. 


Radford,  Miss,  c/o  Mrs.  Bruce  Clarke,  51  Harley  Street,  W.,  260,  273,  274,  275. 
Eayment,  Katherine,  59  New  Bond  Street,  W.,  335. 
Reeve,  Miss,  96  Edith  Road,  W.  Kensington,  138,  391. 
Reutsch,  Frau  Helene,  Bismarck  Platze  1,  Dresden,  197,  296,  351. 
Robinson,  Jessie,  64  Chardmore  Road,  Stoke  Newington,  N.,  382,  411. 
Rochfort,  Mrs.  William,  Cahir  Abbey,  Cahir,  co.  Tipperary,  202,  206  to  209. 
Rope,  E.  M.,  107  Marylebone  Road,  W.,  77,  80,  340,  362,  363,  399,  426. 
Rowe,  Miss  Eleanor,  46  Pembroke  Road,  Kensington,  W.,  294. 
Royal  Female  School  of  Art,  43  Queen  Square,  W.C.,  253,  254,  280,  289,  324,  365, 
371,  372. 

S. 

St.  Hill  Mrs,,  36  Beaufort  Gardens,  S.W.,  133. 

Sargant,  Miss  Alice,  28  Tite  Street,  Chelsea,  89. 

Sawyer,  Amy,  Ditchling,  Sussex,  343.  » 

Scott,  Mrs.,  The  Rock,  North  Summit,  South  Australia,  450. 


228 


Simons,  Agnes  Campbell,  Home  of  Rest,  Shanklin,  Isle  of  Wight,  349. 

Simpson,  The  late  Miss  M.,  The  Art  Union  of  London,  112  Strand,  W.C.,  79,  1 

Smith,  Miss  Gertrude,  The  Studio,  52  Eathbone  Place,  W.C.,  152. 

Smithers,  Emma  R.,  Knockholt,  Sevenoaks,  184,  187,  204,  431. 

Spencelagh,  Lalla,  73  Sampson's  Terrace,  Ordnance  Place,  Chatham,  123,  130. 

Spong,  Mrs.  F.  E.,  39  Doughty  Street,  W.C.,  297. 

Stanhope,  The  Hon.  Mrs.  Charles,  North  House,  Putney,  162. 

Steel,  Miss  Eva,  37  Lse  Terrace,  Blackheath,  397. 

Steele,  Miss  Florence  H.,  64  Rowan  Road,  Brook  Green,  W.,  142. 

Symonds,  May,  52  Thornhill  Road,  Leyton,  Essex,  427. 

T. 

Thompson,  Charlotte  Thurston,  96  Philbeach  Gardens,  S.W.,  366. 
Thurburn,  Mrs.,  Castle  Park,  Huntley,  Aberdeen,  358. 
Trevelyan,  Miss  Audrey,  19  Eaton  Place,  S.W.,  127,  168. 
Trotter,  Mrs.  A.,  Thames  Cote,  Chiswick  Mall,  228. 

II. 

Underhill,  Miss  Evelyn,  3  Campden  Hill  Place,  W.,  178,  188,  189. 
Underwood,  Mrs.  Edith  M.,  Woodridings,  Pinner,  81,  83,  85,  86,  88. 

V. 

Vaughan,  Mrs.,  Westgate  Terrace,  S.W.,  139. 

Vigers,  Miss  R.,  52  Lower  Sloane  Street,  S.W.,  188,  428. 

w 

Wahrmund,  Auguste,  Carolinengasse  4,  Vienna,  145,  146. 

Walker,  Miss  A.  E.  W.,  235  Great  Brick  Kiln  Street,  Wolverhampton,  355. 

Ward,  Effie  D.,  Hazel  Dell,  Acock's  Green,  Birmingham,  99. 

Waters,  Nancie,  The  Applied  Art  Studios,  11  Rathbone  Place,  W.C.,  94. 

Watson,  Mrs.  Douglas,  7  Upper  Cheyne  Row,  S.W.,  356. 

Whitman,  Sarah  Wyman,  c/o  Messrs.  Williams  and  Everitt,  Boston,  U.S.A.,  43 

Wigram,  Miss  Enid,  13ci  Pembridge  Place,  Pembridge  Square,  W.,  2S9,  333. 

Williams,  Miss  Mary,  15  Canonbury  Street,  N.,  71,  436,  437,  442. 

Williams,  Mrs.  Charles,  34  Trebovir  Road,  Earl's  Court,  S.W.,  339. 

Wood,  Isabel,  14  Fairholme  Road,  West  Kensington,  137 

Woodward,  Miss  Alice,  129  Beaufort  Street,  S.W.,  449. 

WTright,  Edith  A.  J.,  153  Upper  Kennington  Lane,  Yauxhall,  S.E.,  167. 


Fine  Art  and  Loan  Section. 


INDEX  TO  AKTISTS. 


A 

Abbema,  Louise,  47  Rue  La  Laffitte,  Paris,  1695a,  2000. 
Abrahams,  Anna,  Badhuisweg  The  Hague,  1028,  1403,  2026. 
AdaniyMrs.  E.  C.  Law,  16  Vicarage  Gate,  London,  W.,  1315,  1340. 
Alberti,  Eleonore  de,  Via  Ravenna,  Padova,  1012. 
Alder,  W.  Brooke,  40  Longridge  Road,  S.W.,  1225 

Alexander,  Ella  Hean,  Glasgow,  c/o  J.  Higgins,  Esq.,  University  of  London,  1159, 
1485. 

Allan,  Geraldine,  82  Redesdale  Street,  Chelsea,  S.W.,  2238,  2286. 

Allingham,  Mrs.,  Eldon  House,  Lyndhurst  Road,  Hampstead,  London,  1238,  1314, 
1320,  1331,  1656. 

Allport,  C.  L.,  3  Fulham  Studios,  454a  Fulham  Road,  S.W.,  1701,  1702,  1705, 1706, 
1707,  1708,  1713,  1714,  1715,  1716. 

Anguisciola,   Sofonisba     (lent    by    the    Right   Hon.    Earl  Spencer,  Althorp, 
Northampton),  1472. 

Annen,  Mdlle.  G.  M.,  10  Us  Square  de  Champel,  Geneva,  1305,  2081,  2189,  2190, 
2191. 

Archer,  Mary,  72  Holland  Park  Avenue,  W.,  1907,  1908,  1<J09 

Arnholz,  Minna,  85  Brondesbury  Villas,  N.W.  (lent  by  Mrs.  Leopold  de  Rothschild), 
2308. 

Art,  Berthe,  28  Rue  Blanche,  Bruxelles  (Belgique),  1851,  1858. 

Aroca,  Rafaela  Sanchez,  Orellana  3,  Madrid,  1985,  2206. 

Ash,  Chrissie,  8  Clydesdale  Mansions,  Colville  Gardens,  Bayswater,  2048. 

Ashton,  Gertrude  A.  (Agents,  Bradley  &  Co.,  Charlotte  Street,  Fitzroy  Square),  1301. 

Atche,  Jane,  34  Rue  Pigalle,  Paris,  1653,  2214,  2215,  2216. 

Atkins,  Elsie,  57  Bedford  Gardens,  Kensington,  1145,  1189,  1190,  1637. 

Atwood,  Clare,  10  Glebe  Place,  Chelsea,  S.W.,  1601  1619. 

B 

Backland,  Louise  (lent  by  Martin  H.  Colnaghi,  Esq.,  53  Pall  Mall),  2265. 
Baines,  Miss  B.  Cooper-,  19  Downshire  Hill,  Hampstead,  1535 
Baker,  Blanche,  Sliced  Cottage,  Whetstone,  N.,  1285,  1746. 


230 

Baker  (Mrs.  Harry  Thompson  Ellen  Kendall),  No.  7  Rue  Lemaitre,  Puteaux,  Seine, 
France,  1089,  1167,  1519. 

Bakewell,  Esther  M.,  Warwick  Studios,  South  End,  Hampstead,  1074. 

Banerle,  Miss  Amelia,  59  Craven  Park,  Willesden,  N.W.,  1312,  1322,  1325,  1326. 

Barker,  Mrs.  Clarissa,  30  Chepstow  Villas,  Bayswater,  2145a. 

Barnard,  Mary  Baylis,  28  Yeoman's  Row  Studios,  Brompton,  S.W.,  1150,  1231, 
1418,  1523,  1532,  1585. 

Barnes,  Isabella,  5  Radnor  Studios,  Radnor  Street,  King's  Road,  Chelsea,  1560. 

Bates,  Miss  E.  Spence,  45  Rowland  Gardens,  London,  S.W.,  1147. 

Beaumont,  Winifred,  St.  John's  Parsonage,  St.  John's  Wood,  1881. 

Beale,  Sophie,  St.  Martin's,  Parkstone,  Dorset,  1310. 

Beaury-Saurel,  Mdlle.,  27  Galerie  Montmartre,  Paris,  1983,  2029. 

Beaux,  Cecilia,  1710  Chestnut  Street,  Philadelphia,  1597,  1602. 

Beddington,  Maud,  9  St.  Paul's  Studios,  West  Kensington,  1477. 

Bedford,  Ella  M.,  92  Boundary  Road,  St.  John's  Wood,  1128,  1916. 

Beernaert,  Euph.,  20  Rue  du  Buisson,  Bruxelles,  1053,  1161,  1165,  1166,  1211. 

Bell,  Flora,  56  Abbey  Road,  St.  John's  Wood,  N.W.,  1631. 

Bell,  M.  A.,  A.R.C.A,  6  Clarendon  Street,  Warwick  Square,  1014,  1075. 

Bellorini,  Camilla,  Milan,  4  Via  St.  Primo,  1041,  1432,  2056. 

Berkeley,  Miss  Isabel,  20  Woodland  Road,  Barnes,  2195. 

Rernard,  Margaret,  High  Hall,  Wimborne,  1278. 

Bievre,  Marie  De,  Rue  de  Livourne  61,  Bruxelles,  1123,  1163,  1882,  1942. 

Biffin,  Miss  (contributed  by  Miss  Allen,  15  Acacia  Grove,  W.  Dulwich),  2239,  1309. 

Birch,  Sarah,  1  Upper  Coombe  Street,  Croydon  (lent  by  Mrs.  Annan  Bryce,  35 
Bryanston  Square,  W.),  1169,  1505 ;  2050. 

Biscarra,  Emma,  Via  Vaughiglia  No.  11,  Turin,  2044,  2052. 

Bland,  E.  Beatrice,  65  Glebe  Place,  Chelsea,  1006,  1018,  1042,  1088. 

Blatherwick,  Lily  (Mrs.  Hartrick),  R.S.W.,  8  Wentworth  Studios,  Manresa  Road, 

Chelsea,  1112,  1760,  1853,  2046,  2054. 
Bonheur,  Rosa,  (lent  by  H.  T.  Hartley,  Esq.,  177  New  Park  Road,  Streatham  Hill), 

2235. 

Bonnard,  Mdlle.  Julia,  14  Avenue  de  Florissant,  Geneve  (Suisse),  1576,  1937. 

Bonsall,  Elizabeth  F.,  10  South  18th  Street,  Philadelphia,  1059,  1210. 

Bosse,  Madame  Bilders  van,  20  Alexanderplein,  La  Haye,  1751. 

Bowen,  Lota,  57  Campden  House  Road,  Kensington,  2008. 

Bottomley,  Edith,  22  Nevern  Mansions,  Earl's  Court,  1504,  1588. 

Boznanska,  Olga  von,  in  Krakau,  Wolagasse  17.    1573,  1574, 1580,  1589,  1591. 

Boznanska,  Olga  Nowina,  Rue  de  Vangirard  114,  Paris,  1582,  1583,  1586. 

Bradley,  Gertrude  M.,  7  Cambridge  Mansions,  Battersea  Park,  1337,  1341,  1819, 

1832,  1833,  1842,  1843,  1844. 
Bradley,  Susan  H.,  1217  Spence  Street,  Philadelphia,  1222,  1334,  1763. 
Breuning,  Constance  de,  III  Hengassi  Fiirst,  Schwarzenburgh  Garden, Vienna,  1049. 
Bricherasio,  Sofia  Di,  Torino  (Italy),  Via  Lagrange  20  bis.  1069,  1080,  1102,  1139. 
Brown,  F.  Emily,  4  Anglesea  Road,  Kingston-on-Thames,  2323. 

Brun,  Madame  Vigee  Le  (lent  by  Messrs.  P.  &  D.  Colnaghi  &  Co.,  13  &  14  Pall 
Mall  East),  1209  ;  (lent  by  Franz  Hanfstaengl,  16  Pall  Mall  East),  2234,  2236. 


281 


Brunegg;  Madame  de  Segesser,  Castle  of  St.  Andrew,  Chatie,  Switzerland,  1991,  i850. 
]3iicbmann,  Helene,  Biilorostrasse  1,  Berlin  W.,  1020,  1410. 
t^opss  Ethel  Kate,  5  Badnor  Studios,  Badnor  Street,  Chelsea,  1549,  1550  1TO 
3  81557,  1558,  1561,  1726,  1727,  1728,  1736,  1737,  1738,  1741,  1742,  1743?  ' 
Burlinson,  Frances  B.?  49  Haverstock  Hill,  N.W.,  1489,  2178a,  2181. 


0 

Caimi,  Nob.  Signorina  Corinna,  Piazza  Vitt.  Emanuele,  Circolo  di  Marina,  Spezia, 

2258. 

Calcar,  G.  Mesdag  van,  Scheveningen,  1125,  1911. 

ronziani,  Madame  Louisa  Starr,  3  Palace  Green,  Kensington,  1479,  1480,  1481 
1482,  1484,  1486,  1488,  1491,  1493,  1758,  1759,  1762. 

Canziani,  Stella  (aged  12),  3  Palace  Green,  Kensington,  1494,  1768. 
Carriere,  Lisbeth,  19  Bue  Hegesippe  Moreau,  Paris,  1860,  1862,  1863,  1864,  1865, 
1866. 

Castelnuovo,  Bice,  Venise,  S.  Tosca  2279.    1250,  1283. 

Castle,  Florence  Elizabeth,  2  Chertsey  Terrace,  Upper  Faut  Boad,  Maidstone,  1498, 

..1902.      _  '$  \ti^M  Oy.  i    i  .,;      .  '•    .  y.'::"''y 

Chalker,  Cissie  (Mrs.  Jack  Fison),  Thetforcl,  Norfolk,  2266,  2280,  2285,  2287. 
Chance,  Mrs.  Wm.,  Orchards,  Godalming,  1329. 

Chaplin,  Alice  M.,  19  Shaftesbury  Boad,  Bavenscourt  Park,  2128,  2150. 

Cheviot,  Lilian,  Thorpe,  East  Molesey,  Surrey,  1943. 

Christian,  H.B.H.  The  Princess,  of  Schleswig-Holstein,  1264. 

Christian,  C.  L.,  38  Cheyne  Walk,  Chelsea,  1917,  1918,  1920,  1921,  1922,  1925. 

Christie,  Vera,  36  York  Street  Chambers,  Bryanston  Square,  W.,  1136. 

Clark,  Rose  E.,  2  Brecknock  Studios,  N.,  1900. 

Clarke,  Miss  Bertha,  14  Ladbroke  Grove,  Notting  Hill,  1579. 

Claude,  Madame  Bourgonnier,  41  Bue  de  la  Pompe,  Paris,  1141,  1947,  1984. 

Clement,  Mademoiselle  Marie  Albane,  4  Bue  du  Pare,  Fontenay-sous-Bois  (Seine), 
France,  1856,  2045. 

Cleminshaw,  M.  T.  (c/o  Dr.  M.  A.  Handson),  69  Chelsea  Gardens,  S.W.  1722,  1740. 

Clink,  Edith  L.  (c/o  Beeves  &  Sons),  High  Street,  Kensington,  2255,  2311. 

Coffey,  Lydia,  2  Paulton's  Square,  Chelsea,  2176. 

Cohen,  Ellen  G.,  15  St.  Loo  Mansions,  Chelsea,  1148. 

Cole,  Laetitia  M.,  96  Philbeach  Gardens,  S.W.,  1351. 

Mart,  Madame  Marie,  a  Droogenbosch,  Brabant,  1185,  1187,  1188,  1193. 

Colnaghi  and  Co.,  Messrs.  P.  and  D.,  13  and  14  Pall  Mall  (lent  by),  1158. 

Colthurst,  Annie  C,  47  Hill  Street,  Berkeley  Square,  W.,  1476. 

Cornell,  Janet,  5  Victoria  Street,  S.W.,  2252,  2273,  2279. 

Connell,  M.  Christine,  22  Stafford  Place,  Buckingham  Gate,  1919,  1976,  2093,  2094, 

2095,  2096  ,  2097,  2098,  2099  ,  2  100  ,  2101. 
Cook,  Ethel  Mary,  29  Carlingford  Boad,  Hampstead,  1303,  1316. 
Cookesley,  Mrs.  Margaret  Murray,  7  Cromwell  Place,  S.W.,  2023. 


232 


Cooper,  Mrs.  Emma,  60  Baron's  Court  Road,  W.  Kensington,  London,  1366,  2305, 
2306. 

Cooper,  Winifred,  Netherbyres,  Cheltenham,  1754. 

Copeman,  Constance  G.,  A.E.E.,  Rotunda  Buildings,  Bold  Street,  Liverpool,  1198, 
1835,  2079. 

Coughtrie,  Constance,  9  St.  Paul's  Studios,  West  Kensington,  1307,  2076. 

Coughtrie,  Kate  Ruskin,  9  St.  Paul's  Studios,  West  Kensington,  1338,  1870. 

Coughtrie,  Phyllis,  9  St.  Paul's  Studios,  West  Kensington,  1845,  2277,  2307. 

Cowan,  Janet  D.,  28  Warrington  Crescent,  Maida  Vale,  2066. 

Cowper,  Gertrude  G.,  190  Gloucester  Terrace,  Hyde  Park,  1405. 

Cramer,  Helene,  Hamburg,Uhlenhorst,  Carlstrasse  18.  1457a,  1848,1893, 1954,  1969. 

Cramer,  Molly,  Hamburg,  Uhlenhorst,  Carlstrasse  18.    1119, 1452,  1546, 1570, 1861, 
1883. 

Crawford,  Susan  F.,  A.R.E.,  183  West  George  Street,  Glasgow,  1082,  1662,  1668, 
1673,  1730,  1764. 

Creamer,  Mrs.  H.,  116  Finchley  Road,  N.W.,  1473,  1512. 


D 

Dacre,  S.  Isabel,  112  Upper  Brook  Street,  Manchester,  1176,  1487,  1513,  1514, 1517, 
1518. 

Dale,  Gertrude,  87  Adelaide  Road,  N.W.,  2224,  2225. 

Dallmeyer,  Rose,  c/o  General  Thomas,  25  Eldon  Road,  Kensington,  W.,  1566. 

Daniell,  Eva,  33  Gwendwr  Road,  West  Kensington,  1337. 

Daniell,  Mrs.  C.  Bampfylde,  33  Gwendwr  Road,  West  Kensington,  2293. 

Danvers,  Mrs.  Margaret  E.,  Hornton  Cottage  and  Studio,  Kensington,  W.,  1721. 

Darmestita,  Madame,  22  Brondesbury  Villas,  Kilburn,  N.W.,  1997. 

Davis,  Mrs.  Mary,  13  Lansdowne  Road,  W.,  1590, 1592, 1593,  1594, 1595,  1598, 1599, 
1689,  1690. 

Defries,  Miss  Lily,  49  Wigmore  Street,  London,  W.,  1110. 

Desailles,  A.,  13  Rue  Laffitte,  Paris,  1286,  1287,  1288,  1289,  1290,  1291,  1292,  1293, 
1294,  1295,  1296,  1297,  1298,  1299,  1300. 

Desgenetais,  Mdme.  Marie,  166  Avenue  Victor  Hugo,  Paris,  1823,  1827,  1871. 

Dimma,  Ada  C.  G.,  59  The  Common,  Upper  Clapton,  2257. 

Douglas,  Gwendolen,  Swandene  Cottage,  Durrington,  Worthing,  1672. 

Dowie,  Sybil  M.,  The  Bolton  Studios,  S.  Kensington,  1643. 

Downing,  Edith,  30  Tite  Street,  Chelsea,  2139. 

Downing",  Miss  Mary,  10  Albany  Mansions,  Albert  Bridge,  S.W.,  1149. 

Draper,  Amy,  7  New  Court,  Lincoln's  Inn,  1160,  1179,  1587,  1600,  2051. 

Drayton,  Frances  S.,  West  Hill  House,  Sutton  Common,  Surrey,  1007. 

Drew,  Dorothea,  Blechingley,  Surrey,  1834. 

Drew,  Mary,  Annesbury  Avenue,  Streatham  Hill,  S.W.,  1998. 

Drew,  Sylvia,  Blechingley,  Surrey,  1577. 

Drucker,  Amy  Julia,  la  Lennard  Place,  St.  John's  Wood,  1274,  1563,  1724,  1739, 
2271* 


233 


Dubusse,  Juliette,  43  Avenue  de  Villiers,  Paris,  1525,  2227. 

Dufau,  Mdlle.  C.  H.  (c/o  J.  R.  Harnell),  17  Lamb's  Conduit  Street,  1412  1413 
■   X417,  1420.  ' 

Duhem,  Madame  Marie,  10  Rue  d'Arras,  Douai  (Nord),  France,  1500,  1515. 

rmmontet,  Mdme.  Gabrielle,  29  Boulevard  Berthier,  Paris,  2115,  2126,  2158  2174 
2177,2179,2182. 

Duncan,  Miss  Emily,  33  Priory  Road,  Kilburn,  1016. 

Dunkley,  Blanche,  The  Rockery,  North  Road,  Clapham,  1501. 

Duroziez,  Madeleine,  16  Place  Vendome,  Paris,  1941,  2244. 


E 

Earnshaw,  Mrs.  M.  H.,  14  York  Place,  Portman  Square,  W.,  1204. 

Eckermans,  Alice  M.  L.,  Chaussee  de  Malines  153,  Belgium,  Anvers,  1044. 

Edmonds,  Mrs.  Courtenay,  Mote  Lodge,  Heavitree,  Exeter,  1277. 

Edmunds,  Nellie  M.  Hepburn,  23  South  Croxted  Road,  West  Dulwich,  2312. 

Edwards,  A.,  Hillcote,  Maidenhead  Road,  Stratford-on-Avon,  1353,  2037. 

Egerton,  Mrs.  Hugh,  11  Tits  Street,  Chelsea,  1723,  1725,  1766,  1769,  1771,  1772, 
1774,  1795. 

Elias,  Annette,  9  Vicarage  Gardens,  Kensington,  1466,  1468,  1469,  1471. 

Ende,  Doris  am,  Bismarck  Strasse  14,  Dresden,  1086,  1608,  1681,  1686, 1691, 1698, 
1703,  1704,  1710,  1799,  1981. 

Etiolles,  Madame  Le  Roy  d\  24  Rue  Alphonse  de  Neuville,  Paris,  1520,  1540,  1663, 
1878. 

Evans,  Helena  M.,  Trevaughan,  Carmarthen,  1328,  1335. 

Evans,  Marjorie,  15  Douro  Place,  Victoria  Road,  Kensington,  1440,  1454. 

F 

Fairman,  Frances  C,  4  The  Avenue  Studios,  76  Fulham  Road,  1867. 

Fanner,  Alice,  The  Boltons,  Grove  Park  Terrace,  Chiswick,  S.W.,  1425,  1428,  1427, 
1428,  1429,  1430,  1855.  ' 

Field,  Mrs.  Mary  F.,  Chestnut  Lodge,  Cannon  Place,  Hampstead,  1468a. 

Fildes,  Mrs.  Luke  (lent  by  P.  Cremieu-Javal,  Esq.),  1144. 

Findge,  Emma,  21  Cornwall  Road,  Bayswater,  W.,  2299,  2327. 

Finlayson,  Edith  M.,  Art  College,  Wimbledon,  1313,  1381,  1603,  1977. 

Fisher,  Janet,  Walton  Rectory,  Burton-on-Trent,  1002. 

Fleury,  Madame  Fanny,  43  Rue  Victor  Masse,  1529,  1623. 

Forbes,  Mrs.  Stanhope,  A.R.W.S.,  Trewarvereth,  Newlyn,  Penzance,  1521,  1522, 
1524,  1530,  1531,  1720,  1731,  1732,  1735. 

Forselles,  Sigrid  de,  Parkgatau  4,  Helsingfors,  Finland,  2140,  2156,  2172. 

Fould,  Consuelo,  21  Rue  de  Prony,  Paris,  1982,  2022. 

Fragiacomo,  Antoinette,  Angelo  Raffaele,  Fordamenta  Briati,  2204«,  2207a. 
Frank,  Mrs.  Ellen,  73  Carlton  Mansions,  Maida  Vale,  W.,  1775,  1993,  1999. 

16 


284 


Frank,  Gertrude,  Berlin,  Potsdamer  Str.  121  E.    1011,  1767. 

Freibach,  C.  (Bnne.  deFabrice),  Munich,  Bavaria,  77  Gabelsbergerstrasse,  1052, 1951. 

Fripp,  Constance  L.,  19  Church  Bow,  Hampstead,  1752. 

Fuchs,  Mdlle.  Noemi,  45  Eue  de  Courcelles,  Paris,  1070,  1773,  2212. 

Fulleylove,  Mrs.  E.  S.,  21  Church  Bow,  Hampstead,  1330,  1680,  2040,  2071. 

Furniss,  May,  West  Hill,  Epsom,  1539,  1541,  1544,  1545,  1547. 


G- 

Galton,  Ada,  14  Sylvan  Boad,  Upper  Norwood,  S.E.,  1248,  1553,  1709. 
Gammius,  Helene,  1036,  1115,  1146,  1996. 

Garnett,  Ruth,  14  Bolton  Studios,  Bedcliffe  Road,  S.W.,  1157,  1880,  1901. 
Geach,  Portia,  73  Charlotte  Street,  Portland  Place,  W.,  2036. 
Gemmell,  Mary,  77  Warwick  Square,  S.W.,  1373. 

George,  Helen,  The  Highlands,  89  South  Hill  Park,  Hampstead,  1363. 

Gevers,  Helen,  Rue  Herreyns  10,  An  vers,  1957. 

Gilardelli,  Aurora  Crespi,  Milan,  Rue  Rossini  3.     1133,  1191. 

Giles,  Alice  B.,  166  Lambeth  Road,  London,  S.E.,  1719,  1748,  1750. 

Giles,  Margaret  M.  (Mrs.  Bernard  M.  Jenkin),  52J  Campden  Street,  Campden  Hill, 
W.,  2120,  2134. 

Gilsoul,  Madame  Kathi,  78  Rue  de  la  Consolation,  Bruxelles,  1156,  1923. 
Gleichen,  Countess  Helena,  St.  James's  Palace,  1206,  1207,  1633,  1634,  1635,  1636, 
Gleichen,  Countess  Feodora,  St.  James's  Palace,  2114,  2125,  2144,  2151,  2168. 
Gloag,  J.  L.,  3  Carlyle  Studios,  296  King's  Road,  Chelsea,  1009. 
Goyder,  Alice  K.,  88  Great  Horton  Road,  Bradford,  Yorks,  1108,  1543. 
Grace,  Harriette  Edith,  54  York  Road,  Hove,  Brighton,  1079. 

Granby,  The  Marchioness  of,  16  Arlington  Street,  1251,  1252,  1253,  1269,  1270, 
1271. 

Grant,  Ann,  151  Gloucester  Road  (lent  by  Mrs.  Stewart  Wood),  1492. 

•Greenhill,  M.  E.,  Abdale  Studios,  238a  Uxbridge  Road,  1927. 

Griffith,  Lillie  E.  A.,  Art  College,  Wimbledon,  1184. 

Griffiths,  Gwenny,  5  Bolton  Studios,  S.W.,  1648. 

Gritti,  Lucia,  Monte  Napoleone  23a,  Milano,  Italia,  1072,  1138,  1891. 

Grix,  Mdme.  M.  L.,  28  Rue  Mozart,  Paris,  1988,  2025. 

Guild,  Mrs.  Cadwalleder,  1380a,  2116,  2161. 


H 

Hacker,  Bertha,  Biirgerwiese  12,  Dresden,  1124,  1852,  1859,  1975,  2217. 
Halford,  Constance,  53  Beaufort  Street,  Chelsea,  1099,  1649. 
Halhed,  Harriet,  Carlyle  Studios,  Chelsea,  1604,  2004,  2007,  2011. 


235 


u  icp  Enrmeline,  15  Clarendon  Eoad,  Kotting  Hill,  W.,  2121,  2122,  2131  oi™ 
H    216M163,  2166,  2167,  2171,  2175,  2205,  2207.  '  ^  a32> 

Hamilton,  A.  Douglas,  86  West  Cromwell  Road,  Kensington,  1246,  1301. 

Hansen,  Mrs.  L.,  17  Deodar  Road,  Putney,  1201. 

Harcourt,  Mrs.  Mary  Lascells,  Bushey,  Herts,  1994. 

Harding,  Charlotte,  1004  Chestnut  Street,  Philadelphia,  1814,  1820. 

Hart,  Mrs.  Ernest,  Fairlawn,  Totteridge,  Herts,  1221,  1223,  1234,  2104. 

Hartmann,  Frau  Sophie  Burger,  Basel  (Suisse),  Hirzbodenweg  96,  2183,  2184. 

Hartshorn,  Mrs.  B.  F.,  21  Bloomfield  Terrace,  S.W.,  1311,  2108. 

Havers,  Alice  (lent  by  Messrs.  Raphael  Tuck  &  Sons,  Ltd.,  Raphael  House 
Moorfields,  E.G.),  1162. 

Haves  Gertrude,  A.R.E.,  40  St.  Charles  Square,  North  Kensington,  1257  1258 

1259,  1260,  1261,  1262. 
Hearne,  Mildred  M.,  89  Edith  Road,  Kensington,  1317. 
Hem,  Louise  De,  a  Ypres  (Belgique),  1083,  1199,  1955,  1970. 
Hill,  Lucie  M.,  12  Kensington,  Bath,  2297. 

Hipkins,  Edith  J.,  100  Warwick  Gardens,  Kensington,  1327,  2109. 

Hodieux-Lyon,  Mdlle.  Marie  (lent  by  Imre  Kiralfy,  Esq.,  Tower  House,  Cromwell 
Road),  1872. 

Hoenerbach,  Margarethe,  Berlin,  Potsdamer  Strasse  39.    1031,  1216,  1455,  1817. 

Hoffman,  Julia  Tedesco,  Naples,  V.  St.  Maria  Apparenti,  2192a,  2192b. 

Holland,  A.  R.  (Mrs.  Sachs),  2  Rossetti  Studios,  Chelsea,  S.W.,  1025,  1034,  1093, 
2010. 

Hope,  Edith  A.,  3  Joubert  Studios,  Jubilee  Place,  Chelsea,  1101,  1249. 

Horsetzky,  Melanie  von,  Bildhaiierin,  Wien,  I  fischerstiege  9,  Austria,  2149,  2159. 

Horsfall,  Ethel  M.,  Bank  House,  Barrow-in-Furness,  1272. 

Horwitz,  Helena,  13  Grazebrook  Road,  Clissold  Park,  N.,  2253,  2269,  2292,  2293. 

Horwitz,  Louise  B.,  13  Grazebrook  Road,  Clissold  Park,  N.,  2290,  2294. 

Houten,  S.  Mesdag  van,  The  Hague,  Holland,  1116,  1342,  1534,  2032. 

Hovelt,  Christine,  35  Finborough  Road,  Redcliffe  Square,  S.W.,  2314. 

How,  Beatrice,  Lyndhurst,  West  Cliff,  Bournemouth,  1496,  1646. 

Howard,  Catherine,  St.  John's  Lodge,  New  Barnet,  Herts,  1255. 

Hunter,  Mary  Y.,  14  Melbury  Road,  Kensington,  W.,  1181,  1404. 

Huot,  Mdrne.  Magcleleine,  49  Rue  cle  la  Victoire,  Paris,  1001,  1103,  1980. 

Henderson,  Maud,  4  Hill  Street,  Knightsbridge,  1674,  1675,  1677,  1678,  1679,  1685, 
1087,  1688,  1882,  1883. 


Irwin,  Madelaine,  The  Lindens,  Lexden  Road,  Colchester,  1152 

Ippoliti,  Maria,  S.  Vio  735,  Venice,  Italy,  1283a,  1284,  1284a,  1343a,  1347a,  1348a, 
1355a,  1375a,  1377a,  1378a,  1400,  1963,  2028,  2086,  2103. 

Hlingworth,  Adeline,  14  Glebe  Place,  S.W.,  1402. 

Ivanitsky,  Catherine,  Rue  Sophie  No.  22,  Odessa,  1034,  1245,  1282. 

16  a 


236 


J 

Jameson,  Agnes,  9  The  Grove,  Blackheath,  S.E.,  1382,  1385. 

Joplin,  Mrs.  Louise,  3  Pembroke  Eoad,  Kensington,  1073,  1076,  1087,  1135,  1140. 

Joseph,  Mrs.  Lily  Delissa,  14  Addison  Eoad,  Kensington,  1022,  1028,  1027,  1029; 
1030,  1032,  1033,  1038. 

Jacob,  Adrienne  van  Hogendorp  -  s',  Villa  Mess,  Scheveningen,  Holland,  1478,1946. 

Jardine,  Mrs.  James,  3  Lancaster  Gate,  W.,  1055,  1617,  1770. 

Jay,  J.  Isabella  L.,  12  Eedcliffe  Eoad,  S.W.,  2196,  2197,  2200. 

Jenkins,  Blanche,  26  New  Cavendish  Street,  W.,  1180,  1415,  2005. 

aJephson,  Lady,  26  Bolton  Street,  Piccadilly,  1344. 

Johnson,  Marie,  169  Sutherland  Avenue,  Maida  Vale,  2295. 

Jones,  Miss  Agnes,  17  Parsons  Green,  S.W.,  1324,  1374. 

Jones,  Mabel  Budgett,  2  Cromer  Villas,  Southfields,  S.W.,  2230,  2274. 


K 

Kauffman,  Angelica  (lent  by  Franz  Hanfstaengl,  16  Pall  Mall  East,  S.W.), 
2Jl94;  (lent  by  E.  &  D.  Colnaghi&  Co.,  13  and  14  Pall  Mall  East),  1655  ;  (lent 
by  Edward  Boyes,  2  Todd  Street,  Manchester),  1658. 

Kempthorne,  H.  M.,  43  Marloes  Eoad,  Kensington,  W.,  2262. 

Keppie,  Jessie,  42  St.  James  Street,  Glasgow,  1948,  1950. 

Kimball.  Katherine  L.,  Culverton,  Park  Eoad,  Sidcup,  Kent,  1822,  1826. 

Kingsford,  Florence,  5  Stratford  Studios,  Stratford  Eoad  (lent  by  Miss  Dorothy 
Woolner,  2  Stratford  Studios,  Stratford  Eoad,  Kensington),  1308;  1568. 

Kiralfy,  Imre,  Tower  House,  Cromwell  Eoad,  1321,  1857,  1872,  1897,  1953. 

Kirkpatrick,  Ethel,  The  Gables,  Harrow,  1875. 

Kirkpatrick,  Ida,  The  Gables,  Harrow,  1263,  1416,  1684. 

Knaggs,  Nancy,  7  Montague  Eoad,  Hornsey,  1548,  1562. 

Koe,  Hilda,  47  Holland  Eoad,  W.,  1098. 

Koenig,  Marie  Albert,  Adalbert  Strasse  74,  Munich,  1095,  1960. 

Kogel,  Linda,  Miinchen,  Leopoldstr.  46  (lent  by  Mrs.  Blackadder,  Ninewells  Mains, 
Chirnside,  N.B.),  1497;  (lent  by  Herr  Eegierungsrath  Kogel,  Berlin),  1537; 
1676,  1693,  1696;  (lent  by  Frau  Kogel,  Berlin  W.,  Konigin  Augustastr,  46), 
1899. 

Kohlschutter,  Paula,  Dresden,  Ostbalm  Strasse  17,  iv.  2001. 
Kollwitz,  Kathe,  Berlin  N.,  Weissenburger-str.  25,  1802,  1803,  1805. 
Koner,  Sophie,  Berlin  W..  Bellevuestrasse  10,  1961,  2016,  2017. 
Kurasoski,  Margarets  von,  Neureutherstr.  23  iv,  Miinchen,  1507,  1509. 


Lambert,  Madame  la  Bne.,  24  Avenue  Mariux,  Bruxelles,  1019,  1033,  1218, 
Lanchester,  Mary,  Eipley  Villa,  New  Maiden,  Surrey,  1265,  1733. 


i 


287 


.don?  E.  A.,  Glenalmond,  The  Park,  Nottingham,  1386. 

Tonllev  Helen,  Cambridge  Lodge  Studios,  42  Linden  Gardens,  2135  21S7  9iw 

2145,  2146,  2152,  2157,  2164.  !  2138> 

Lankota,  H.,  Prague,  Katharinag  42.  1797. 
Latchford,  Alice,  Osborne  House,  Chiswick  Lane,  W.,  1230,  2320. 

Laudiani,  Gismonda,  Genoa,  1321  (lent  by  Imre  Kiralfy,  Esq.,  Tower  House, 

Cromwell  Road). 
Leese,  Gertrude,  9  Moss  Hall  Crescent,  North  Finchley,  1109. 
Leglize,  Marguerite,  227  Chaussee  d'  Haecht,  Bruxelles,  1122,  1938. 
Lemaire,  Madeleine,  31  Rue  de  Monceau,  Paris,  1050,  2013. 
Lengnick,  Emily,  Schweigerstrasse  17,  Dresden,  1846,  1868,  979. 
Leon,  Florence,  29  Carlton  Hill,  St.  John's  Wood,  2186. 
Lepsius,  Frau,  Berlin  W.,  Kurfiirsten  Str.  126.    1502,  1503. 

Lp  Ouesne,  Miss,  59  Holbein  House,  Sloane  Square,  1219,  2082,  2034,  2087,  ^08 
2089,  2090,  2091,  2092,  2136  ,  2160. 

Levi,  Nina  Ottolenghi,  1203,  1620,  2053,  2102. 

Levick,  Ruby,  Leighton  Lodge  Studio,  Edwardes  Square,  Kensington,  2170. 

Levy,  Mabel,  162  Westbourne  Terrace,  W„  2237,  2275. 

Lewis,  A.  Madeline,  11  Robert  Street,  Hampstead  Road,  1224,  1536. 

Leyster,  Judith  (lent  by  A.  Douglas,  Esq.,  26  Graham  Road,  Wimbledon),  1467. 

Linton,  Violet,  31  Colehern  Road,  Redcliffe  Square,  1397,  1756. 

Lion,  Flora,  4  Arkwright  Road,  Hampstead,  1306. 

Lippincott,  Margarette,  10  South  18th  Street,  Philadelphia,  1228,  1343,  1801. 

Lischke,  Emmy,  Munchen,  Schellingstrasse  67/3.    1495,  1508,  1569,  1622. 

Lisle,  Miss  Forfcunee  de,  7  The  Avenue,  76  Fulham  Road,  S.W.,  1940. 

Liuzzi,  Mina,  Milan,  34  Via  Monforte,  1904,  1989. 

Livesey,  Fanny,  Sand  Rock  Spring,  near  Ventnor,  1229,  1280. 

Loewenstein,  A.,  Berlin,  39  Potsdamerstr,  W.,  1892,  2232. 

Lowenbruck-Parmentier,  Caroline,  Berlin,  W.,  Neue  Winterfeldstrasse  58.  1182, 
1333,  1336. 

Liibbes,  Maria,  Munchen,  Schelling  Str.  58/3.    1005,  1154. 


M 

McClatchie,  Florence.  28  Edith  Road,  West  Kensington,  1829,  2107. 

McDonald,  Madeline  M.,  30  Ledbury  Road,  Bayswater,  W.,  2061,  2064,  2068,  2069, 
2072,  2075. 

Macdonald,  Margaret,  R.S.W.,  128  Hope  Street,  Glasgow,  1499. 

MaeGregor,  Jessie,  12  Chalcot  Gardens,  South  Hampstead,  1898,  2009,  2027  (lent 

by  Mrs.  Miers,  74  Addison  Road),  2030,  2033. 
Mackenzie,  Miss  W.  J.  M.,  45  Clarendon  Road,  Holland  Park  Avenue,  1205,  1383, 
Mackinlay,  Georgia  A.  E.,  64  Redcliffe  Road,  South  Kensington,  2259,  1302. 
Macmillan,  Emeline  S.  A.,  6  Worple  Road,  Wimbledon,  1527. 
MacMonnies,  Mrs.  Mary,  54  Rue  Notre  Dame  de  Champs,  Paris,  France,  2035. 


238 


M-Nieol,  Miss  Bessie,  12  St.  James  Terrace,  Glasgow,  1G06,  1607,  1610,  1611,  1614,, 
1615,  1618,  1632,  1644. 

Macrory,  A  A.,  7  Via  della  Pace,  Florence,  1987. 

Maitland,  Viscountess,  14  Lower  Sloane  Street,  S.W.,  2310,  2318. 

Mahler,  Elise,  Rothenburg,  1056. 

Marcotte,  Mdlle.  Marie-Antoinette,  1842^'Rue  de  la  Province  (Sud),  Anvers,  1003,, 
1008,  1010,  1017,  1995,  2042. 

Marks,  Anne,  10  Matheson  Road,  West  Kensington,  1463. 

Marrable,  Mrs.,  P.S.W.A.,  60  Cleveland  Square,  Hyde  Park,  W.,  1276,  1913. 

Martin,  Annora  Bromley,  118  Cheyne  Walk,  Chelsea,  1435,  1442,  1448,  1449. 

Martin,  Ethel,  Woodhall,  Sevenoaks,  1647,  1894. 

Martineau,  Edith,  A.R.W.S.,  (the  property  of  H.  Spencer  Daniell,  Esq.),  1232. 
Martyn,  Ethel  King,  Old  Crown  Cottage,  Chislehurst,  1697. 
Mason,  Evelyn  (Mrs.  Ernold  Mason),  Homestead,  Tilford,  Farnham,  2301,  2315. 
Mason,  Mary,  Clarendon  House,  Putney,  S.W.,  1045,  2083. 

Mathewes,  Blanche,  9  Pembroke  Studios,  Pembroke  Gardens,  Kensington,  1134,, 

1613,  1621,  1939. 
Membree,  Marguerite,  4  Rue  Duperre,  Paris,  2218. 
Mercier,  Mdlle.  Louise,  1616,  2003. 

Merritt,  Anna  Lea,  Hurstbourne  Tarrant,  Andover,  1173 ;  1175,  1177,  1178,  1896.. 
Meunier,  Georgette,  20  Rue  Maes,  Bruxelles,  1164,  1895,  2012,  2055. 
Meushausen,  Frieda,  Berlin  W,  Liitzowstrasse  63.  1037. 
Meyer,  Julia,  3  Freeland  Road,  Ealing,  1533,  1873. 
Milner,  E.  E.,  Bourne  Hall,  Bushey,  Herts,  2202. 
Moberly,  Mrs.  Mariquita  J.,  Ravensbury  Gardens,  Mitcham,  1233. 
Molliet,  Clemence,  Pont  Aven  (Finistere),  France,  1612. 
Monkhouse,  M.  F.,  The  Grey  Cottage,  Disley,  Cheshire,  1431,  2031. 
Monsell,  Elinor  M.,  37  Finborough  Road,  Fulham  Road,  S.W.,  1692,  1699,  1700., 
1895. 

Montmorency,  Lily  de,  Fairholme,  near  Bushey,  1694,  1711,  1712. 
Montresor,  E.,  Palace  Pisani,  S.  Stefano,  Venice,  2192,  2193,  2199. 
Moore,  Ester  Mary,  Bath  Road,  Chiswick,  2165. 
Morgan,  S.  Louisa,  The  Hut,  Fairlie,  KB.,  1581. 

Moro,  Mrs.  Arthur,  87  Gloucester  Terrace,  Hyde  Park,  1749,  1755,  1765,  1793. 
Moschelles,  Mrs.  Margaret,  80  Elm  Park  Road,  Chelsea,  1047. 

Mumford,  Alice,  524  Walnut  Street,  Philadelphia,  1884,  1885,  1887,  1888, 1889, 1890.- 
Myers,  Hannah,  3  Garden  Road,  Abbey  Road,  N.W.,  2268,  2324. 


N 

Neumegen,  Florence  Ada,  10  Bolton  Studios,  Redcliffe  Road,  S.W.V  1077, 1151.  1511. 
Nichols,  Catherine  Maud,  73  Surrey  Street,  Norwich,  2067,  2070,  2105,  2106. 
Noble,  Florence  K  ,  65  St.  Dunstan's  Road,  West  Kensington,  1220. 
Nordgren,  Anna,  Stanley  Studios,  Park  Walk,  Chelsea,  1091,  1104,  1155. 


239 


Vorth  Mrs.  Jane  A.,  70  Devonport  Koad,  Shepherd's  Bush,  W.,  2240,  2243  2245 
2240,2284,2313. 

Hoarse,  Elizabeth,  80  Hue  d'Assas,  Paris,  1208,  1528. 

Nowlan  Charlotte,  The  Elms,  North  Cheam,  Surrey,  2326. 

v   oa  Dora  The  Old  House,  Milston,  Salisbury,  1063. 
^vioyeb,  ^  ' 


o 

Oakley,  Violet,  1523  Chestnut  Street.  Philadelphia,  1198, 1794, 1796, 1800, 1809, 1811. 

fWioni  Lucilla  Marzolo,  Livorno  (Italia),  Via  Goito  19.  1023,  1024.  1051,  1567, 
1652  1654  1657,  1659,  1660,  1661,  1666,  1667,  1670,  1671,  1804,  1810,  1874, 
1877,2241,2248. 

P 

Page,  Sara,  83  Eue  Perronet,  Neuilly-sur- Seine,  France,  1040,  1143,  2298,  2302, 

Parker,  Ethel  N.,  10  Jubilee  Place,  Chelsea,  1243,  1254. 

Parkinson,  Florence,  Deerhurst,  Coventry  Park,  Streatham,  2153,  2272. 

Parkinson,  Mrs.  T.,  Deerhurst,  Streatham,  2267. 

Parmentier,  L.  Begas,  Berlin,  Genthinerstr.  13.  1915,  1142,  1196. 

Parmentier,  Marie  von  (lent  by  Caroline  Lowenbruck-Parmentier,  Berlin  W.,  Neua 
Winterfeldstrasse  58),  1039,  1048,  1129. 

Pash,  Florence  (Mrs.  Humphrey),  12Q  Victoria  Street,  S.W.,  1194,  1212,  1215,  1217, 
1578. 

Pauncefort,  Clara,  Studio,  15a  Cromwell  Place,  London,  S.W.,  2322. 

Pearce,  Marie  G.,  1  West  Street,  Tavistock,  2264. 

Pemberton,  Sophie  T.,'3  Stanley  Studios,  Chelsea,  S.W.,  1013,  1571. 

Perman,  Louise  E.,  131  West  Eegent  Street,  Glasgow,  1490. 

Perugini,  Mrs.  Kate,  38a  Victoria  Koad,  Kensington,  1990. 

Petrocokino,  Catherine,  Petrocokino  Freres,  Odessa,  1576,  1968. 

Philippson,  Madame  Mathilde,  12  Bue  Guimard,  Brussels,  1068,  1886,  2019,  2154, 
2169,  2230. 

Piccioli,  Bice,  1  Via  Tornabuoni,  Florence,  Italy,  1944,  2020,  2043. 
Pinto,  Ida,  13  Via  San  Spirito,  1624. 

Piper,  Elizabeth,  A.B.E.,  18  Milton  Chambers,  Cheyne  Walk,  S.W.,  2113. 
Pitman,  Bosie  M.M.,  60  Queen's  Boad,  Bayswater,  1202,  1267,  1268,  1559. 
Porter,  Ethel,  28  Haldon  Boad,  East  Putney,  2247,  2263,  2309.  2321. 
Porter,  Maud,  30  Tite  Street,  Chelsea,  1058,  1114,  1197. 

Popert,  Charlotte,  Borne,  Via  Margutta  53.  1004,  1629, 1638, 1651,  1974, 2008,  20098 

2010,  2011,  2049,  2203,  2204,  2228. 
Pochini,  Una.,  Florence,  2118,  2119,  2123,  2180. 


240 


Posener,  May,  Noland  House,  Hazlitt  Road,  West  Kensington,  2281. 

Postlethwaite,  M.  G.,  41  Oxford  Road,  Kilburn,  1572. 

Pott,  Constance  M.,  R.E.,  81  Cornwall  Gardens,  S.W.,  1664.  2077,  2035. 

Pringle,  Lydia,  4  Cedar  Studios,  Glebe  Place,  Chelsea,  1575. 

Pringle,  Mary,  4  Cedar  Studios,  Glebe  Place,  Chelsea,  1279,  2317. 

Prosser,  Clara,  36  Thicket  Road,  Anerley,  S.E.,  2038. 

Pym,  Jessie,  Doods,  Reigate,  1528. 


Raab,  Doris,  Miinchen,  Koniginstrasse  105  hi.  2226,  2229,  2233. 
Rae,  Iso,  Etaples,  Pas  de  Calais,  France,  1433,  1434,  1436,  1437. 
Raeburn,  Agnes  M.,  1  Hillhead  Street,  Glasgow,  1761,  1949. 
Ramsay,  Frances,  Oratory  Studios,  16  Fulham  Road,  S.W.,  1945. 
Rappard,  Clara  von,  Interlaken,  1777  to  1792,  1959,  1962,  1964. 
Ravazzi,  Romea,  6  Via  Lamarmora.,  Florence,  1043. 
Ravenshaw,  Edyth  E.,  9  Gloucester  Walk,  1192,  1393,  1408. 
Ray,  C,  5  Holmesdale  Road,  Kew  Gardens,  1542. 

Retzius,  Madame  Anna,   Stockholm   (lent   by  Mrs.  Adelaide   Rcss,   18  Upper 

Westbourne  Terrace),  2178. 
Richardson,  E.,  c/o  Mrs.  Smith,  Coldharbour,  near  Dorking,  1062. 

Robertson,  Suse  Bisschop,  Perponcherstraat  57,  La  Haye,  Holland,  1551,  1555  ;  (lent 
by  Mons.  H.  W.  Mesdag,  La  Haye),  1718,  1747. 

Robinson,  Mabel  C,  14  Malwood  Road,  Balham,  S.W.,  1227. 

Rogers,  Mrs.  Alice  Nannette,  8  Denning  Road,  Hampstead,  1395. 

Roget,  Isabel,  5  Randolph  Crescent,  Maida  Vale,  1369. 

Ronner,  Mademoiselle  Alice,  57  Chaussee  de  Vleurgat,  Brussels,  1930,  1933. 

Ronner,  Madame  Henriette,  R.I.,  57  Chaussee  de  Vleurgat,  Brussels,  1100,  1876. 

Ross,  Adelaide,  18  Upper  Westbourne  Terrace,  W.,  1734,  1^7,  2201. 

Ross,  Mrs.  Alexander,  18  Upper  Westbourne  Terrace,  W.,  1226,  1239. 

Roth,  Madame,  19  Avenue  Gourgaud,  1409,  1422. 

Rowat,  Margaret  F.,  St.  Margaret's,  Paisley,  1345,  1346,  1347,  1349. 

Rowney,  Mrs.  Lilian,  71  Broadhurst  Gardens,  South  Hampstead,  2256,  2278. 


s 

Sain,  Emilie  Ed.,  80  Rue  Caibout,  Paris,  1414,  1424,  1978. 

Samson,  Nellie,  60  Netherwood  Road,  West  Kensington,  1912. 

Sassoon,  Lady,  25  Park  Lane,  London,  2014,  2018,  2062. 

Sauber,  Ida,  9  Westcroft  Square,  Ravenscourt  Park,  W.,  2249,  2254. 

Sawyer,  Amy,  Ditchling,  Sussex,  1015,  1060,  1061,  1064,  1065,  1067,  1071,  2142. 


241 

« 

gcannell,  Edith,  20  Victoria  Road,  Kensington,  W.,  1174,  2015.  , 

Scheve,  Sofie,  Baronesse  von,  Miinchen,  Adalbert  Str.  76.    1421,  1849,  1958,  1966. 

hrader,  ^  gerta,  Dresden,  Sidonienstr.  17.    1459,  1956. 
Schillings  Clotilde,  Dresden,  Ostbalm  Str.  16  III,  1021,  1097. 
gchultze,  Ernestine,  Via  Porta  Rossa  4,  Firenze,  Italy,  2188a, 

a  wprtze  Therese,  1091  Prinzengracht,  Amsterdam  (lent  by  Mrs.  Ellen  Frank, 
S    73  Carlton  Mansions),  1625,  1627,  1639,  1642,  1645. 

Scola,  Baronessa  Maria  Camerini,  Vicenza,  Italia,  1869,  2127,  2148. 

Seifert,  Emanuela,  Miinchen,  Schubert-str.  7.   1081,  1120. 

geydlitz-Gerstenberg,  Gerty  von,  Dresden,  Neustadt,  Nordstrasse  2  i.    2187,  2188, 

22#13.  ' 
Shaw,  Kathleen,  29  York  Street  Chambers,  Bryanston  Square,  W.,  2129,  2130. 

Shaw,  E.  Sylvia,  2  Cholmeley  Villas,  Highgate,  N.,  1370. 
Sheppard,  Miss,  51  Bedford  Gardens,  Kensington,  2289. 
Sikes,  Mollie,  Via  Tornabuoni  10,  Florence,  Italy,  2021. 
Simon,  Naomi,  29  Arundel  Gardens,  W.,  1992. 
Sladen,  Alice,  Rhydoldog,  Rhayader,  Radnorshire,  2063. 

Sloane  Mary  A.,  57  Bedford  Gardens,  Campden  Hill,  London,  W.,  1235,  1236, 

1237,  1240,  1538,  1806. 
Slowcock,  Mabel  Irving,  71  Warwick  Gardens,  Kensington,  W.,  1986. 
Small  Florence  (Mrs.  Deric  Hardy),  36  Gloucester  Road,  Regents  Park,  N.W., 

1085,  1117,  1121,  1130,  1630. 
Smallfield,  Beatrice  C,  52  Boundary  Road,  London,  N.W.,  2242. 
Smith,  Catherine,  52  Rathbone  Place,  Oxford  Street,  W.,  2074,  2080. 
Smith,  Gertrude,  The  Studio,  52  Rathbone  Place,  Oxford  Street,  W.,  2133,  2155. 
Smith,  Mrs.  Hannah  E.,  M.S.M.P.,  14  Hemstal  Road,  West  Hampstead,  2291. 
Someren,  K.  A.  van,  53  Avonmore  Road,  West  Kensington,  2034. 
Spiers,  Bessie  J.,  21  Bernard  Street,  Russell  Square,  W.C.,  1348,  1379. 
Spiers,  Charlotte  H.,  21  Bernard  Street,  Russell  Square,  W.C.,  1354,  1355. 
Spong,  Annie  E.,  39  Doughty  Street,  W.C.,  1096. 
Stackpoole,  Miss,  151  Gloucester  Road,  Kensington,  1419. 
Starkie,  Edith,  3  Wychcombe  Studios,  Haverstock  Hill,  N.W.,  1113. 
Stephens,  Alice  Barber,  1004  Chestnut  Street,  Philadelphia,  1813,  1815,  1816,  1818, 
1821,  1824,  1825,  1828,  1830,  1831,  1836,  1837,  1838,  1839,  1840,  1841,  1905, 

1910. 

Sterry,  Ida  S.,  3  Bedford  Place,  Croydon,  1339,  1399. 

Stone,  Melicent,  7  Mechlin  Mansions,  Brook  Green,  W.,  2111. 

Stratton,  Helen,  113  Abingdon  Road,  Kensington,  1323. 

Sucharda,  Anna,  Prague  (lent  by  Imre  Kiralfy,  Esq.,  Tower  House,  Crcmwell 
Road),  1897. 

Sutro,  Esther  S.,  Drayton,  Abingdon,  Berks,  1054,  1957,  1092 

Swan,  Mary  Edmonds,  58  Holland  Park,  London,  W.,  1281,  1318, 1717,  2006,  2041. 

Swainson,  Mary,  2  Southend  Villas,  Cheltenham,  2173. 

Swynnerton,  Mrs.,  14  Douro  Place,  Victoria  Road,  1438,  1439,  1441  1443, . 1444, 
1445,  1446,  1447,  1450,  1451,  1452,  1453,  1456,  1457,  1458,  1460,  1461,  1402. 


v 


242 


T 

Tarver,  Henrietta  M.,  The  Bungalow,  Old  Bushey,  Herts,  2065. 
Taylor,  Emily  Drayton,  1710  Chestnut  Street,  Philadelphia,  2283,  2300,  2304. 
Tenison,  Miss  Nell,  215  Uxbridge  Road,  Shepherd's  Bush,  1256,  1273,  1275. 
Thompson,  Margaret  E.,  183  Hither  Green,  Lewisham,  S.E.,  1729,  2057,  2078. 
Thomson,  Winifred  Hope,  57  Onslow  Square,  1111,  1170,  1195,  2191a;  2319. 
Thun,  Marie,  Berlin,  Konigin  Augusta  Strasse  35.   1107,  1847,  2039. 
Tiddeman,  Letitia  E.  H.,  Queen's  Chambers,  Hastings,  1665. 
Toynbee,  Gertrude,  8  Balcombe  Street,  Dorset  Square,  1506. 
Tramontini,  Rita,  Treviso,  Italy,  1035,  1094,-1105,  1186,  1266,  1952,  1973. 
Trefftz,  Mrs.  Gertrud,  Leipzig,  Saxony,  21  Mozartstrasse,  1171,  1965. 
Tucker,  Mrs.  Hattie,  Marlborough  Mansions,  83  Victoria  Street,  S.W.,  2303. 
Turner,  Juliet,  Florence,  Italy,  1380. 

Turner,  Katharine,  The  Grange,  Paradise  Row,  Stoke  Newington,  London,  N., 
1556,1565. 

U 

TJnger,  Gladys,  The  Wigwam,  55  Acacia  Road,  N.W.,  2058. 
Unwin,  Hermione,  Hall  Royd,  Shipley,  Yorkshire,  2185. 

V 

Yallet,  Madame  Frederique  (lent  by  Imre  Kiralfy,  Esq.,  Tower  House,  Cromwell 
Road),  1953. 

Vallgren,  Mdme.  Antoinette,  233  Rue  St.  Honore,  Paris,  2141,  2147. 

Varley,  Ida,  68  Warwick  Gardens,  Kensington,  1807,  2110,  2112. 

Viena,  Ida  Celeri,  Via  Vittoria  26,  Milano,  1411,  1971. 

Vennemann,  Rosa,  85  Rue  de  Robiano,  Bruxelles,  1903. 

Vin,  Mdlle.  Gabrielle  Vander,  47  Rue  Chiefry,  Bruxelles,  1972,  2024. 

Vouga,  Madame  E.,  18  Chemin  Liotard,  Geneva,  Switzerland,  1879,  2047. 

Villette,  Madame  Elodie  la,  2  Rue  Amiral  Courbet,  Lorient,  1078,  2198,  2224«,  2225«. 

w 

Walker,  Agnes  C,  14a  Cheyne  Row,  Chelsea,  1423. 

Walker,  Ethel,  38  Cheyne  Walk,  Chelsea,  1924,  1926,  1928,  1929,  1931,  1932,  1934, 
1935,  1936. 

Wallis,  Rose,  c/o  Messrs.  Lambert  &  Co.,  34  Albert  Gate,  1332. 

Walton,  Constance  (Mrs.  W.  H.  Ellis),  Belmont,  Milngavie,  N.B.,  1906. 

Walton,  Mrs.  G.  R.,  West  Cromwell  Road,  S.W.,  1640. 

Walton,  Mrs.  Helen,  73  Cheyne  Walk,  Chelsea,  1510,  1626,  1628. 

Ward,  Beatrice  M.  F.,  3  Chester  Houses,  Chester  Square,  S.W.,  1401,  1745. 

Ward,  The  late  Mrs.  G.  R-,  1244. 


243 


Mrs-  E.  M.,  3  Chester  Houses,  Chester  Square,  1118,  2002. 
Warren,  Louisa  A.  (c/o.  Miss  Chevely,  Waverley  House,  Huddersfield) ,  2250,  2251. 
'  Emily  M.  B.,  25  Westgate  Terrace,  Earl's  Court,  1753. 


Warren,  Emily 
Warren,  F.  Bromley,  Whitehall  Court,  2193a. 

S\  vwri  Louisa,  Marchioness  of  (lent  by  Countess  Brownlow,  Ashridge,  Gt.  Berk- 

Wft1h^tead,  1352,  1356,  1361,  1362,  1364,  1365,  1367,  1368,  1371,  1376,  1378, 
iQQi  -  (lent  by  Lady  Marjoribanks,  Lees,  Coldstream),  1358,  1359,  1372;  (lent 
by  LadyDrogheda),  1357;  (lent  by  Mr.  T.  C.  Smith,  30  Humbriss  Row,  Scar- 
borough), 1375. 

Watson,  Mrs.  Douglas,  7  Upper  Cheyne  Bow,  S.W.,  1247. 

Way  Fanny  (Mrs.  Arthur  Thacker),  4  Gwendwr  Road,  West  Kensington,  2282. 

Weiss,  Miss,  21  Porchester  Gardens,  W.,  2261,  2270. 

TTniJ  Hedwiff,  Berlin,  Konigin,  Augusta  Strasse  99.  1483,  1584,  1596,  1650,  1669, 
1744,  1776,  1808,  1812,  1967,  2059,  2060,  2220,  2221,  2222,  2223. 

w  '<«  Professor  Johanne,  Marburg,  a  l'Universitat  Strasse  74.  1564. 

Wheelhouse,  M.  V.,  3  Pomona  Studios,  111  New  King's  Road,  Fulham,  S.W.,  1609, 
1914. 

White,  Florence,  8  Bolton  Studios,  2288. 

Wrhite,  H.  Mabel,  Stonehouse,  Churchfield  Road,  Ealing,  2124. 

White,  Isabel,  2  Kensington  Studios,  Kelso  Place,  W.,  1172. 

White,  Josephine  M.,  Garden  Studios,  Manresa  Road,  Chelsea,  S.W.,  2276. 

White,  J.,  Garden  Studios,  Manresa  Road,  Chelsea,  S.W.,  1854. 

Whitman,  Sarah  Wyman,  Boston,  U.S.A.  (lent  by  Mrs.  Higgison),  1200,  2231. 

Wilde,  E.  M.,  84  Lexham  Gardens,  Kensington,  W.,  1183,  1554. 

Williams,  L.  Gwendolen,  4  The  Studios,  Holland  Park  Road,  W.,  2143. 

Wirth,  Anna  Marie,  Hohenzollernstrasse  50,  Munehen,  1641. 

Wish,  Louisa,  9  Victoria  Terrace,  Exeter,  Devon,  1406. 

Withers,  Annie,  17  Pembroke  Gardens,  Kensington,  1168,  1605. 

Withrow,  Eva,  9  Bolton  Studios,  Redcliffe  Road,  S.W.,  1090. 

Wood,  E.  Stewart,  44  Holland  Street,  Kensington,  1465,  1470,  1474,  1475. 

Woodward,  Alice  B.,  129  Beaufort  Street,  Chelsea,  1106,  1350,  1387,  1389,  1390, 

1391,  1392,  1393,  1394,  1407. 
Woolner,  Dorothy,  2  Stratford  Studios,  Stratford  Road,  Kensington,  1046,  1396. 
Woolner,  Phyllis,  29  Welbeck  Street,  W.,  1213,  1214,  1464. 
Woohner,  Ethel,  7  Cranbourne  Court,  Battersea  Park,  1360. 
Worsfold,  Maud  B.,  20  Campden  Hill  Gardens,  Kensington,  W.,  2325. 
Wright,  C.  H.  Moncrieff,  Kinross,  N.B.,  2117. 

Wright,  Ethel  (Mrs.  A.  Barclay),  2  Harrington  Gardens,  South  Kensington,  S.W., 

1126,  1131,  1132,  1137,  1153. 
Wright,  L.  F.,  The  Willows,  Harlesden,  1127,  2073. 
Woodyat,  Mrs.  R.  F.  H.,  13  Sandringham  Gardens,  Ealing,  2316. 
Wroe,  Mary  McNicoll,  29  Clarendon  Road,  Chorlton-on-Medlock,  Manchester, 

1241,  1242. 

Z 

ZanardelU,  Italia  (lent  by  tore  Kiralfy,  Esq.,  Tower  House,  Cromwell  Boad),  1857 


244 


Historical  and  Loan  Section. 


INDEX  TO  CONTEIBUTOES. 


B 

Bailey,  James,  Esq.,  M.P.,  2526,  2615. 

Baker,  Miss  E.  L.,  3312. 

Bancroft,  Lady,  2710. 

Bancroft,  Sir  Squire,  2601,  2711. 

Bolton,  Miss  Alice,  2700a. 

Bourchier,  Mrs.  Arthur,  2596. 

Boyes,  Mrs.  B.  Harden,  3306,  3478. 

Brackett,  Mrs.,  2963,  3252,  3252a,  3464,  3465. 

Breun,  J.  Ernest,  2660  to  2668. 

Brown,  D.  Dyce,  Esq.,  M.D.,  2622  to  2626,  2628,  2629,  2630,  2636,  2638,  2639, 
2640,  2642,  2644,  2647,  2650. 

Brown,  James  Boberts,  Esq.,  2811,  3350. 

Buck,  Mrs.  Susana,  3300. 

Bun  sen,  Mdme.  de,  3046. 

Burton,  The  Lord,  2539,  2547,  2549,  2566. 

O 

Clarke,  Mrs.  Bruce,  2757  to  2768. 

Clarke,  Miss  E.  M.,  3169,  3264,  3280,  3281,  3477,  3631,  3632,  3633. 

Cockle,  Mrs.  Moss,  3313,  3349,  3369,  3370,  3372,  3374,  3375,  3377,  33S2,  3893, 
3402,  3623. 

Coffin,  Dr.  R.  J.  Maitland,  3622. 

Cohen,  Morris,  Esq.,  2544,  2546.  . 

Coleridge,  Miss  Maud,  2572,  2936,  2939. 

Colnaghi,  Martin,  Esq.,  2542,  2545, 

Gook,  Gilbert,  Esq.,  2618. 

Cowen,  Mrs.  E.  A.,  2981,  3253. 

Craigie,  Mrs.,  2688. 

D 

Dagnall,  Miss  Ada,  3255. 

Davey,  Richard,  Esq.,  2800,  2839  to  2842,  3312a. 

Davis,  Charles,  Esq.,  2507,  2513,  2514,  2516,  2519,  2520,  2522. 


245 


Devonshire,  His  Grace  the  Duke  of,  K.G.,  P.C.,  2342  to  2353. 
Dillon,  Frank,  Esq.,  3596  to  3609. 

Dowdeswell  &  Dowdeswells,  Ltd.,  3054  to  3057,  3032,  3034,  3035;  3037. 
Downing,  C.  P.,  Esq.,  3314,  3315. 

E 

Evans,  Mrs.  Lucy  J.,  2556,  2990,  3333  to  3341. 

F 

Farquharson,  Mrs.,  of  Haughton,  3258,  3259. 
Fellowes,  Orlando  Butler,  Esq.,  3045,  3352,  3373. 
Fine  Art  Society,  2523,  2529,  2537,  3089,  3070,  3071. 
Fownes  Bros.  &  Co.,  2959  to  2962,  3454. 
Freake,  The  Dowager  Lady,  2657,  2709,  3254. 
Fulleylove,  John,  Esq.,  B.I.,  2631,  2637. 

a 

Gabriel,  John  T.,  Esq.,  2778  to  2790,  2796  to  2733. 
Gaury,  FrancisH.  H.  de,  2582. 

Gemmell,  Miss  Marion,  2573,  2577,  2578,  2387,  2392. 

Goldschmidt,  Otto,  Esq.,  2590,  2618a,  3409. 

Gooden,  Stephen  T.,  Esq.,  3063. 

Goodeve,  Mrs.  Arthur,  2845,  3183,  3282,  3471. 

Goodeve,  Miss  Flora,  3399. 

Goodeve,  Miss  Sylvia,  2810,  3400. 

Goodeve,  Miss  Buth,  3179,  3182. 

Goodeve,  Miss  Josephine,  3487,  3472,  3473. 

Graham,  Miss  Florence,  2564,  2701  to  2708. 

Graphic,  the  Proprietors  of  the,  2592,  2883,  2393,  2698. 

Graves,  Mrs.  A.,  2730. 

Graves,  Miss  Florence  A.,  2729. 

Graves,  Sydney,  Esq.,  2731. 

Graves,  Henry  &  Co.,  Ltd.,  2512,  2513,  2541,  2725  to  2728,  3072  to  3143. 
Grego,  Miss  Louie  S.,  3289,  3301.  . 

Grego,  Joseph,  Esq.,  2501,  2508,  2508  to  2511,  2515,  2525,  2527,  2530,  2531,  2536, 
2540a,  2552  to  2555,  2559,  2560,  2561,  2565,  2591,  2606,  2610  to  2613,  2617, 
2652,  2733  to  2756,  2769  to  2773,  2791  to  2795,  2804,  2805,  2806,  2808,  2815, 
2824,  2828,  2830,  2831,  2832,  2836,  2837,  2838,  2844,  2846  to  2911,  2916  to 
2933,  3047  to  3051,  3159,  3163,  3174  to  3178,  3180,  3181,  3198,  3210  to  3216, 
3218  to  3240,  3242,  3243,  3245,  3248,  3249a,  3260,  3261,  3262,  3265  to  3277, 
3285,  3286,  3287,  3293,  3296,  3302,  3304,  3305,3353  to  3368,  3376,  3378  to  3381, 
3383  to  3392,  3394  to  3398,  3403  to  3408,  3410  to  3440,  3466,  3624  to  3630. 

Green,  Mrs.  F.  Willis,  2931a. 


246 


Green,  The  Exors.  of  the  late  Towneley,  Esq.,  E.I.,  2963a,  2963?),  2989a,  3160, 
3171,  3184  to  3192,  3194  to  3197,  3199  to  3209,  3250,  3251,  3298,  3299,  3316, 
3449,  3450,  3488,  3489,  3490. 

Gurney,  Miss  Alice,  3635,  3636.  1 

Gwennet,  William  Gunn,  Esq.,  3241,  3246. 

H 

Haag,  Carl,  Esq.,  2505,  2579. 

Haite,  George,  Esq.,  3586  to  3592.  ...  ' 

Hampton,  Mrs.  M.,  2670. 

Hart,  Mrs.  Ernest,  2992  to  3044,  3492  to  3577. 
Harvey,  Francis,  Esq.,  3217,  3244,  3247. 
Haynes,  Mrs.  E.  B.,  2540. 
Hay  worth,  Walter,  Esq.,  2620,  2627,  2643. 
Hipkins,  Miss  Jane  S.,  2801. 
Hodgkins,  Edwin  Ml,  Esq.,  2535,  2538. 
Hollingsworth,  Alex  Thomas,  Esq.,  2648,  2649. 
Horner,  Burnham,  Esq.,  3342,  3401. 
Huish,  Marcus,  Esq.,  3170. 

J 

Janotha,  Miss  Natalie  C,  2609a,  26096,  2941. 

Javal,  P.  Cremieu-,  Esq.,  2571,  2574,  2376,  25S6,  2588,  2598,  2651,  2653,2654,  2655. 

Jendwine,  Miss  K.  W.,  3295. 

Jopling,  Mrs.  Louise,  2599,  2600,  2602  to  2605. 

K 

SCp,  F.  W.,  Esq.,  2621. 

Kilburne,  G.  G.,  Esq.,  B.I.,  2532,  2690,  3161,  3193,  3283,  3290,  3292,  3294,  3303, 
3444,  3445,  3446. 

L 

Langdon,  Mrs.  Glanville,  2975. 

Linton,  Sir  James  D.,  B.I.,  3164,  3291,  3442,  3447,  3448,  3461,  3462,  3463. 

Lockwood,  The  Exors.  of  the  late  William,  Esq.,  2619,  2641. 

Lumley,  Henry,  Esq.,  2575,  2645. 

Lumley,  Theodore,  Esq.,  2593,  2843,  2934,  2935, 

M 

McLean,  Thos.,  Esq.,  3144  to  3152,  3154. 
Maidstone  Corporation  Museum,  3481  to  3487. 
Marshall,  Chas.  E.,  Esq.,  2712  to  2721. 


247 


Mencloza,  Lim.,  J.  P.,  -058  to  3031,  3056,  3068. 
Mitford,  Hon.  Mrs.  Percy,  2548. 

Moberly,  Mrs.  Mariquita  J.,  2802,  2803,  2309,  2937,  2940,  3052. 
Moore,  Miss  Mary,  2594,  2595. 
Mordecai,  Joseph,  Esq.,  2551,  2597. 
Mortlock,  Miss  Ethel,  2695,  2698,  2938. 

■ 

O 

Orrook,  James,  Esq.,  B.I.,  2633,  2634,  2646. 

P 

Parsons,  E.,  Esq.,  2562,  2581,  2585,  2587,  2614,  2656. 
Partridge,  Bernard,  Esq.,  2635,  2686,  2689,  2691. 
Peck,  George  Harland-,  Esq.,  2534,  2557,  2567. 
Penn,  Mrs.  H.  D.,  3491. 
Pogosky,  Madame  A.,  3637  to  3840. 

Portland,  His  Grace  the  Duke  of,  K.G.,  2543,  2543a,  25436. 
Prout,  Mrs.  W.,  3441. 

R 

Riviere,  H.,  Esq.,  2699. 
Roe,  F.,  Esq.,  3458,  3479. 
Rosenheim,  Max,  Esq.,  3288. 
Eowney,  Geo.  &  Co.,  2570,  2583,  2584. 

S 

Sabin,  Frank  T.,  Esq.,  2504,  2563,  2568,  2659,  2684,  2694,  2816  to  2823,  2825, 
2826,  2827,  2829,  2833,  2834,  2835. 

Salamon,  Mrs.  Gordon,  2700. 

Sandeman,  Miss,  3634. 

Sands,  W.  H.  B.,  Esq.,  2569. 

Sarsori,  John  Edward,  Esq.,  2632. 

Schafer,  Henry  Thomas,  Esq.,  2528,  2558,  2671  to  2682. 
Schmalz,  Herbert,  Esq.,  2609. 
Schweitzer,  Mrs.  von,  2774  to  2777. 

Shaw,  Mrs.  Caroline,  2964,  2965,  2966,  2968,  2969,  2970,  2972,  2973,  2974,  2976 

to  2980,  2982,  2983,  2984,  2986,  2987,  2988,  3459,  3460,  3474,  3475,  3476. 
Shears,  W.  Hamilton,  2658. 
Sibley,  Mrs.,  2967,  2971,  2991;  3480. 


248 


Sidney,  F.  E.,  Esq.,  F.S.A.,  2502,  2521,  3263,  3346,  3317,  3348. 

Speed,  Harold,  Esq.,  2724. 

Spiers,  Phene,  Esq.,  3584,  3585. 

Spindler,  Walter,  Esq.,  2608. 

Sproston,  Miss  Horatia,  2912 

Smith,  Harding,  Esq.,  3578  to  3583. 

Stanley,  Hon.  Mrs.  Lyulph,  3155  to  3158,  3172,  3173,  3284. 

Statham,  Mrs.  C.  H.,  3168,  3297. 

Sterling,  Mdme.  Antoinette,  2722,  2732. 

Storey,  G.  A.,  Esq.,  A.E.A.,  2697. 

Stewart,  Henry  Hayward,  Esq.,  2589. 

Stewart,  Shakespeare,  Esq.,  2550,  2616,  2669. 

Sullivan,  Samuel,  Esq.,  2807. 

T 

Temple,  Mrs.  A.,  3443. 
Tomkinson,  E.,  Esq.,  3593,  3594,  3595. 
Trevelyan,  Frances,  Lady,  3256. 
Tweedie,  Mrs.  Alec,  2607,  3610  to  3621. 


V 

Vacher;  Sydney,  Esq.,  3165,  3166,  3167,  3257,  3317  to  3332. 
Vallat,  Mrs.  Ellen,  3452,  3453. 

W 

Walsh,  Lady  Clementine,  3278,  3343,  3344,  3345. 

Ward,  Mrs.  E.  M.,  2580,  3154,  3249,  3351,  3371,  3455,  3456,  3168,  3469,  3470- 
Westbury,  Dowager  Lady,  3451. 
Willson  Brothers,  2503,  2517,  2524. 
Withall,  Walter,  Esq.,  2533. 
Withycombe,  Mrs.  Fanny,  3279. 

Young,  Sidney,  Esq.,  F.S.A.,  2985,  2989,  3307  to  3311. 


All  communications  respecting  Advertisements  in  the  Publications  of  the  Exhibition 


mav  GREATEST  AND  MOST  SCHOLARLY  WORK  ON  THE  HISTORY  OF 
THE  GKHAi«w  THE  ANCIENT  WORLD.  UKI  u* 

PROFESSOR  MASPERO'S 

HISTORY  OF  THE  ANCIENT  PEOPLES  OF  THE  CLASSIC  EAST. 

n  Is  now  complete,  embracing  three  volumes  under  the  following  titles: 

tiv  DAWN  OF  CIVILIZATION  (EGYPT  AND  CHALD^EA).    New  and  Revised 

THfc  V Bv  Professor  Maspero.    Edited  by  the  Rev.  Professor  Sayce.    Translated  by  M.  L.  McClure 
£r!h  Man  and  over  47o  Illustrations  including  Three  Coloured  Plates.    Demy  4to  (approximately),  cloth, 
W   11  /boards  24s.;  half-morocco  (bound  by  Riviere),  48s. 

b,     r  MasDero  by  using  the  result  of  the  most  recent  researches  in  Egypt  and  Mesopotamia,  has  brought 
Professor  via  h     q  the  latest  date>  • 

this  ne^3ic:  wanting  to  make  this  the  most  complete  and  satisfactory  storehouse,  alik-  for  the  student  and 
'     1     Hpr  of  the  oldest  forms  of  civilised  society  with  which  the  world  is  acquainted."— Guardian. 

general  reaae  ,  hundred  pages,  which  represents  the  conclusions  of  one  of  the  greatest  living  scholars 

"  A  u°V  rv  and  archaeology  of  the  East."— Standard. 

of  the  nist°|)'  ,  .g  thoroughly  popular  in  the  best  of  senses."— Graphic. 

vuv  STRUGGLE  OF  THE  NATIONS  (EGYPT,  SYRIA,  AND  ASSYRIA).  Bv 

*  0  ftitor  Maspero.  Edited  by  the  Rev.  Professor  Sayce.  Translated  by  M.  L.  McClure.  With  Maps, 
Three  Coloured,  Plates,  and  over  400  Illustrations.  Demy  4to  (approximately),  cloth,  bevelled  boards,  25s. ; 
u  if  morocco  {bound  by  Riviere),  50s.  .  .. 

S  Translation  by  M.  L.  McClure  is  in  both  cases  excellent.    Professor  Maspero's  presentation  of  the  new 
"     Vis  at  once  eminently  popular  and  attractive."— Times. 

learning  1         ^  throughout  attempted  to  reproduce  for  us  the  daily  life  of  the  various  peoples  of  whom  he 
"atc and  in  this  he  has  succeeded  admirably."-^ cademy. 

THF  PASSING  OF  THE  EMPIRES,  850  B.C.  TO  330  B.C.  By  Professor  Mabpeho. 
Fdited  by  the  Rev.  Professor  Sayce.  Translated  by  M.  L.  McClure.  With  Maps,  Three  Coloured 
Plates  and  numerous  Illustrations.    Demy  4to  (approximately),  cloth,  bevelled  boards,  25s.;  half-morocco 

r^h^volume^^  tne  history  of  Egypt,  Assyria,  Babylonia,  Persia,  Media,  &c,  to  the  Conquests  of 

1  Great.   Among  other  things  of  interest  to  Bible  Students  it  deals  with  the  circumstances 

attending  the  Captivities  of  Israel  and  Judah,  and  throws  much  light  on  the  historic  references  in  the 

Pf°  Schokrs  as  well  as  unlearned  seekers  after  unbiased  facts  owe  M.  Maspero  and  Mrs.  McClure  a  deep  debt 
nf  latitude  " — St.  James's  Gazette. 

"An  interesting  book,  and  one  which  will  give  the  reader  a  good  general  view  of  a  most  eventful  period  in 
thp  history  of  the  world." — Nature. 

"  For  some  time  it  must  form  the  standard  work  upon  the  subject."— Pall  Mall  Gazette. 

"  The  work  is  beautifully  produced,  and  the  hundreds  of  illustrations  are  in  the  highest  style."— Daily 

Ck"°\sCa  narrative  it  reads  clearly  and  often  brilliantly,  which  says  much  for  Mrs.  McClure's  sympathetic 
translation.  Altogether  this  is  a  book  to  read  and  re-read:  it  is  the  best  authority  on  its  wide  subject  at 
nresent."— Saturday  Review.  . 

"The  Society  for  Promoting  Christian  Knowledge  has  done  good  service  to  scholars  and  Biblical  students 
in  procuring  an  able  translation  of  this  work.  The  translation  of  this  monumental  work  has  been  admirably 
carried  out  by  Mrs.  M.  L.  McClure,  a  member  of  the  Committee  of  the  Egypt  Exploration  Fund.— Liverpool 
Courier.  '   ,  

THE  HOLY  GOSPELS. 

With  Illustrations  from  the  Old  Masters  of  the  XlVth,  XVth,  and  XVIth 

Centuries. 

More  than  three  hundred  works,  dealing  exclusively  with  the  events  of  our  Lord's  life  have  been  chosen 
from  among  the  greatest  examples  of  the  Italian,  German,  Flemish,  and  French  Schools  for  the  sublet  ot 
these  Illustrations.  These  Pictures,  distributed  as  they  are  amongst  the  Churches  and  Galleries  ot  the 
civilised  world,  are  here  for  the  first  time  collected  together  and  presented  m  proximity  to  the  Sacred 
Narrative  which  they  were  intended  to  illustrate.  Notes  dealing  with  the  pictures  from  the  artistic  standpoint 
are  contributed  by  M.  Eugene  Muntz,  Member  of  the  French  Institute.  The  publication  includes  also  a 
Chronological  and  Biographical  Table  of  the  Painters  whose  works  are  reproduced,  and  ■  a .  Classified  List  ot 
the  Engravings.  The  work  contains  3«4  pages  (imperial  4to),  and  over  350  Illustrations,  48  of  these  ^enag 
separate  Plates,  printed  in  two  tints.   Half-bound,  paste-grain  roan,  47s.  6d. ;  whole-bound,  paste-gram  roan,  5<>=. 

ARUNDEL  SOCIETY'S  PUBLICATIONS. 

The  Society  for  Promoting  Christian  Knowledge  have  on  sale  the  publications  of  the  Arundel  Society . 
The  stock  includes  a  large  selection  of  superb  reproductions  in  Colours  and  Monochrome  of  masterpieces  by  . 
GIOTTO 
MASACCIO, 
FRA  ANGELICO, 
BOTTICELLI, 

And  numerous  other  great  Artists.  fnQrcnncnf  mr^ratp 

Hitherto  these  publications  have,  on  account  of  their  price,  been  beyond  the  reach  of  P^ons  o  r  oderate 
means;  many  are  now  otiered  at  much  reduced  prices.  The  stock  is  quickly  approaching  ex ™stton,  and 
these  pictures,  when  out  of  print,  are  sure  to  increase  in  value.  With  but  few  exceptions,  these  pictuies  deal 
with  religious  subjects.      A  Catalogue  may  be  had  on  application. 

SOCIETY  FOR  PROMOTING  CHRISTIAN  KNOWLEDGE, 

London:  NORTHUMBERLAND  AVENUE,  W.C. 
43  QUETM  VICTORIA  STREET,  E.C.  Brighton :.  129  NORTH  STRi^i- 


GHIRLANDAIO, 
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VAN  EYCK, 

MEMLINC, 

DURER, 


should  be  addressed  to  Mr.  JOHN  HART,  6  Arundel  Street,  Strand,  London,  W.C. 


THE 


LIFE  ASSURANCE  SOCIETY. 


This  Society,  familiarly  known  as  u  THE  OLD  EQUITABLE/'  was  established  in  the 
year  1762,  and  is  the  oldest  Life  Offise  OH  the  Mutual  principle  in  existence. 
During  its  long  career  of  uninterrupted  prosperity  it  has  distributed  unusually  large  sums 
in  Bonuses,  and  to-day  stands  in  the  unrivalled  position  of  having  more  than 

TWENTY-FOUR  TIMES  THE  ANNUAL  PREMIUM  INCOME  IN  HAND. 


NINETY-NINE  YEARS'  RECORD. 

During  the  Ninety=nine  years  ended  December  31, 189S — 


The  Premiums  received  amounted  to 

And  the  Society  paid — 
In  Claims  under  its  Policies  - 
In  Bonuses  =  - 
As  Surrender  Values  - 
In  Annuities        =  - 

Total  Payments 
And  had  Invested  on  December  31,  1899  - 


£26,020,238 

20,388,049 
22,799,597 
2,212,131 
168,010 

£45,567,787 
£4,681,396 


So  that  over  the  whole  of  that  period  for  every  £1,000  that  became  a  claim  the  Society 
paid,  on  the  average,  in  amount  assured  and  bonus,  £2,118  ;  and  the  Members  or  their 
relatives  received,  on  the  average,  a  return  of  £175  for  every  £100  paid  in  Premiums. 

Out  of  101  Policies  which  became  claims  in  the  year  1899,  the  sum  assured  and  declared 
Bonuses  together 


In  10  Cases 

Exceeded  Three  Times 
In  40  cases  Exceeded  Twice  and 

In  72  cases,  or  more  than  two-thirds  of 
the  entire  number,  Exceeded  One 

and  a  Half  Times 


the  Original 
Amount 
Assured. 


For  Prospectus,  Proposal  Form,  and  every  information,  apply  to— 

H.  W.  MANLY,  Actuary, 

MANSION  HOUSE  STREET,  ^  MANSION  HOUSE,  LONDON,  E.C